Royal Portraits and Ceremonies

Drawings and paintings portraying royal figures and ceremonious events, highlighting opulence and noble attire from various historical periods.

Detail of frescoes in cloister by High Renaissance painter Il Sodoma Giovanni Antonio Bazzi painted between 1505 and 1508, of the life of St. Benedict...

Queen Joana is Prevented from Accompanying the Prince of Viana to Barcelona. Date/Period: Ca. 1866. Drawing. Watercolour and ink and wash on paper. Height: 184 mm (7.24 in); Width: 257 mm (10.11 in). Author: Claudi Lorenzale.

Philip I, the Handsome, Conferring the Order of the Golden Fleece on his Son Charles of Luxembourg (Philippe Ier le Beau, conférant à son fils Charles de Luxembourg le titre de Chevalier de l'Ordre de la Toison d'Or) Albrecht de Vriendt (Belgian, 1843-1900). , 1880. Oil on panel, 55 1/8 x 34 7/8 in. (140 x 88.6 cm). For the fiftieth anniversary of Belgian independence, de Vriendt and other artists drew on events from the glorious past to forge a distinctive heritage and cultural identity for the fledgling nation. Here de Vriendt evokes the splendor of chivalric rites, setting a precedent of protocol for the new monarchy. Amid the lavish trappings of the princely household, Philip the Handsome (1478-1506) theatrically bestows the Order of the Golden Fleece on his one-year-old son, Charles (1500-1558), who later became Europes most powerful ruler as the Holy Roman Emperor Charles V. The order was founded in Bruges in 1430 to defend Roman Catholicism and strengthen bonds of allegiance a

Tristan presenting Irish princess Iseult to his uncle King Mark of Cornwall (who is depicted in crown at right and left). The men in justaucorps, parti-color hose and poulaines or cracows. French costumes of the 14th century. Taken from an illuminated manuscript of Lancelot du Lac or La Quete du Saint-Graal, MS 6964, Bilbiotheque Imperiale de Paris. Formerly owned by Galeazzo Maria Sforza, First (sic) Duke of Milan. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Detail of frescoes in cloister by High Renaissance painter Il Sodoma Giovanni Antonio Bazzi painted between 1505 and 1508, of the life of St. Benedict...

DE PREDIS, Cristoforo (1440-1486). Stories of Saint Joachim, Saint Anne, Virgin Mary, Jesus, the Baptist and the End of the World. 1476. The High Pristes remeber Pilate that Jesus had prophesied that he would be reborn. Renaissance art. Quattrocento. Miniature Painting. ITALY. PIEDMONT. Turin. Royal Library.

A 1524 colored woodcut by Georg Lemberger depicting Joshua before the assembly of the people from the Luther Bible, illustrating Joshua 1 and Old Testament leadership scenes.

History of England. 1300-1400. From left to right, 5-6: court dresses, 7: knight, 8: citizen (ordinary people). Chromolithography. Detail. "Historia Universal", by César Cantú. Volume VI, 1885.

thelwulf, also spelled (No Suggestions) or thelwulf; meaning 'Noble Wolf', was King of Wessex from 839 until his death in 858. Detail from an antique map of Britain, by the Dutch cartographer Willem Blaeu in Atlas Novus (Amsterdam 1635)

SIXTO IV NOMBRANDO AL HUMANISTA BARTOLOMEO PLATINA BIBLIOTECARIO DEL VATICANO - SIGLO XV - FRESCO PROCEDENTE DE LA ANTIGUA BASILICA VATICANA. Author: MELOZZO DA FORLI. Location: MUSEOS VATICANOS-PINACOTECA. VATICANO. PLATINA. SIXTO IV PAPA. ROVERE FRANCISCO MARIA DELLA.

Kleidung, Mode in Italien, frühe Renaissance im 14. Jahrhundert, von links, ein junger Florentiner um 1350, dann ein Kapuzenmantel und Schnabelschuhe ...

BUEIL, John V of (1406-1477). Charles VIII returned a letter Joan of Arc. Illustration in 'Le Jouvencel' (1461-1466). Narrative describing the siege of Orleans in 1429 during the Hundred Years War. Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). San Lorenzo de El Escorial. Royal Library of the Monastery of El Escorial.

History of France. 1200. From left to right, 13: noblewoman, 14: nobleman, 15: noblewoman, 16: nobleman, 17: princess, 18-19: warriors. Chromolithography. "Historia Universal", by César Cantú. Volume VI, 1885.

Melozzo da Forlì, Sixtus IV appoints Bartolomeo Platina Prefect of the Vatican Library,Vatican museum, Vatican city, Rome, Italy.

The figures pictured here represent English people between A.D. 1400 and 1450. They are from left to right: a knight, Henry VI (1445), and Margaret (his consort). The illustration dates to 1882.

The prodigal son says goodbye to his father Filius Prodigus abiit in region longinquam (title on object), The prodigal son leaves the parental House. On the left is the lost son, who says goodbye to his father, who is standing in the middle in a dressing gown with arms outstretched. On the right two ladies pressing the hand to the heart. The figures are dressed in 18th-century clothing. Title under representation. The scene is set in an ornament border., Leave-taking and departure of the prodigal son, ornaments, art, Giovanni Volpato (possibly), 1700 - 1799, paper, etching, h 570 mm × w 830 mm

Minatare depicting King Charles V of France (1338-1380) called the Wise, a monarch of the House of Valois. Dated 14th century

Masquerade. Dated: c. 1515. Dimensions: image: 23.2 cm (9 1/8 in.) sheet: 32.8 x 26.4 cm (12 15/16 x 10 3/8 in.). Medium: pen and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo30. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The figures represent French people in A.D. 1200t: princess, man of rank, lady of rank, man of rank, princess, two knights.

German 16th Century, Masquerade, c 1515 Masquerade

English people between A.D. 1400 and 1450: a knight, Henry VI (1445), and Margaret (his consort).

Townspeople 1576 1586 Lithography: Salb M. (edition) & Jan Matejko

DETALLE DEL TAPIZ DE LA BODA DE LUIS XIV Y LA INFANTA MARIA TERESA DE AUSTRIA - SIGLO XVII. Author: LE BRUN, CHARLES. Location: FRENCH EMBASSY, MADRID, SPAIN.

French costumes, end of the 15th century. Bourgeois woman 1, female merchant 2, merchants 3,4 and bourgeois men 5,6. The men with large purses or almoniers on their belt. France, end of 15th century. Bourgeoise 1, marchande 2,3,4, bourgeois 5,6.. XVe siecle. Nos. 3,6 from Danse des Morts de Blois, the rest from a manuscript Danse des Morts in the Bibliotheque Imperiale. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Edward II crowned King of England at Westminster 25th February 1308

Scene from the tale of Renaud De Montauban, 15th century, (1849). Creator: Kellerhoven.

Maria Alfonso Tellez de Menezes (1265-1321), know as Maria de Molina. Wife of Sancho IV of Castille. Regent for her son Ferdinand IV and her grandson Alfonso XI. Maria de Molina defending the infant Don Juan. Engraving. 19th century. Colored.

Umbria Terni Narni Palazzo del Podesta4. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni Palazzo del Podesta6. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Auto-da-fe on Plaza Mayor' (detail), 1683, Oil on canvas, P01126. Author: FRANCISCO RIZI DE GUEVERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Honras Fúnebres de Carlos V en Bruselas. Procesión fúnebre del 29 de diciembre de 1558. Author: JEAN DOETECUM (1530-1608 Y LUCAS DOETECUM GRABADO. Location: BIBLIOTECA REAL ALBERTO I. Brüssel. Belgien.

The two women represented here are Germans dating to 1500-1550. The illustration dates to 1882.

Illustration depicting kings and knights by anonymous, color lithograph, circa 1440, Private Collection

History of France. 1300. From left to right, 12: queen, 13-14-15-16: lady, 17: princess, 18: lady. Chromolithography. Detail. "Historia Universal", by César Cantú. Volume VI, 1885.

From left to right: Venetian nobleman, podesta, young Italians, page and young Italian. Chromolithography. "Historia Universal" (Universal History), by César Cantú. Volume VI. Published in Barcelona, 1885.

Satirical depiction of mutual courtship, Frankfurt copperplate engraving by Abraham Aubry, 17th century, digitally restored reproduction of a 19th century original, exact original date not known

Constance of Aragon (1318-1346). Infanta of Aragon and queen consort of Majorca (1325-1346) by her marriage to James III of Majorca (1315-1349). Prison of the last queen of Majorca. Representation of the arrest of Constance, sister of her captors, retained by her husband, King James III. Illustration after the painting by Nicasio Serret. Chromolithography. Historia General de España (General History of Spain), by Miguel Morayta. Volume II. Madrid, 1889.

Germany, Bavaria, Munich, The Hofgarden, Frescoes depicting Episodes from The History of the House of Wittlesbach

The Coronation of Chilperic II 670 to 721 from Histoire de France by Colart published circa 1840

History of France. 1300. From left to right, 1 to 7: citizens, 8-9-10: citizens and nobleman, 11: knight, 12: sergeant-at-arms, 13: Archduke of Burgundy. Chromolithography. "Historia Universal", by César Cantú. Volume VI, 1885.

Predella of the Miracle of the Profaned Host, by Paolo Uccello (1397-1475). Detail.

Men in Red, White and Blue Dancing with Their Partners. Dated: c. 1515. Dimensions: image: 23.4 cm (9 3/16 in.) sheet: 33 x 26.4 cm (13 x 10 3/8 in.). Medium: pen and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Rupprecht from the Palatinate, German King.

History of Spain. 1300. From left to right, 1-2: hunters, 3-4-5: noblemen, 6-7: noble ladies, 8-9: warriors, 10: noble lady. Chromolithography. "Historia Universal", by Cesar Cantu. Volume VI, 1885.

Kneeling woman with a knight in armour standing behind her. She wears a embroidered bonnet and large velvet cape over a velvet dress, and holds a rosary. By an unknown artist of the Swabian school, 16th century. Probably originally from a folding door on an altar. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Lithographed by C. Regnier. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Maximilian I (1459-1519). Holy Roman Emperor. Engraving by Durer. The betrothal of Maximilian I with Mary of Burgundy. Detail. Author: ALBRECHT DURER.

GRABADO-TIPOS ESPAÑOLES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

An Allegory of the Tudor Succession: The Family of Henry VIII. Date/Period: Ca. 1590. Painting. Oil on panel. Height: 1,143 mm (45 in); Width: 1,822 mm (71.73 in). Author: UNKNOWN.

English King and Royal Ladies

238. Chantilly. - Conde Museum (272). - Henry III holding the / first chapter of the Holy Spirit. - (French school).

Christ Presented to the People. North Netherlandish. Date: 1475-1485. Dimensions: 51.9 x 34.8 cm (20 7/16 x 13 11/16 in.)Painted surface: 50.6 x 33.6 cm (19 7/8 x 13 1/4 in.). Oil on panel. Origin: Northern Netherlands. Museum: The Chicago Art Institute, FLORENCIA, USA. Author: Northern Netherlandish School.

Cardinal Alexander, appointed by Pope Paul III, meets the Emperor Charles V and his brother Ferdinand King of the Romans near Worms, negotiate the battle to start against the Lutherans in 1544. Fresco by Taddeo Zuccari (1529-1566), 1562-1565. Hall of the Farnesina Magnificence, Palazzo Farnese, Caprarola. Taly, 16th century.

Vicente Borrás y Mompó / 'María Pacheco de Padilla after Villalar'. 1881. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Allegorical Group Portrait, Anonymous, After 1800 - Before 1899 drawing England (possibly) paper. ink. watercolor (paint) pen / brush

Nuptial procession in Piazza del Duomo of Florence. Decoration of the frontal of a chest by Master of Adimari Chest (1450). Renaissance art. Quattrocento. Florentine school. Tempera on wood. ITALY. TUSCANY. Florence. Galleria dell'Accademia.

JURA DE LOS FUEROS DE CACERES EN 1477 - MOSAICO DE AZULEJOS - SIGLO XX. Location: España Square. Sevilla. Seville. SPAIN. Catholic Monarchs. ISABEL LA CATOLICA (1451-1504) ISABEL I DE CASTILL. FERNANDO EL CATOLICO (1452-1516) FERNANDO II ARAGO. FERNANDO II DE ARAGON (1452/1516) REY CATOLICO.

Old Testament. King Solomon celebrating a banquet with a guest of high rank. French miniature of" Le Miroir de l'humaine salvation". 15th century. Conde Museum. Chantilly. France.

Trial of Jean II, Duke of Alencon (d1476) Vendome, 1458, accused of plotting with English against France during Hundred Years War. Friend of Joan of Arc. Chromolithograph after 15th century manuscript

Richard Wagner (Leipzig, 1813-Venecia, 1883). Escena de Los Maestros Cantores de Nuremberg compuesta en 1864.

Umbria Terni Narni Palazzo del Podesta5. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Investiture of St. Martin of Tours as Knight (Detail of Musicians) ca. 1320-25 Simone Martini (ca.1284-1344 Italian) Fresco San Francesco, Assisi, Italy

TAPIZ GOBELINOS-BODA REAL-DET CARDENAL MAZARINO. Author: Charles Le Brun (1619-1690). Location: FRENCH EMBASSY. MADRID. SPAIN.

Serie Christoph Kolumbus, vor dem spanischen Königspaar, 1492 / Christopher Columbus series, in front of the Spanish royal couple, 1492, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Detail from the painting titled 'The Adoration of the Kings' by Vincenzo Foppa (1430-1515) a Northern-Italian painter, active in a Renaissance style. Dated 16th Century

Sassoferrato (Italia, Marche, provincia di Ancona), Pinacoteca Civica. Scuola Toscana del XVI secolo, Ritratto degli Uomini Illustri di Sassoferrato, l'umanista Nicolò Perotti, il cardinale Alessandro Oliva, il giurista Bartolo da Sassoferrato, il medico Gianlorenzo Chirurghi

European Nobility Playing Cards 15th Century Color Lithograph Illustration

Death of Sir Tristram. Artist: Ford Madox Brown

Knight dictating a letter to a Monk', 1865. Artist: Octave Penguilly L'Haridon. Octave Penguilly L'Haridon (1811-1872) was a French painter known for his works depicting landscape, myths and history.

Louise de Vaudemont, wife of Henry iii, The Duke of Guise, Marguerite de Vaudemont and Anne de Joyeuse, vintage engraved illustration. Magasin Pittoresque 1855.

How to shout and blow horns. Facsimile of a miniature in a manuscript of the hunting manual of Gaston Phoebus (15th century). Engraving. Later colouration.

PINTURA MURAL. Author: RAMON STOLZ VICIANO (1903/1958). Location: AYUNTAMIENTO. Valencia. SPAIN.

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 28, Two participants in the procession, carrying the imperial orb and the imperial crown. Part of the series of prints of the Funeral Procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller History Plates, height 244 mm, width 302 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Men with faces hidden', c1760-1820. Artist: Francisco Goya. Francisco Goya(1746-1828) was a Spanish artist whose paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th and 20th century painters.

Young Ramon Llull riding horse, in the Church of Santa Eulàlia, chasing a lady. Baroque altarpiece dedicated to Ramon Llull, Church of San Miguel, Mal...

Making weapons for Maximilian I and Philip the Handsome (the Fair), miniature from a Flemish manuscript, 16th Century

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 13, Three participants in the procession, horses and the banner with the coat of arms of Seville. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels., print, prent, prints, prenten, Frederik Muller Historieplaten, height 242 mm, width 315 mm, Noord-Nederlands, 1530 - 1605, print maker, prentmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, first quarter 17e century, paper, etching, etchings, engraving, engraving (printing process), hand colouring, - 1589, printmaker, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1573-06-09 - 1650-10-25, publisher

Tupac Inca Yupanqui and Pachacuti Inca Yupanqui; Madrid, Spain; completed in 1616; Ms. Ludwig XIII 16, fol. 44v

Three women, dressed according to the fashion of Pisa, ca. 1580, in or before 1585 Sett nr. 17 Uit Album 'of the real portraits of the Habites of TVTTE The parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585. paper engraving Sett nr. 17 Uit Album 'of the real portraits of the Habites of TVTTE The parts of the world carved in copper for Opera by Bartolomeo Grassi', 1585. paper engraving

Detail of a group of distinguished Florentines in a painting by Sandro Botticelli, Adoration of the Magi, 1467

Książę pomorski Warcisław II gdański z żoną Salomeą, according to the `Genealogia Xiążat Pomorskich oleyno malowaney [Genealogy of Pomeranian dukes painted in oil c. 1593. Currently at the castle of Berlin. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

History of France. Costume of a lord or rich bourgeois, of a bourgeois or merchant, and noblewoman or wealthy bourgeois, of the time of Louis XII. Engraving after 16th century miniatures. "Moeurs, usages et costumes au moyen-ge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

NEBRIJA , ELIO ANTONIO DE. ANTONIO MARTINEZ DE CALA. HUMANISTA Y FILOLOGO ESPAÑOL.LEBRIJA 1441-1522. GRABADO DE LA ILUSTRACION ESPAÑOLA Y AMERICANA DE UNA ILUSTRACION " GRAMATICA " DE NEBRIJA.

Horsemen at the Crucifixion, fresco, left transept, lower church, Basilica of San Francesco, Assisi, Italy (detail)

English Halberdiers

Grand prince of Kiev by Alexei Danilovich Kivshenko, watercolour on paper, 1880, 1851-1895, Russia, St. Petersburg , State Central Navy Museum, 33x44

THOMAS of CantimprŽ (1201-1276). Codex Granatensis: De natura rerum. 15th c. Illustration about galangal. Edition of Granada of the original of the 13th C. Gothic art. Miniature Painting. SPAIN. ANDALUSIA. Granada. Granada University Library.

He entertains the court when he rides on the back of a butterfly.

Benjamin Franklin's first audience with King Louis XVI, at Versailles, March 20 1778 - Protocol did not permit King Louis XVI to meet American envoys until France recognized American Independence (Which was done on February 6th). On March 20th, 24 year old King Louis XVI received the AMerican delegation. Benjamin Franklin created a sensation by entering the royal presence in a plain republican suit

Three Characters; Trois Personnages (recto). Pablo Picasso (1881-1973). Black felt tip pen on paper. Signed and dated 1970. 52.3 x 65.2cm.

History of Portugal. "Allegory of the School of Sagres". The myth of the "School of Sagres" was generated decades after the death of the Infante Henry (1394-1460). Although it never really existed, it should be interpreted as a group of individuals assembled for the sole goal of maritime exploration. Holding a maritime map in his hands, Henry the Navigator. Painting by the Portuguese artist Severo Portela Júnior (1898-1985), 1970. Detail. Maritime Museum. Lisbon, Portugal. Author: Severo Portela Junior (1898-1985). Portuguese painter.

Clement VIII entering Ferrara triumphantly,1597, by Ventura Salimbeni (1568-before 1613). Italy, 16th century.

Stained Abbey Bonport representative Gilles Malet and his wife, vintage engraving. Stained Abbey Bonport representative Gilles Malet and his wife, vintage engraved illustration. Magasin Pittoresque 1861. Copyright: xZoonar.com/PatrickxGuenettex 10678082

This illustration from a 1910 edition of The Lady of the Lake by Sir Walter Scott has the following caption: Ellen realizes in a flash that James is King James and falls to her knees. Sir Walter Scotts The Lady of the Lake was published by Richard Scott of New York in 1813. The six-canto poem tells the story of King James Vs struggle against James Douglas, and the affections of three suitors towards James Douglas daughter, Ellen. The narrative takes place over six days in the Trossachs region of Scotland, mainly Ellens Isle in Loch Katrine. Eventually it is revealed that one of the suito

Two kings by Master of Switzerland, Oil on wood, Early16th cen., Early 16th century, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 158x66

Saint Catherine of Alexandria (287-305) and Saint Agnes of Rome (ca. 291-ca. 304). Chromolithography by Franz Kellerhoven after a portrait attributed to Marguerite Van Eyck. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877. Author: Franz Kellerhoven (1814-1872). German lithographer.

King and knight, late 12th century, (1843).Artist: Henry Shaw

The Prodigal is Banqueted (one of eight scenes from the story of the Prodigal Son). Culture: German. Dimensions: Diameter: 10 in. (25.4 cm). Date: 1532. Museum: Metropolitan Museum of Art, New York, USA.

A German royal couple wearing crowns sits at a table laid with bread, knife and cups, 1492. A noble boy in mi-parti hose plays a game. From an embroidered carpet in Nuremberg Museum. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

The King of England Henry VIII (1491-1547) with his second wife, Anne Boleyn (1507-1536). Drawing by Dionisio Baixeras (1862-1943). Chromolithography. La Civilizacion (The Civilization), volume III, 1882.

Mode, Kleidung in Deutschland, Trachten von der Insel Sylt und F÷hr um 19. Jahrhundert, von links, die Abendmahlstracht von der Insel Amrum, dann Sylt...

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