Royal Consultation and Military Strategies

Etchings depicting royal figures in discussion and military contexts, reflecting alliances and political maneuvers of the time.

Julius Caesar enters the Senate meeting, Julius Caesar enters the Senate meeting and is greeted. The representation is explained in the two-line caption. The print is marked top left and right: I. Part. - Pag: 39. Made for the tragedy translated from French by De doodt van Julius Cezar, written by Marie-Anne Barbier, (story of) C. Julius Caesar, Jan Lamsvelt (mentioned on object), 1728, paper, etching, h 130 mm × w 79 mm

King and Queen in Consultation about the Turks. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Julius Caesar enters the Senate meeting, Julius Caesar enters the Senate meeting and is greeted. The representation is explained in the two-line caption. The print is marked top left and right: I. Part. - Pag: 39. Made for the tragedy translated from French by De doodt van Julius Cezar, written by Marie-Anne Barbier, (story of) C. Julius Caesar, Jan Lamsvelt (mentioned on object), 1728, paper, etching, h 130 mm × w 79 mm

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Florence, Callot, Jacques, Philip III, on the advice of Margaret of Austria, gives military aid to Hungary against the Turks, verso lower left - stamped, Philip III and Margaret of Austria speaking, seated on a dais, with a gentleman. Soldiers are visible in the background on the right., print, prent, prints, prenten, height 125 mm, width 173 mm, French, 1592-08-21 - 1635-03-24, print maker, prentmaker, 1612 - 1612, first quarter 17th century, paper, papier, etching, etchings

The dance around the world, ca. 1600. In the center, the richly dressed Lady World, with a globe on her head and a bubble in her hand, at her feet a bale of hay with a crown designated Vanitas. Under her cloak a jester with a mask in his hand. Around the woman, six men (including an acrobat and a priest) dance in a roundabout way, personifying foolish worldly attributes. In the upper left, a musician plays a flute. Symbols of Temperance and God's laws lie carelessly on the floor in the front left. With caption of 3 verses of 9 lines each in Dutch, Latin and French. The Dance around the World, ca. 1600 Den Dans des Werelts, Chorea Mundi, La Danse du Monde , print maker: anonymous, print maker: Peeter Baltens, (attributed to), publisher: Johannes Baptista Vrints (I), (mentioned on object), Southern Netherlands, 1575 - 1624, paper, engraving, h 329 mm × w 414 mm

Murder of the Prince of Orange, 1584, 1620 - 1699 print The Prince of Orange in Delft murdered by Balthasar Gerards, 10 July 1584. In the foreground the prince is shot down, in the background the execution of Bathasar Gerards on the scaffold on July 14, 1584. Northern Netherlands paper etching attempt, political murder. on the scaffold or place of execution Prinsenhof

Members of the Senate Party are determined to kill Julius Caesar, Jan Lamsvelt, 1728 print Members of the Senate Party have decided to kill Julius Caesar and pull their sword. The conspiracy is explained in the caption. The print is marked left and top right: I. part. - Page: 1. Made in the treerspel "De kills from Julius Cezar", written by Marie-Anne Barbier. paper etching (story of) C. Julius Caesar

bekend, Leiden, Tangena, Johannes (17e eeuw), Noordelijke Nederlanden, Strijd van koning James II van Engeland tegen het Engelse leger in Ierland in 1689, The King James parteth from paris to Yrland, and F: peters to constantinople, de Koning Jacob treckt uyt Parijs naar Yerlant en pater peeters na Constantinopolen, King James II leaves Paris for Ireland, 1689, unknown, Northern Netherlands, 1689. The king says goodbye to his wife Mary of Modena, on the left Father Peters is ready to leave for Constantinople. Plate no. 1 in a series about the battle fought by the deposed Catholic King James II of England against the English army in Ireland in 1689., print, prent, prints, Frederik Muller Historieplaten, height 161 mm, width 193 mm, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen, Publication (Event), Publicatie, Noord-Nederlands - 1692, publisher, uitgever van privilege

The Sculptor 1642 Abraham Bosse French. The Sculptor 390705

Cerialis Pardons and Relieves Roman Soldiers Who had Helped Civilis. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Susanna guided to the right place, Crispijn van de Passe (I), 1574 - 1637

Weeping Woman next to an open coffin in a departure, Caspar Luyken, 1694 print Amsterdam paper etching crying, shouting. coffin

Calpurnia Pisonis vertelt Julius Caesar haar droom.Calpurnia Pisonis tells her husband Julius Caesar from the dreams in which she was warned of danger. Caesar ignores her and gets ready to leave. The performance is explained in the two-legged caption. The print is left and at the top right labeled: I. part. - Pag: 20. Made from the torrent game translated from French "the kills of Julius Cezar", written by Marie-Anne Barbier.

The Ball ca. 1634-35 Abraham Bosse French. The Ball 354640

Northern Netherlands, Victim of possession or sorcery (nos. 4-5), ca. 1658, Two representations of an interior with a person suffering from a form of epilepsy or madness, interpreted as possession or sorcery. Above: a woman falls to the floor in front of the fireplace. Below: a woman sitting on a chair, vomiting or spitting. Numbered: 4 and 5., print, prent, prints, Frederik Muller History plates, height 144 mm, width 93 mm, print maker, printmaker, 1657 - 1659, third quarter 17th century, paper, engraving, engraving (printing process)

Allegory on the different sides of a character, Jacob van der Heyden, 1608 print Numbered at the bottom right: 19. With caption in Latin and German. paper engraving Morality. 'White friends' 'Stammbuch'

Jonadab advises Amnon, 1559 print Jonadab advises his cousin Amnon to lie down sick in bed and to ask Tamar's presence. Links for: Jonadab and Amnon in conversation. Right behind David comes his son Amnon who is looking sick in bed. print maker: Haarlempublisher: Antwerp paper engraving Jonadab gives Counsel to amnon

Sculptor in his studio. The sculptor shows his visitors, possibly the clients, a model of his own invention (Venus and Amor). On the basis of this model, the 'Bozzetto', the image was carried out in the large. The rough work, chopping the coarse shape in the stone, left the sculptor to assistants. He themselves only dealt with the idea and the finish. The text tells that this sculptor works in wood, in stone and in it and used different types of tools. He has used chisels, passer and a wooden hammer in the manufacture of this Venus and Amor.

Vernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), La magnifique, et sumptueuse Pompe Funebre, faite aus Obseques & Funeral processions of the three-great and three-victory Emperor Charles V, Celebrities in the City of Brussels of the XXIX. July of the Month of December MDLVIII. by Philippes Roy Catholique d'Espaignes son Fils., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 11, Six participants in the procession, a horse and the banner with the arms of Cordova. Part of the series of prints of the Funeral Procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 235 mm, width 324 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Even

Friedrich Brentel, known as Brenten the father (1580-1651). Charles Third Funeral Pump of the name, Duke of Lorraine, made in Nancy the year 1608, thirty-third board of the representation of the procession: three trumpets (white 46 page 516; Andreas Andresen 10, volume 4, page 192). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100465-17 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Secret meeting of civilis with leaders of the Teviri, 69-70, 1612 print Secret meeting of Civilis with Julius Classicus and Julius Tutor, leaders of the Treviri from Trier in a house in Cologne. A plan is planned here to kill the Roman officers in order to get the soldiers by their side. Print number 18 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back of text in Latin. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Cologne

Copper engraving by Jacob de Gheyn II depicting masked figures, showing composition, costume details, and interaction between figures.

. Cupid pours water over the hands of a man and woman who face each other. Right right in the room a four-poster bed. Links through the window can be seen a plowing farmer. The print has a Latin caption with a Bible quote about marriage (Eph. 5).

Etching by Augustin Hirschvogel depicting the denial of Peter, created in 1548, showing figures, gestures, and compositional arrangement.

Amsterdam, Visscher, Claes Jansz. (II), Italy, Tempesta, Antonio, Alexandri magni praecipvae res gestae, The deeds of Alexander the Great, Alexander the Great cuts the Gordian knot, verso - stamped, Alexander the Great cuts the Gordian (inextricable) knot with his sword. The oracle had said about this knot: 'whoever unties this knot will become master of all of Asia.' A crowd of soldiers looks on. Four-line verse in Latin in two columns in the lower margin., print, prints, height 224 mm, width 284 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1608 - 1608, paper, papier, etching, etchings, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Diaboli Partus Superbia / Hoovaardij de Duyvels Broersel; Cartoon on the wide folding collar. Woman's pride: cartoon on the 'millstone collar', ca. 1600. In a room there is a woman on a chair, dressed according to fashion from around 1600-1620. The wide pleated collar is stated by a diabolical figure with a beehive on the head. Left in the room two chips that are busy with the stiffs of collars hanging on sticks on the wall. On the right an elegantly dressed Lord. In the doorway death in the form of a skeleton with Zeis. With explanatory texts in the performance and with caption of 2 times 4 rules in French and Dutch.

Frieze with men, women and soldiers, print maker: Monogrammist CB, 1531

Conversation between Emperor Koenraad II Emperor Hendrik VII; Koenraad de Iide, and Henrik de Viide, two Voortreffelyke Romane Keizers.The Two Emperors Koenraad II Hendrik VII Face Each Other, One On The Back. At the top listed: March / Ao 1735.

Amsterdam, Wolters, Joannes, Hooghe, Romeyn de, Haarlem, Joannis Browne Regii Chirurgi ordinarii Myograph nova editio novis multis in locis em, Title print for 'Myographia nova sive Musculorum omnium 'accuratissima descriptio' by John Browne, verso lower right - stamped, A gentleman with a laurel wreath on his head and a book and a skull on his lap points with a pointer at a human figure without skin (anatomical model of human muscle tissue). At his feet two putti., print, book illustration, frontispiece, prints, height 248 mm, width 163 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1694 - 1694, fourth quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Coronation van Willem III et Maria Stuart, 1689, Jacobus Baptist, After Gerard de Lairesse, After Philip Tidemann, 1696 - 1700 print Allegory on the coronation of King William III and Queen Maria II Stuart, April 21, 1689. William III and Maria Stuart Knielen on either side of justice. Two putti put crowns on their heads. An angel blows on a trumpet. Justice hands over the pair of scepters. The people are present in large numbers. Amsterdam paper etching / engraving

Salome at the Banket van Herodes, Jan Saenredam, After Karel van Mander (I), 1589 - 1607 print Salome and a young man dance () For a long table, which includes different people, including Herod. On the left a man holds a barrel. Back right kneels the blindfolded John the Baptist for a man with a raised sword. Under the show a six -line, Latin text with an explanation of the scene. paper engraving Salome dancing during the banquet of Herod

Group picture.

Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes" 1638 Pieter Nolpe Marie de Medici and Henry IV standing at center, blessed by a bishop and crowned by two putti. Mars and Hercules stand to the left and Athena at right.One of a series of sixteen plates showing the festivals and ceremonies in honor of Marie de Medici's visit to Amsterdam from August 31 to September 5, 1638. Illustration to Caspar Barlaeus, "Medicea Hospes", Amsterdam, 1638.. Plate 3: The Marriage of Henry IV and Marie de Medici, from Caspar Barlaeus, "Medicea Hospes" 698737

Matthias I., Roman-German Kaiser.

Insurance of Charles V in Dordrecht, 1515. Insurance of Charles V in Dordrecht, 1515 as Count of Holland. The young emperor lay down the oath standing with raised hand. Design for a print.

Almanac for 1665 - the pompous and beautiful entrance of Flavio Cardinal Chigi Nicolas de Larmessin (1638-1794). "Almanac for 1665 - the pompous and beautiful entrance to Flavio Cardinal Chigi". Engraving.

Léonard Gaultier, The Parable of the Marriage Feast, probably c 1576 1580 The Parable of the Marriage Feast

Ages of the man, Jacob van der Heyden, 1608 print Numbered at the bottom right: 25. With caption in German. paper etching / engraving Morality. 'Album Amicorum', 'stammbuch' The ages of man

Paris, Henriet, Israel, Nancy, Callot, Jacques, Scenes from the New Testament, The Twelve Year Old Christ in the Temple, verso lower left - stamped, Christ is seated under a canopy on a dais in a temple space, surrounded by people. He is in discussion with a number of scribes. This print is part of a series of ten prints with scenes from the New Testament, to which a title print was added after Callot's death., print, prints, height 69 mm, width 88 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1590 - 1661, publisher

Netherlands, unknown, Scenes from the life of Saint Boniface, plates XIII and XIV, ca. 672-754, plates XIII and XIV. Boniface consecrating and crowning. Eighth print in a series of prints about the life of Saint Boniface, consisting of a large image of the saint followed by 8 plates, each with two smaller numbered representations below each other., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 125 mm, width 76 mm, print maker, prentmaker, 1640 - 1659, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etsen

Jacques Callot, Embarkation at Genoa, 1612 Embarkation at Genoa

Display of disarming Mars, 1648; Disarm Mars; Allegories on the Peace of Munster; The six shows that opened on De Schouburg (...) are den 23 Iunij 1648. Display of disarming Mars. Part of the impressions raised on June 23, 1648 at the Schouwburg in Amsterdam following the conclusion of the Munster peace. The third show shows how Mars is disarmed by peace. A Dutch frost looks in the background. In the caption a verse of 4 lines in Dutch.

The empress and death; Dance dance. The empress walks with her lawmes in the guidance of death. Seventh print from a series of European death expressions; With a picture frame with Minerva and Hercules.

Valençay prints, Leonor d '.

Julitta of Iconia Wronged while her child is killed, Jan Luyken, 1685 print Amsterdam paper etching flogging, scourging (in public). murder. male saints (with NAME)

Leiden, Haestens, Henrick Lodewijcxsoon van, Amsterdam, Sichem, Christoffel van, Wtewael, Joachim, Swanenburg, Willem Isaacsz. van, Thronus Justitiae, Count Willem III of Holland orders the beheading of his bailiff, verso - stamped, Willem III the Good, Count of Holland and Hainaut, condemns his bailiff from his sickbed and orders his beheading. The reason can be seen in the background: the bailiff has swindled a farmer by selling him a bad cow for a good one. Below the representation two four-line verses in Latin., print, prints, height 300 mm, width 384 mm, Northern Netherlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1606 - 1606, paper, engraving, engraving (printing process), Work conception, 1566 - 1638-08-01, after a design by, Publication (Event), Publication, publisher

Willem Basse, The Partitioning of the Globe between Spain and Portugal, 1634 The Partitioning of the Globe between Spain and Portugal

Psyche and her sisters married with kings, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Psyche and her two sisters together with three kings in a palace. The Psyche sisters were both married to Kings. Italian text in two cartouches in STUDMARGE. Numbered bottom left: 2 and 3. paper engraving Psyche. ruler, sovereign. palace

Julius Caesar enters the Senate meeting, Jan Lamsvelt, 1728 print Julius Caesar enters the Senate meeting and is greeted. The performance is explained in the two -way caption. The print is marked left and top right: I. part. - Page: 39. Manufactured in the treors game translated from the French "De Kills of Julius Cezar", written by Marie-Anne Barbier. paper etching (story of) C. Julius Caesar

Vernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), La magnifique, et sumptueuse Pompe Funebre, faite aus Obseques & Funeral processions of the three-great and three-victory Emperor Charles V, Celebrities in the City of Brussels the XXIX. July of the Month of December MDLVIII. by Philippes Roy Catholique d'Espaignes son Fils., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 21, Six participants in the procession, a horse and the imperial banners. Part of the series of prints of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels. Part of print no. 22 has been glued to print no. 21., print, prints, Frederik Muller Historieplaten, height 235 mm, width 434 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, papier, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draught

Visscher, Claes Jansz. (II), Northern Netherlands, Dolendo, Bartholomeus Willemsz., 4. The voice of a certain Prince or Lord, Has made a great noise, one hears him again, The bailiff of Dordrecht receives the letter from the count, The bailiff of Dordrecht receives the letter from Count William III in which he is asked to come to the court of Valenciennes together with the bailiff of South Holland. Scene no. 4 in a series of six small scenes of the successive episodes of the story of the Judiciary of Count William III in the year 1336. These small prints belong on either side of the large central scene. Each scene has a caption consisting of a saying and a verse of two columns of eight lines., print, history print, prints, Frederik Muller History plates, height 179 mm, width 190 mm, 1560 - 1626-05-27, print maker, printmaker, 1613 - 1613, first quarter 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, 1586 - 1652-06-19, publisher

Triumph from Stefanus, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1638 print In the foreground the holy Stefanus, driving on an elephant. He prays to God in heaven. In his hands a cross with a banner. The personification of mercy on the banner. Behind Stefanus two men who are stoning him. In the background the temple of Jerusalem. The print has a Latin caption of six lines and is part of an eight -part series about the triumph of the passibility. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching the stoning of Stephen; the witnesses lay down their clothes at Saul's feet. the deacon and (proto)martyr Stephen; possible attributes: censer, stones. trunked animals: elephant. triumphs (allegorical and symbolic)

Honende Vorst Laat Handels, Jan Lamsvelt, 1700 print A throne prince, left and right flanked by servants, punishes a subject in front of him and gives the executioner with ax to discover him. Print on top left marked: p. 643. Leiden paper etching violent death by beheading. executioner, hangman

Philip I, Landgrave of Hesse, kneels before the throne of Charles V in total surrender. On Charles V's left, the bishops of Arras, Naumburg and Hildesheim. On the right the Duke of Alva, the Duke of Saxony and the Duke of Brandenburg. The print has a Latin caption and is part of a twelve-part series on the victories of Charles V., Surrender of the Landgrave of Hesse, 1547 Victories of Charles V (series title) Divi Caroli. V. imp. opt. max. victoriae, ex multis praecipuae (series title), print maker: Dirck Volckertsz. Coornhert, Maarten van Heemskerck, publisher: weduwe Hieronymus Cock, (possibly), print maker: Haarlem, Haarlem, publisher: Antwerp, 1555 - 1556 and/or 1570 - 1640, paper, etching, engraving, letterpress printing, w 233 mm × h 156 mm

Ridder Payen de Beaufort is accused of witchcraft and imprisoned, 1459, Caspar Luyken, 1700 print The interior of a palace. In the foreground, the count of d'etampes refuses to listen Ridder Payen de Beaufort, accused of witchcraft. Beaufort is imprisoned and taken to prison in the background. paper etching witch-trial. palace. private soldier. prison, jail Arras

Jacques Callot, Distribution of Rewards, c 1633 Distribution of Rewards

Family portrait of Louis XIII and his wife and sons, Frans Brun, after Anonymous, c. 1640 - c. 1642 print Family portrait with Louis XIII and his wife Anna van Austria. Next to the king is his son Lodewijk. The queen presents her newly born child Philip who is fed by a feed woman. She holds three lilies in her hand. Behind the queen is the Cardinal Richelieu. The city of Paris can be seen through the open window. Under the portrait the name and titles of King and Queen. Amsterdam paper engraving flowers: lily Paris

The Five Senses, Cornelis Galle (II), After Johann Liss, c. 1610 - c. 1678 print Allegorical representation of the five senses. A man plays on a lute and a woman listens (hear), a monkey eats a fruit (taste), a fool looks through his fingers (view), a boy tries to kiss a girl (touch), he sniffs her scent ( smell). print maker: Antwerpprint maker: Southern Netherlandspublisher: Antwerp paper engraving the (five) senses. the (five) senses - AA - female human figure

Friedrich Brentel, known as Brenten the father (1580-1651). Charles third funeral pump of the name, Duke of Lorraine, made in Nancy the year 1608, first issue of a sequence of 8 pieces, Monsignor Eric de Lorraine, bishop of Verdun (Le Blanc 54 Page 516; Andreas Andresen 10, volume 4, page 192). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100465-25 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

In the presence of Almanzor, Gonzalo Gustos identifies the heads of his sons, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. paper etching tales and fairy tales. head of a beheaded person

Mars and Luna next to a helmet with cat, Claude Mellan, 1608 - 1688 print paper engraving (story of) Mars (Ares). Diana as moon-goddess, i.e. Luna (Selene). cat. armorial bearing, heraldry

Scylla by Minos rejected, Antonio Tempesta, 1606 print Scylla is rejected by Minos after she has destroyed her own father for him. Title in Latin in STUDMARGE. print maker: Italypublisher: Antwerp paper etching Scylla offers the lock to Minos, who rejects her offer

Cartoon on the brotherhood of the Red Cross the Rose Cruisers, Pieter Nolpe, After Pieter Jansz Quast, 1623 - 1653 print Satire with the painting of the Antichrist, ca. 1650. Interior of an inn in which a painter paints the portrait of the called Antichrist or Devil on the bare rear of a bent man with a crown on the head. The devil is on a cloud of smoke, a globe and tongs. Left at a table a man with a glass of wine, a lute player and a young woman. Behind the painter a fool with a top hat, large collar and big nose. Behind it is a man with a model of a castle. On the right, a Dutch sailor with fur hat looks in hand. In the caption a verse of two times five lines. The verse speaks of a meeting of the brotherhood of the Red Cross the rose crossers or rose cruisers, the clothing of two of the people is decorated on the sleeve with a cross. The performance probably relates to the poet Mattheus Gansneb Tengnagel. Amsterdam paper etching / engraving Antichrist. (professional) organization o

Embarkation at Genoa. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Koningen Richard II, Hendrik IV, Hendrik V and Hendrik VI, 1584 print Four men with a coat of arms and a sword. A landscape vague in the background. This print is part of an eight -part series of prints of kings and queens of England (unnumbered title page and seven numbered prints with two to four figures). paper engraving king

Bowling game with women as cones; Pugillus facetiarum iconographicarum .... Strasbourg 1608. Three young men are bowling. On the right there are three women as "cones". The left is "rich and old", the middle one is "seasonable but nice to see" and the judge is "honest". Print from: Pugillis Facetarium .... Strasburg.

A copper engraving from 1620 by Raphael Sadeler the Younger depicting an allegory of Emperor Ferdinand II's triumph after the Battle of Weißen Berg, showing figures, symbolism, and historical event.

Aura tries to seduce Harlekijn; Mimicarum Aliquot Facetiarum icons Ad Habitum Italicum Expressi. A richly dressed woman (aura) and harlequin (a character from the Commedia dell'Arte), accompanied by a man holding a cat. According to the four-line poem in the margin (in French and German), Aura asks Harlequin to grab the cat (symbol of the female genitals), while choosing the spit (symbol for the male genitals).

The personification of Abuse (Abusus) and Spanish Inquisition (Inquisitio Hispanica) attempt to influence secular authorities. Abusus tries to hide his monstrous nature through a mask and cloak. In his left hand a broken staff, symbolizing the broken power of the monarch. The Spanish Inquisition carries a burning torch, a sword and a gallows rope, instruments of torture and execution. In her left hand, she flattens the heart of Christ with a press. The print has a Dutch, Latin, and French caption and is part of a twelve-part series on the subject of the degeneration of the Catholic clergy and the causes of the revolt and iconoclasm., Corrupt rulers and the Spanish Inquisition commit murder Degeneration of the Catholic Clergy (series title), print maker: Dirck Volckertsz. Coornhert, Adriaan de Weerdt, publisher: Hendrick Hondius (I), print maker: Germany, Cologne, publisher: The Hague, 1604, paper, etching, engraving, w 206 mm × h 121 mm

MR MONGERON / Tomb Conquest (TF)

The courtyard surrounding the princely couple installed on a platform. (TF)

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Scylla by Minos Rejected, Antonio Tempesta, 1606 - 1638 print Scylla is rejected by Minos after she has destroyed her own father for him. Title in Latin in STUDMARGE. paper etching Scylla offers the lock to Minos, who rejects her offer

Social gathering by Anonymous artist, print, Private Collection, 10x14

Two prints on one sheet in oval. Left an interior with Joseph being pulled by Potiphar's wife's cloak (Gen. 39-11). Right, Potiphar's wife showing Joseph's cloak to Potiphar (Gen. 39-16). In the margins caption in Dutch. Fifth and sixth prints (5 and 6) from a series of twelve depicting scenes from the life of Joseph, Joseph and Potiphar's wife / Potiphar's wife accuses Joseph Scenes from the life of Joseph (series title), print maker: Hans Janssen, Amsterdam, 1615 - 1651, paper, engraving, h 52 mm × w 35 mm × h 53 mm × w 35 mm

The Dishonest Steward. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Three men and a woman portray a German proverb, Jacob van der Heyden, 1608 print Numbered at the bottom right: 13. With caption in Latin and German. Imagination of the German proverb that warns against the frivolity of the woman: 'mit fuß Treten, Handrücken und Laugh, Ik sie all Drei zu ferschen. paper engraving Proverbs, sayings, etc. Morality. 'Album Amicorum', 'Stammbuch'. Balcony

Rudolf I of Habsburg, Roman-German King, on his throne, Johannes Wierix, 1617 print The Roman-German King Rudolf I of Habsburg is sitting on his throne. On the front of his cloak the weapon of Habsburg. He holds a sword and a government apple in his hand. On the increase of his throne a five -line inscription in Latin. At the foot of his throne, his son Albert I (left), Meinhard, the father -in -law of his son Albert I, and his son Rudolf II (right). At the top of four scenes of important events during the reign of Rudolf I, including a caption in Latin. In the margin a 21-line caption in Latin. print maker: Antwerppublisher: Brussels paper engraving / letterpress printing throne. armorial bearing, heraldry

PAZ DE LOS PIRINEOS FIRMADA POR LUIS MENENDEZ DE HARO Y POR EL CARDENAL MAZARINO EN 1659. Location: ARCHIVO-COLECCION. Simancas. Valladolid. SPAIN. JULES MAZARIN. LUIS MENDEZ DE HARO Y GUZMAN (1598-1661).

Corrupt rulers and the Spanish Inquisition commit murder, print maker: Dirck Volckertsz Coornhert, Adriaan de Weerdt, Hendrick Hondius I, 1604

The choleric temperament; Cholericvs; The four temperaments. A soldier is accompanied by a woman, with a dog on her arm. Around her waist hangs a cloth with vegetables and her belt hangs dead birds. There is a rooster on the package on her back. In the background a burning church and a man who drives geese. In the margin, in two columns, a caption in Latin. Third print from a series of four with the four temperaments.

Illustration No. 6 (from 12) to the Older, Newer and Recent History, Posted in: Gothaischer Hof Calender for the benefit and pleasure of 1791. Gotha, Bey C. W. Ettinger Chodowiecki, Daniel Nikolaus (1726 1801)

A company in a garden; Illustrations for Boccaccio's "Decamerone", 1 (98).

Antwerp, Cock, Hieronymus, Floris, Frans (I), unknown, Cort, Cornelis, The story of Jacob, The meeting of Jacob and Rachel at the well, in cartouche above representation - engraved, Ornament for a dish rim. Jacob and Rachel embrace each other at the well of Haran. Rachel was busy watering her father's sheep. Jacob's men remove the stone from the well for her. With Latin text in cartouches. With text in Latin in cartouche above the representation., print, ornament print, prints, verso - stamped, Jacob offendit Rahel ad puteum, et osculatus est, eamque in uxorem ducit., height 132 mm, width 224 mm, Noord-Nederlands, 1533 - 1578, print maker, printmaker, 1563 - 1563, third quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, Southern Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

unknown, Terzio, Francesco, Italy, Oselli, Gaspare, Austriacae gentis imaginum, Portraits of Members of the Austrian House, Portrait of Sigebert I, verso - stamped, print, prints, height 517 mm, width 350 mm, Italian, 1536, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), 1523 - 1591, intermediary draughtsman, after a drawing by, after an image of, granter of privilege

Ostel de Bourgogne (registered title) | The hotel of Burgundy (dummy title)

De Schout pays the farmer his compensation, the widow of the bailiff mourns at his coffin, 1613 print De Boer's schout van Dordrecht pays his reimbursement of 100 gold pieces. On the right, the widow of the bailiff of South Holland mourns the coffin of her executed husband. Presentation No. 7 in a series of six small scenes of the successive episodes of the story of the case law of Count William III in the year 1336. These small prints belong to either side of the large central performance. With each performance a caption consisting of a spell and a verse of two columns of eight lines. Northern Netherlands paper engraving Netherlands

Inheritance of the Lower Austrian estates for Ferdinand IV on September , The imperial table, Unknown

Albert and Isabella Clara Eugenia

Gonzalo Gustos recognizes his son by his ring, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching tales and fairy tales. recognizing. warfare; military affairs (+ cavalry, horsemen). ring

Part of the parade, no. 16, 1619 print Six participants in the parade, horses and the banners with the Wapena of Toledo and Granada. Part of the print series of the funeral procession of Emperor Karel V on December 29, 1558 in Brussels. Southern Netherlands paper etching / engraving cortege, funeral procession Brussels. Toledo. Granada

The Trepas Chamber of Louis 14 Roy de France died in Versailles on September 1715 (IT)

. Two merchants close a trade agreement to a quay. They give each other's hand. One of them swears an oath. The Personifications of Deception (Fraus) and Formity (Fallacia) accompany them. A blindfolded (and therefore ignorant) notary records the (false) agreement. The print has three captions (two in Latin and one in Dutch) and is part of an eight-language series about the abuses in process.

Paradiso per Occhio...;dame en heer in landschap, met dobbelstenen; Pugillus Facetarium Iconographicaru(m)...1608 ; Allerhand Kurtzweilige Stucklein...zu Strasburg.An elegant lady with a range in hand and a young man, opposite her, standing in a landscape with water and hills in the background. The young man looks to the ground, where two dice and a scholarship lie for his feet. Print from: Pugillis Facetarium .... Strasburg.

William IV; Prince of Orange-Nassau (1 September 1711 ñ 22 October 1751); born Willem Karel Hendrik Friso; was the first hereditary stadtholder of the Netherlands. William IV's reception at the Courtyard; 15 May; 1747

Sqvilia Cascarda. Prints. 1581. Spencer Collection

Otto I, Duke of Bavaria Graf von W.

Ways A Royne Admirable, who France is indebted (registered title) | Characters and costumes (title of all)

Men collecting dung dropping from the hindquarters of a mule, with a rider sitting backward on the mule and holding its tail aside, surrounded by onlookers spread around a stepped platform, from 'Secular emblems' (Emblemata saecularia) 1592-1614 Johann Theodor de Bry Netherlandish. Men collecting dung dropping from the hindquarters of a mule, with a rider sitting backward on the mule and holding its tail aside, surrounded by onlookers spread around a stepped platform, from 'Secular emblems' (Emblemata saecularia) 399693

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