Royal Processions and Historical Events

Prints showcasing royal entries and celebrations, featuring grand processions, triumphal arches, and detailed crowd scenes from historical contexts.

Erpoort on the Markt, 1691, 1691 print View of the Erpoort on the Markt, founded for the arrival of Stadholder-King Willem III in The Hague, 5 February 1691. For the gate two obelisks and two semicircular wings, everything decorated with historical and mythological representations with inscriptions in Latin. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of arms (as symbol of the state, etc.) (+ city; municipal) Large market

Entry of King William III in The Hague, 1691, 1691 print Entry of King William III in The Hague, 5 February 1691. A long procession of carriages and soldiers draws through the Triumph gate set up at the Buitenhof for the Stadholder Quarter. In the caption De Legenda A-Q in Dutch and French. Plate 17 in a series of 20 plates about the Glorious Revolution in England in the years 1688-1691. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Buitenhof

Soliman. 1er Act (Soliman. 1st Act), from Soliman 1620 Jacques Callot French. Soliman. 1er Act (Soliman. 1st Act), from Soliman. Soliman. Jacques Callot (French, Nancy 1592-1635 Nancy). 1620. Etching. Prints

Entry of King William III in The Hague, 1691, 1691 print Entry of King William III in The Hague, 5 February 1691. The royal procession travel through a triumph gate on the Buitenhof for the Stadhouderlijk Quarter. Numbered in the top left: FO 15. Northern Netherlands paper etching triumphal arch Stadholder quarter. Buitenhof

Entry of Willem III by the triumphal arch at the Buitenhof, 1691; Introduced from Zyn Majesty by the Zeegeboog for 't Hof / Entrée de sa Majesté Par Dessous l'Arc de Triomphe Qui Est Devant La Cour. Introduction of the procession with Stadholder-King Willem III by the triumphal arched by the Buitenhof, 5 February 1691. In the foreground soldiers and public.

Robert François Damien executed in Paris in place of Greve on March 28, 1757. (IT)

Fourth act of 'Mirame' with four people; Performance of 'mirame' in the large room of the Palace of the Cardinal; Overture du Theater de la Grande Salle du Palais Cardinal Mirame Tragicomedie. View of a stage where the fourth deed from 'Mirame' is increased by four actors. The decor is a garden with images by the sea.

Erpoort on the Markt, 1691, 1691 print View of the Erpoort on the Markt, founded for the arrival of Stadholder-King Willem III in The Hague, 5 February 1691. For the gate two obelisks and two semicircular wings, everything decorated with historical and mythological representations with inscriptions in Latin. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of arms (as symbol of the state, etc.) (+ city; municipal) Large market

Reception of Jacobus II in Versailles, 1689, 1691 print Reception of King Jacobus II with his entourage in Versailles by King Louis XIV, January 6, 1689. Plate 7 in a series of 20 records about the Glorious Revolution in England in the years 1688-1691. Northern Netherlands paper etching being welcomed ~ travelling Castle of Versailles

Figures at a classic burial monument: Caesar for the tomb of Alexander, Gerard van Houten, after Nicolas Poussin, c. 1700 - 1706 print Many Roman dressed figures a classic grave monument. paper etching grave-building, monumental tomb. events and situations from classical history

View of Gray. Artist: Jean-Baptiste Lallemand (French, Dijon 1716-1803/5 Paris). Dimensions: 9 15/16 x 17 3/8 in. (25.2 x 44.1 cm). Former Attribution: Formerly attributed to Jean Pierre Norblin de la Gourdaine (French, Misy-Fault-Yonne 1745-1830 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

After Hans Vredeman de Vries, The Massacre under the Roman Triumvirate The Massacre under the Roman Triumvirate

Amsterdam, Wit, Frederik de, Schut, Pieter Hendricksz., The Stock Exchange of the City of Amsterdam was begun in 1608 and was completed in 1611, Bursa urbis Amstelodamensis aedificari caepit in 1608 and perfecta fuit in 1611, la Boursse, Bird's-eye view of the Stock Exchange of Hendrik de Keyser in Amsterdam, before 1668, stamped on the reverse, before the renovation of 1668. Many figures in and around the building. Bottom left is the city's coat of arms, surrounded by two putti with a caduceus, a horn of plenty from which valuables flow and a money purse. Numbered lower right: 3., print, prent, prints, Frederik Muller Historieplaten, height 260 mm, width 311 mm, print maker, printmaker, 1662 - 1668, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Dutch, 1619 - 1660, after print by, Publication (Event), Publication, Northern Netherlands, 1631 - 1706, publisher

STEFANO DELLA BELLA - LA PLACE ROYALE Stefano della (1610-1664). "The Place Royale." Havior. Paris, carnavalet Mus�e.

Illustration in the third act of the tragedy 'Il Solimano', Jacques Callot, 1619 - 1620 print On a square or wide street with large buildings, three Eastern clad figures with short indications of their names run at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, set up in two blocks and a large semic circle. Florence paper etching / engraving street. Asiatic races and peoples: Turks

Library and cabinet of curiosities of the Grand Duke of Tuscany. Print marked top right: fol: 31. Library and cabinet of curiosities of the Grand Duke of Tuscany Library vanden Groot Hartoogh van Toscanen, print maker: Jan Luyken, Jan Luyken, (mentioned on object), Amsterdam, 1689, paper, etching, h 171 mm × w 285 mm

House of David de Pinto on Sint-Antoniesbreestraat in Amsterdam; Court of the E: Lord De Pinto. View of David de Pinto's house on Sint-Antoniesbreestraat in Amsterdam (House de Pinto). For the building there are some first name dressed ladies and gentlemen and a black servant. The man behind the fence is possible David de Pinto himself. Different figures and a coach with four horses on the street. In the foreground on the right a seller of pots and pans. At the top right a banderole with the title.

Decurso ad Capita et quinque Turmarum in Amphitheatro stationes dispositæ. Dies prima Courses de testes et dispositions des cinq quadrilles dans l'Amphiteatre, première journée Courses de testes et de bague faittes par le roy et par les princes et seigneurs de sa cour, en l'année 1662. Prints. 1670. Jerome Robbins Dance Division. Tuileries Palace (Paris, France), Horse ballet , France , 17th century, Pageants , France , 17th century

Exclamation of the coronation of the Prince and Princess of Orange, 1689, Jan Luyken, 1689-1691

Piazza SS. Annunziata, Florence. Dated: c. 1622. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

A sacrifice to the Olympian gods taking place at the end of a path lined with statues and foliage; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. A sacrifice to the Olympian gods taking place at the end of a path lined with statues and foliage; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

Gallery and pond in the park of Enghien, Romeyn de Hooghe, 1685 print Walkers at access to a gallery around a pond. Under the show a Dutch -speaking and a French -speaking legend. This print is part of a series of 16 prints (17 incl. Title print) of the Park of Enghien (Edingen), where a pamphlet belongs. Print Maker: Haarlem Publisher: Amsterdam paper etching garden buildings. garden pond. public gardens, park. park Park of Enghien. Edingen

Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet van s'Gravenhage / Reception de sa Majesté au pont du Westende) from Bidloo, Inkomste van Koning Willem III 1691 Romeyn de Hooghe Dutch. Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet van s'Gravenhage / Reception de sa Majesté au pont du Westende) from Bidloo, Inkomste van Koning Willem III 417859

Fire from the old town hall in Amsterdam, Reinier Nooms, 1652 print The fire of the old town hall on Dam Square on July 7, 1652. The Town Hall burning, the roof collapsed. The Westertoren is visible through the smoke. Many people on Dam Square; They help with extinguishing and wearing water and ladders, spectators are kept at a distance. Amsterdam paper etching on fire, ablaze. townhall City Hall of Amsterdam (14th century-1652)

Illustration in the first act of the tragedy 'Il Solimano', Jacques Callot, 1619 - 1620 print On a square or wide street with large buildings are three oriental figures with short indications of their names at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, set up in four blocks and two rows. Florence paper etching / engraving street. Asiatic races and peoples: Turks

Amsterdam, Houttuyn, Frans, Fokke, Simon, Presentation of the funeral procession of His Most Serene Highness, Prince William IV, on the Grote Markt in Delft, Funeral procession of William IV in Delft, 1752, verso - stamped, The funeral procession of stadholder William IV winds across the Grote Markt in Delft, 4 February 1752., print, prints, height 186 mm, width 298 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1752 - 1752, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, publisher

Three ponds in the gardens of Villa d'Este. View of three ponds with fountains in the gardens of Villa d'Este, in Tivoli. In the foreground, ladies and gentlemen entertained with conversations and strolling.

The Carrière, or Rue Neuve, at Nancy (The New Street) 1626 France. Etching on ivory laid paper . Jacques Callot

Jacques Callot (1592-1635). "The interludes, second interlude: hell is moving to avenge Circé. Second number of a series of 3 pieces" (Lieure 186, Meaume 631). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99600-15 Etching, engraving

Staten van Holland en West-Friesland, Den The Hague, Beeck, Anna, Northern Netherlands, Vianen, Jan van, Series of sixteen small prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations, 1697, View of the Royal House in Ryswyck on the East Side, View of the Huis ter Nieuburch in Rijswijk, The Hague, east side. In the caption the two titles in French and Dutch. Part (print 3) of the series of sixteen smaller prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten, height 136 mm, width 157 mm, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, etching, etchings, Publication (Event), Publication, Netherlands, 1657 - 1717, publisher, granter of privilege

Superb and gorgeous entrance to Celebi Mehemet Effeni Extraordinary Ambassador of Achmet Emperor of Turks. (IT)

Cartoon on the attempts of Prince William IV to become stadholders, 1735, 1735 print Cartoon on the attempts of Prince William IV to become Stadholder of the entire Republic, 1735. Presentation in two parts. On the left the Prince carriage pulled by pigs (with cover rugs with the coat of arms of Friesland) and an English Dog, on the right the prince argues his business standing in front of a meeting table. The print includes a text sheet with an explanation on the plate. Northern Netherlands paper etching / engraving / letterpress printing political caricatures and satires

Vogelvluchtgezicht at the fair of Hendrik de Keyser in Amsterdam, before 1668, Anonymous, after Pieter Hendricksz. Schut, 1662 - 1668 print Vogelvluchtgezicht on the fair of Hendrik de Keyser in Amsterdam, for the renovation of 1668. Many figures in and around the building. Bottom left the coat of arms with two putti around it with a caduceus, a horn of abundance from which valuables flow from and a money grant. Numbered in the bottom right: 3. Amsterdam paper etching / engraving stock exchange, stock-market. coat of arms (as symbol of the state, etc.) (+ city; municipal). caduceus (staff with two snakes, attribute of Mercury). 'Cornucopia', Horn of Plenty. purse, money-bag. street (+ city(-scape) with figures, staffage) Fair of Hendrik de Keyser

Paris - Vincennes case Case of Vincennes, riot of February 28, 1791. Drawing by Jean-Louis Prieur The young (1759-1795).

Arrival of William IV in Amsterdam, 2 September 1748, 1748 print Arrival of Prince William IV in Amsterdam on 2 September 1748. De Koets with the Stadholder enters the city through the Haarlemmerpoort and is festively welcomed by the public along the road and accompanied by a corps with the Banner Oranje and Vryheyt. On the leaf under the plate a four -line verse on the arrival of the prince. print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam. Haarlemmerpoort

Trevifontein Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Trevifontein in Rome. Title in the end margin. Rome paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture Trevifontein. Rome

Antwerp, Galle, Philips, Borcht, Pieter van der (I), Gardens of Love, David and Bathsheba, verso center bottom - stamped, A Court Garden. In the center of the print Bathsheba can be seen, bathing at a fountain. King David (top left) sees her from his roof terrace (2 Samuel 11:2). He sends a messenger (bottom left) with the order to fetch Bathsheba to the palace (2 Samuel 11:4). The messenger then brings the message to Bathsheba, who is still bathing. A monkey (sinfulness) and two peacocks (arrogance) watch the events. Two dogs in the left foreground again depict courtship. The series shows various aspects of courtship and some examples from the Old Testament., print, prints, verso bottom center - stamped, width 24.9 mm, height, 19.2 mm, Southern Netherlands, 1545 - 1608, print maker, printmaker, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1537 - 1612-03-29,

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Maurits's InvestiTur with the Order of the Garter, 1613. Maurits Investment with the Order of the Garter, 4 February 1613. Maurits gain in the Great Hall of the Binnenhof in the Hague by a HERAUT De Garseband in the presence of the English ambassador, Johan van Oldenbarnevelt, the members of the States General and many other guests.

Print, JARDIN DE LHÔTEL DE CONDÉ; Print Maker: Adam Perelle (French, 1638 - 1695), Nicolas Perelle (French, 1631 - ca.1695); Published by Nicolas Langlois; France; etching on laid paper

View of the Garden of the Ouderhoek country estate near the Speelhuis, Daniël Stopendaal, 1790 print High -placed visitors are received in the garden in 1717, possibly tsar Peter the Great. Text in Dutch and French in the lower margin. Numbered: 49. print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). French or architectonic garden; formal garden. country-house. visiting; receiving guests; elegant company New -louse

Edouard Eckman after Jacques Callot, Piazza del Duomo, Florence, 1621 Piazza del Duomo, Florence

Susanna in Bath; Gardens of Minne. A Hoftuin. Susanna is in the foreground to identify a bath in a closed part of the garden. Her maids have just closed the gate of the garden and are on their way to pick up balm and oils. (Daniel 13: 17-18). Two judges, who peladed the naked Susanna, appear and try to grab her (Daniel 13: 20-24). From the house in the background the residents flow out to see what is going on (Daniel 13:26). Two peacocks (symbol for pride) and two rabbits (symbol for lust) are also depicted. The series shows various aspects of court maker and some examples from the Old Testament.

King Louis XIV of France crossing the Pont-Neuf, Jan van Huchtenburg, 1667 - 1669

Northern Netherlands, Hooghe, Romeyn de, Inhaling van SKMaj. at the Westeinder bridge by the EA Magistrate of The Hague, Reception de sa Majesté au Pont du Westende, Arrival of William III at the Westeinder Bridge, 1691, Arrival of stadtholder-king William III at the gate at the Westeinder Bridge, and welcome by the city council of The Hague, 5 February 1691., print, engraving, news print, book illustration, prints, engravings, Frederik Muller Historieplaten, height 326 mm, width 440 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, papier, etching

Dinner at the Court of Emperor Maximilian II in Vienna in 1560, Francesco Terzio, 1564 print Dinner given in a large room at the Court of Emperor Maximilian II in Vienna (1560). The emperor and the empress are in the background left under a large canopy with a small group at the table. Before that, there are numerous noblemen and soldiers separated by a layer. On the left, a group of musicians have been presented, playing on trombones, schalmeien and a traverso. On the right in the background, precious vascular work is displayed. On the left is a huge tile stove. paper etching court festival. heating stove Vienna

Entry of Maria de 'Medici in Brussels, 1631, 1631 - 1632 print Entry of the carriage with Maria de 'Medici and Isabella Clara Eugenia in Brussels, in the evening, July 31, 1631. The square decorated with burning pektons. Southern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Decoration and Illumination of Streets, Squares, etc. (~ Triummphal Entry, etc.) Brussels

Premiere journée: marche du Roy, et ses chevaliers ... Festes et divertissements du roy à Versailles Plaisirs de l'isle enchantée. Silvestre, Israël, 1621-1691. Prints. 1673. Jerome Robbins Dance Division. Plaisirs de l'îsle enchantée (Choreographic work), Pageants , France , 17th century

Slot Ekolsund and his gardens, Willem Swidde, 1690 The print is part of an album. Stockholm paper etching Slot Ekolsund The print is part of an album. Stockholm paper etching Slot Ekolsund

Southern Netherlands, Scenographia fori Carolini, Laudum monumenta tuarum Ferdinande vides, Procession passes through the triumphal gates on the Vrijdagmarkt; entry of Ferdinand into Ghent in 1635 (no. 18), reverse - stamped, The procession with Ferdinand of Austria passes through the triumphal gates on the Vrijdagmarkt. Sheet no. 18 in a set of 42 plates illustrating the publication of the description of the entry of Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prent, prints, prenten, Frederik Muller Historieplaten, height 295 mm, width 389 mm, print maker, prentmaker, 1635 - 1636, second quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 10 3/16 × 17 1/4 in. (25.9 × 43.8 cm). Date: 1668.The fifteenth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina--also designed by Burnacini. Museum: Metropolitan Museum of Art, New York, USA.

Rotterdam, Groenewegen, Gerrit, Procession of the ship's carpenters in Rotterdam, 1788, verso - stamped, Solemn procession of the ship's carpenters on the Grote Markt in Rotterdam, on the occasion of the fortieth birthday of Prince William V on March 8, 1788., print, prints, Frederik Muller Historieplaten, height 364 mm, width 485 mm, 1754 - 1826-08-07, print maker, printmaker, 1788 - 1788, paper, papier, etching, engraving, engraving (printing process)

View of the Rapenburg, Leiden, after the gunpowder disaster of 12 January 1807, Leidens Jammer Toneel., draughtsman: C. van Waard, 1807,

The Slave Market. Jacques Callot; French, 1592-1635. Date: 1629. Dimensions: 114 × 217 mm (image/sheet, cut within plate mark). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Arrival of the five Spanish ambassadors in Rijswijk, February 1608, Simon Frisius, 1608 - 1610 print Arrival of the five Spanish ambassadors in Rijswijk for the Peace Negotiations in The Hague, February 1608. Maurits and Spinola shake hands. The ambassadors are greeted at a avenue with rows of spectators on either side. On the right a few people in a sled. Northern Netherlands paper etching meeting. peace negotiations

Royal Festivities on the occasion of the marriage of Catharina van Braganza to King Charles II of England, Dirk Stoop, 1662 print Around a large square there are stands set up with spectators, who watch the festivities. Soldiers pass by in a procession and a bullfight takes place on the right. In the background the Royal Palace in Lisbon. The party took place in 1661 on the occasion of the marriage of Princess Catharina of Braganza with King Charles II of England. Lisbon paper etching public festivities. bullfight Lisbon

Fifth scene: hell; Scena Quinta d'Inferno; Liberetto in honor of the wedding of Ferdinando II de'Medici and Vottoria della Rovere; Le Nozze Degli Dei Favola (...). A ballet scene in the courtyard of the Palazzo Pitti in Florence. Hades flies through the air in his chariot. Pluto and Proserpina sit on threrring against the back wall. Formations of centaurs, witches and hellish beings dance in the foreground and fly through the air. Flames rise from the architecture all around.

Jacques Callot (1592-1635). "The whims, the tanks. Forty-eighth number of the suite engraved in Florence" (Lieure 261, Meaume 862). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-7 Etching, engraving

Face Lock Höjentorp, Willem Swidde, 1694 The print is part of an album. Stockholm paper etching Slot Höjentorp The print is part of an album. Stockholm paper etching Slot Höjentorp

Hoftuin with music and dance; Hortorum viridariorumque elegantes et multiplicis formae; Gardens of Minne. Hoft garden with couples walking together and making fun. In the foreground a man dances for a woman, while another lady plays the lute. A dog (symbol for love) looks. Also view other couples and point to the spectacle. The print is part of an album.

History of Spain. Masquerade Ball at the Coliseo del Principe, ca.1771-1802. By Juan Antonio Salvador Carmona (1740-1805). Etching and engraving on paper. History Museum. Madrid. Spain.

Views: The Stone of Proclamation at Venice, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching; platemark: 14.5 x 21.2 cm (5 11/16 x 8 3/8 in.).

Festa della sensa (second part); AnkeFt und Herkvommen der Weitberümbten Herrlichen Statt Screw Sambt Derselben Waident Herrschafft. Procession of the Doge on Ascension Day over the San Marco Square in Venice. The procession leads to the Bucintoro, the galei of the Doge. Once a year 'married the Doge during the DELLA SENLA Sensa festa with the Adriatic Sea by throwing a ring in the water from this galei.

'T HUYS te RYNHUYSE

Two performances of the arrival at the city and of offering the keys to William IV, 1751, Jan Caspar Philips, 1753 print Leaf with two performances. Below: the arrival of the procession with the carriage of the stadholder at the Rammekens Poort. Above: offering the keys to William IV by members of the Magistrate. Part of the illustrations of the inauguration of William IV as heir to Vlissingen on 5 June 1751. paper etching Surrender of Keys. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Flushing

Israël Silvestre (French, 1621-1691). Plate from Premiere Journee”, 17th century. From Les Plaisirs de l'Isle Enchantée, ou les Festes, et Divertissements du Roy, à Ve. Engraving. Plate: 279 mm x 425 mm (10.98 in. x 16.73 in.).

DIBUJOS PARA LA ESCENOGRAFIA DE PERSEO Y ANDROMEDA DE CALDERON DE LA BARCA- MS TYP 258 H. Author: BACHO DEL BIANCO (1604-1657). Location: HARVARD-HOUGHTON LIBRARY. MASSACHUSETTS-CAMBRIDGE. Andromeda. PERSEO-MITOLOGIA GRIEGA.

Illumination of the Louvre Gallery for the birth of monsig (r) The Duke of Burgundy on 25 August 1682. (IT)

Jelgerhuis, Johannes, Northern Netherlands, Image of the joyous companies, at the planting of the tree of liberty in Delft,, Festivities at the planting of the tree of liberty in Delft, 1795, View of the market and church of Delft during the festival at the planting of the tree of liberty on February 4, 1795. In the foreground people are dancing around the tree of liberty. In the margin a coat of arms and four lines in Dutch., print, image, historical print, prints, height 335 mm, width 417 mm, Noord-Nederlands, 1770-09-24 - 1836-10-06, print maker, printmaker, 1795 - 1797, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Bloody victims and temple in Mexico; Picart, Bernard (1673-1733); 1722 (1722-00-00-1722-00-00);

Man with plumy hat at the Piazza della Signoria in Florence, Jacques Callot, 1621 print On the left in the foreground is a gentleman with a plumy hat. He points to the right, to the Piazza della Signoria in Florence in the background, on which a parade takes place. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching village square, place. festivities (+ parade, pageant, cavalcade ~ festive activities) Florence. Piazza della Signoria

La Piera del Bando, V., from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

Rome, Giacomo Komarek Boëmo, G., Meijer, Cornelis, Wittel, Caspar van, Porspettiva della rinommata piazza e Guglia del Popolo, View of the Piazza del Popolo in Rome, verso bottom center - stamped, On the Piazza del Popolo in Rome several walkers and carriages are depicted. A sundial can be seen around the obelisk. Top right: A., print, book illustration, prints, height 221 mm, width 427 mm, Northern Netherlands, 1556 - 1736-09-13, print maker, printmaker, 1696 - 1696, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1629 - 1701-08-23, after a design by, Publication (Event), Publication, publisher

Completion of one of the front of the court of the old Louvre, in February 1755 and demolition of the buildings contained in his enclosure. George-Fran�ois Blondel and Gabriel de Saint-Aubin (1724-1780). Completion of one of the front panel of the old Louvre, in February 1755 and demolition of the buildings contained in his enclosure. Washed feather of watercolor.

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Presentation of the Petition of the Nobles, 1566, Presentation of the Petition of the Nobles. A procession of nobles passes through the gate to the palace in Brussels where the Petition is presented to Margaret of Parma, 5 April 1566. With an 8-line caption in German. Numbered lower left: 39. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 208 mm, width 279 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1572, paper, etching, etchings

Villa d'Este in Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print View of the Villa d'Este and accompanying gardens in Tivoli. Title on a block in the middle. Rome paper etching villa. garden. garden buildings. garden ornaments. garden fountain. piece of sculpture, reproduction of a piece of sculpture Villa d'Este. Tivoli

Driemonds Agterste Kom, Met Haer Pyramid. // Driemond, the last pool with its piramid.

Staten van Holland en West-Friesland, Den Haag, Beeck, Anna, Noordelijke Nederlanden, Vianen, Jan van, Het Koninklijk Huis te Rijswijk, alwaar de Vergaaderingen tot de Generaale Vrede sijn, Maison Royale de Ryswyk, ou l'on a tenu les conferences de la paix generale, View of the gardens at the Huis ter Nieuburch in Rijswijk, 1697, The Hague, Northern Netherlands, Bird's-eye view of the Huis ter Nieuburch with the gardens at Rijswijk. In the foreground the road from The Hague with the three bridges and the three separate entrances to the palace, in the distance Delft. In the caption the legend 1-24 in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 424 mm, width 508 mm, Noord-Nederlands, 1680 - 1726, print maker, prentmaker, 1697 - 1697, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, 1657 - 1717, publisher, uitgever van privilege

Face in the gardens of the Palace of Versailles, Anonymous, After Jacques Rigaud, 1720 - 1739 print View of a high fountain in the garden of the Palace of Versailles, with a square pavilion on both sides. A large number of figures in the foreground. paper engraving French or architectonic garden; formal garden. garden buildings Castle of Versailles

Entry of the Dutch Gardes in Amsterdam, 1787; Entry of the Guardes on horseback, in Amsterdam, the 15th October, 1787. Entry of the Dutch Gardes by the Haarlemmerpoort in Amsterdam, October 15, 1787. In the foreground cheering audiences.

The Market on the Molo. Dated: c. 1735/1746. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CANALETTO.

Leiden, the Netherlands: the University, Anatomy theatre, Botanic garden, Lakenhal, city and two portraits of Counts. Line engraving.

The Hospital, plate fifteen from The Miseries of War Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Jelgerhuis, Johannes, Noord-Nederland, Image of the Arrival of the French Troupes in Delft, Welcomed by the Members of the Municipality, on 22 January 1795, Arrival of French troops in Delft, 1795, verso bottom center - handwritten in brown ink, View of the town hall and the market of Delft where the French troops arrive. On January 22, welcomed by the members of the Municipality. In the margin a coat of arms and four lines in Dutch., print, prent, prints, Frederik Muller History plates, on silk, height 338 mm, width 417 mm, Noord-Nederlands, 1770-09-24 - 1836-10-06, print maker, printmaker, 1795 - 1795, satin, etching, engraving, engraving (printing process), Work conception, after own design by

The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674. Scene from Act I.. The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

Offering the supplement to the Duchess of Parma, 1566, 1752 - 1822 print Offering the supplement by the covenant of the nobles to the governor, the Duchess of Parma, in the Palace in Brussels 5 April 1566. Netherlands paper etching Palace on the Koudenberg

Arnold von Westerhout, Il Greco in Troia Plate 3 Il Greco in Troia: Plate 3

Horti Sergii Galba Ad Via Ostien, Die Gärten des Galba an der Via Ostia Antica, historisches Rom, Italien, digitale Reproduktion einer Originalvorlage...

View of the garden of Duinrell's Buitenplaats; Gesight from Duynrel from the bovenael over the Groote Tuyn / Duynreliae Ex Aula Superiore in Hortum Magnum; Faces at the Duinrell country estate. View of the Duinrell country estate, seen from the top of the house. Some figures in the garden. Legal under numbered: 6. Print from a series of sixteen prints of Duinrell.

Engelenburcht, Pieter Schenk (I), After Giovanni Battista Falda, 1675 - 1712 print View of the Engelenburcht, called 'Castel Sant' Angelo 'in Italian, in Rome. In the foreground, a procession of clergy, noblemen and other figures pulls over the angel bridge towards the angel castle. paper etching / engraving Engelenburcht. Angel bridge

Print (France); black ink on rolled paper; 1931-86-52

Torture, Torture of Louis XVI, Square of the Revolution. 21 January 1793, French Revolution, Historical, digitally restored reproduction from a 19th century original

Inauguration on the Grote Markt, 1599; Inaugurationis Apparatus in Foro. Inauguration on a stage for the town hall on the Grote Markt, December 1599. A large crowd collected on the square, in the foreground posts with pensed decorated with images of the Holy Joris that beats the dragon. From stage is scattered with coins and tokens. During the arrival in Antwerp. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599.

Italy, Bella, Stefano della, Banquet of Piacevoli, verso - stamped, The banquet of the Piacevoli, the hunting association. In a large hall a large group of men are sitting at tables eating and drinking. Paintings hang on the walls. In the middle above the coat of arms of the De'Medici family., print, prent, prints, prenten, height 255 mm, width 392 mm, Italian, 1610-05-18 - 1664-07-27, print maker, prentmaker, 1627 - 1627, paper, papier, etching, etchings, Expression creation

The running of the Quintana and the breaking of the spears (Zu der Quintana rennen und Spiess brechen), from a series depicting the wedding of Wolfgang Wilhelm, Duke of Pfalz-Neuberg, Pfalzgraf, and Magdalena, Duchess of Bavaria, in Munich, 1613 (Plate 10) 1614 Wilhelm Peter Zimmermann In this scene, mounted nobles participate in a race around a fountain while the newly married couple and their family members watch from windows above. The participants are given spears (center, left), and they break them upon passing a seated costumed figure at upper left. This etching is one of 11 etched illustrations from a book containing a description of the wedding festivities. The marriage of Wolfgang Wilhelm, Duke of Pfalz-Neuberg, Pfalzgraf (1578-1658) to Magdalena, Duchess of Bavaria (1587-1628), took place in Munich on November 12, 1613, and the commemorative book was published by Wilehlm Peter Zimmermann in 1614 in Augsburg. Plates 4, 7, and 10 are in the collection of The Metropolitan Museum

Procession passes through the triumph gates on the square; Entry of Ferdinand in Ghent in 1635 (no. 18), Anonymous, 1675 - 1685 print The procession with Ferdinand of Austria pulls through the triumph gates on a square (the Prinsenhof or Karelshof). Page no. 18 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Ghent

Le Jeu de Paume sur la Place Sainte-Croix, a Florence (The Tennis Game on the Piazza Santa Croce in Florence), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Jeu de Paume sur la Place Sainte-Croix, a Florence (The Tennis Game on the Piazza Santa Croce in Florence), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Augsburg, Frescoes, Fresco on a facade of the former residence of Hans Jakob Fugger in Augsburg, Part of Travel album with photographs of Switzerland, Austria, Italy and Germany., photograph, photo, photos, height 113 mm, width 177 mm, photographer, 1860 - 1890, third quarter 19th century, fourth quarter 19th century, paper, papier, photographic paper, fotopapier, albumen print, albuminedruk

Departure from Karel II from Scheveningen to England, 1660, Pieter Hendricksz. Schut, 1660 print The departure of the English king Charles II from Scheveningen to England, 2 June 1660. On the beach a crowd of spectators, in the middle, Karel says goodbye to his sister and aunt. On the left carrots, the dunes and the village of Scheveningen, fires in the background. Before the portrait of Charles II and the caption. Amsterdam paper. ink etching / engraving / pen / brush departure ~ travelling Scheveningen

Northern Netherlands, Brouwer, Cornelis, Heavy fog in Amsterdam, 1790, verso - stamped, Heavy fog in Amsterdam on 31 December 1790. View of the Keizersgracht in front of Felix Meritis. People are walking in the street with torches, a carriage has fallen into the canal., print, prints, Frederik Muller Historical plates, height 100 mm, width 123 mm, 1735 - 1803-03-31, print maker, printmaker, 1791 - 1792, paper, papier, etching, etchings, engraving, engraving (printing process)

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