Romantic Landscape Prints

Charming etchings of hilly landscapes depicting biblical narratives and serene river scenes, evoking an idealized natural beauty.

Landscape with derelict farms, A woman at a washtub in a landscape with two derelict farmhouses., Farm or solitary house in landscape (cityscape with figures, staffage), laundering, Gerrit Adriaensz. de Heer, Northern Netherlands, c. 1616 - in or before 1634, paper, etching, h 178 mm × w 257 mm

Adam and Eve in Paradise 1631 Nicolaes de Bruyn Netherlandish. Adam and Eve in Paradise. Nicolaes de Bruyn (Netherlandish, Antwerp 1571-1656 Rotterdam). 1631. Engraving. Prints

Allart van Everdingen, Hamlet on a Mountain Side, probably c 1645 1656 Hamlet on a Mountain Side

Two representations on a sheet. Above: In a hilly landscape with rocks, several hikers walk along a path. In the background a ruin. Below: By a tree, a young shepherd sits playing the flute. In front of him are two of his goats. In the background a hilly landscape. The prints are part of a series of twelve landscapes, Hikers in a hilly landscape and Shepherd boy Landscapes (series title), print maker: Gillis van Scheyndel (I), Netherlands, 1605 - 1653, paper, etching, engraving, h 68 mm × w 113 mm × h 65 mm × w 109 mm

Two Men Seated at the Foot of a High Rock. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 4 1/4 × 5 1/2 in. (10.8 × 14 cm)Sheet: 4 3/4 × 5 7/8 in. (12.1 × 15 cm). Museum: Metropolitan Museum of Art, New York, USA.

Village view with Schuit, Allaert van Everdingen, 1631 - 1675 print View of a village on the water. In the foreground two men in a barge and a few wooden tons on the bank. A bell tower in the background. Netherlands paper etching village (+ city(-scape) with figures, staffage)

Bandit Beneath a Tree 1795-1801 Raphael Lamar West British. Bandit Beneath a Tree 631103

Apollo plays the flute while herding Admetus' flock, Joachim Wtewael, 1576 - 1638, draughtsman: Joachim Wtewael, 1576 - 1638, prepared paper, pen, brush, h 160 mm × w 203 mm

The prodigal son as a swineherd, Julius Goltzius, Hans Bol, Claes Jansz. Visscher (II), c. 1560 - 1595

Judah and Tamar, Hieronymus Cock, Matthys Cock, c. 1551 - before 1558

Brueghel, Jan (I), unknown, Sadeler, Aegidius, Landscape with the Rest on the Flight into Egypt, verso bottom center - stamped, A mountain landscape. On the left in the foreground Mary and Joseph with the Christ Child, resting under a mountain slope. On the right in the background a waterfall., print, prent, prints, engravings, height 206 mm, width 276 mm, South Netherlandish, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, 1568 - 1625-01-13

Netherlands, Everdingen, Allaert van, Two floating tree trunks in front of a dilapidated house, Landscape with a dilapidated house and a sawing man, View of a dilapidated house on a small lake with two floating planks. Next to the house two people, one of whom is sawing up a tree trunk., print, prints, height 66 mm, width 113 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

The burning of the tares and the harvest of the wheat Parable of the Sower, The Parable of the Weeds in the Wheat. 1574. Bol, Hans, 1534-1593. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Plate 19: Landscape with a Cavalier Watering His Horse at a Fountain, from 'Various figures and doodles' (Diverses figures et griffonnemens) ca. 1646 Stefano della Bella Italian. Plate 19: Landscape with a Cavalier Watering His Horse at a Fountain, from 'Various figures and doodles' (Diverses figures et griffonnemens) 376881

March; Martivs; The twelve months. Round list with a landscape with spring scaffolding. March is the plant month. Everywhere people are in the reproduction of trees. In the middle of the zodiac sign. The print is part of a twelve-part series over the twelve months.

Ruisdael, Jacob Isaacksz van, The little bridge, verso lower left - stamped, A dilapidated half-timbered house on the bank. Across the water a small bridge with a man and a dog., print, prints, height 193 mm, width 281 mm, Northern Netherlands, 1629-06 - 1682-03-14, print maker, printmaker, 1650 - 1655, third quarter 17th century, paper, etching, etchings, Work conception, after own design by

Landscape with a traveler at a house; Landscapes. Landscape with a traveler at a house. First print from a series of six prints with landscapes.

Ruinship with the flight to Egypt, Jonas Umbach, 1634 - 1693 print Landscape with a ruin of a temple. Maria on the left with the Christ child on a donkey, led by Joseph. paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

June, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Round list of a cityscape with summer scenes. June is the shaving month. Central is the washing and shaving of the sheep and sorting their wool. In the middle of the constellation Cancer. The print is part of a twelve -part series over the twelve months. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving shearing (sheep). dipping, washing (sheep or other animals). June and its 'labours' (+ with zodiacal signs)

South American people on the beach, a sailing ship in the background Indiani Costumes of different peoples , print maker: Johann Wilhelm Baur, Johann Wilhelm Baur, Johann Wilhelm Baur, Rome, 1636, paper, etching, h 81 mm - w 110 mm

Landscape with two riders and an oxen car; Usus Tam Vehemens, UT Consuetudine Tauri, / Mox Biigi, Preeunte, Ducem Sine Fune Sequantur; Landscapes to Domenico Campagnola. A landscape with a settlement. Two men ride in the foreground and two oxen behind them ride a cart. Title in Latin in undermarge. Numbered at the bottom right: 16.

Black chalk and feather drawing by Joris Hoefnagel depicting a landscape view of Veletri on brown paper, created in 1578.

Netherlands, Bagelaar, Ernst Willem Jan, Entrance to a cave with three figures, print, prints, height 77 mm, width 65 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Expression creation

Circular frame depicting an autumnal landscape with autumnal scenes. Central to the scene is the cutting of wood for the winter. In the background, the wood is being brought to town. In the upper center is the constellation of Sagittarius. The print is part of a series on the twelve months, November The twelve months (series title)., print maker: Adriaen Collaert, Hans Bol, publisher: Claes Jansz. Visscher (II), print maker: Antwerp, Antwerp, publisher: Amsterdam, 1578 - 1582, paper, engraving, h 144 mm × w 145 mm

Tobias cuts the fish open; Landscapes with scenes from the story of Tobias. At the built bank of a river, Archangel Rafaël Tobias is commissioned to cut open the fish just captured by him to get the heart, liver and bile out. To the left walk Tobias and Rafaël about a path. Tobias' dog accompanies them. At the bottom of the margin an explanatory, murdered text in Latin.

Amsterdam, Danckerts, Cornelis (I), Coninxloo, Gilles van (II), Bruyn, Nicolaes de, Royaalbijbel, Mors ero tibi o mors, Hosea and the adulterous woman in a landscape, verso - stamped, Hosea sits next to the road and looks at the landscape behind him. Next to him his eldest son who is fishing for fish in a stream. On the left in the foreground his adulterous wife with the two other children of Hosea. On the right some believers who worship a statue of a saint in a tree. Below the representation the title in Latin, a reference to the Bible text in Hos. 12 and three four-line verses: one in Latin, one in Dutch and one in German., print, prent, prints, prenten, height 405 mm, width 508 mm, print maker, prentmaker, 1630 - 1656, paper, papier, engraving, engraving (printing process), Work conception, after print by, South Netherlands, 1571 - 1656-10, North Netherlands, 1544-01-24 - 1607-01-04, after design by, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

Red chalk and black chalk drawing by Abraham van Diepenbeeck depicting a deer hunt, showing hunters, deer, horses, and landscape details.

Ridinger, Johann Elias, Augsburg, Hunting for gentlemen, Hunters shooting wolves lured by a dead beast, verso - stamped, print, prints, height 340 mm, width 423 mm, German, 1698-02-16 - 1767-04-10, print maker, printmaker, 1729 - 1729, paper, papier, etching, etchings, Work conception, after own design by

Traveler is attacked by robbers. ..) (series title), In a wooded river landscape a traveler is attacked and assaulted by three robbers. A few boats are anchored in the distance. To the Bible story in Luc. 10: 25-37. This print is part of an album, the traveler is attacked by robbers, parable of the good Samaritan, forest, wood, anonymous, 1646, paper, engraving, h 219 mm × w 275 mm

Landscape with rider in octagonal frame; Octagonal landscapes.

Etching and copper engraving by Pieter Bruegel the Elder from 1555-1556 depicting rural life, solitary figures, and agricultural activities in landscape.

Dismemberment, etc. (John Beaver, Roman Military Punishments, 1725). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates John Beaver (British, active 1725-27). Dimensions: sheet: 1 3/4 x 3 1/16 in. (4.4 x 7.7 cm). Date: after 1725. Museum: Metropolitan Museum of Art, New York, USA.

Sadeler, Aegidius, Gheeraerts, Marcus (I), Praag, Fable of the old stork, A village street with travelers. In the sky a stork flies with a snake in its beak to its nest with young. The fable teaches that young people should follow the example of their parents and extols the benefits of a virtuous upbringing., print, book illustration, prints, height 96 mm, width 112 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1608 - 1608, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, English, 1520 - 1590, after print by, after design by, Publication (Event), Publication, publisher

Lost son as a pork keeper, Claes Jansz. Visscher (II), After David VinckBoons, 1608 print The lost son has wasted his inheritance and works with a farmer as a pig herd. He hardly has any clothes and kneels between the pigs to eat with them from the feeder. In the background he begs with local farmers. The print is part of a four -part series about the parable of the lost son. Amsterdam paper etching the prodigal son tends the swine and eats from their trough. the prodigal son, suffering want, asks a farmer for work

Raaf en de vos. Ontwerpen voor illustraties voor een uitgave van Jean de la Fontaine's Fabelen (series title). Draughtsman: anonymous. Dating: 1668 - 1740. Measurements: h 67 mm × w 79 mm. Museum: Rijksmuseum, Amsterdam.

A Thebaid: Monks and Hermits in a Landscape; Lorenzo Costa, Italian, about 1459/1460 - 1535; about 1505; Pen and brown ink; 20.3 x 20.6 cm (8 x 8 1/8 in.)

Landscape with castle by Gherardo Cibo, pen, brown indian ink on paper, 1540, 1512-1600, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 26, 2x41, 5

In a wooded river landscape, a traveler is attacked and mistreated by three robbers. In the distance, several boats are anchored. Based on the Bible story from Luke 10: 25-37, Traveler is attacked by robbers Caeditur muasus grassante latrone viator Parable of the Good Samaritan , print maker: anonymous, Jan Brueghel (I), (mentioned on object), Jan Brueghel (II), (mentioned on object), print maker: Low Countries, Southern Netherlands, Southern Netherlands, publisher: Amsterdam, 1601 - 1652, paper, engraving, h 216 mm × w 272 mm

Sleep: sketch for the painting, now in the museum at Lille. Artist: Pierre Puvis de Chavannes (French, Lyons 1824-1898 Paris). Dimensions: 9 13/16 x 13 11/16 in. (24.9 x 34.8 cm). Date: 1840-98. Museum: Metropolitan Museum of Art, New York, USA.

The Lifting of the Siege of the Black River Camp 1771 Jacques Philippe Le Bas This print depicts the end of the siege of a camp at Qara usu (the Black River), near Yarkand in 1758 where Qing troops were blockaded over the winter for three months. The siege was lifted in 1759.Part of a set of sixteen, "The Lifting of the Siege of the Black River Camp" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris.The prin

Etienne Delaune illustrates a pastoral and rural scene with harpoon fishermen on a river, drawn in ink with gray-brown and Bister on parchment.

Hertenjacht, Anonymous, Michael Ostendorfer, 1543 print paper stag-hunting. armorial bearing, heraldry Rijnland-Palatinate

Karel Dujardin (1622-78). The cow and the calf (Dutuit 3). Etching, 1652-1660. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Square Beer, at Boomstronk, Marcus de Bye, After Marcus Gheeraerts (I), 1664 print The Hague paper etching beasts of prey, predatory animals

Januari, anonymous, after Jost Amman, 1554 - 1641 print The work of the month of January. On the left ice entertainment with skaters and slower drivers. In the middle a shed is filled with bags and on the right wood is chopped. In the air the Waterman zodiac sign. paper etching January and its 'labours' (+ with zodiacal signs)

The Large Rabbit, 1891, printed 1894. Félix Bracquemond (French, 1833-1914). Etching and drypoint; sheet: 36.7 x 46.2 cm (14 7/16 x 18 3/16 in.); platemark: 24.2 x 34.3 cm (9 1/2 x 13 1/2 in.).

Allart van Everdingen, Reynard's Relatives Plead for Him, probably c 1645 1656 Reynard's Relatives Plead for Him

Arcadian landscape with shepherd between ruins ..

Italy, Mariani, Gian Maria, Florence, Massi & Landi, Parigi, Alfonso (il Giovane), Bella, Stefano della, Le nozze degli dei favola, Liberetto in honour of the wedding of Ferdinando II de'Medici and Vottoria della Rovere, Prima scena rapresentante Fiorenza, verso - stamped, A ballet scene with dancers in a clearing among trees. In the air a group of figures float on a cloud. In the background a view of the city of Florence., print, ornamental print, prints, First scene: Florence, height 206 mm, width 291 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1637 - 1637, paper, papier, etching, etchings, Work conception, after own design by, 1606-07-13 - 1656-10-17, after design by, Publication (Event), Publication, publisher, uitgever

View of the Solfatara near Pozzuoli, outside Naples, Gerard ter Borch (I), c. 1611, draughtsman: Gerard ter Borch (I), (signed by artist), Pozzuoli, c. 1611, paper, h 157 mm × w 198 mm

Serpent. Dated: 1628. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Four Times of Day: L'Après Midi 1776 Gilles Demarteau French. The Four Times of Day: L'Après Midi. Gilles Demarteau (French, Liège 1722-1776 Paris). 1776. Etching. Prints

Flight to Egypt, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Maria, Joseph and the child flee to Egypt. With the Christ child, Mary sits on her lap on a donkey. A grain field can be seen in the background. While the farmers are harvesting, soldiers from Herod and ask for the fleeing family. Southern Netherlands paper etching soldiers of Herod questioning the farmer, who is cutting the ripe wheat. the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

First scene, in Florence, from 'The marriage of the gods' (Le nozze degli Dei). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 8 7/16 x 7 3/8 in. (21.5 x 18.7 cm). Series/Portfolio: 'The marriage of the gods' (Le nozze degli Dei). Date: 1637. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with ruin, Johan le Ducq, 1661 print View of a ruin, located in a landscape with river. The ruin is decorated with a relief of two naked children who play with dogs. The print is part of an eight -part series of prints with performances of dogs in a landscape. paper etching dog. landscapes - HH - ideal landscapes

Paris, Langlois, François, Nancy, Callot, Jacques, Life of Mary in emblems, Bird of Paradise, verso lower left - stamped, Depiction of a bird of paradise flying above a landscape. This sheet is part of the emblem series 'Life of Mary in emblems'. The first state of this series contains, besides a title page and 26 emblems, three sheets with hymns to Mary in letterpress without an illustration., print, emblem, prints, height 62 mm, width 83 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1625 - 1629, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, 1646 - 1646

The Monstrous Sow of Landser Made 1496 Germany. Just as he never saw the rhinoceros he portrayed in another woodcut, Albrecht D¸rer never witnessed the female pig born at Landser in Germany in 1496 with two conjoined bodies. He did very likely read about it in a broadsheet with a rudimentary woodcut and a more extensive text description. His surprisingly realistic rendering of how the unseen pigówhich died soon after birthómight have looked is similarly convincing but inaccurate. While the engraving does not insist on a religious interpretation, misbirths and other unusual natural occurrences were interpreted as signs during this period, either of the imminent Apocalypse or the need for new crusades against the Turks.. Engraving in black on ivory laid paper . Albrecht Dürer

Reinaert de Vos represents the injured bruun de Beer; Reinaert de Vos. The wounded bruun de Beer sits with his leg at his head against a tree trunk. A little further on Reinaert de Vos state.

Three hikers on a wooden bridge, print maker: Gillis van Scheyndel I, 1605 - 1653

Cartography, Italy, 18th century. County of Nice, March of Saluzzo and Principality of Monaco. Map by Nicolas de Fer, Paris, 1704. Copper engraving.

Imperial court, Venice, Sadeler, Marcus, Brueghel, Jan (I), unknown, Aegidius, Landscape with a group of gypsies, Landscape with a group of Roma, verso middle - stamped, Hilly landscape with a cave. In the foreground the camp of a group of gypsies., print, engraving, prints, verso bottom center - stamped, Hilly landscape with a cave. In the foreground the camp of a group of Roma., height 186 mm, width 286 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving (printing process), Work conception, 1568 - 1625-01-13, after a design by, Publication (Event), Publication, German, 1614-04-11 - 1650, publisher, granter of privilege

Johannes and Lucas van Doetechum after Pieter Bruegel the Elder, Magdalena Poenitens (The Penitent Magdalene), c1555 1557 Magdalena Poenitens (The Penitent Magdalene)

Mud crawlers on a riverbank, Albert Flamen, 1664 print Seven fish on the banks of a river. A few houses and a tower in the background. print maker: Parisafter own design by: Parispublisher: ParisFrance paper etching fishes

François Chauveau drawing of Alberon leaving Glodwig, executed in brown pen with red chalk network, brown edging lines on coated paper with black borders, circa 1657.

Vicente Carducho / 'A Carthusian Friar, Bowing in Humility'. 1626 - 1632. White chalk, Black chalk, Squared-up on grey paper. Museum: Museo del Prado, Madrid, España.

Two figures at a stone bridge, Herman van Swanevelt, 1650 - 1655 print In an oval frame, two figures run on a path near a small, arched bridge. There are hills in the distance. Paris paper etching landscapes. 'en route', traveller under way. (high) hill. brook. bridge

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