Romantic Figurative Art

A collection of classical artworks featuring women and angels in serene poses. Soft colors and ethereal themes convey intimacy and emotion.

Galatea 1880-81 Gustave Moreau (1826-1898 French) Private Collection

The Mirror by Reid, Robert (1862-1929) / Smithsonian National Museum / c. 1910 / The United States / Oil on canvas / Genre / 94,9x77,2

'The Lady of Shalott Looking at Lancelot', 1894, (c1930). Illustration to Tennyson's poem, "The Lady of Shalott": the Lady sees 'bold Sir Launcelot' in her mirror: she goes to the window, golden yarn from the loom wrapped round her knees. The mirror through which she must view the outside world cracks 'from side to side', bringing down the curse on her. Painting in Leeds City Art Gallery, Leeds, Yorkshire. From "Modern Masterpieces of British Art". The Amalgamated Press Ltd., London, c1930

Eve Repentant. Date/Period: Ca. 1875. Painting. Oil on canvas. Height: 2,591 mm (102 in); Width: 1,194 mm (47 in). Author: GEORGE FREDERIC WATTS.

Goddess Crenaia, Leighton, Frederic

Innocence, Bouguereau, Adolphe-William, 1893.

The Triumph of Love, The Secret Rose, or Inspiration. Maxwell Ashby Armfield (1881-1972). Oil on canvas. Painted in 1934. 50 x 30 1/4in

'This-All This Was In The Olden Time Long Ago', c1877-1906, (1906). Creator: St George Hare.

Galatea 1880-81 Gustave Moreau (1826-1898 French) Private Collection

Soul in Bondage Elihu Vedder (American, 1836-1923). Soul in Bondage, 1891-1892. Oil on canvas, 37 13/16 x 24 in. (96.1 x 60.9 cm). In this brooding Symbolist subject titled Soul in Bondage, the American expatriate Elihu Vedder brought together his key interests in idealized human form, abstracted design, and the themes of internal spiritual conflict. Profoundly inspired by the writer Edward Fitzgerald's translation of mystical Persian verse in the Rubáiyát of Omar Khayyám (Vedder illustrated a lush 1884 edition), he created numerous subjects representing the individual bound by the dilemma of choice between good and evil symbolized here by the butterfly and the serpent. Behind the figure Vedder employed his signature "double swirl," a motif he had used repeatedly in the Rubáiyát illustrations to suggest the forces that converge and then disperse around the brief point that constitutes an individual human life. American Art 1891-1892

Anonym's 'Dancer' (c. 1900) is a color print showing a dancer in motion, focusing on movement, form, and costume details in early 20th-century style.

Watercolor and cover color drawing by Sergius Hruby from 1942 depicting a musical scene, emphasizing instruments and figures.

Drawing for Aphrodite by Pierre Louys, artist: Antoine Calbet, 1896. From a private collection.

Pandora desires to open the box Crane, Walter, 1845-1915. still image. Illustrations. 1892. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Pandora (Greek mythology), Porticoes (Porches), Orchards, Chests, Wreaths, Pandora's box, Tile floors, Temptation

Untitled. Artist: Walter Shirlaw, American, born Scotland, 1838-1909

Proserpine, 1882, Artist: Dante Gabriel Rossetti, Oil Painting, 19th Century, Redhead, Pomegranate, Roman Mythology, Portrait, Art Movement, Pre-Raphaelite, Female

Lamia, John WIlliam Waterhouse, circa 1909,

The caption for this illustration reads: Marra takes off her golden dress. Marra is the Cinderella of Serbian myth. Her mother who had been changed into a cow protected her from her stepmother. The golden silk dress is from her mother and she would take it off each time she returned from church on Sunday. Marra is also referred to as Pepelyouga. The illustration is from a 1921 book on Serbian myths and legends.

The Song of Songs, Moreau, Gustave (1826-1898)

Jupiter it LEADA, According To The Image of AdolpheE Jourdana (1825 1889) Durand (Fl. CA 1861 1870), Jourdan, Adolphe (1825 1889), Lemercier, Goupil & Cie, Knoedler, Michael (1823 1878)

CARTEL 1910 (CORDOBA) OLEO Y TEMPLE SOBRE LIENZO 212X130 CM. Author: JULIO ROMERO DE TORRES (1874-1930). Location: MUSEO ROMERO DE TORRES. CORDOBA. SPAIN.

Rape of Europa, Anonymous, 1550 - 1599

In the Heather. Pierre Cécile Puvis de Chavannes; French, 1824-1898. Date: 1896. Dimensions: 80.6 × 99.7 cm (31 3/4 × 39 1/4 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Parsifal. The Flower Maidens, Fortuny y Madrazo, Mariano (1871-1949)

The Palace of Aurora 1902 Henri Fantin-Latour French In November 1901, Fantin-Latour wrote: "Never again flowers or portraits. I amuse myself painting whatever comes to mind and, happily, have a dealer who buys whatever I do." The present picture is an example of the imaginative works that the artistfreed from the necessity of painting portraits or commercial still lifesmade at the end of his career. Often based on literary or musical themes, they are distinctive for their loose, spontaneous execution and delicate color harmonies. Here, the goddess of dawn is seated in her cloud-filled palace while Night draws aside her veil, her garments illuminated by the first glittering rays of day.. The Palace of Aurora. Henri Fantin-Latour (French, Grenoble 1836-1904 Buré). 1902. Oil on canvas. Paintings

Pandora Desires to Open the Box. After a work by British artist Walter Crane used in A Wonder Book for Girls and Boys, by Nathaniel Hawthorne in an edition published in Boston, 1910. The earliest ve

Paul Gauguin, Bañistas en Bretaña, 1887, óleo sobre tela,Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

The Sweetest Flower. Arthur Trevor Haddon (1864-1941). Oil on canvas. 61 x 45.7cm.

'King Cophetua and the Beggar Maid', 1884, (1912).Artist: Sir Edward Coley Burne-Jones

Sleeping Beauty, by Edward Burne-Jones (1833-1898).

The mystic knight, by Odilon Redon (1840-1916).

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy: Tuscany: Siena: Palazzo Pubblico: Sala della Pace. Detail. Peace sitting woman white dress rest olive wreath pillow

Robert Engels (French, born 1866). The Passer-By (Le Passant), ca. 1898. Color lithograph on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

A Palm Fan Albert Joseph Moore (1841-1892 British)

Eve, Eve, Eva in paradise, painting by John painter Collier January 28, 1850 - April 11, 1934, British writer and painter, historically, digitally restored reproduction of a 19th century template, Record Date Not Stated

'Clytemnestra', 1882, (c1915). In Greek mythology, Clytemnestra with a blood stained axe moments after the murder of Cassandra. Oil on canvas held at Guildhall Art Gallery, London. From "Classic Myth and Legend", by A. R. Hope Moncrieff. The Gresham Publishing Company Limited, London,

Venus and Anchises, by William Blake Richmond (1842-1921).

Hero Awaiting The Return Of Leander Evelyn De Morgan (1855-1919 British) Roy Miles Gallery, 29 Bruton St., London W1 *ADDRESS MUST BE INCLUDED IN CREDIT!

The Tapestry of Flanders, sketch for the village hall of the Paris City Hall Jean-Joseph Weerts. The Tapestry of Flanders, sketch for the village hall of the Paris City Hall. Oil on canvas, 1889.

Pandora, Waterhouse, J. W., 1896.

The spirits of Malvina and Oscar, Anne-Louis Girodet trioson, 1816 drawing Episode from the Ossian: the spirits of Malvina and Oscar. paper. chalk (scenes from) specific works of literature (with AUTHOR, title)

Salome in the garden, gouache

The Day Dream by Rossetti, Dante Gabriel (1828-1882) Victoria and Albert Museum 1880 Great Britain Oil on canvas Painting Genre,Mythology, Allegory and Literature

Print made by Robert Walker Macbeth, 1848-1910, British, Autumn, 1865. Etching on thin, smooth, cream wove paper.

Arnold Böcklin (born 16 October 1827, died January 1901), Swiss painter, draughtsman, graphic artist and sculptor of Symbolism: Venus Anadyomene (1872), Painting, Reproduction of the painting, Work of art, Historical, Mystical scene of a nymph surrounded by children and fish in the sea

Oil painting of Undine, sea nymph who married Knight Adami Turns up to Adami. John William Waterhouse, 1872

A fairy on a rose Date: circa 1880

Nymphs Finding The Head Of Orpheus, John William Waterhouse, R,A, (1849-1917), (A Sketch), Oil On Canvas

Homage to Beethoven, Apollo and the Beasts. Maxwell Ashby Armfield (1882-1972). Tempera and pencil on gesso prepared panel. Dated 1948. 44.5 x 37cm

Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i. Date/Period: 1806. Painting. Oil on paper mounted on board. Height: 146 mm (5.74 in); Width: 140 mm (5.51 in). Author: THOMAS STOTHARD.

Titania and the Indian Boy, Paton, Sir Joseph Nöel, 1880.

Ophelia, Severn, Joseph (1793-1879)

Falling Leaves, Allegory of Autumn. Artist: Hugues Merle (French, Saint-Marcellin 1823-1881 Paris). Dimensions: 68 7/8 x 43 1/4 in. (174.9 x 109.9 cm). Date: 1872.Merle, a friend and sometime rival of Bouguereau, was known for the sentimental images of contented rustic families that he regularly exhibited at the annual Salons. In this painting from 1872, Merle tried his hand at a loosely mythological scene of a languid young woman in the guise of Fall. Catharine Lorillard Wolfe bought the melancholic picture from the New York branch of the art gallery Goupil & Co. on February 21, 1873, while still in mourning for her father. A critic who saw the work in Wolfe's home remarked, "Here, under russet foliage, a ripe beauty passes.... Nearby, disguised so much in shadow as to be almost invisible, little Love is running away; for this bereavement of affection is the plague of life's Autumn, as love's importunity is the plague of its Spring.". Museum: Metropolitan Museum of Art, New York, USA.

La Ghirlandata, by Dante Gabriel Rossetti (1828-1882).

Nocturne. Date/Period: 1887. Painting. Olje på lerret. Width: 81.5 cm. Height: 81.5 cm. Author: EILIF PETERSSEN.

Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Studium postaci kobiecej do plafonu w pałacu Jakuba Herza w Łodzi; verso: studium głowy kobiecej. Piotrowski, Antoni (1853-1924), painter

Dante Alighieri (1265-1321), Divina Commedia (Divine Comedy), Illustration by Franz Von Bayros, Inferno (Hell), Canto V, detail

'The Lady Melchett', 1935. Artist: Glyn Warren Philpot.

'TRISTAN & ISOLDE' The lovers' rapture Date: 1909

Henri Gervex (1852-1929). Bank allegory. Oil on canvas. 1881. Paris, Carnavalet museum. 76082-1 Allegory Bank, Allegoric, Oil on canvas

A Titian Beauty. Leopold Schmutzler (1864-1941). Oil on board. 88.2 x 61.3cm

The Dressing of the Bride. Laura Nisbet Noel (1887-1956). Watercolour and pencil. 27 x 40in

The Three Graces, detail from 'Primavera', c1478, (1937). Creator: Sandro Botticelli.

Orphée / Orpheus. Date/Period: 1865. Painting. Oil on panel. Height: 154 cm (60.6 in); Width: 99.5 cm (39.1 in). Author: GUSTAVE MOREAU.

Cupid And Psyche. Lionel Noel Royer (1852-1926). Oil On Canvas.

Craving for Cherries, Fine Art

The Crown of Peace. After Sir W. B. Richmond. From King Albert´s Book, published 1915.

The Mermaid Artist Unknown Stock Montage, Inc.

Illustration depicting an elegant woman kneeling in a confessional. By Georges Lepape (1887-1971), French poster artist, illustrator and fashion designer.

Day-dreams Henry Ryland (1856-1924 British) Private Collection

LA MUERTE DEL MARIDO - SIGLO XIX - O/L - 50x34 - COSTUMBRISMO ESPAÑOL. Author: JOSE GARCIA RAMOS (1852-1912). Location: PRIVATE COLLECTION.

'Die Forelle' (The Trout)

The 1917 caption reads: Bending down a branch of the Laburnum tree- Queen of the May - Story - Simple Susan. Simple Susan was written by Maria Edgeworth (died 1849), a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe, and Louey Chisholm, a prolific childrens book writer. The bright yellow flowers hang in pendulous racemes up to 25 cm (10 inches) in length and produce pods that are slender and compressed. All parts of laburnums are poisonous, especially the seeds, and occasionally the plants have proved fatal to cattle, though hares and rabbits are unharmed.

Alejandro de Loarte (Attribution) / 'Penitent Magdalene', Early 17th century, Spanish School, Oil on panel, 49 cm x 28 cm, P01309. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Garland of Roses. B.C. Sessia (active 1902). Oil on canvas. Dated 1902. 93 x 66cm

Calypso. August von Vestenhof Hoffmann (born 1849). Bodycolour. 44 x 40cm.

A colour illustration of a group of scantily clad ladies picking blossom flowers. Date: 1933

Poster project for Moët et Chandon; Mucha, Alfons (1860-1939); 1895-1900 (1895-00-00-1905-00-00);Moët et chandon (Epernay - wine producer - 1743-), posters, projects, engravings, French drawings, secession (style), champagne, purchase (provenance)

Regina Cordium, Dante Gabriel Rossetti, 1866,

The Lady Shalott next to window by loom, by Howard Pyle, from book by Alfred Tennyson, (1853-1911), USA, Illinois, Chicago, Newberry Library

Japan: 'Jael Killed Sisera', oil on board by Shigeru Aoki (1882-1911) for 'The Story of the Old Testament', c. 1906

A Day in June. Leon Kroll (1884-1974). Oil on canvas laid on masonite. Painted in 1950. 92.2 x 149.9cm.

The elf and the bee, drawing by J Napier from The Tatler, No 1409, June 27, 1928, London.

Melancholy. Odilon Redon; French, 1840-1916. Date: 1876. Dimensions: 368 × 357 mm. Various charcoals and gouache, with pastel and black chalk, and touches of stumping and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone, laid down on gray wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Madame Carolina Otero in L'Imperatrice, a ballet by jean Richepin and Paul Vidal, performed at the Theatre Olympia in 1901. Agustina del Carmen Otero Iglesias, La Belle Otero, Spanish dancer, singer and later courtesan, 1868-1965. Photograph by Leopold Emile Reutlinger. Colour printing of a hand-coloured illustration based on a monochrome photograph from George Newness Players of the Day, London, 1905.

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Kneeling Female Figure at Right), Robert Smirke, 1752-1845, British, undated, Oil, pen and brown ink, and graphite on medium, lightly textured, cream wove paper, Sheet: 4 1/2 x 3in. (11.4 x 7.6cm) and Mount: 6 1/2 × 5 1/4 inches (16.5 × 13.3 cm), kneeling, literary theme, turban

The queen and the six swans - they are really her brothers, and she is determined to restore them to human shape.

1800s 1870 PAINTING BY DANTE GABRIEL ROSETTI BEATA BEATRIX BLESSED BEATRICE PRE-RAPHAELITE

The Briar Rose Series - Study for 'The Garden Court', 1889. Artist: Sir Edward Burne-Jones

Judgement of Paris. Müller, Victor (1829-1871), painter

Paul Gauguin, La baignade, 1887, oil on canvas, Museo Nacional de Bellas Artes (MNBA), Buenos Aires, Argentina

An Autumn Pastoral. Noel Laura Nisbet (1887-1956). Watercolour. 66 x 100.4cm

David with the Head of Goliath. Georges Lavergne (1863-1942). Oil on canvas. Dated 1894. 228 x 121.3cm

Mythology. Leda. Daughter of the Aetolian, and wife of king Tyndareus of Sparta. She was mother of Helen of Troy, Clytemnestra and Castor and Polux. Engraving copy of a painting by F. Zmurko. Colored.

press/media magazines ""Jugend"" Munich and Leipzig 1. volume 1896 drawing by Carl Schmidt-Helmbrechts ""Lucifer"",

Lord Ullin's Daughter Albert Pinkham Ryder (1847-1917 American)

A Christmas Carol by Rossetti, Dante Gabriel (1828-1882) / Private Collection / 1867 / Great Britain / Oil on wood / Genre / 45,5x38 / Pre-Raphaelite paintings

Pandora (the 'all-gifted') Sent by Zeus as gift to Epithemus. She brought a box which, when opened, released all world's evils. After a Victorian painting

It was a religious mystere Maurice Denis (1870-1943). "It was a mystery religious". Lithograph in three colors on Veline thin. Museum of Fine Arts of the city of Paris, small palace.

The death of Ophelia, by Eugene Delacroix (1798-1863).

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