Romantic Shepherd and Nature Scenes

Prints highlight romantic interactions between shepherds and shepherdesses amidst lush landscapes, emphasizing pastoral life and the beauty of nature in charming etchings.

Mei: Minnend Paar, Jan Caspar Philips, 1736 - 1775 print The month of May: a loving shepherd couple. In the background a shepherd with his herd of sheep. In the margin a two -way poem in Dutch and in French. Amsterdam paper etching / engraving May and its 'labours'. cattle driving, cattle driver

Schaapherder Knelt for Herderin, Simon Fokke, 1722 - 1784 print Illustration from the fairy tale Le Rameau dOr by Mme d'Aulnoy. A shepherd kneels for a shepherdin that is resting on a stone. A number of sheep run in the foreground. Print at the top right marked: No. 8. p. 303. Amsterdam paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. kneeling figure

Mei: Minnend Paar, Jan Caspar Philips, 1736 - 1775 print The month of May: a loving shepherd couple. In the background a shepherd with his herd of sheep. In the margin a two -way poem in Dutch and in French. Amsterdam paper etching / engraving May and its 'labours'. cattle driving, cattle driver

Autumn from the Dog's Four Seasons 1720-1767 Johann Elias Ridinger Ridinger worked mostly in Augsburg, Germany, but it was in nearby Regensburg that he was introduced to the aristocratic pursuits that became the predominant subject matter for his long and prolific artistic career. There, at the invitation of Prince Wolf Freiherr von Metternich, Ridinger observed and took part in local hunts, coursing, and shoots while attending the renowned riding academy. In Autumn, an elegant falconer is surrounded by his hounds, whose job it was to flush out the heron. The falcon perched on his arm would bring down the bird as it flew away; a second falcon sits on a branch at the lower right, below which are the heron and a group of smaller game birds.. Autumn from the Dog's Four Seasons. Johann Elias Ridinger (German, Ulm 1698-1767 Augsburg). 1720-1767. Etching. Prints

Two gentlemen in nature, Simon Fokke, 1722 - 1784 print Two gentlemen in conversation in nature, the left lord supports his walking stick, the right sits on a tree stump. Farmers work on land in the distance. Amsterdam paper etching conversation, dialogue; conversation piece

Pan a syrinx met dancing Putti.

. A kneeled figure with a dagger is threatened in a forest landscape. The kneeled figure has a money grant on his belt and is a package for him. At the top right: fol. 319. Print used in a book by Lambert van den Bos with a total of twenty prints of Arnold Houbakken.

A copper engraving from 1615 by Hendrick Goltzius depicting Tiresias with snakes, highlighting mythological narrative and figure composition.

Les Penitents: St. François, ca. 1632. Jacques Callot (French, 1592-1635). Etching;

Landscape with reading hieronymus. Saint Hieronymus is sitting in a mountainous landscape on a rock. Next to him a book and a hourglass. The lion, its attribute, strulses between the rocks.

November; De twaalf maanden.From a series of twelve prints, the imagination of the month of November. Two shepherds have a conversation, for them there is a number of wild pigs.

December; De twaalf maanden.From a series of twelve prints, the imagination of December. A wealthy gentleman kneels on the shore for two ladies with a skate in his hand. In the distance, figures on the ice skating.

Knights in Fight, Jacob Folkema, 1702 - 1767 print Three figures try to keep two warring knights apart. In the foreground, one of his horse hugs a woman a woman. Print at the top right marked: Tom. ii p. 134. paper etching fighting

St Jerome Penitent in the Wilderness 1573 Cornelis Cort Netherlandish. St Jerome Penitent in the Wilderness. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1573. Engraving. Bonifazio Breggio (Italian, active Rome, 1566-died before 1582). Prints

Tobias is shocked by the fish, Moyses van Wtenbrouck, 1628 - 1649 print Tobias is sitting on the side of the water and shines back when he sees the fish in the water. The angel is behind him. Numbered as II in the lower right corner. print maker: The Haguepublisher: Amsterdam (possibly) paper etching / engraving a large fish appears while Tobias is washing his feet; he is frightened

Party at a statue of the God Terminus, Giovanni Benedetto Castiglione, 1643 - 1648 print A Sater, a man and a woman at the decorated statue of the God Terminus, protector of the borders. paper etching Terminus. feasts and festivals in honour of the Roman gods

A Roman beekeeper tends his bees Date: 29 BC

Amaryllis is imprisoned, Richard van Orley (II), c. 1695 - c. 1705 print Nicander has Amaryllis captured and carried out. The sad Mirtillo, her beloved, leans against a rock on the right. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 3rd scene from the 4 deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido

Cassandra, Frontispiece, Vol. 2. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Life of the Virgin: The Flight into Egypt, ca. 1633-34. Jacques Callot (French, 1592-1635). Etching;

Telemachus discovers Philocles in a cave; Philocles Exilé, EST Decouvert Dans Sa Solitude; Adventures of Telemachus.telemachus stands for the cave where philocles has hidden itelt. Print at the Top Left Marked: Page 245.

Shepherds find Benedict in his safe, Reinier Vinkeles (I), 1805 print Two shepherds, accompanied by a part of their sheep, stand in front of Benedict who is in a cave. From his safe he speaks to the shepherds. Amsterdam paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. sheep. anchorite, hermit. cave, grotto. conversation, dialogue; conversation piece

Fokke, Simon, Amsterdam, Adventures of Telemachus, Philocles exiled, is discovered in his solitude, Telemachus discovers Philocles in a cave, verso - stamped, Telemachus stands in front of the cave where Philocles has hidden himself. Print marked at top left: Page 267., print, book illustration, prints, height 168 mm, width 96 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, paper, papier, etching, etchings, Work conception, after own design by

Chalk drawing showing the birth of Rinaldo, executed with gray and brown washes, by Francesco Fontebasso.

Print at the top right labeled: FIG. 31.

Imperial court, Augsburg, Nilson, Johann Esaias, Polemical scenes after an Almanac of the Muses, Der Muthwille, Children pelt a walking couple, verso - stamped, A walking couple is pelted with stones by two children on the left. A thin frame with a cartouche surrounds the image., print, ornamental print, prints, ornamental prints, height 195 mm, width 257 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1770 - 1788, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

In a tree, a nightingale and a cuckoo are singing The boys in the background cheer for the cuckoo's song The love-making couple in the foreground are moved to tears by the song of the nightingale, Nightingale and the Cuckoo The Nightingale and the Cuckoo , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 245 mm × w 158 mm

Couple with children in a flooded landscape, Simon Fokke, 1722 - 1784 print View of a flooded landscape with a gentleman and lady with a fan next to a boy and a girl in the foreground. In the distance there are cows on a higher piece of land. Amsterdam paper etching flood

Abraham Bosse after Claude Vignon, Illustration to Jean Desmarets' L'Ariane, published 1639 Illustration to Jean Desmarets' L'Ariane

DijkBrraak, 1530, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Dike breach and flood, November 5, 1530. Flooding with in the foreground supplied victims of the disaster. At the top right: III.D.PL.VII. Amsterdam paper etching Dike-Break Netherlands

Print made by David Allan, 1744-1796, British, born in Scotland, Patie Rebukes Roger, 1808. Etching and aquatint on moderately thick, moderately textured, cream wove paper.

Landscape with Castle and Bridge, Hans Sebald Lautensack, German, 1524 - 1561, Etching on off-white laid paper, 1553, landscapes, Print, Print

Illustration from 'La vie de St. Bruno, fondateur de l'ordre des Chartreux' Paris 1660. after the paintings of Eustache Le Sueur and engraved by FranA§ois Chauveau

Apollin from Nitria, Saint.

Hercules must choose between virtue and vice, 1637 print Hercules sits on a stone in a landscape. He must make a choice between the vice and virtue, two female personifications that stand next to him. In the foreground on the left a man with a laurel wreath. Text in Latin in STUDMARGE. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching (story of) Hercules (Heracles). figure representing a Virtue vs. a Vice

The Rest on the Flight into Egypt, 1606 - 1680, Etchings, 12 1/2 x 8 3/4 in. (31.7 x 22.3 cm), Paper / Sheet 12 1/2 x 8 3/4 in. (31.7 x 22.3 cm), Stamped, verso, in black ink JC Th. Jefferson Coolidge Jr. (Lugt 1429), Cream laid

Amor with an ax with a tree; Emblemes d'Amour. Amor patiently mins a tree. Just like many succeeds of an ax can boose a tree and many water droplets a piece of marble Kunenn Kunenn, it will also overcome steadfastness in love. Thirty-third emblem from Emblemata Amatoria.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Hans van Overdam captured in a forest near Ghent, 1550, verso - stamped, 59, Hans van Ao 1550, height 115 mm, width 142 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Publicatie, Noord-Nederlands, - 1693-06-26

Amor about to shoot an arrow; Emblemes d'Amour. Amor in a landscape, with arrow and bow in his hand, ready to shoot. In the background a minnent couple. Loved ones must be brave and love not going out of the way when it comes to their path. Seventh emblem from emblemata amatoria.

Eighteenth-century allegorical depiction of the purpose and content of the "Royal Magazine" O'Neale, Jefferyes Hamett, -1801. still image. Allegorical prints, Frontispieces. 1760. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Mercury (Roman deity), Hermes (Greek deity), Draperies, Storms, Writing, History, Pyramids, Fame

Suatacopius as a recluse, Jan van Londerseel, After Maerten de Vos, 1580 - 1625 print Suatacopius, king of Bohemia and Moravia, has disguised himself as a recluse to the forest. He left his armor and horse further down the forest. On the left, three hermits arrive at whom Suatacopius will join. In the margin a caption in Latin. paper engraving king. anchorite, hermit. forest, wood

Archery, Jan Luyken, 1712 print Amsterdam paper etching / letterpress printing shooting with bow and arrow, archery (~ games of skill)

Amor with Caduceus, Jan van Vianen, 1686 print Amor with the staff of Mercury; The Caduceus. Redekunst is the best when that passion off. Seventh emblem from Emblemata amatoria. paper etching (story of) Cupid, Amor (Eros). caduceus (staff with two snakes, attribute of Mercury)

. Print at the top right labeled: first book fol 73.

Lebas, Jacques-Philippe, work, Badly spent time, (1000 - 2000), etching, graphics, sheet width 19.3 cm, leaf height 25.5 cm, image width 18.4 cm, image height 22.4 cm

Jaloux désabusé.A love couple is walking in the forest. They are transacted by a jealous friend of the woman who challenges the man to a duel. Title illustration for part 2 of a book about the tricks of love.

After losing their money through gambling and killing their father in an accident, one brother kills himself with poison while another shoots himself in the head with a pistol. Etching, 179-.

Picart, Bernard, Le Brun, Charles, Amsterdam, Thomassin, Simon Henri, Mythological scene with a sacrificing queen in a forest, possibly Althaea, and three gorgons, verso - stamped, print, prints, height 286 mm, width 274 mm, French, 1687-02-25 - 1741-01-01, print maker, printmaker, 1697 - 1741, paper, papier, engraving, engraving (printing process), stipple work, etching, 1619-02-24 - 1690-02-12, after, after painting by, Noord-Nederlands, 1673-06-11 - 1733-05-08, intermediary draughtsman

Theodard Von Maurn layer, Headgers.

Willem Panneels. The baptism of Jesus Christ, according to Rubens (Dutuit 36). Crois, 2nd quarter of the 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Four men are out in a boat on the river, two are standing up in it having a discussion. Etching by S. Fokkes.

Diogenes sees a drinking boy, Andrea Procaccini, After Carlo Maratta, 1681 - 1734 print Diogenes is in a landscape. He looks down at a boy who turns his hands into a bowl and thereby drinks water from a puddle. His drinking cup is broken on the floor at the feet of Diogenes. Title and caption in Latin in Submarge. print maker: Italyafter design by: Italypublisher: RomeVaticaanstad paper etching Diogenes throws away his drinking-cup on seeing a boy drink from his cupped hands

The Hague, Jansz., Broer (The Hague), Wtenbrouck, Moyses van, The story of Hagar, The rejection of Hagar, verso lower left - stamped, Sara and Abraham look down on the kneeling Hagar. Next to her stands Ishmael. In the background a pond and some ruins. In the lower left corner the print is numbered as III., print, prent, prints, prenten, height 131 mm, width 185 mm, Noord-Nederlands, 1600 - 1647, print maker, prentmaker, 1620 - 1620, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever, 1620 - 1629

The early Christian hermit Apollonius is kneeling in a forest scene. He holds his arms crossed over his chest and looks up at a ray of light from the clouds. On the ground beside him a crucifix, a Bible and a rosary., Apollonius the Hermit Male Hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), print maker: Raphaël Sadeler (I), intermediary draughtsman: Maerten de Vos, Antwerp, 1586 - 1588, paper, engraving, h 169 mm × w 212 mm

Allegorical representation with Grenspaal van het Watergraafsmeer, Johann Wilhelm Windter, After Adolf van der Laan, 1725 print In the foreground there are two water nymphs such as personifications of the Amstel and the new deep. On the right under a canopy, Apollo is in his hand with the zodiac. A woman with wings at the head shows him a role with designs. Behind her is Ceres with a corn sheaf. In the middle an obelisk with the book title and a swan as a symbol for the Diemermeer. To the left are Diana and a farmer. In the background a view of the Amstel and the polder area Diemer or Watergraafsmeer. Amsterdam paper engraving / etching polder, reclaimed land. cupids: 'amores', 'amoretti', 'putti'. boundary-post, boundary-stone. river personified, 'Fiumi' (Ripa). water-birds: swan. 'Cornucopia', Horn of Plenty Watergraafsmeer. Diemermeerpolder

Apollo and Daphne. Dated: 1665. Dimensions: overall: 14.6 x 14.9 cm (5 3/4 x 5 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Leiden, Haestens, Henrick Lodewijcxsoon van, Amsterdam, Sichem, Christoffel van (I), Wtewael, Joachim, Swanenburg, Willem Isaacsz. van, Thronus Justitiae, Moses meets Jethro, verso - stamped, Jethro, Moses' father-in-law, visits him in the desert and gives him advice on the organization of justice. The two embrace. Jethro has Moses' wife, his daughter Zipporah, and her two sons taken with her. They are standing on the right. On the left, Moses judges the people of Israel. Below the representation are two four-line verses in Latin and a reference to the Bible text in Ex. 18., print, prent, prints, prenten, height 298 mm, width 384 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1606 - 1606, paper, papier, engraving, graveren (drukprocedé), Work conception, 1566 - 1638-08-01, after a design by, Publication (Event), Publicatie, 1546 - 1624-10-20, publisher

Men with beards shoot with bow and arrow at the man tied to a tree on the right In the background we see the same figure being dragged along the ground behind a horse On the left two men with turbans point to a naked figure lying on a bench, Men shooting with arrows at tied figure Voyagien door Moscovien, Tartaryen, Oostindien en andre deelen der Werelt Title page for: JJ Struys, Drie aanmerkelijke en seer rampspoedige reysen door Italien, Grieckenlandt, Lijslandt, Moscovien, Tartarijen, Meden, Persien, Oostdien, apen en verscheyden andere gewesten, 1677, print maker: anonymous, publisher: Jacob van Meurs, (mentioned on object), publisher: Joannes van Someren, (mentioned on object), Amsterdam, 1677, paper, engraving, etching, h 192 mm × w 141 mm

Landscape with the H. Hieronymus. Hieronymus, praying for a crucifix in a landscape, booking next to him and a skull. In the background two lions.

Diogenes sees a drinking boy; Diogenes. Diogenes is in a landscape. He looks down to a boy who makes his hands a bowl and drink water from a puddle. At the feet of Diogenes, his drinking cup is broken on the ground. Title and caption in Latin in undermarge.

Woman looking at flowers in the field Everything has its mouth, print maker: Jan Luyken, publisher: Pieter Arentsz (II), Amsterdam, 1687, paper, etching, letterpress printing, h 94 mm × w 78 mm

Chinese magicians and witches (two illustrations); Picart, Bernard (1673-1733); 1728 (1728-00-00-1728-00-00);

Jacques Callot, Saint Mary Magdalene Saint Mary Magdalene

Drawing by Adriaen van de Velde depicting the biblical scene of Hagar and the angel in the desert, executed in brown ink with gray wash and graphite.

Allegorical title page with freedom and good governance, Jan Caspar Philips, 1760 print Mountainous landscape with the personifications of freedom and good governance. On a ruin behind them the title in Dutch. On the left the winged lion of Saint Marcus, the symbol of Venice. In the foreground two putti with the riches of the area. Amsterdam paper etching / engraving Freedom, Liberty; 'Libertà' (Ripa). allegory, personification of good government. symbols of particular nations, states, districts, etc.. mountains

Bliżej Kultury Ensom, William (1796 1832), Tiziano Vecellio (CA 1488 1576)

. Mercury points to the cow io and looks at Argus, which is on a stone block. Scene from Ovidius' Metamorphoses (with. I, 679-688).

Netherlands, Allegorical grave monument for Prince Frederik, 1799, verso - stamped, Allegorical grave monument for Willem George Frederik, Prince of Orange-Nassau, died in Padua, 6 January 1799. Minerva and putti mourning at the grave are comforted by a philosopher who points to the temple of immortality. With six-line caption., print, prints, Frederik Muller Historieplaten, height 198 mm, width 119 mm, print maker, printmaker, 1799 - 1799, paper, papier, etching, engraving, engraving (printing process)

Abraham expels Hagar and Ishmael, draughtsman: Jacob Folkema, 1712, paper, pen, brush, h 107 mm × w 148 mm

Man and a woman gather wood, anonymous, 1630 - 1700 print Man with a basket on his back with gathering wood, woman bending over, grabs a bunch of Sprokkelhout. paper etching woodgathering, woodgatherer

Jacques Firmin Beauvarlet after François Boucher, L'Arrivee du Courrier L'Arrivee du Courrier

The Courier Departs Artist's working dates 1761-1804 France. Engraving on paper . Charles-Étienne Gaucher

Zomer, Reinier Vinkeles (I), 1769 drawing Summer: farmers busy with the grain harvest paper. ink pen / brush summer ~ human activities (the four seasons of the year). harvest

Print, Mars, Venus, et l'Amour; Print Maker: Simone Cantarini (Italian, 1612 - 1648); After Paolo Veronese (Italian, 1528 - 1588); etching on white paper; 26.4 × 19.6 cm (10 3/8 × 7 11/16 in.); 1896-31-45

Print made by Bernard Lens, 1659-1725, British, Tobit and the Angel, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Print, Plate 10, from "Suite de Douze Pêcheurs et Chasseurs"; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; etching on paper; Plate: 33.1 × 23.4 cm (13 1/16 × 9 3/16 in.) Paper: 43.7 × 28.7 cm (17 3/16 × 11 5/16 in.)

A woodman is swinging an axe at a tree. Etching by W. Hollar for a fable by Aesop.

Jacques Callot, The Flight into Egypt, in or after 1630 The Flight into Egypt

Mercury en Battus, 1728 Apollo, represented as a shepherd, plays on his pan flute and does not pay attention to his herd. Mercury, recognizable by his winged sandals, has cleverly driven the herd. The old man Battus promised Mercury nothing to say about what he had seen. When Mercury asked him in a different form, Battus said it anyway and turned into a rock. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Apollo, represented as a shepherd, plays on his pan flute and does not pay attention to his herd. Mercury, recognizable by his winged sandals, has cleverly driven the herd. The old man Battus promised Mercury nothing to say about what he had seen. When Mercury asked him in a different form, Battus said it anyway and turned into a rock. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublish

Three cows at a farmer at a fence, Jacob Elias van Varelen, 1818 print Haarlem paper etching farm or solitary house in landscape. cow

September, Simon Fokke, 1722 - 1784 print From a series of twelve prints, the imagination of the month of September. A man on horseback is offered a glass of wine at an inn. Amsterdam paper etching September ~ other concepts

Hans van Overdam imprisoned in a forest near Ghent, 1550, 1683 - 1685 print Hans van Overdam in a forest near Ghent imprisoned by a group of armed men, 1550 Northern Netherlands paper etching execution of heretic, e.g. by burning at the stake, 'auto-da-fé'. arrest (of criminal) Ghent

Centaur and eagle with fish tail; Title page for: Jan van Westerhoven, Den Schepper Verherlyt in creatures, 1685. On either side of a monument with the title of the book blowing a centaur and an eagle with a fish tail on bazuinen. Below a landscape.

Chiron Teaching Music to Achilles. Dated: 1758. Dimensions: plate: 21.2 x 30.1 cm (8 3/8 x 11 7/8 in.) sheet: 22.7 x 31.2 cm (8 15/16 x 12 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gaetano Zompini after Giovanni Benedetto Castiglione.

Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Miguel de Cervantes Saavedra (Spanish, Alcalá 1547-1616 Madrid). Dimensions: Sheet: 9 7/16 x 7 in. (24 x 17.8 cm). Date: 1756 or after. Museum: Metropolitan Museum of Art, New York, USA.

Emblem: Dauw, Jan Luyken, 1695 - 1705 print A landscape with a farm. In the foreground, a woman is kneeling for a plant. She shows a standing woman the dew she has found on the plant. Print Maker: Amsterdampublisher: Nuremberg paper etching Abstract Ideas and Concepts. farm or solitary house in landscape. dew. plants (in general). address, talk, lecture (~ meeting) - AA - in the open air

Women fish a woman from a ditch, Daniël Mreedwaard (I), After Jacobus van Meurs, 1823 print A woman on a gangway, a woman fishes out of a ditch. On the side of the ditch two women and in the background a woman runs to a house. Bottom right: bl. 51. Amsterdam paper etching saving a person from drowning

Diogenes vraagt Alexander niet in zijn licht te staan.Alexander the Great State Links and Diogenes is on the right of the ground before the ton in which he lived. Ten figures are around them. His hand asks Diogenes to Alexander not to stand in its light. In the middle of three lines of Latin text (Juvenal's "Satires": XIV, 311-313).

A nymph holding a large dog by the collar, or 'La belle chasseresse' ca. 1654 Stefano della Bella Italian. A nymph holding a large dog by the collar, or 'La belle chasseresse' 410796

The Calling of SS Peter andAndrew. Artist: Dirk Jacobsz Vellert, Flemish, 1480-85-1547

King William II of England killed by an arrow to the chest shot by one of his own men, Walter Tirel, while stag hunting in the New Forest, 1100. Death of William Rufus. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Willemynken at rabbit along road during pilgrimage; Duyfkkens and WillemYngens Pilgrimagie to Haren Loved within Iervsalem.willemynken Stops by a rabbit Along The Road and Closed Her Nose. Duyfken is granting to look. Furthermore On Their Way, Willemynken Points To A Bird In The Air.

The Winter, Johann Elias Ridinger, 1740 - 1767 print Augsburg paper etching year divided into four seasons. winter, 'Hyems'; 'Inverno' (Ripa). hunting dogs. forest, wood. beasts of prey, predatory animals: bear. hunting dogs beside the spoils

Adam and Eve after the expulsion from Paradise. Colour lithograph by N. Consoni after Raphael.

Title page for contemporary history, part VII, 1735, Jan Caspar Philips, 1735 print paper etching Mongolians. indigenous peoples of the American arctic regions

Sight (Visus), from the Fiver Senses. Artist: after Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp); Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp). Dimensions: Image: 7 9/16 x 10 in. (19.2 x 25.4 cm)Sheet: 8 3/8 x 10 1/4 in. (21.3 x 26 cm). Date: n.d..Prints of allegorical subjects were produced in England by the 1620s, reflecting this fashion on the Continent. The concept of the Five Senses personified by women and accompanied by companion animals was established by the Middle Ages, but the specific combinations of women and beasts illustrated in this set date to the mid-sixteenth century. The same iconography appears on the small cabinet decorated with the Five Senses (29.23.1). Museum: Metropolitan Museum of Art, New York, USA.

Title page for contemporary history, part VII, 1735 ..

Fokke, Simon, Amsterdam, Gracieuse et Persinet, Kneeling man with a woman, verso - stamped, A man kneels before a woman who is standing next to a carriage with two harnessed deer. Both figures are dressed in antique clothing. In the background figures are dancing by fire bowls. Print marked at top right: No 2. Pag. 20., print, prent, prints, prenten, height 118 mm, width 70 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception, after own design by

Abraham Going to Sacrifice Isaac. Dated: 1517/1519. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

L'enlevement nocturne. Dated: 1780. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Ponce after Pierre-Antoine Baudouin.

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