Romantic Female Figures in Art

This collection features ethereal female figures in various moods, adorned with floral arrangements and elaborate garments, emphasizing a dreamlike, emotional quality in soft colors.

Personification of the Sciences. Charles Chaplin (1825-1891). Oil on canvas. 101.6 x 126cm.

Ophelia. Alfred Stevens (1823-1906). Oil on canvas. 128 x 99cm

'Morning (Fading)'. Germany, 1870s. Dimensions: 36x27 cm. Museum: State Hermitage, St. Petersburg. Author: Gabriel Cornelius von Max.

Semi-dress woman wearing kimono by anonymous artist, painting, Austria, Linz, Schlossmuseum, 141x92, 5

Young Ladies Seated (Jeunes Femmes Assises) 1827 Eugene Deveria (1805-1865/French) Oil on canvas Musee du Louvre, Paris

Desdemona 1849 Theodore Chasseriau (1819-1856 French) Oil On Panel Christie's Images, London, England

'It is I; Be not afraid' - Juliet on her Balcony Frank Dicksee (1853-1928 British) Oil on board

Orphe (Orpheus), 1865

Personification of the Sciences. Charles Chaplin (1825-1891). Oil on canvas. 101.6 x 126cm.

Ophelia, Waterhouse, J.W., 1894.

A Crown, (1905). Artist: Unknown

A Pensive Moment. Charles Edouard de Beaumont (1812-1888). Pencil and watercolour on card. 26 x 38cm.

Lady of Shalott, Hunt, William Holman, 1905

'Maja acechada por un majo', 19th century, Oil on canvas, 102 x 79 cm, P4439. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Before the Mirror 1873 Pierre-Paul-Léon Glaize French. Before the Mirror 436519

Queen Bianca. Date/Period: 1877. Painting. Oil on canvas. Height: 96.5 cm (37.9 in); Width: 75.5 cm (29.7 in). Author: Albert Edelfelt.

Apres. Edward John Gregory (1850-1909). Pencil and watercolour heightened with bodycolour. 45.4 x 35.2cm.

Queen Guinevere (also known as, La Belle Iseult), 1858, by William Morris (1834-1896), oil on canvas, 72x50 cm.

Jo, den vackra irländskan Jo, the Beautiful Irish Girl. Date/Period: 1866. Painting. Oil on canvas. Height: 540 mm (21.25 in); Width: 650 mm (25.59 in). Author: GUSTAVE COURBET.

Reclining Nude Charles Chaplin (1825-1891 French)

LA NOVIA ENTERRADA VIVA - 1868 - OLEO/LIENZO - ROMANTICISMO ESPAÑOL. Author: EDUARDO CANO DE LA PEÑA (1823-1897). Location: MUSEO DEL ROMANTICISMO-PINTURA. MADRID. SPAIN.

Salome', 1870. Artist: Henri Alexandre Georges Regnault. Henri Regnault (1843-1871) was a French Orientalist painter.

Sleeping Beauty. Richard Eisermann (Late 19th Century). Oil On Canvas, 1881.

A Spanish Beauty. Frederik Hendrik Kaemmerer (1839-1902). Oil on canvas. 25.5 x 16cm.

Justice. Justitia. Justice Personification sitting on clouds, without blindfold. In her right hand, she holds the scales, a skeptic eye with a radiant eye in the left hand. Probably manufactured for the Provincial Court of Zeeland in Middelburg.

Gulnihal. Frederic, Lord Leighton (1830-1896). Oil on canvas. 55.3 x 40cm. The model was Lena (Isabel Helena) Pullan, one of Leighton's favourite child models.

The Happy Mother. oil on canvas. Date: 1913. Museum: Smithsonian American Art Museum.

Girl in a White Kimono Girl in a White Kimono, George Hendrik Breitner, 1894, Amsterdam, Netherlands Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21637535

Mrs Jens Wolff 1803-1815 England. Oil on canvas . Sir Thomas Lawrence

Echo. Robert Payton Reid (1859-1945). Oil on canvas. Signed and dated 1906. 61 x 45.7cm.

Blessures D'Amour. William Adolphe Bouguereau (1825-1905). Oil On Canvas, 1897.

The Death of Queen Sophie Amalie. Date/Period: 1882. Painting. Oil on canvas. Height: 925 mm (36.41 in); Width: 865 mm (34.05 in). Author: KRISTIAN ZAHRTMANN.

LUCAS VELAZQUEZ, Eugenio (1817-1870). Chained woman. Romanticism. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Lilith (Adams First Wife in Talmudic Legend) 1867 Dante Gabriel Rossetti (1828-1882 British) Private Collection

The Lady of the Tootni-Nameh; or The Legend of the Parrot. Valentine Cameron Prinsep, R.A. (1838-1904). Oil on canvas, 91.5cm x 116.5cm.

A woman sleeps on an ornately decorated bed while two other woman sit beside her. The sleeping beauty, the sleeping beautiful woman, painting by John Maler Collier (28 January 1850, 11 April 1934), British writer and painter, Historic, digitally restored reproduction from a 19th century original, Record date not stated

John Collier (born 28 January 1850 in London, died 11 April 1934), British writer and painter in the Pre-Raphaelite style, here his work: The Sleeping Beauty (1921), two woman watch over a sleeping woman in medieval dress at a window

Lady of Shalott on boat by John William Waterhouse, Oil on canvas, 1888, 1849-1917, Great Britain, London, Tate Britain, 153x200

In my studio , Fine Art

Angelo Garino 1880-1945 "After the ball" 1904, 141 x 82 cm oil on canvas.

The Crystal Gazers, 1905-1906 By Henry Tonks (d. 1937), Oil Painting, Women

Vicente Palmaroli y González / 'Confession', 1883, Spanish School, Oil on panel, 137 cm x 63 cm, P04537. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

La visione di Sant'Elena / The Dream of Saint Helena. Date/Period: Ca. 1570. Painting. Oil on canvas. Height: 197.5 cm (77.7 in); Width: 115.6 cm (45.5 in). Author: PAOLO VERONESE.

L'Enfant du Regiment L'Enfant du Regiment (The Random Shot) Signed and dated, lower right: "18 symbol 55" in monogram "JEM", John Everett Millais, 1829-1896, British

'Salomé', 1870. Artist: Henri Alexandre Georges Regnault

The Little Gardener; 1700s; Oil on canvas John Hoppner; English; 1758-1810

The Crystal. William McGregor Paxton (1869-1941). Oil on canvas. 165.1 x 182.9cm

THE STORM, by Pierre-Auguste Cot, 1880, French painting, oil on canvas. A young couple in classical costume run for shelter in a rainstorm, using the woman's overskirt as a cover. The diaphanous chemise is painted to reveal her graceful nude body with beaux arts academic virtuosity (BSLOC_2017_9_58)

Study of a Girl's Head, 1880-1886 Arthur Hughes, Redhead, Oil Painting, Pre-Raphaelite, Female, Hair

Jean Joseph Benjamin Constant, The Favorite of the Emir, c 1879 The Favorite of the Emir

Woman with a Black Hat; Femme au Chapeau Noir. Jules-Leon-Edouard Jacquet (fl.1879). Oil on panel. 45.8 x 36.8cm

After the Bath. Dating: 1860 - 1876. Measurements: h 24.5 cm × w 18.5 cm; d 7.7 cm. Museum: Rijksmuseum, Amsterdam. Author: Narcisse Virgile Diaz de la Peña.

Dante Alighieri (1265-1321), Divina Commedia (Divine Comedy), Illustration by Franz Von Bayros, Inferno (Hell), Canto V, detail

Massimo Gallelli (1863-1956). Italian painter. The abandoned. Oil on canvas. Ala Ponzone Civic Museum. Cremona. Italy.

Turkish Woman at her Embroidery Frame. Needlework was highly regarded by Ottoman women of all classes: sewing and embroidery were part of their education. Young women made their own trousseaux and embellished pillows, clothing, towels and napkins with beautiful embroidered floral motifs. In The First Day at School -on view in this gallery -the girls embroidery frame is brought along to school.

Artur Grottger (1837-1867). Polish painter. Portrait of Rozalia Matylda Glaser (Portrait of Countess von Thun), 1864. Silesian Museum. Katowice. Poland.

Hugues Merle (1822 to 1881), French painter: Esther (1885), Queen Esther, a central figure of the Old Testament, Painting, Reproduction of the painting, Work of art, Historical, Woman in ancient dress with sari and jewellery in an opulent room

Antonius und Kleopatra, Pharaonin Kleopatra VII. geboren 69 v. Chr, gestorben 12. August 30 v. Chr., herrschte als letzte Königin der makedonisch-griechischen Dynastie der Ptolemäer von 51 v. Chr. bis 30 v. Chr. über Ägypten, Marcus Antonius, war ein römischer Politiker und Feldherr, Gemälde von Johann Heinrich Tischbein, (1722-1789), Historisch, digital restaurierte Reproduktion von einer Vorlage aus der damaligen Zeit.

Leisure Hours. Georges Croegaert (1848-1923). Oil on panel. 23.5 x 33cm.

Morgan-le-Fay, 1864. Artist: Frederick Sandys. Morgan le Fay is a powerful enchantress in the Arthurian legend. Early appearances of Morgan do not elaborate her character beyond her role as either a goddess, a fay or a sorceress.

Paradise on earth, detail , Fine Art

Evening Toilet, Jean Frédéric Schall, 1780 - 1820 painting Evening toilet. In a bedroom a young woman sitting in bed is undressing. On the right a dog with a cat plays. Pendant of SK-A-3260. panel. oil paint (paint) undressing oneself, getting undressed. going to bed

Airs and graces. Dating: 1872 - 1909. Measurements: h 56.5 cm × w 41 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Laura Theresa Alma Tadema (Lady).

A painting by French artist Francois Flameng titled 'Allegory', 1856-1923.

Kneeling tsar by Alexander Dmitrievich Litovchenko, oil on canvas, 1886, 1835-1890, Russia, Moscow, State Tretyakov Gallery, 46, 2x32, 3

La Belle Dame Sans Merci. Frank Cadogan Cowper (1877-1958). Watercolour. Dated 1946. 76.2 x 72.4cm. A watercolour version of a larger work in oils painted in 1926 and exhibited at the Royal Academy.

The Letter by Walter MacEwen, oil on canvas, 1860-1943, USA, Pennsylvania, Philadelphia, David David Gallery

Antony and Cleopatra, Pharaoh Cleopatra VII born 69 BC, died 12 August 30 BC, ruled Egypt as the last queen of the Macedonian-Greek dynasty of the Ptolemies from 51 BC to 30 BC, Marcus Antonius, was a Roman politician and general, Painting by Johann Heinrich Tischbein (1722-1789), Historical, digitally restored reproduction from an original of the period

Making Daisy Chains Robert Fowler (1853-1926 British) Private Collection

Fair Rosamund, Rossetti, Gabriel Charles Dant, 1861.

A girl suffering from yellow fever. Watercolour.

Resting 1882-1892 Italy. Oil on canvas . Antonio Mancini

The Shepherdess. Jean Francois Portaels (1818-1895). Oil on canvas. Signed and dated 1870. 87.6 x 150.5cm.

Ignacio Zuloaga, Portrait of Countess Mathieu de Noailles, Museo de Bellas Artes, Bilbao, Spain.

The Wounded Eurydice, c. 1868-70, Jean-Baptiste-Camille Corot, French, 1796 - 1875, 23 7/8 x 17 7/8 in. (60.64 x 45.4 cm) (canvas)31 1/4 x 25 1/2 x 3 1/4 in. (79.38 x 64.77 x 8.26 cm) (outer frame), Oil on canvas, France, 19th century

Iridescence. Henry Siddons Mowbray (1858-1928). Oil on canvas. Painted c. 1895. 40.6 x 55.8cm

'Reclining Semi-Nude or Nude Half-Length', 1872, Oil on canvas, 29,5 x 25 cm. Author: AUGUSTE RENOIR. Location: MUSEE D'ORSAY. France.

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: Melancholy (1885-1900), Painting, Reproduction of the painting, Work of art, Historical, Pensive woman holding a mirror in an autumnal, melancholy park

Idyllic scene with amorous couple by William Bell Scott, Oil on canvas, 1865, 1811-1890, Great Britain, London, Tate Britain, 32,4x44,5

The Signal; John William Godward, English, 1861 - 1922; 1899; Oil on canvas; Unframed: 66 x 45.7 cm (26 x 18 in.), Framed: 95.3 x 115.6 x 7.9 cm (37 1/2 x 45 1/2 x 3 1/8 in.)

Disappointed Love, Danby, Francis, 1821.

BRUNILDA - 1906 - SIMBOLISMO ESPAÑOL. Author: ROGELIO EGUSQUIZA (1845/1915). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The Awakening Conscience. Date/Period: 1853. Painting. Oil on canvas. Height: 76.2 cm (30 in); Width: 55.9 cm (22 in). Author: William Holman Hunt.

Modern goddess of fortune, after Schwarz, ca. 1890

Reading Time Sophie Anderson (1823-1903 British) Oil on canvas

Mrs. Richard Brinsley Sheridan (Hester Jane Ogle, 1775/76-1817) and Her Son (Charles Brinsley Sheridan, 1796-1843) John Hoppner British In 1795, Hester Jane Ogle married the Honorable Richard Brinsley Sheridan (1751-1816), a famous playwright and member of Parliament. In this portrait, shown at the Royal Academy in 1797, she strikes a suitably theatrical pose in the guise of a rural laborer bearing her son Charles on her shoulder. This type of portraiture drew upon the idealized imagery of rural poverty that had become fashionable for London audiences.. Mrs. Richard Brinsley Sheridan (Hester Jane Ogle, 1775/76-1817) and Her Son (Charles Brinsley Sheridan, 1796-1843). John Hoppner (British, London 1758-1810 London). Oil on canvas. Paintings

Seventeenth-Century Interior 1877 Munich. Chicagoan Charles Gifford Dyer studied painting in Paris and Munich. The objects depicted in this canvas, such as the Chinese blue-and-white vase and Oushak Turkish lotto rug, were likely collected during his extensive travels and represent the tastes of a worldly, wealthy man. The painting recalls 17th-century Dutch compositions in its focus on surfaces, textures, and illusionism. Like moralistic Dutch still life paintings, it evokes the fleetingness of life (vanitas) by juxtaposing objects that quickly decay, such as fruit and flowers, with the enduring arts of literature and music. The crisscross pattern of the parquet floor and the draped rug create spatial depth, offering a portrait of the Gilded Age, a time when an expanding economy encouraged the rich to collect such treasures.. Oil on canvas . Charles Gifford Dyer

The Wyndham Sisters, Lady Elcho, Mrs Adeane and Mrs Tennant, John Singer Sargent, 1899, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Joaquín Pallarés y Allustante / 'Abandoned!'. 1881. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Portrait of Madame Recamier by Jacques-Louis David (1800), Louvre. Jeanne-Francoise Julie Adelaide Recamier (1777 - 1849), known as Juliette, was a French socialite, whose salon drew Parisians from the leading literary and political circles of the early 19th century.

The latest novel... Date: circa 1890

The Recital 1879 Marie Spartali Stillman (1844-1927 British)

Woman at Roman Baths, Alma-Tadema, Sir Lawrence, 1899.

Ka; Siedlecki, Franciszek (1867-1934); 19th/20th century (1890-00-00-1915-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Romeo and Juliet, Shakespeare

Eugène Delacroix (Charenton-Saint-Maurice, 1798-Paris, 1863). The Duke of Orleans showing his Lover (ca. 1825 - 1826). Oil on canvas. 35 x 25.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

The captive by Millais, John Everett (1829-1896) / Art Gallery of New South Wales / 1882 / Great Britain / Oil on canvas / Genre / 143,6x106 / Pre-Raphaelite paintings

A Greek Girl on a Balcony, 1840, Painting by John Frederick Lewis, Historic, Digitally restored reproduction from a 19th century original

My Second Sermon Millais, John Everett(1829-1896 British) Watercolor Victoria & Albert Museum, London, England

Lalla Rookh, James Stephanoff, 1787-1874, British, 1826, Watercolor and gouache with scratching out on moderately thick, slightly textured, cream wove apper, Sheet: 13 7/8 × 16 1/2 inches (35.2 × 41.9 cm)

Hide & Seek 1893 Sergey Ivanovich Gribkov (1820-1893 Russian) Oil On Canvas Vologda Regional Art Gallery, Russia

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