Rural and Mythological Landscapes

Engravings portraying serene rural scenes intertwined with mythological themes, featuring figures in pastoral settings.

In an Italian landscape sits Mary with Child on the donkey, who is led by Joseph. Behind on the right is a castle on a mountain top, Flight to Egypt, print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, engraving, h 237 mm × w 312 mm

. Italian landscape during the months of March and April. Left in the foreground is sprinkled. A garden is constructed on the right. In the background an architectural garden. At the top left and right the signs of the zodiac: the zodiac sign ram and the constellation bull.

Return of hunting, Antonio Tempesta, 1599 print Wide landscape with hunters who return from hunting. They walk towards a building on the right. In the foreground on the right are hunters and hunting dogs under a tree. paper etching hunter. return from the hunt

In an Italian landscape sits Mary with Child on the donkey, who is led by Joseph. Behind on the right is a castle on a mountain top, Flight to Egypt, print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, engraving, h 237 mm × w 312 mm

Flight to Egypt; Landscapes with biblical, mythological scenes and yacht scenes. Heuven landscape. In the foreground Joseph with Maria and Child on a donkey. They are on the run for the soldiers of Herod. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Grotesque architecture or rural amusements

Lorrain, Claude, La fuite en Egypte, Flight into Egypt, verso lower left - stamped, Landscape with Mary with the Christ Child on a donkey, accompanied by two angels, followed by Joseph., print, prent, prints, height 108 mm, width 173 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1630 - 1633, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Landscape with pedestrians and castle, Adriaen van der Kabel, 1648 - 1705

Landscape with farm and Tobias and the Engel, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1612 - 1614 print Amsterdam paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog. farm or solitary house in landscape

The apostle Philip baptizes the chamberlain from Etiopia A servant holds the chamberlain's clothing In the background, the comrade's carriage and entourage Forest landscape with a village in the background Beneath the scene the title in Latin, four four-line verses in Dutch and a reference to the Bible text in Acts 8:26, Landscape with the baptism of the Ethiopian chamberlain by Philip Hic lavat Aethiopem nigrum pellitque colorem, non cutis ast animae, post pansa oracla Philippus Royaalbijbel , print maker: anonymous, Nicolaes de Bruyn, Gilles van Coninxloo (II), Amsterdam, 1630 - 1652 and/or 1630 - 1702, paper, engraving, h 413 mm × w 520 mm

Ruggiero Rescuing Angelica 1565 Cornelis Cort Netherlandish. Ruggiero Rescuing Angelica. Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome). 1565. Engraving. Prints

Northern Netherlands, Winter, Anthonie de, Utrecht, Saftleven, Herman, Mountainous landscape with ploughman, verso lower left - stamped, On the left is a castle on a wooded mountain. On the right a house with a watermill on a river. In the middle a farmer with a plough. In the front some figures at a fence., print, prent, prints, prenten, height 93 mm, width 110 mm, 1653 - 1707, print maker, printmaker, 1668 - 1707, paper, papier, etching, etsen, Work conception, Netherlands, 1609 - 1685-01-05, after a design by, Publication (Event), Publication, publisher

Hagar and the Engel, Herman van Swanevelt, 1629 - 1641 print In a hilly landscape with tree parties, an angel in the foreground points the jerk -bearing Hagar to a source. Rome paper etching an angel appears and reveals a well of water to Hagar

Heuvenlandschap. In the foreground Joseph with Mary and child on a donkey. They are fleeing from Herod's soldiers. The print has an ornamental frame with flowers and animals. It is part of a twenty-four-part series of landscapes with Biblical, mythological and hunting scenes., Flight into Egypt Landscapes with Biblical, Mythological and Hunting Scenes (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Eduwart van Hoeswinckel, (mentioned on object), Antwerp, 1582 - 1586, paper, engraving, h 142 mm × w 207 mm

July: threshes (lion); Luglio; The twelve months (part 1). Imagination of human activity in the month of July. Landscape with farmers who edit and pack grain. In the background bird hunters. In the middle above the symbol for the constellation lion. Italian fresh and title in undermarge.

Apollo kills Coronis; Landscapes with mythological and biblical performances. Apollo joins panic for the Dead Coronis. Coronis was his mistress, but continued with someone else. That's why Apollo shot with an arrow to her.

Samuël Ointment Saul to King, Jan van Londerseel, After David Vinckboons, 1601 - 1702 print Water -rich landscape in which Saul is anointed by Samuel. Samuel empties a jug of oil over Saul's head. Under the show the title in Latin and a reference to the Bible text in 1 SAM. 10: 1. Amsterdam paper engraving the anointment of Saul by Samuel. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Landscape with fortune teller, Anonymous, After David Teniers (II), 1700 - 1799 print Landscape with a few houses and towers on a hill. In the foreground, a fortune teller reads the hand of a man. There is a woman with a child under a tree. Low Countries paper etching fortune-teller ~ pleasure fair and circus. chiromancy, handreading, palmistry. (high) hill

Bliżej Kultury unknown

The abduction of Europe. (Robert-Dumesnil 22, Mannocci 14) Claude Gell�e (said Lorrain) (around 1600-1682). The kidnapping of Europe. (Robert-Dumesnil 22, Mannocci 14). Etching. 1634. Museum of Fine Arts in the city of Paris, small palace.

July: threshing (lion), Antonio Tempesta, 1599 print Imagination of human activity in the month of July. Landscape with farmers who process and pack grain. Bird hunters in the background. In the middle of the symbol for the zodiac sign Leeuw. Italian fresh and title in the lower margin. paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'. cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). threshing. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). Leo (zodiacal sign of July)

Hagar's departure; The story of Hagar. In a landscape with ruins, Hagar stands with Ishmael on the basis of a herd of animals. Ishmael holds a bow. Abraham watches. A man with clothing in his hands walks to a pond. Numbered in the lower right corner as I.

Praag, Sadeler, Aegidius, Stevens, Pieter (II), Eight landscapes in Bohemia, Watermill on an island, verso lower left - stamped, An island with anglers by the river in the foreground. A watermill in the background. The first print in an eight-part series with landscapes in Bohemia, print, prints, height 241 mm, width 370 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1624 - 1650, paper, papier, etching, engraving, engraving (printing process), 1567 - 1624, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

December, Pieter van der Borcht (I), 1545 - 1608 print Winter landscape with winter scenes. December is the slaughter month. Central is the slaughter of pigs, after which the animals are smoked and pickled. The cattle are slaughtered in the background. In the middle of the constellation Capricorn. In this series of the twelve months, every month is depicted with the human activities, her climatic characteristics and its constellation that are typical of her. Antwerp (possibly) paper etching December and its 'labours' (+ with zodiacal signs). slaughtered ox or pig. conserving, preserving, e.g.: canning

Landscape with the merciful Samaritan out of the wounded traveler at a inn; Landscapes with scenes from the parable of the Merciful Samaritan. An inn. The merciful Samaritan pays a innkeeper to further nurse the wounded traveler. The print is part of a four-part series of landscapes with scenes from the parable of the merciful Samaritan

The Hague, Hartogensis, Joseph, Landscape at Oosterbeek, Landscape with pollard willows, verso - stamped, print, prints, height 63 mm, width 81 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1855 - 1855, paper, papier, chine collé, etching, etchings

Augustus, Giles Sadeler (2), after Pieter Stevens (1), after Pieter Stevens (2), 1624 - c. 1650 print August is the harvest month. On the right the grain harvest. The grain is bundled in Schoven. On the left it is transported on carts to the barn. On the right in the foreground a group of eating and sleeping farmers under a tree. Hilly landscape with a church left. In the air the zodiac sign Virgin. The print has a Latin caption. print maker: Praagpublisher: Venice paper engraving August and its 'labours' (+ with zodiacal signs). binding ~ harvest. stocking (on the field). storing in silo ~ harvest. rest during harvest (eating, dancing, making love, etc.)

Lumberjack is working to cut down a tree, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

Scena Grotta di Volcano. Della Bella, Stefano (1610-1664). Prints. 1750 - 1759. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

In a tree-lined landscape, two travelers with a dog walk along a marsh toward two houses. This print is part of a series of six landscapes with travelers, Landscape with travelers near houses Six landscapes with travelers (series title), print maker: Jacob Savery (I), publisher: Frans Carelse, (possibly), print maker: Netherlands, publisher: Low Countries, (possibly), 1584 - 1603 and/or after 1639, paper, etching, engraving, h 92 mm × w 122 mm

Rocky landscape with two men, print maker: Ernst Willem Jan Bagelaar, (mentioned on object), Netherlands, 1798 - 1837, paper, etching, drypoint, h 50 mm × w 45 mm

Broadcast of the apostles; Landscapes with biblical, mythological scenes and yacht scenes. Landscape nmet a road. In different places in the landscape apostles, who are traveling in couples to proclaim the bump of Christ. The print has an ornamental list of flowers, butterflies and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Landscape with farm, 1614 print Third print from a series of twenty landscapes with farms. Yard with farm. In the foreground a lying man. On the right in the foreground two goats. paper etching farm (building). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Ice cream near a city, Simon Fokke, 1722 - 1784 print Ice entertainment and fishermen on frozen water near a city. Figures gather wood in the foreground. Print on top left marked: XIV. Amsterdam paper etching winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). woodgathering, woodgatherer

The departure of Hagar, Moyses van Wtenbrouck, 1620 - in or after 1629 print In a landscape with ruins, Hagar with Ishmael is in the middle of a herd of animals. Ismaël holds a bow. Abraham watches. A man with clothing in his hands walks to a pond. In the lower right corner numbered as I. The Hague paper etching Hagar and Ishmael (often with bow and arrow) depart

The boat of the fisherman (Bartsch 13) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The boat of the fisherman (Bartsch 13). Water-strong on paper, 1645-1675.

Weeds under the wheat, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with Akker and the depiction of the parable of Christ about the weeds between the wheat. Some farmers sleep in the foreground. In the meantime, the devil sows weeds between the grain. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. cultivated land. flowers ~ ornament. ornamental birds. monkeys, apes (+ ornamental variants of animals). rodents: rabbit (+ ornamental variants of animals). dog (+ ornamental variants of animals)

Landscape with a wagon with vegetables, In a summer landscape a crowd of people move with goods in the direction of the city in the distance. Some drive cows and another leads a horse with a cart with vegetables. On the right by a stream is a large tree and on the left are some farmhouses. Below the print three columns of text, herd, flock, farm or solitary house in landscape, two-wheeled vehicle drawn by one animal, Theodorus van Kessel (mentioned on object), 1630 - 1660, paper, engraving, h 319 mm × w 428 mm

Wildens, Jan, Haarlem, Matham, Jacob, The twelve months, September, verso lower left - stamped, A wooded landscape with hunters as an image of the month September., print, prints, height 291 mm, width 430 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1614 - 1614, paper, papier, engraving, engraving (printing process), Southern Netherlands, 1585 - 1653-10-16, intermediary draughtsman

Prague, Sadeler, Aegidius, Stevens, Pieter (II), Eight landscapes in Bohemia, Houses beside a river, verso lower left - stamped, A river flowing through a village. A bridge over the river. Women doing the laundry beside the river. The second print in an eight-part series with landscapes in Bohemia, print, prints, height 234 mm, width 365 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1597 - 1629, paper, papier, etching, engraving, engraving (printing process), 1567 - 1624, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Sons of Jakob point with their herd to the approaching Joseph, Jan Luyken, 1706 print Amsterdam paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. Jacob works as a herdsman for seven years in exchange for Rachel

Narcissus, Johann Sadeler (I), after Gillis Mostaert (I), 1560 - 1600 print Landscape with a river. Narcissus on the bank. He looks at his own reflection in the water. Two dogs left and right. The fifth print of a six -part series of landscapes with mythological scenes. print maker: unknownafter drawing by: Antwerppublisher: unknown paper engraving (story of) Narcissus. river

Moses is found by the daughter of Pharaoh; Landscapes with biblical, mythological scenes and yacht scenes. Coastal landscape. In the foreground on the left, Moses is found by the Daughter of the Pharaoh on the shore of the Nile. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

unknown, Paris, Bonenfant, Antoine, Antwerp, Bril, Paul, Nieulandt, Willem van (II), Wooded landscape with five travellers, verso - stamped, In a wooded landscape, through which a river flows, two women and two men are standing on the road. Next to them sits a man under a tree., print, prints, height 237 mm, width 316 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, etching, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher, granter of privilege

The moon and her planet children; MONN; The seven planets. Luna, the moon goddess, sits in a triumphy, which is being pulled in heaven by two girls. On the car The sign of the zodiac lobster. The people on earth all do something with water. Fishermen are working and someone is swimming in the foreground. In the background boast ships at sea. At the top a four-line verse in German.

Noah leaving the ark with his family and animals: at left Noah's family carries supplies, at right animals descend on a ramp from the ark, above birds fly from the ark, from a series of engravings for the 'Liber Genesis' 1612 Crispijn de Passe the Elder Netherlandish. Noah leaving the ark with his family and animals: at left Noah's family carries supplies, at right animals descend on a ramp from the ark, above birds fly from the ark, from a series of engravings for the 'Liber Genesis' 414785

Herderin and young man at a barn, Hendrik Hoogers, 1787 print Pastoral scene with a shepherdin and a young man with cattle and a shed. A village in the background. Nijmegen paper etching pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Hilly landscape, François Deroy, after David Teniers, 1758 - 1762 print Hilly landscape with a cross and two men in conversation in the foreground. In the background a house between the trees. Southern Netherlands paper etching other memorial structures. conversation, dialogue; conversation piece. low hill country

The Moon (LUNA) in her chariot passes over busy rural scene as scantily-clad villagers trawl river to net fish Date: 17th Century

L'a�me (barter 87) Herman van Swanevelt (1600-1655). The Hospital (Bartsch 87). Floor, 17th century.

Coast Scene with an Artist Drawing Made 1638-1641 France. Etching on ivory laid paper . Claude Lorrain

Cavalry cross with two shooting riders. Two riders with guns and on the right several riders in a landscape at a church.

Fall from Icarus, Adriaen Collaert, after Hans Bol, 1584 - 1618 print Landscape with field. Daedalus and Icarus in the air. Icarus flies too high at the sun, the wings of his wings melts and it falls out of the sky. In the foreground, a farmer looks up of plowing, while two shepherds look at the sky and point. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. print maker: Antwerpafter design by: Antwerppublisher: Amsterdampublisher: Antwerp paper engraving death i.e. the fall of Icarus (Daedalus present). cultivated land (+ landscape with figures, staffage). flowers ~ ornament. ornamental birds. crustaceans: crab (+ ornamental variants of animals). rodents: mouse (+ ornamental variants of animals). dog (+ ornamental variants of animals)

. Print at the top right labeled: first book fol; 87.

Jan Wellens de Cock, The Temptation of Saint Anthony, 1522 The Temptation of Saint Anthony

Sadeler, Johann (I), Vos, Maerten de, Antwerp, Boni et mali scientia, History of the family of Cain, On good and bad works, Jabal and his family resting with the cattle, verso lower left - stamped, Jabal, his wife and his children sit under a tent canvas, in the middle of a resting herd. The print has a Latin caption., print, prints, height 201 mm, width 250 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1583 - 1583, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer, Publication (Event), Publication, publisher

. The ark has remained stuck on the Ararat mountain. Noah makes the roof open and looks around and sees that the earth is dry again. In the margin a two-person caption in Dutch.

Fable of the old stork, Aegidius Sadeler, Marcus Gheeraerts (I)

Brussels, Orley, Richard van (II), Il pastor fido, Silvio is festively welcomed, verso - stamped, Because Silvio has killed the big wild boar, he is festively welcomed by the villagers. The people walk in a festive procession to the temple. Print from a series of 12 prints illustrating the play Il pastor fido, scene 3 of the 4th act., print, prints, height 256 mm, width 196 mm, South Netherlands, 1663-07-16 - 1732-06-20, print maker, printmaker, 1695 - 1705, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

A group of shepherdesses are playing a game. A girl is blindfolded and must find the only shepherd in the party (her lover), Shepherdesses play a game Il pastor fido / Le berger fidele (series title), print maker: Abraham Bloteling, (mentioned on object), intermediary draughtsman: Zacharias Webber (II), publisher: Pierre Marteau, (possibly), print maker: Amsterdam, publisher: Cologne, c. 1677, paper, etching, engraving, h 102 mm × w 63 mm

December; The twelve months. Winter landscape with winter scenes. December is the slaughtermand. Central is the slaughter of pigs, after which the animals are smoked and pickled. In the background the livestock is gender. Empty the zodiac. Capricorn. In this series of the twelve months, every month is depicted with the for its typical human activities, its climatic characteristics and its constellation.

Wood engraving, England, by Thomas Bewick.

Les grandes miseres de la guerre: No. 17 - La revanche despaysans. Artist: Jacques Callot, French, 1592-1635

Environs of Venice -6, Marco Ricci, 1743, Etchings, 9 13/16 x 13 3/4 in. (25 x 35 cm), 9 13/16 x 13 3/4 in. (25 x 35 cm), Cream laid

Parable of the Merciful Samaritan, Adriaen Collaert, after Hans Bol, 1582 - 1586 print River landscape with the portrayal of the parable of the Merciful Samaritan. In the foreground, the merciful Samaritan takes care of the wounded traveler. The traveler is then helped on his horse and brought to the inn. In the background the Leviet and the priest who left the traveler to his fate. The print has an ornamental list of flowers, fish and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving a Samaritan tending the wounds of the traveller. the Samaritan sets the wounded traveller on his mount (ass or horse), and brings him to an inn. the Samaritan and the wounded traveller arrive at the inn; the traveller is cared for. a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan. river bank. lizards: chameleon (+ ornamental variants of animals). rodents: sq

Rovers leave the traveler half-door behind; Landscapes with scenes from the parable of the Merciful Samaritan. In a forest a traveler is robbed by scraps of his clothing and half-hearted. A rule in Latin in the margin.

Bril, Paul, unknown, Nieulandt, Willem van (II), Italian landscapes, Landscape with Judah and Tamar, verso - stamped, On a road in a hilly landscape sits the veiled Tamar, who receives the seal and bracelets from her father-in-law Judah. Judah does not recognize her and thinks she is a prostitute. Tamar becomes pregnant and is able to prove that he is the father of her child by means of the jewelry that Judah has given her. To the Bible story from Gen. 38: 1-26. Print from a series of Italian landscapes., print, prints, height 236 mm, width 317 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07

Collecting the Manna in the desert, Henri Testelin, After Nicolas Poussin, 1639 - 1695 print paper etching the gathering of manna (in baskets and pots)

Philistines dampen the Putten from jealousy, 1613 In the foreground, the Philistines dampen the wells that the servants of Abraham had once dug. They were filled with earth. The Philistines were jealous of the wealth of Abraham's son Isaac. Koning Abimelech advised Isaac and Rebekka to leave. On the right in the background the herds of sheep, goats and cattle on the way to the valley of Gerar where Isaac went to live with his wife (Gen. 26:15). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching In the foreground, the Philistines dampen the wells that the servants of Abraham had once dug. They were filled with earth. The Philistines were jealous of the wealth of Abraham's son Isaac. Koning Abimelech advised Isaac and Rebekka to leave. On the right in the background the herds of sheep, goats and cattle on the way to the valley of Gerar w

Reflections of Weelde, Pieter Jalhea Furnius, after Jan van der Straet, 1570 print A boy is sitting on a wild horse, on the right is the personification of deception - a woman with a mask - lurking. Behind the horse, a bearded man with a crown is burned in a pit. The boy chooses the right path and drives towards a meadow where figures play and on the right is the fountain of youth. Under the show is a text in Latin, numbered on the left in the margin: 3. The print is part of a series of allegorical prints on human life. Antwerp paper engraving Youth, Adolescence, 'Iuventus'; 'Adolescenza', 'Gioventí¹' (Ripa). taming of wild horses. Cheat, Deceit; 'Fraude', 'Inganno' (Ripa) (+ personification). fountain of youth, 'Fontaine de Jouvence'. Luxury, Luxuriousness

Landscape with cloudy heaven, 1606 - 1635 print Landscape with river flowing past a village. On the left a eating man under a tree. On the left in the foreground a woman is helped by a man from a pit or well. paper etching landscapes

Hunting for moths, C. Galle, After Jan van der Straet, 1594 - 1598 print On a field, some men with branches hit the bushes to find moths. Because of the light, these moths fly to burning candles. Once in the vicinity of the candle, they die from the heat. The moths are a pest for honey bees. They are therefore hunted by the beekeepers at night. The print has a Latin caption and is part of a series about hunting scenes. print maker: Antwerpafter design by: Florencepublisher: AntwerpAntwerp paper engraving insects: moth. hunting butterflies. candle. bee-hive. bee-hive

August: Fishing, c. 1700, brown and gray-brown wash with pen and brown and black ink over traces of black chalk, sheet: 24 × 32.4 cm (9 7/16 × 12 3/4 in.), Claude Simpol (artist) French, 1666 - 1716

Music a dancing Saters en nimfen, Wenceslaus Hollar, After Adam Elsheimer, After Willem Basse, 1650 print paper etching non-aggressive, friendly or neutral activities and relationships of satyr(s). nymphs (in general); 'Ninfe in commune' (Ripa)

Landschap met Narcissus, Johann Sadeler (I) (attributed to), c. 1570 print paper engraving Narcissus changed into a narcissus: when Narcissus is pining away for the love of his image reflected from the water, he is changed into a narcissus (Ovid, Metamorphoses III 510)

Augustus, Esaias van de Velde, 1629 drawing Mowers on the land. paper. chalk brush August and its 'labours'. reaping, picking, mowing ~ harvest. binding ~ harvest

Landscapes, 1626. Pieter Molyn (Dutch, 1595-1661). Etching;

The Roman of Fox: 6- The fox disguised as a monk insinuating in the trust of the rooster (Bartsch 6) ALLART VAN EVERDINGEN (1621-1675). The Roman Roman: 6- The fox disguised as a monk insinuating in the trust of the rooster (Bartsch 6). Water-strong on paper, 1650-1655. Museum of Fine Arts of the city of Paris, small palace.

The Hague, Hartogensis, Joseph, Landscape at Oosterbeek, Landscape with pollard willows, verso - stamped, print, prints, height 63 mm, width 82 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1855 - 1855, paper, papier, chine collé, etching, etchings

Bella, Stefano della, Four landscapes, Shepherd on horseback in stream, verso - stamped, A landscape with a shepherd on horseback and his herd of goats by a stream. Some of the goats and the horse are standing in the stream., print, prent, prints, prenten, height 251 mm, width 184 mm, Italian, 1610-05-18 - 1664-07-27, print maker, prentmaker, 1620 - 1664, paper, papier, etching, etsen

Booking dance. Farmers dance on a square for a large farm. A large flag hangs out of a skylight of the farm.

A very richly dressed gentleman and lady on horseback survey a dune landscape where hares are being hunted with crossbows and rifles. Several hunters and a woman stand with their dogs near them. In the front left, a man and a woman are cleaning the shot hares. In the background a tower, a church and the sea., Hare Hunting Scenes (series title), print maker: Claes Jansz. Visscher (II), (mentioned on object), print maker: Pieter Serwouters, (rejected attribution), David Vinckboons (I), (mentioned on object), Amsterdam, 1612, paper, etching, engraving, h 103 mm × w 272 mm

Resting hunting company in a landscape, Jacques-Philippe Le Bas, after Karel van Falens, 1740 print Paris paper etching / engraving hunting, chase. (traveller) resting in the open air

Heroic Stormy Landscape. Dated: 1724. Dimensions: plate: 29.9 × 39.3 cm (11 3/4 × 15 1/2 in.) sheet: 31.6 × 39.3 cm (12 7/16 × 15 1/2 in.) (trimmed to plate mark on three sides). Medium: mezzotint and etching printed in blue and brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Jan van Huysum Elisha Kirkall.

Landscape with two sketching artists on the water; Pastoral landscapes. Two artists sit with a sketchbook on the water. On the opposite side lies the ruins of a castle. On the waterfront is a small building in which a figure overlooks half a door. Two walkers with a march on their backs walk with their dog over the road.

Pharaoh's Daughter Finding Moses, from Landscapes with Old and New Testament Scenes and Hunting Scenes 1584 Flanders. Engraving in black on cream laid paper, laid down on cream laid paper . Adriaen Collaert, II

Two riders with women on the back of water; Various performances; Caprice. .

Fourth scene, the sea, from 'The marriage of the gods' (Le nozze degli Dei) 1637 Stefano della Bella Italian. Fourth scene, the sea, from 'The marriage of the gods' (Le nozze degli Dei) 412706

Landscape with farm and shed on posts near a water, Anonymous, After Esaias van de Velde, 1610 - 1617 print Haarlem paper etching farm or solitary house in landscape

View of Rome with two river gods, Israel Silvestre, after Herman van Swanevelt, 1654 print Two river gods are on either side of the Tiber. Romulus and Remus can be seen at the wolf on the left. In the distance lies the walled Rome with, among others, St. Peter's Basilica and the Engelenburcht. Under the performance is a three -line, rave, French text about Rome. Paris paper etching river-gods. river. early life, prime youth of Romulus and Remus. beasts of prey, predatory animals: wolf. Roman Catholic Church. fortress Engelenburcht. St. Peter's basilica

Allart van Everdingen, Reynard and the Crows, probably c 1645 1656 Reynard and the Crows

Triumph of De Tijd, Philips Galle, After Pieter Bruegel (I), 1574 print Saturn as personification of the time is on his triumphal wagon that is pulled by horses. He devours his children and sits on an hourglass standing for a globe with the signs of the zodiac. Behind him the personification of death drives on horseback. Behind that victory running at an elephant. On the ground are musical instruments, book, headwear, money box and money fair. A clock hangs in the tree. Left in the background a burning city. Under the performance three two -line verses in Latin. Antwerp paper engraving triumph of Saturn; 'Carro di Saturno' (Ripa). Saturn devouring his children. Death as skeleton. zodiac; the twelve zodiacal signs together

St Francis Receives the Stigmata. Artist: Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); After Girolamo Muziano (Italian, Acquafredda, Brescia 1528-1592 Rome). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1567. Museum: Metropolitan Museum of Art, New York, USA.

Venationes ferarum, avium, piscium (Hunts of wild animals, birds and fish). Plate 47. Hunting a Satyr prints, engravings, works on paper

Parable of the two shutters. The blind trainer runs into the water instead of over the bridge and thereby also takes blind followers in his fall. Imagination of the proverb: If one blind leads the other, they both fall into a pit. With the meaning: when unfamiting advise other inconvenience, it goes wrong. Reference to matte. 15:14. In the background a village that runs a river. Under the show the scope of the proverb in three columns; In French, Latin and Dutch.

Apollo and leucothea; Scenes from Ovid 'Metamorphosen. Venus ensures that Apollo is falling in love with Leucothea. He disguises himself as the mother of Leucothea to come in her room and then reminds her. Links Apollo and Leucothea at her bed. On the right her father comes in by a gate with a horse to the guideline. In the yard poultry and a dog. Under a single-line caption in Latin.

View of the Tiber (Tivoli) (Prospectus Tyburtinus) from The Large Landscapes ca. 1555-56 Johannes van Doetecum I Netherlandish. View of the Tiber (Tivoli) (Prospectus Tyburtinus) from The Large Landscapes 415672

Bridge over the Ombrone river at Buonconvento. View of a wooden bridge designed by Pietro Petruccini. Soldiers and riders walk across the bridge. Soldiers are in the foreground. Musicians are on the other shore. At the top the arm of the family de'Medici with a banderole with text. Text in undermarge.

Amsterdam, Visscher, Nicolaes (I), unknown, Antwerp, Collaert, Adriaen, Animalivm Qvaddrvpedvm, Four-legged animals, Hunting dogs, verso center bottom - stamped, In the foreground five hunting dogs. In the background a landscape. The print is part of a series with animals as subject., print, prints, height 126 mm, width 195 mm, Work conception, Southern Netherlands (before 1775), 1560 - 1618-06-29, after a design by, 1628 - 1679, paper, engraving, engraving (printing process), etching, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1618-01-25 - 1679, publisher

Allegory on draining of the Diemermeer; Title page for: Matthaeus Brouërius Nidek, the water fleet or Diemer lake, 1725. In the foreground are two water nymphs as Personifications of the Amstel and the new deep. At the bottom right of a canopy entrance Apollo with the zodiac in his hand. A woman with wings to the head shows him a role with designs. Behind her state Ceres with corn sheaf. In the middle an obelisk with the book title and a swan as a symbol for the Diemermeer. Toes there are Diana and a farmer. In the background a view of the Amstel and the Diemer or Watergraafsmeer polder area.

Scene from the Old Testament creating animals Tempesta, Antonio (1555 1630)

of 3