Royal Portraits and Allegories

Engravings showcasing royal figures and allegorical representations, framed within elaborate architecture, highlighting historical significance.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Juno speaks to the Parcae, verso attachment sheet - stamped, Juno stands on the right and speaks to the three Parcae (fates) on the left. Below a four-line verse in Italian. The representation is set in a decorative frame with putti and sphinxes., print, prints, height 134 mm, width 102 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Maria Theresia, Roman-German Empress Picture Medallion Maria Theresias, surrounded by historical and allegorical figures. Copper engraving by Johann Errrst von Mansfeld

Josef Ferdinand, Kurprinz of Bavaria.

Portrait of Theodobertus I, king of Austria; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Blazon of the Antwerp St. Lukas-Guild. Subscribely representation of the Antwerp St. Lukas-Guild and the Rederijkerskamer de Voolieren. In architectural picture frame representation of Saint Lucas that paints virgin with the Chrsitus child. On top of frame Two sitting women, personifications of Memoria and Eloquentia, next to the show in Nissen Musica and Retorica. Antwerp coat of arms. One shield held by winged OS. Completely below text in two columns.

Jozua, 1582 - 1635 print Joshua, a famous general from the Old Testament, stands in a landscape with a sword and a banner. He is part of the nine best. Under the show a verse in Latin. The show is caught in a frame with curling ornaments and various animals, such as rabbits, dogs, squirrels and birds. This print is part of an album. paper engraving Joshua (one of the nine worthies)

Germany, Dietterlin, Wendel (I), Title page and 11 leaves of 'Architectura und Aufstheilung der V Senln' 1593, Columns, capitals, windows and portals, Architectura und Aufstheilung der V Seüln. Das Erst Buch, Title page of book I. Stone tablet with inscription between Diligentia and Amor, Title page of the German edition of the series 'Architectura. De quinqz Columnarum Simmetrica distributione...' with columns, windows and portals., print, ornament print, prints, ornament prints, height 281 mm, width 192 mm, German, 1551 - 1599, print maker, 1560 - 1593, third quarter 16th century, fourth quarter 16th century, fourth quarter of the 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Portret van Raimondo Montecuccoli, Richard Collin, after unknown, c. 1674 - c. 1680 print Portrait of the Italian general Raimondo Montecuccoli. In an oval frame of palm and olive branches. The portrait is on a pedestal with the Montecuccoli family crest. On either side two Turkish prisoners who refer to Montecuccoli's successes in the war against the Turks. Above the portrait an eagle, crowned by Minerva and the Peace. paper engraving

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Juno speaks to the Parcae, verso attachment sheet - stamped, Juno stands on the right and speaks to the three Parcae (fates) on the left. Below a four-line verse in Italian. The representation is set in a decorative frame with putti and sphinxes., print, prints, height 134 mm, width 102 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Waggoner, 1651 Waggoner

Karin, I'm going to go.

Coat of Arms of Johann Tscherte. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 7 1/4 x 5 11/16 in. (18.4 x 14.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Ludwig II., Duke of Bavaria Stecher: Kilian, Philippdation: 1643/1693

Picture frame with an elongated cartouche with round sides in the middle; Emblemata Nobilitati et Vulgo Scitu Digna ... / Stam und Weaponbuchlein ...; Three blades of the emblemata - Francofurti Ad Moenam 1592. 4 (. 3 (general in armor with the command staff in the right hand, standing next to an uninfilled coat of arms. In the middle is a rectangular cartouche. At the top left and top right is an angel. Left and top right. At the bottom right is a winged female being with a double fish pie instead of legs. Shaded background. Hears a series of 18 blades where in the middle of separate plates, twenty-seven emblemata and forty-five coats of arms have been printed. The emblemata are counted in part AD, 1 -7 and 9-21. Three sheets have no number. The coat of arms, which are partly double, are unnumbered.

Albrecht Dürer, Detail 18, 1515-1517, woodcut on paper.

The Arms of Johann Tscherte n.d. Albrecht Dürer German. The Arms of Johann Tscherte 387585

Sixtus V., papa .

Buquoy, Karl Bonaventura by Longueval Graf.

WELF IV. (I.), Duke of Bavaria.

Portrait of Margaret Lucas, Pieter van Schuppen, After Abraham van Diepenbeeck, 1645 - 1673 print Portrait of Margaret Lucas. She is wearing a cloak with precious stones and fur and a crown on the head. Sandals on her bare feet. She is in a niche with Minerva and Apollo on either side in the form of Caratives, as a symbol of art and science. Under the portrait, a praise in English to her inner and outer beauty and an incentive to read her (literary and scientific) publications. Paris paper engraving portrait of a writer. caryatids ~ architecture. specific aspects, allegorical aspects of Minerva; Minerva as patroness. specific aspects, allegorical aspects of Apollo; Apollo as patron

Anonymous / 'Cover for a Book'. Mid-XVIIcentury. Grey-brown wash, Ink on laid paper. Museum: Museo del Prado, Madrid, España.

Portrait of Sigebert I; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Frederick I. The victorious, Elector of the Palatinate.

Thiry, Léonard, France, Boyvin, René, Gods and goddesses, Mercury with a trumpet in each hand, At the bottom is a Latin text. From a series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesques with fantastic creatures, animals, garlands and mascarons., print, ornament print, prints, ornament prints, height 173 mm, width 108 mm, French, 1525 - 1598, print maker, printmaker, 1551 - 1580, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), South Netherlandish (before 1775), 1500 - 1550, intermediary draughtsman

Fugger of Kirchberg and Weissenhorn, Matthias Freiherr.

Artist: Léonard Gaultier, French, ca. 1561-1641, Bust of Henry IV (LAvant-Victorieux), ca. 1610, Engraving, image: 13 × 8.2 cm (5 1/8 × 3 1/4 in.), French, 17th century, Works on Paper - Prints

Halleff, Yosef.

Maximilian I., Roman-German Emperor.

. The Saint Norbertus is a pair of emperor Hendrik V. de Hovelingen and the king watching him and he enjoys a lot of sights, with beautiful clothes and beautiful women. The print has two Latin inscriptions: an upstairs and one below the show.

Theodo III., Duke of Bavaria.

Nuremberg, Solis, Virgil, Outpouring of the Holy Spirit in a scrollwork frame, verso - handwritten in brown ink, print, prints, verso - stamped, 86, height 76 mm, width 53 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, engraving, engraving (printing process)

Thiry, Léonard, France, Boyvin, René, Gods and goddesses, Venus and Amor in a rectangular frame, At the bottom is a Latin text. From a series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesques with fantastic creatures, animals, garlands and mascarons., print, image, ornamental print, prints, images, ornamental prints, height 174 mm, width 106 mm, French, 1525 - 1598, print maker, printmaker, 1551 - 1580, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), South Netherlandish (before 1775), 1500 - 1550, intermediary draughtsman

Philipp I. The grandfather, Landgrave of Hesse.

The Christ Child seated on a pedestal in a fountain or water basin, personifications around him Surrounding the scene a frame with various scenes from the early life of Christ combined with allegorical elements In the margin at the bottom two lines of Latin This print is part of a series of six allegorical scenes from the life of Christ, Youth of Christ Allegorical Scenes from the Life of Christ , print maker: Hendrick Goltzius, Hendrick Goltzius, publisher: Philips Galle, (mentioned on object), print maker: Haarlem, publisher: Antwerp, 1578, paper, engraving, h 268 mm × w 187 mm

Hero Alexander the Great on horseback In rectangular frame with scroll ornaments and various animals including dogs, rabbits and snakes Two boys hold festoons with fruit At top, the scrollwork is flanked by two owls and other birds, Hero Alexander the Great on horseback in frame with ornaments Alexander Macedo The nine best , print maker: Nicolaes de Bruyn, (mentioned on object), Nicolaes de Bruyn, publisher: Assuerus van Londerseel, (mentioned on object), Netherlands, 1581 - 1594, paper, engraving, h 185 mm × w 111 mm, h 288 mm × w 209 mm

Maria Anna, Infantin of Spain.

Minerva points putto portrait Charles van Mander; Life of the Dutch and Hoogduitsche Painting; Title page for: Karel van Mander and Jaobus de Jongh, the life of the experienced Dutch and a few Hoogduitsche painters, 1764.Minerva Points a putto with flame on the head on the bust or karel van mender on a pedestal with the book title. On The Left Are Two Putti And Father Time. Above the Bust, FAMA's Blows on a Trumpet, in Her Hand She Holds The Hose Ourobouros as An Eternal Symbol. Right Reveals a putto portrait medallions, a sculpture and a donkey with painting. Apollo and the Muses are in the background.

Two Roman field lords stand beside a table with the title of the book Above the table a depiction of the Olymp with a collection of the gods Below the table a view of a city, probably Rome, Title page for J van Vondel's translation of PO Naso, Herscheppinge, Amsterdam 1671, print maker: Abraham Bloteling, Philips Koninck, (possibly), Philips Koninck, (attributed to workshop of), Amsterdam, 1671, paper, etching, engraving, h 186 mm × w 140 mm

Business card of the Zuyyer group. An address card of the shop in hats, stockings and ribbons of Melsen Dieprinck. A piece of fabric and a crown within an oval cartouche above which the coat of arms of Amsterdam. Enjoying various items of clothing such as hats, hats, gloves, stockings and sashes. At the bottom of a second cartouche, on which a five-line inscription.

Friedrich III., Roman-German Emperor.

Better, Johann of Draftsman: Werner, Anna Mariastecher: Fritzsch, Christian

PORTADA DE LAS GRANDEZAS DEL CARDENAL GIL DE ALBORNOZ - 1639. Author: PEREZ NAVARRETE ANTONIO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Clodwig I, King of Franconia.

Amsterdam, Picart, Bernard, Coat of arms of the Society of Suriname, verso - stamped, The coat of arms of the Dutch colonial company Society of Suriname. This had three participants: the West India Company, the family of Aerssen van Sommelsdijck and the city of Amsterdam. The coat of arms shows the arms of these three participants and the coat of arms of Suriname. Putti playing with Surinamese products, such as cane sugar. Left and right the coats of arms of the members of the Board of Directors of the Society of Suriname., print, prints, height 107 mm, width 130 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process)

Portrait of Johann Fernberger von Aur; Armamentarium Heroicum. Portrait of Johann Fernberger von Aur in Harnas, with command stove and saber. Posted in a niche, with architectural frame decorates with guns, fruits and putti. Below the image a cartouche in which the name of the portrayed is entered with pen. Page from a book, with a text on the verso with a frame from harnesses and weapon.

Antoine Jacquard, Self Portrait (The Trade Card of Anthoine Jacquard) Self-Portrait (The Trade Card of Anthoine Jacquard)

Fugger to Babenhausen, Hieronymus Graf.

Portret van Karel V van Habsburg, anonymous, in or before 1725 print Portrait of Karel van Habsburg, with coat of arms on the left shoulder and a rich apple in the left hand. Around an ornamental frame with weapon trophies and the gods Victoria and Mars. paper engraving / etching historical person (...) - historical person (...) portrayed alone

Vaas in Cartouche, Jean Lepautre, c. 1650 - C. 1664 print Vase with two handles in the form of hoses in an octagonal list of a variant for the right half. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Philipp II., King of Spain.

Master of ceremonies with a dog, Heinrich Aldegrever, 1538 print Ceremony master of a wedding, walking to the left, turned his head to the right. A hat in his left hand, and with his right hand he holds up a staff. Behind him a dog that jumps up. First print from a series of twelve prints, free to the work of Hans Schäufelein. paper engraving members of bridal party. dog

Copper engraving by Nicolas Beatrizet from 1556 depicting Henricus II, showing royal attire, facial features, and insignia of rank.

Karl I, King of England Painter: Horst, Nicholas van der Store: bile, Cornelis (1615)

Portrait of Emperor Frederik III, Gaspare Oselli, After Francesco Terzio, After Anonymous, 1569 print Italy paper engraving historical persons. ruler, sovereign

Totila .

Apelles pict. Athen:. Sandrart, Johann Jakob von, 1655-1698. Prints. 1683. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Homer, Hippocrates, Heraclitus, 1st cent., Socrates, Sophocles, Demosthenes

H. Bartholomeus.

Nuremberg, Bussemacher, Johann, Amman, Jost, Portrait of Louis XII, King of France, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 158, height 118 mm, width 79 mm, Swiss, 1539 - 1591-03-15, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, plate tone, Publication (Event), Publication, German - 1627, publisher

Murder attack on Saint Norbert is thwarted, Cornelis Galle (I) (Attributed to), 1622 print A young man is brought for the Saint Norbertus by guards. The boy had hidden a dagger under his clothing. The print has two Latin inscriptions: one up and one below the show. Antwerp paper engraving martyrdom, suffering, misfortune, death of St. Norbert. hacking and thrusting weapons: dagger

Guglielmo Di Pietro de Marcillat.

Theeudebert I., King of the Franks.

Farberger aur, Johann von.

A woodcut by Hans Burgkmair from around 1510 depicting the allegorical figure of Moderation, showing symbolic attributes in early 16th-century German print style.

Karl V, King of France.

Lomazzo, Giuseppe Maria Conte of.

Cools, J., Barbé, Jan-Baptist, SS. Apostolorum et Evangelistorum Icones, Title page for: SS. Apostolorum et Evangelistorum Icones, Jean Baptiste Barbé, Title in architectural frame decorated with ornaments., print, prints, height 132 mm, width 93 mm, Southern Netherlands, 1578 - 1649, print maker, printmaker, 1588 - 1648, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher, granter of privilege

Jörger of Tollet, Johann Septimius Count Stecher: Kohl, Andreas

Jacopo Ligozzi (artist), Domenico Falcini (engraver) , Lino Moroni (author), Frontispiece with Portrait of Saint Francis, 1612 Frontispiece with Portrait of Saint Francis

Vatican City, Papal Court, Rome, Paolo, Giovanni Antonio de, Tempesta, Antonio, Imagini di moltes vergini Rom nel martirio, Roman Martyrs, St. Apollonia of Alexandria, verso - stamped, St. Apollonia of Alexandria is deprived of her tongue by a soldier with tongs., print, prints, height 73 mm, width 114 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

Paul V., Papa.

Eugen, Prince of Savoyen-Carignan.

Portrait of Lodewijk IX De Heilige, King of France, Jost Amman, 1598 print Nuremberg paper etching historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

Liechtenstein-Castelcorno, Karl Graf von.

Fugger of Kirchberg and Weissenhorn, Maximilian Freiherr.

Utilo II., Duke of Bavaria.

Ferdinand III (German Emperor), Leuven, Zegers, Jacob, Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: Cornelius Jansenius, Augustine, 1640, St. Augustine with burning heart, verso - stamped, Saint Augustine with book and quill shows a burning heart. He wears a bishop's mitre. Augustine is surrounded by four popes: Innocent, Boniface, Zosimus and Celestinus., print, title page, prints, height 300 mm, width 190 mm, 1576 - 1650-03-29, print maker, printmaker, 1640 - 1640, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, printer, German, 1608-07-13 - 1657-04-02, granter of privilege

A copper engraving by Israhel van Meckenem showing a knight and a woman, created in the last third of the 15th century.

The enthronement of Selim III, Sultan of the Ottoman Empire, in Constrantinople, 1789. Selim des III Thronbesteigung. Copperplate engraving drawn and etched by Daniel Nikolaus Chodowiecki from 12 Blätter Darstellungen aus der neuen Geschichte, 12 Pictures Illustrating Modern History, Germany, 1789.

Portrait of Charlemagne, Emperor of the Holy Roman Empire, Virgilius Solis, 1598 print Nuremberg paper etching / engraving historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

H: Pulcheria Empress () (St. Pulcheria Empress ) Schmutzer

Portrait of Louis X, King of France, Jost Amman, 1598 print Nuremberg paper etching historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

Heron of Alexandrien.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Pietro Barbarigo and the personifications of Government, Military Forces and Nobility, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with the portrait of Pietro Barbarigo on the front. On the back a closed book on a cushion and the text: Nobilitas Veneta. Around the pedestal, the Board and the Armed Forces offer their crowns to the Nobility. The Nobility holds a lance and a statue of Minerva in her hands. The print is part of an album., print, prent, albumblad, prints, prenten, height 220 mm, width 237 mm, 1663 - 1743, print maker, prentmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

Nogarola, Ferdinand Graf too.

Allegory with Cornelis Tromp as Neptunus, 1691, 1691 print Allegory in honor of Admiraal Cornelis Tromp as Neptunus, at his death on May 29, 1691. At his feet the Dutch virgin with a crown of ship who offers him the trident, behind him the reported double with snakes hair, in the clouds the crying fame. Left and right columns with images of naval battles. At the bottom of a river god and triton on either side of a Roman corpse ceremony. Northern Netherlands paper etching / engraving symbolic triumphs of individual persons. personifications of countries, nations, states, districts, etc.. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). specific aspects, allegorical aspects of Neptune; Neptune as patron Netherlands

Portrait of Philip IV, king of Spain, ca. 1634, Cornelis Galle (I), After Nicolaas van der Horst, c. 1634 - c. 1670 print The Spanish king Philip IV sitting on his throne, ca. 1634. On the stairs in front of the throne the symbol of an eagle with a crowned globe. On the balustrade on either side of the stairs statuettes of lions with scepter and crown. print maker: Southern Netherlandspublisher: Antwerp paper engraving

Design for Stained Glass 1628 Hans Ganting the Younger Swiss. Design for Stained Glass 335811

Portret van Humbert III Van Savoye, Pierre François Giffart, after François de l'Ange, 1702 print Paris paper engraving historical persons

Portret Van Paus Alexander VII, Frederik Bouttats (I), 1655 - 1676 print Portrait in an oval list of Pope Alexander VII. Bust to the right. Alexander VII is wearing his papal robe. The portrait is in a rectangular frame between two classic gods, Jupiter and Apollo. They keep a laurel wreath above the portrait. The print has a Latin caption with the name of the portrayed person. Antwerp paper engraving (story of) Jupiter (Zeus). (story of) Apollo (Phoebus)

Roman god Jupiter with thunderbolt in his left hand and eagle at his feet. Tinia or Tin in the Etruscan religion. From an engraved agate gem. Iuppiter. Incis in Achate. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

Wladislaw IV. Sigismund, King of Poland Stecher: Kilian, Lucasverleger: Kilian, Lucastrager: Gundelach, Matthew (1566) Publishing Sort: Augsburg

Peace and trust; Pax - Fidvcia; Virtues. Left in a niche The female personification of peace (Pax). Some pigeons are on her left hand. In her right hand a sword and a rod (war and tyranny) that she removes from the earth. Right next to her in a niche the female personification of trust (Fiducia). In her hands a heart (love) and a staff with an outstretched hand (friendship). The print has a Latin caption and is part of a series that connects various virtuous allegories with each other.

A Silver-Gilt Pacifical with a Crucifixion, from the Large Series of Wittenberg Reliquaries 1509 Lucas Cranach the Elder German. A Silver-Gilt Pacifical with a Crucifixion, from the Large Series of Wittenberg Reliquaries 432302

Bust of Cosimo I "Medici, Grand Duke of Tuscany. Cosimo I de" Medici, Encountered in an ornamented list.

Geisa II, King of Hungary.

Group picture.

Self -portrait by Michiel van Musscher in Allegorical Framing, Michiel van Musscher, 1685 print The painter, print maker and draftsman Michiel van Musscher with a palette, painting stick and brushes in hand. Behind him is a easel. His portrait is surrounded by allegorical symbols - father Time, an hourglass and soap bubbles. The painting attributes and the symbols refer to the perishable time and the immortality of the artist through his fame. The verse on the tablet mentions that father time lights the canvas to reveal the greatness of the painter, but also refers to the hourglass that indicates that his life is already partially over. Northern Netherlands paper portrait, self-portrait of painter. Father Time, man with wings and scythe. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

Schrader, Carl Gottfried.

Portrait of Willem V, Prince of Orange-Nassau. Portrait of Willem V in an oval of laurel blades, decorated with the garter and astered garment order and motto. Left and right an allegorical figure. Four lines of Dutch text on a pedestal.

In the foreground Christ, riding a chariot of triumph drawn by two lambs. He is enthroned on the world. In his left hand a cross with a banner. On the banner the implements of His passion. Behind the triumphal chariot Christ has chained Death, Satan, Sin (Peccatum) and Lady World. In the background, Christ's crucifixion, death on the cross and ascension to heaven are shown. The print has a six-line Latin text and is part of an eight-part series on the Triumph of the Passion, Triumph of Christ Triumph of the Passion (series title) Patientiae Trivmphvs (series title), print maker: Dirck Volckertsz. Coornhert, Maarten van Heemskerck, publisher: Joannes Galle, print maker: Haarlem, Haarlem, publisher: Antwerp, 1559 and/or 1638, paper, engraving, etching, h 206 mm × w 256 mm

Romano, Paolo.

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