Romantic and Mythological Themes

Prints exploring intimate and emotional moments between figures, often incorporating mythology, love, and artistry in the portrayal.

Woman in Katzwijm, Pieter de Mare, after Frans van Mieris (I), 1768 - 1784 print A lady in Katzijm, a letter is on her lap. In front of her is an embroidery on a chair and her maid looks at her with folded hands delivered. A crib in the background. Leiden paper etching / engraving fainting, swooning. letter, envelope. maid ~ house personnel. (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Woman in Katzwijm, Pieter de Mare, after Frans van Mieris (I), 1768 - 1784 print A lady in Katzijm, a letter is on her lap. In front of her is an embroidery on a chair and her maid looks at her with folded hands delivered. A crib in the background. Leiden paper etching / engraving fainting, swooning. letter, envelope. maid ~ house personnel. (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Psyche looks at the sleeping Cupido, James Mcardell, After Godfried Schalcken, c. 1745 - 1765 print London paper Psyche, holding a lamp, gazes at the sleeping Cupid, who awakens when a drop of hot oil falls on him

Nicolas Delaunay after Pierre Antoine Baudouin, Les Soins tardifs, 1775 Les Soins tardifs

The Raising of Lazarus: The Larger Plate, Rembrandt van Rijn, c. 1632 print Japanese paper etching the raising of Lazarus ('Lazarus, come out')

Helen Fourment and her Children, 1894. Timothy Cole (American, 1852-1931). Wood engraving;

The drunkard and his wife Illustration for Jean de la Fontaine's Fairy tales, Book III, 7 placed in: L'ar artist, Paris 1852 Decamps, Alexandre Gabriel (1803 1860), Masson, Alphonse Charles (1814 1898)

De nacht, anonymous, after Jan Saenredam, after Hendrick Goltzius, 1630 print Sleeping people in a departure. In the foreground, a woman is sleeping in a wicker armchair. Next to her a sleeping baby in a cradle. At the back of the departure a four -poster bed with a sleeping man and a woman who strikes him. By an open window, NOx can be seen in the clouds. paper engraving night. personification of the night, 'Nox'; 'Notte', 'Carro della notte', 'Serenití della notte' (Ripa). sleeping in bed. sleeping in chair. cradle, crib. bed with tester

Griselda Returning to her Father, Print made by Amedeo Gabrielli, 1749-1817, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after John Francis Rigaud, 1742-1810, French, active in Britain (from 1771), after 1785, Etching and stipple engraving on moderately thick, slightly textured, cream laid paper, Sheet: 17 1/16 x 13 inches (43.4 x 33 cm), Plate: 13 1/8 x 10 inches (33.4 x 25.4 cm), and Image: 10 9/16 x 8 7/16 inches (26.8 x 21.5 cm), basket, bedroom, cloaks, daughter, embracing, family, father, fireplace, house, illustration, literary theme, pitcher, The Clerk's Tale (The Canterbury Tales)

Imogen and Iachimo. Date/Period: Ca. 1805. Drawing. Graphite and black chalk on medium, slightly textured, cream wove paper. Height: 248 mm (9.76 in); Width: 200 mm (7.87 in). Author: RICHARD COSWAY.

The consolation of Matula "; Strza Ecki, Wandalin (1855-1917); 1881 (1881-00-00-1881-00-00); was downloaded from the Muza of the National Museum in Warsaw; drawing / pen, drawing / ink; products from W ókien / paper / paper on cardboard; Fig. 159617 MNW; all rights reserved.Society of encouragement of Fine Arts (Warsaw - 1860-1940), Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, children, women with children, motherhood, infants, nocturnes, Poland (culture), Polish drawings, generic scenes, interiors residential, collection signs

Marguerite au rouet (Marguerite at Her SpinningWheel). Artist: Eugène Delacroix, French, 1798-1863

The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ) 1864 After Sir John Everett Millais British It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same lighteach Parable I illustrate perhaps a dozen times before I fix [the image." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.The Parable of the Ten (Wise and Foolish) Virgins appears in Matthew 25: 1-13, and inspired two designs, this second representing the fate of the foolish girls who failed to prepare for a nighttime journey, left too late, and are now shut out of a weddin

Two men; The sign book of Abraham Bloemaert. An older and a somewhat younger man standing towards each other.

Wine drinking company in a window, Louis Michel Halbou, after François Eisen, 1740 - 1797 print Two young women with a bottle of wine and a boy with arrow and arch on his back, probably Amor, in a vine window. Paris paper etching / engraving (story of) Cupid, Amor (Eros). vine. human figure at (open) window, seen from outside

Les Soins tardifs. Dated: 1775. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Pierre-Antoine Baudouin.

Enious, Jean de Weert, After David Ryckaert (III), 1636 - 1700 print In a landscape there is an old woman as a personification of envy with long hair and poor teeth. With her left hand she grabs her head and in her right hand she holds a burning torch. A snake winds around her left arm. Under the performance is a four -line, Dutch poem. Antwerp (possibly) paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. torch. old woman

Woman with scissors, c. 1585 Sitting woman with scissors in hand. Next to her a man and naked children. Figure group from Michelangelo's ceiling painting. Numbered below: 73. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting woman with scissors in hand. Next to her a man and naked children. Figure group from Michelangelo's ceiling painting. Numbered below: 73. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Cressida and her uncle, from Troilus andCressida. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Virgin and Child with an Angel 1612-16 Jacques Bellange French. Virgin and Child with an Angel 369052

Two sisters with flowers, Émilien Desmaisons, After Winterhalter, 1841 print Paris paper. sisters (second degree family relationships). flowers. sitting on an elevation - AA - female human figure

Bellange, Jacques, France, Hortulanae, Gardener with a basin, verso lower left - stamped, A young woman carries a basin on her head. From a series of four prints with gardeners., print, prent, prints, prenten, height 316 mm, width 173 mm, 1575 - 1616, print maker, prentmaker, 1602 - 1616, first quarter 17th century, paper, papier, Work conception, after own design by

Virgin and Child 19th century Cesare Ferreri Italian This print was executed by Cesare Ferreri after Guercino with Lorenzo Metalli as the intermediary draughtsman.. Virgin and Child 626670

Die Dame am Putztische. The woman at her toilet.. Dou, Gerard, 1613-1675. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Mirrors, Draperies, Women , Clothing & dress

The wine is a spotter. A nar-like figure is about to put a sleeping woman a pispot on his mind. He sticks out his tongue. On the table, where the woman has put her head to rest, is an enclosed wine glass. There is an owl on the door of the window.

La Naissance ca. 1744 Jean-Joseph Baléchou. La Naissance. Jean-Joseph Baléchou (French, Arles 1716-1764 Avignon). ca. 1744. Engraving. Bernard Lepicié (French, Paris 1698-1755 Paris). Prints

Young Roma or Sinti Woman with child on her back, in stone window frame, Simon François Ravenet (Le Vieux), 1768 print Nummered in the bottom left: full. Ii. No. 31. London paper engraving / etching wandering communities: Romani or Roma. carrying a child on the back

Holy Family in an Interior, Aert Schouman, 1725 - 1792, Mary feeds the Christ Child with a spoon. Joseph bends over her, smiling. He rests his hand on a table., print maker: Aert Schouman, (signed by artist), 1725 - 1792, paper, etching, h 112 mm × w 103 mm

Servant cutting the nails of his mistress (Bartsch 127) Rembrandt (school of). Servant cutting the nails of his mistress (Bartsch 127). Floor and chisel on European paper, 17th century.

Photo production of (presumably) a painting by Bartolomé Esteban Murillo, representing a mother who spoils her child; Picture by Murillo at Munich. Part of travel album with photos of Switzerland, Austria, Italy and Germany.

La Sainte famille. Bisson Frères (French, active 1840 - 1864)

The Madonna Spinning. Dated: 1615. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jacques Bellange.

Print, Illustration for Hamlet: Hamlet and the Queen (III,4); France; lithograph on paper; 31.3 × 21 cm (12 5/16 × 8 1/4 in.); 1896-31-106

Virgin andChild. Etcher: Pierre Daret, French, 1604-1678 After: Simon Vouet, French, 1590-1649

Woman on a throne, embraced by a man, print maker: Johann Wilhelm Baumann, (mentioned on object), Henri Decaisne, (mentioned on object), publisher: J.H. Laarman, (mentioned on object), print maker: Germany, publisher: Amsterdam, 1834 - 1878, paper, steel engraving, h 163 mm × w 104 mm

Geboorte Van Christus, Achille Désiré Lefèvre, After Correggio, 1815 - 1840 print after painting by: Italyprinter: Parispublisher: Dresden paper. etching / engraving birth and youth of Christ

Melancholy; Melancholy melancholia; Collection of prints according to the most beautiful paintings and according to the most beautiful designs that are and France (...). Allegorical Imagination of a Kneeling Melancholy in A Landscape with Ruins, Looking at a skull in her left hand. Behind Her and On The Floor There ARE Several Attributes That Can Be Associated With The Arts and Time.

A copper engraving from 1510-1527 by an unknown artist depicting a woman in a contemplative pose, showing detailed anatomy, posture, and expression.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V, 1789. Engraving.

Rest On The Flight Into Egypt, Pieter Van Bleeck, After Adriaen van der Werff, 1748 print The Holy Family rests in a landscape under a tree. Mary puts the sleeping Christ child on a cloth. Joseph is sleeping in the background. Under the performance in the margin a three -litige text in English about the gift history of the painting by Van der Werff. England paper engraving rest on the flight into Egypt

Mother with Three Children in Interior Motherly Love , print maker: Pieter van der Beek, (mentioned on object), after: Henry Singleton, (mentioned on object), publisher: Arpels & Gabriels & Co., (mentioned on object), Amsterdam, 1800 - 1821, paper, etching, h 515 mm × w 376 mm

Seated Maria with Child, Andrea Mantegna, 1465 - 1475 print Italy paper engraving Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length)

Holy Melania the young person as a recluse, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print print maker: Amsterdampublisher: Low Countriespublisher: Antwerp paper engraving female saints. anchorite, hermit

Woman at Her Toilet. Artist: Charles Reuben Ryley (British, London ca. 1752-1798 London); After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Dimensions: Plate: 10 5/16 x 9 3/8 in. (26.2 x 23.8 cm)Sheet: 10 13/16 x 9 13/16 in. (27.4 x 25 cm). Date: March 1, 1780. Museum: Metropolitan Museum of Art, New York, USA.

Fütterung der Schwäne; Wildt, Carl (Fl. CA 1830-1870); 19th century (1801-00-00-1900-00-00);

Illustration to the publishing house Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Les Soins Tardifs 1765-1775 France. Etching on paper . Nicolas Delaunay

Il lui sera beaucoup pardonné, parce qu'elle a beaucoup dansé ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Farewell Norblin, Jan Piotr (1745 1830)

Father's Leave-Taking. William Holman Hunt; English, 1827-1910. Date: 1879. Dimensions: 189 × 250 mm (plate); 333 × 475 mm (sheet). Etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print, Self Portrait; Print Maker: Maria Anna Angelica Kauffmann (Swiss, 1741 - 1807); England; etching on laid paper; 18.8 × 15.7 cm (7 3/8 × 6 3/16 in.); Bequest of George Campbell Cooper; 1896-3-356

Interior with wife and two children, Pierre François Laurent, After Jean-Baptiste Greuze, 1773 print print maker: Francepublisher: Paris paper etching / engraving interior of the house. mother and child(ren), woman and child(ren) (family group)

Copper engraving by Albrecht Dürer depicting Mary breastfeeding the child, showing figures, posture, and composition, dated 1519.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II, 1786. Mezzotint and etching on moderately thick, moderately textured, cream laid paper.

Woman with needle and thread, Jan Chalon, 1792 print Portrait of an adult woman. Bust to the right. She sits on a chair and repairs a piece of clothing with needle and thread. Northern Netherlands paper etching / drypoint morphology of human expression (+ adult female (human being)). head-gear: hat (+ men's clothes). needle ~ sewing

S.A.R. Mgr le Duc de Bordeaux...S.A.R. Mademoiselle...(Portr. du Comte de Chambord et la duchesse de Parme, enfants) 1822 Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte. S.A.R. Mgr le Duc de Bordeaux...S.A.R. Mademoiselle...(Portr. du Comte de Chambord et la duchesse de Parme, enfants). Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (French, Nice 1797-1858 Paris). 1822. Lithograph. Prints

Hoop, William Massijs, c. 1543 - c. 1544 print The personification of Deugd Hoop stands with a foot on a triangular stone and looks up to heaven from under her cloak. In the background a landscape with a city. Antwerp paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Raphael, Berlin, Schauer, Gustav, The Holy Family, Photographic reproduction of a print after a painting, depicting the Holy Family, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, 131., height 116 mm, width 85 mm, German, 1826 - 1902, photographer, 1856 - 1861, photographic paper, photo paper, albumen print, albumine print, 1483-04-07 - 1520-04-07, after, after painting by, Work conception

The Virgin and Child on a GrassyBench. Artist: Albrecht Dürer, German, 1471-1528

Design for a print, Design for a vignette of the Society of Medicine in Antwerp., draughtsman: Andreas Bernardus de Quertenmont, 1760 - 1835, paper, h 91 mm × w 113 mm

Portia: By my troth, Nerissa, my little body is aweary of this great world,” from Act I, Scene ii, Merchant of Venice. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Brussels, Muquardt, C., Rubens, Peter Paul, Fierlants, Edmond, Photographic reproduction of the Education of Mary by Peter Paul Rubens, photograph, photo, reproduction, page, photos, photographically illustrated books, height 361 mm, width 250 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1856 - 1861, photographic paper, photo paper, albumen print, albumine print, South Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Man shows a print to a woman, near candlelight, Nicolaas Verkolje, after Arnold Houbraken, 1683 - 1746 print A man shows, when the light of a candle, an erotic print to a woman who looks away from the print. Her cleavage is half bare. There is a sewing cushion and dust on her lap. Amsterdam paper print, e.g.: engraving, etching, lithograph. candlestick. home sewing; repair of clothes. love-affairs of satyr(s)

Seated woman with her hands folded in prayer In the background a burning house Copy after a depiction from the drawing book of Abraham Bloemaert, in the edition of Nicolaas Visscher Numbered 48 in the lower right corner, Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, print maker: anonymous, Netherlands, (possibly), c. 1679 - c. 1750, paper, etching, h 200 mm × w 148 mm

Sultana Reading in the Harem 1746-47 Claude Augustin Duflos le Jeune French. Sultana Reading in the Harem 394259

Duet from "The Trojans" (6th plate). Dated: 1894. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HENRI FANTIN-LATOUR.

Menghina consolation cacasseno with a chestnut cake; History of Bertoldo, Bertoldino and Cacasenno. Cacassen's mother Mother Menghina comforts her son and keeps him a chestnut cake. Under the show a three-legged rhyme in Italian. Print from a series of six with the regions of caccasseno, part of a series of twenty prints.

Lazio Viterbo Viterbo S. Lorenzo, Cathedral9. Hutzel, Max 1960-1990 Views of 16th c. facade, with detail views of portal, windows, campanile (attached). Interior views of cupola, baptistery, sculpture, chapels, tabernacle. Many views of paintings and apse frescoes. Nave views in negatives only. Object Notes: A composite view of the exterior in found in the Italy Oversize box in the Medieval Core Collection. Hutzel views (H-230) MED and (H-231) MED General Notes: Views 118 to 184, processed by previous cataloguer, have no matching prints, though negative jackets indicate they should. All prints have been renumbered. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic,

Discovery of a lover; The false sham likes discovered. Interior with a downled woman, the Geertruy character, holding her husband, filibbert, forgiveness after her lover is discovered in the basket in the background. Scene from the Blijspel The discovered seem to David Lingelbach from 1687.

Kindly Martine. Dated: 1760s. Dimensions: overall: 31.7 x 23.5 cm (12 1/2 x 9 1/4 in.). Medium: black chalk with gray and brown wash. Museum: National Gallery of Art, Washington DC. Author: Pierre-Antoine Baudouin.

Illustration for 'Caroline of Lichtfield'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

Study sheet with three heads and two hands, Pieter van den Berge, after Gerard de Lairesse, 1695 print Study magazine with a mother on her arm on the left above a mother, a figure with a plume on her head, under an angel with a vase in his hands and two studies of hands. Amsterdam paper etching / engraving drawing, sketch

Helene looks through a window, Charles Rochussen, 1854 print Helene sits on a chair and looks out through a window. There is a bird cage in the window and a lean dog stands in front of her. Illustration of a scene from a book with poems called 'Helene'. Amsterdam paper dog. bird in a cage. adult woman

Print made by Robert Laurie, 1755-1836, British, The Full of the Honeymoon, 1789. Mezzotint on moderately thick, slightly textured, cream laid paper.

Hamlet and the Queen (Act III, Scene IV). Dated: 1834. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

Old Italian Masters: Group, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving;

Mrs. Yates in the Characer of Medea 1771 William Dickinson British. Mrs. Yates in the Characer of Medea 390698

Virtue and virtue, Barthélémy Joseph Fulcran Roger, After Pierre Prud'Hon, 1796 - 1799 print paper etching / engraving figure representing a Virtue vs. a Vice. satyr(s) (in general)

Young woman sitting on a stone; Sheep; Animalia Ad Vivum Delineata and Aqua Forti Aeri Impressa Studio et Arte Nicolai Berchemi.

Seated Man with Leg Raised, c. 1729-1738, Jacque-Phillippe Le Bas; Artist: after Carle Vanloo, French, 1707 - 1783, 9 1/4 x 6 5/8 in. (23.5 x 16.83 cm) (plate)14 5/8 x 10 5/8 in. (37.15 x 26.99 cm) (sheet), Etching, France, 18th century

Peter Paul Rubens with his first wife Isabella Brant. .

Du Cabinet de Madame d'Azaincourt, Gilles Demarteau, Belgian, active in France, 1722 - 1776, François Boucher, French, 1703 - 1770, Reddish brown crayon engraving on paper, A girl, a boy, and a dog seated among ruins. After a drawing., France, 1770-1775, Print, Print

A fortune-teller reading the fortune of a young couple. Lithograph by L. Noël, 1830, after M. Gérard.

Figure Studies, from Drawing Book 1650-56 Frederick Bloemaert Dutch. Figure Studies, from Drawing Book 383882 Artist: Frederick Bloemaert, Dutch, ca. 1610ca.1669, Artist: After Abraham Bloemaert, Netherlandish, Gorinchem 15661651 Utrecht, Figure Studies, from Drawing Book, 165056, Engraving, sheet: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 (49.95.497(29))

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9), Print made by Thomas Gaugain, 1748-1812, French, and Thomas Hellyer, active 1800, British, after James Northcote, 1746-1831, British, 1797, Stipple engraving, open letter proofs, Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm), cane, children, disease, dishes, dying, fish, hankerchief, hats, literary theme, servants

Orientalia. Louis Candide Boulanger (French, 1806-1867). Lithograph;

Mon dernier caprice ma casse trois dents.. Artist: Paul Gavarni, French, 1804-1866

The home of the lost son. The return of the lost son: he knress for his father on the bordes of his parental home. Two figures in the doorway, a third look out of the window.

Ticket for the Benefit of Mr. Giardini, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1780, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 5 3/4 x 5 1/8 inches (14.6 x 13 cm) and Image: 4 1/2 x 3 3/4 inches (11.4 x 9.5 cm)

Duo des Troyens (6e planche) , Queens, Heroes, Romances, Dido Legendary character, Aeneas Legendary character, Berlioz, Hector, 1803-1869. Troyens à Carthage. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Wiertz, Antoine Joseph, Fierlants, Edmond, Photographic reproduction of Esmeralda by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 152 mm, width 115 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Photo production of (probably) a print to a painting by Bartolomé Esteban Murillo, imaginative children. Part of travel album with pictures of sights in Germany and Austria and of artworks.

Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb, Print made by Thomas Watson, 1743-1781, British, after Sir Joshua Reynolds RA, 1723-1792, British, Published by Walter Shropshire, active 1767-1785, British, 1775, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 25 9/16 × 16 1/16 inches (64.9 × 40.8 cm) and Plate: 24 3/8 × 15 inches (61.9 × 38.1 cm)

Wszyscy Święci w MNK unknown

La pièce aux six sujets , Dead persons, Physicians, Willows, Dissections, Alphonse Legros (1837-1911)

Wszyscy Święci w MNK Baby, Charles (1844 1922), Lippi, Filipppino (1457 1504)

Herderin with child, Pieter de Mare, after Nicolaes Pietersz Berchem, 1768 - 1796 print Leiden paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. mother and baby or young child

"Le vieillard, don't tous les soupçons étaient confirmés par cette visite", (opp. p. 98). Thierry, Augustin, 1795-1856. Illustrations. 1887. General Research Division. France , History , Carlovingian and early period, Merovingians

A 1691 drawing by Richard Brakenburgh showing a monk with a courtesan, with amusement in the background, executed in red chalk, graphite, and gray wash.

Angel who watches over a sleeping child, Bernard Romain Julien, After Théodore Fantin-Latour, 1843 print printer: Parispublisher: Parispublisher: Parispublisher: London paper guardian angel. watching a sleeping child

Up Anna and Maria; Geyer, Johann (1807-1875), Flinck, Goverrt (1615-1660), Payne, Albert Henry (Leipzig, Dresden; Publisher; 1838-1920); 1851 (1850-00-00-1855-00-00);

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