Rural and Natural Landscapes

Prints depicting serene rural scenes and natural landscapes, featuring farmers and pastoral settings, evoking tranquility and realism.

View of the Temple of Vesta near Tivoli, Albert Christoph Dies, 1793 print Rome paper etching rock-formations. column, pillar ~ architecture. artist at work, in his workshop - BB - out of doors Temple of Vesta

Etching by François Vivares depicting a happy farmer and his wife, showing figures, gestures, attire, farm environment, and 18th-century rural life.

Coastal country chapter Met Tobias en Angel, Richard Earlom, After Claude Lorrain, 1774 print London paper etching landscape with bridge, viaduct or aqueduct. landscape with tower or castle. coast. the angel Raphael tells Tobias to cut the fish to pieces

Pilgrim in the Woods 1825 Germany. Throughout his career, Carl Blechen often returned to the theme of a pilgrim at a shrine in the woods. In this depiction, the religious shrine, trees, and dark landscape loom over the praying pilgrim, producing a melancholic mood. The emotional tenor of the scene is further enhanced by the lithographís pale green tint. Blechen used two stones to create this print, one with green ink for the background and the other bearing a drawing of the primary image. Though the landscape is gloomy, the shrine and its surroundings glow with the highlights produced as the artist scraped away passages on the tint stone. Blechen, who was influenced by Caspar David Friedrich, utilized this contrast of light and dark to express the abiding connection between nature and religion.. Lithograph in black and blue on cream wove paper . Carl Blechen

God appears to two farmers in a field, Joseph von Führich, 1840 print paper etching farm or solitary house in landscape. waxing moon represented as face. farmers. resting - BB - out of doors. Holy Trinity in which one, two or all figures are represented in human shape. vision

Lowsclear bij Bazel, anonymous, Matheus Merian (i), 1628 - 1679 print In the foreground a stream, behind it the Klybeck Castle, the Rhine and a face on Basel. Numbered in the bottom right: I. paper etching city-view, and landscape with man-made constructions. fisherman. river (+ landscape with figures, staffage) Lock klybeck

Village face with cross on elevation, Israel Silvestre, 1631 - 1661 print paper etching landscapes

View of the Temple of Vesta near Tivoli, Albert Christoph Dies, 1793 print Rome paper etching rock-formations. column, pillar ~ architecture. artist at work, in his workshop - BB - out of doors Temple of Vesta

View on a bridge over a river with a waterfall, Daniël Dupré, 1777 print paper etching waterfall

Landscape with a building and two men at a basket, Philips Huygens, 1652 drawing paper. ink. graphite (mineral) pen / brush landscape with ruins

unknown artist, Canonbury Tavern, 1819. Engraving.

Nel Colosseo. Dated: 1792. Dimensions: plate: 27.4 x 37.2 cm (10 13/16 x 14 5/8 in.) sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Christian Reinhart.

Landscape with stacked boulders and resting man, Léon Gaucherel, 1832 - 1886 print Numbered 47 at the top right. print maker: Franceprinter: Parispublisher: Paris paper etching / drypoint rock-formations Locmaria

. Corisca can free from the hands of the Sater. The Sater is on the ground, coriscas braid in his hand. Print from a series of 12 prints that illustrate the play IL Pastor Fido, 6th scene from the 2nd deed.

The Entrance to Chepstow Castle 1776 England. Aquatint on cream laid paper . Paul Sandby

Flight into Egypt 1601-1700 France. Etching on ivory laid paper . Sébastien Bourdon

Samuel Palmer, The Weary Ploughman, 1858 The Weary Ploughman

Landscape - Sepolcro Volgarmente Detto Dei and Ei curiasii A Albano; Reinhart, Johann Christian (1761-1847); 1795 (1795-00-00-1795-00-00);Albano (Italy), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Italy (state), tombs, riders, landscapes, landscapes, ruins, relay

Hidden silhouette: the spirit of Byron in the Greek Isles ca. 1825 Henry Burn. Hidden silhouette: the spirit of Byron in the Greek Isles. Henry Burn (British, Birmingham ca. 1807-1884 Melbourne). ca. 1825. Lithograph. Rudolph Ackermann, London (active 1794-1829). Prints

Farmers process the country next to the ruins, Franz de Paula Ferg, 1699 - 1740 print paper etching landscape with ruins. farmers

. .

Allegory on Agriculture, Bernard Picart, 1733 print Allegorical title page that depicts the book Georgica by the poet Vergilius. In the countryside, men and women have devoted themselves to agriculture, growing trees and cattle and beekeeping. With an empty margin. Amsterdam paper etching / engraving bee-keeping, apiculture. cattle-breeding, livestock industry. horticulture, vegetable culture, market gardening. agriculture

Jean Daullé created a copper engraving and etching around 1757 titled 'The Charms of Country Life', depicting rural European landscapes and domestic activities of the 18th century.

Farmers cross a river, Matthäus Merian (I), After Adam Elsheimer, 1603 - 1650 print paper etching night ~ landscape (sometimes titled 'Nox'). flight into Egypt and miracles during the journey. crossing a river

Ustronie in Abbazzio; Laboschin, Siegfried (1868-1929); around 1900 (1929-00-00-1929-00-00);

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53) May 12, 1814 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to describe the sun sinking between trees near a castle by the sea with a loosely clad woman, possibly Mary Magdalen, reading in the shade. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude. Since no title was engraved on the print, scholars later developed two possibilities.. Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53

Men are conducting the water, Bernard Picart (workshop or), After Bernard Picart, 1727 print Landscape with men who guide the water of a mountain through a construction. On the right in the background a face on a city. Amsterdam paper etching / engraving tools and machines ~ building: water-level. city-view, and landscape with man-made constructions

Vignette on page 8 of Volume IV, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774. 1778 Jean-Baptiste-Blaise Simonet French. Vignette on page 8 of Volume IV, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.. 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.. Jean-Baptiste-Blaise Simonet (French, Paris 1742-after 1813). 1778. Etching and engraving; second state of three (Bocher). Prints

Landscape with rocking woman, Cornelius Heinrich Hemerich, after Leprince, 1758 print Numbered at the top right: 4. paper etching landscapes. rural life. swing

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Ruin with a gate, anonymous, after Willem van Nieulandt (II), 1594 - 1685 print A ruin with a gate, perhaps the Porta Furba in Rome. In the foreground in the landscape, two figures are talking to each other. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins Rome

Ruysdael, Jacob Salomonsz. van, The monastery, Reproduction of a print of a forest landscape with a ruined church after Jacob Salomonsz. van Ruysdael, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 151 mm, width 185 mm, maker, producer, 1870 - 1875, paper, papier, Woodburytypie, Work conception, after print by, Noord-Nederlands, 1630 - 1681-11-13

Surrender of Antwerp, 1794, Léopold Massard, After Félix Henri Emmanuel Philippoteaux, 1835 - 1840 print Representatives of the city of Antwerp hand over documents of capitulation for the tent of a French general. In the distance the city. France paper etching / engraving surrender ~ war Antwerp

Etching and copper engraving by Jean Daullé from 1758 depicting a Neapolitan shepherd, showing figure, livestock, and pastoral landscape.

Rhaidr-y Wennel near Llanrwst in the Country of Denbigh. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 237 × 314 mm (plate); 320 × 463 mm (sheet). Aquatint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Ferdinand Schenk Verlag for Art and Crafts, Vienna, Santvoort, Pieter Dircksz. (Ca 1604 1635)

Etched by Joseph Mallord William Turner, 1775-1851, British, Solitude, 1814. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

Landscape with women who wash clothes on the Waterkant, Cornelius Heinrich Hemerich, after Leprince, 1758 print Numbered at the top right: 3. paper etching laundering. bridge

Roman ruins at the Sea, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print On the left a column and a house built under a ruin of a Roman temple. Behind it the beach with a fort and a bow -shaped underpass in the rocks. Two boats are on the coast. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching landscape with ruins. coast

Johann Christian Reinhart, A Cività Castellana, 1794 A Cività Castellana

A Civita Castellana, from Malerisch Radierte Prospekte aus Italien 1793 Germany. Etching on ivory laid paper . Johann Christian Reinhart

Etching by Théophile Chauvel depicting his bank, created in the second half of the 19th century and early 20th century.

Houthakkers in a winter landscape, Jean Moyreau, After Philips Wouwerman, 1754 print Numbered below: 76. print maker: Francepublisher: ParisFrance paper etching / engraving woodcutting, woodcutter ~ forestry. winter ~ human activities (the four seasons of the year). tools, aids, implements ~ crafts and industries: axe

Having workers outside the fortified city, Nicolas Perelle, 1613 - 1695 print Numbered at the top right: 10. Paris paper etching fortified city

Landscape with ruin and a shepherd with cattle, Carl Friedrich Holtzmann, after Johann Georg Wagner, 1772 print Dresden paper etching cattle driving, cattle driver. landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Two putti in a garland and the three trees, Sauveur Legros, after Rembrandt van Rijn, 1790 print Two etchings on a non -cut leaf. paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. Trees

Etching by Jakob Philipp Hackert from 1779 depicting a figure smiling, including facial expression, posture, and surrounding context.

The Early Ploughman. Samuel Palmer; English, 1805-1881. Date: 1856-1866. Dimensions: 131 × 198 mm (image); 168 × 244 mm (sheet). Etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Country road with three shepherds with cattle, 1620 print paper etching road, path. village. cattle driving, cattle driver Schwabach

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstwäwer, Vienna, Waterloo, Anthony (1610 1690)

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Le jardinier galant 1778 After Pierre Antoine Baudouin. Le jardinier galant. After Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). 1778. Etching and engraving. Prints

Deadly fall of Willem III during a hunting party, 1702. The deadly fall of King Willem III during a hunting party, March 4, 1702. The king falls from his horse, with shocked bystanders.

Wapen equipment next to a tree affected by lightning, Daniel Nikolaus Chodowiecki, 1798 print Different figures are etched in the margin in a sketchy way. Berlin paper etching trees: pine. weapons. protective weapons

Landscape with shepherds and ruins, Carl Wilhelm Weisbrod, after Adriaen van der Kabel, after Alexander Keirincx, 1753 - 1806 print Germany (possibly) paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins

Design of a Landscape with Ruins, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, architecture, Print, Print

Die Landschaft mit dem hl. Hieronymus. Reinhart, Johann Christian (1761-1847), graphic artist

Le Bocage, 1909. Auguste Louis Lepère (French, 1849-1918). Lithograph;

Young woman with two children in front of a house, Jean Baptist Leprince, 1769 print A young woman, possibly a mother, with two children in front of a house. The youngest child is in a cradle attached to a tree branch. A cat behind them. paper etching mother and baby or young child. cradle, crib. cat

Joseph Mallord William Turner and William Say, Solitude, published 1814 Solitude

Celliobrug at Civita Castellana, Jacob Wilhelm Mechau, 1794 print Rome paper etching landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage). ravine, chasm, abyss, canyon (+ landscape with figures, staffage) Civita Castellana

Imaginary Landscape, Frederic Edwin Church, American, 1826-1900, Pen and dark brown ink on off-white laid paper, USA, ca. 1870-73, landscapes, Drawing, Drawing

Children with bubble and rackets, Pierre Charles Canot, after Jean Baptiste Pillement, 1759 print Upstairs: A Chinese child is on an elevation and blows calling, two children around him try to catch the bubbles. Below: Two Chinese children play badminton. On the left is a third child seen on the back. Around both performances a frame with trees and bushes. publisher: Parispublisher: London paper etching children's games and plays. bubble-blowing (children's games and plays). 'jeu de volant', badminton

Etching by Carl Wilhelm Kolbe the Older depicting a fountain in Arcadia with surrounding landscape, trees, and human figures, created between 1777 and 1835.

Landscape with a city in the offing, left in the foreground two hikers, Adam von Bartsch, after Guercino, 1783 print paper etching landscapes

Traveler with a dog, Anthonie Waterloo, 1773 - 1832 print In a hilly, forested landscape, a traveler runs on the right with a dog. A stream flows on the left. At the top right you can see the letter B. Paris paper etching forest, wood. brook. 'en route', traveller under way. dog

Monument to Józef Poniatowski's book in Leipzig; Unknown, Lesser, Aleksander (1814-1884), K Osy (Warsaw; Drzewytnia; 1865-1890); 1881 (1881-00-00-1881-00-00);Lesser, Julia (1839-1918), Lesser, Julia (1839-1918)-collection, Leipzig (Germany), Poniatowski, Józef (1763-1813), Napoleonic era (1799-1815), Polish graphics, churches (architect) , Garden of Reichenbach-Gerhard (Leipzig), Parks (Ogrody), Poland (culture), monuments, death

Rievaulx Abbey, Joseph C. Bentley, 1809-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1834-1856, Line engraving, engraver's proof

Copper engraving and etching by Pietro Antonio Martini between 1755 and 1797 depicts a port with sunset and a ruin landscape with an angler near a bridge, combining architectural and natural elements.

Dancers around a Meipaal, Gustave Mercier, After Nicolas Lancet, 1868 - 1898 print print maker: Franceprinter: Paris paper etching / drypoint dancing around the maypole

Houthakkers in a winter landscape, Jean Moyreau, After Philips Wouwerman, 1754 print France paper etching / engraving woodcutting, woodcutter ~ forestry. winter ~ human activities (the four seasons of the year). tools, aids, implements ~ crafts and industries: axe

CONTRABANDISTAS-1855-GRAFITO/CARTULINA 104X137 CM. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

Ruin van de Kruitfabriek Sollenburg after the explosion on August 14, 1758, 1792 print View of the ruins of the Kruitfabriek in the Kruitmolen Sollenburg on the Overtoom in Amsterdam after the explosion on August 14, 1758. Marked at the top right: XXVII. Dl. pl. III. Northern Netherlands paper etching gunpowder disaster Vertoom

Italian landscape with two figures on a rock and a monastery in the background, Joseph Meganck, 1817 - 1888 print paper etching landscapes (+ landscape with figures, staffage). abbey, monastery, convent ~ Roman Catholic church. rocks

Youth Playing a Lyre to a Maiden by a Fountain, 1803. Carl Wilhelm I Kolbe (German, 1757-1835). Etching on heavy wove paper; plate: 40.7 x 53.9 cm (16 x 21 1/4 in.); sheet: 45.7 x 59.7 cm (18 x 23 1/2 in.). Youth Playing a Lyre to a Maiden by a Fountain features seated lovers singled out by the light that strikes their upper bodies, which counters the overwhelming scale of the fantastical growth of vegetation surrounding them. Carl Wilhelm Kolbes “vegetable sheets” broke new ground in Germany around 1800 by focusing on giant vegetation, allowing the viewer to experience the mysterious life in the undergrowth, a place untouched by humankind. Here, the vegetation is magnified, filling almost the entire sheet, and creating a distorted and somewhat surreal perspective combined with the meticulous observation of botanical details.

Face from a hill on Zutphen, Halle, Eerbeek, Voorst and Deventer.Two figures in Conversation on a Hill in a wide landscape. On The Path for Them A Hay Wagon And On The Horizon Church Towers. At the Top Right: IV.d.pl.1.

Landscape with Animals 1833-1894 France. Etching and drypoint on buff laid paper . Charles Émile Jacque

The Herdsman Artist's working dates 1825-1881 England. Etching in black on paper . Samuel Palmer

The Bellman, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1879, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm), Plate: 7 5/8 x 10 inches (19.4 x 25.4 cm), and Image: 6 9/16 x 9 5/16 inches (16.7 x 23.6 cm), bell, cattle, church, cottages, cows, farming, hills, landscape, literary theme, moon, mountains, night, oxen, path, road, sun, thatch, tower (building division), town, village, vines

Hunting company at a fountain, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print publisher: ParisFrance paper etching / engraving utilitarian, public pump or water fountain. hunting, chase

Patrijs dog and partridge in Nymphenburg, Johann Elias Ridinger, 1744 print paper etching hunting dogs. landscapes - HH - ideal landscapes. walker and runner birds: partridge Nymphenburg

A portholy and two quail in a landscape with a fountain, Johann Elias Ridinger, 1708 - 1767 print Augsburg paper etching hunting dogs. landscapes - HH - ideal landscapes. walker and runner birds (with NAME). ornamental fountain

Woman in a landscape and farm yard; Wolfheesche Bruggetje and Oosterbeeksche Wooning.two Performances on a Leaf: Above A Woman in a Landscape and Under a Farm Yard.

Unknown artist, Sparta (without dat.): Perspective view. Stitch on paper, 12.6 x 21.7 cm (including scan edges) unbek. Künstler : Sparta

Trade Card for Squire and Warwick, Printers 18th century Anonymous, British, 18th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade Card for Squire and Warwick, Printers. Anonymous, British, 18th century. 18th century. Etching

Photo production of a painting by Jacob van Ruisdael, 'Bentheim Castle' (Coll. Rijksmuseum), Adolphe Braun & Cie., 1880 - 1900 photograph paper. photographic support. cardboard carbon print

Print made by Edward Goodall, 1795-1870, British, Smailholme, 1834. Line engraving on medium, slightly textured, cream wove paper with chine-collé.

W. R. Smith, active 1819-1851, Harlech Castle, North Wales, 1827-1838. Open etching.

Jager in a landscape, Hendrik Jozef Franciscus van der Poorten, 1841 print paper. etching landscapes (+ landscape with figures, staffage). hunter

Oven with shovel, Hermanus Fock, 1781 - 1822 print A face on a semicircular oven in a forest -like landscape. There is a large wooden scoop against the side of the oven. The oven door is barricaded with a long branch. Amsterdam paper etching oven ~ kitchen - CC - in the open air

Scène dans un parc, le soir. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Author: Charles Desforges de Vassens (French). Dimensions: Sheet: 17 1/2 × 12 5/16 in. (44.5 × 31.3 cm)Plate: 9 13/16 × 7 3/16 in. (25 × 18.3 cm). Date: 1856. Museum: Metropolitan Museum of Art, New York, USA.

The Frontispiece to Liber Studiorum May 1812 Designed, etched and engraved by Joseph Mallord William Turner British Turner created this print to introduce his "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints published between 1807 and 1819 that span the range of landscape's thematic potential. The artist etched and engraved the central image of Zeus transformed into a white bull as he abducts Princess Europa from Tyre, using the scene to symbolize Historical and Mountainous landscape. Easling added mezzotint to the border whose imagery refers to Turner's other categories: vegetation and a basket of eggs refer to Pastoral landscape; fish, oars and a sail suggest Marines, and a low-relief arcade stands for Architectural landscape. Turner's EP category (an abbreviation he never defined in print, but likely intended to indicate Elevated Pastoral) is evoked by classical ruins and a white peacock.. The Frontispiece to Liber Studiorum 382907

Reinhart sees how a group of slaved people are driven to their accommodations, Reinier Vinkeles (I), 1791 - 1798 print Reinhart sits with his back against a tree and looks down on a plantation in Dutch guyana. He sees how slaved people are driven to their accommodations. With caption: And I was quiet; But in the distance I hear the whip of the Bomba, i.d.bladz.239. paper etching / engraving slavery; serfs and the enslaved. dog. dog. landscapes. plantation Nederlands-Guyana

Stefano Della Bella, Title Page for Paysages et ruines de Rome, 1646 Title Page for Paysages et ruines de Rome

Etching by Karl Rahl the Older depicting a landscape, created between 1794 and 1843.

Landscape with grindstone. A face on a grindstone and a wooden bucket under a tree. A fence in the background.

Les Kamtchads Préparent Les Poisson Pour Les Faire Secher; Tilliard, Jean-Baptiste (1740-1813), Le Prince, Jean-Baptiste (1734-1781), Saint-Aubin, Gabriel de (1724-1780); 1768 (1768-00-00-1768-00-00);Chappe d`auteroche, Jean-Baptiste (1722-1769). Voyage en sibérie en 1761 - illustrations, dupuy, dome (filigree - letter), kamchatle, collection from Sucha - collection, Russia, French (culture), illustrations, genre scenes

Chalk drawing by Francesco Zuccarelli showing a resting shepherd and a rider, with a homestead under a tree in the background, on blue-gray paper.

Irish Landscape With Cottages And Figures, 1782 Francis Wheatley, 18th Century, Watercolour, Ireland, Frame, Animal, Horse, Rural, Architecture, Cottage, Stream, Works on Paper, Transport, Cart

Forest face. Draughtsman: Barend Cornelis Koekkoek. Dating: 1813 - 1862. Measurements: h 359 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

ENTRANCE TO THE FORE WALK, WOTTON, SURREY. PAINTED BY G. BARNARD

of 3