Rural Landscape Drawings

A series of pencil drawings portraying serene landscapes and rural scenes. Each artwork emphasizes natural beauty and tranquility through subtle line work and shading.

Heernburg in Rijswijk, draughtsman: anonymous, 1600 - 1800, paper, h 91 mm × w 149 mm

Pencil drawing by Joseph Holzer titled 'SOME', depicting an unspecified subject, executed in pencil on paper.

Thomas Daniell, 1749-1840, British, active in India, Faizabad (Fyzabad), undated. Graphite on medium, slightly textured, blued white, laid paper.

William Brockedon, 1787-1854, British, Totnes. Graphite.

Heernburg in Rijswijk, draughtsman: anonymous, 1600 - 1800, paper, h 91 mm × w 149 mm

Westerholm, Victor, work, Village in Åland, chalk, drawing, 28.5 cm x 44 cm

Idealized landscape in the campagna with two figures with three goats, Abraham Teerlink, 1810 - 1857 drawing Idealized landscape in the campagna; In the foreground two figures with three goats. Inscription in the right margin: B il principle ravel colonna. With a pin a strip is added in the middle: instead of the two figures a naked woman, sitting, and a standing man with dog. paper. pencil dale, valley - HH - ideal landscapes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Campagna. Italy

Thomas Daniell, 1749-1840, British, active in India, Calcutta, 1788. Graphite on medium, slightly textured, cream, laid paper.

Pagórkowaty krajobraz z budynkami. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

A black chalk drawing by Adam Frans van der Meulen depicting a biblical battle illustration template, including figures, formations, and landscape elements.

John Robert Cozens, 1752-1797, British, Descent to Pont de Beauvoisin, between 1782 and 1783. Graphite and varnish on thin, slightly textured, cream laid paper.

William Brockedon, 1787-1854, British, Berry Castle from the Mill. Graphite.

John Robert Cozens, 1752-1797, British, Sestri, undated. Graphite on thin, slightly textured, cream laid paper.

Capt. Thomas Hastings, 1778-1854, British, Hastings, 1820. Graphite on medium, slightly textured, cream wove paper.

Dunmow, Sir George Howland Beaumont seventh Baronet, 1753-1827, British, 1794, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm), bridge (built work), donkey, figures, landscape, England, Essex, Europe, Great Dunmow, United Kingdom

Sketchbook of American and Italian Subjects William Trost Richards (American, 1833-1905). Sketchbook of American and Italian Subjects, 1855-1856. Sketchbook containing drawings in graphite on wove paper, 4 1/16 x 6 5/8 x 3/8 in. (10.3 x 16.8 x 1 cm). Richards first traveled to Europe in 1855, remaining abroad for a year and spending most of the time in Italy. Like so many artists before him, Richards was overjoyed to be in Florence: I have not as yet realized that I am in Italy that all the dreams of a boyhood are fulfilled.” Richards carried this small sketchbook on a walking tour in the Apennine mountains in October 1855. The carefully drawn vista shown here of the broad valley through which the Arno river winds reminded Richards, always quick to compare American and European landscape scenery, of the view of the Hudson from the Catskill Mountain House. American Art 1855-1856

Jean-Baptiste-Camille Corot, Five Landscapes: Garden of Pericles; Painters' Path; Scribblings; Woodcutter, Large Plate; Tower of Henry VIII (Le Jardin de Pericles; L'Allée des Peintrres; Griffonage; Le Grand Bucheron; La Tour d'Henri VIII), c. 1854, printed 1921, cliché-verre, gelatin printing-out print.

Seine Armand Guillaumin (1841-1927). "Seine's edges". Charcoal on gray tinted paper. 1869. Museum of Fine Arts of the city of Paris, small palace.

Landscape with group of people in the foreground. Draughtsman: anonymous. Dating: 1675 - 1700. Measurements: h 273 mm × w 424 mm. Museum: Rijksmuseum, Amsterdam.

Capt. Thomas Hastings, 1778-1854, British, Barton Farm House, East Cowes, Isle of Wight, 1833. Graphite on medium, slightly textured, cream wove paper.

James Seymour, 1702-1752, British, Riders and Hounds in an Open Landscape, undated. Pen, in brown ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, slightly textured, wove paper, mounted on, modertatly thick, moderately textured, beige, laid paper.

GRABADOS-PANORAMICA DE"ALCORA" Y "ALCOLEA". Location: PRIVATE COLLECTION. MADRID. SPAIN.

Newport, 16 September 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 3/8 inches (17.5 × 23.8 cm)

Thomas Creswick, 1811-1869, British, A Boat Moored by a River Bank, undated. Pen and brown ink on medium, smooth, cream wove paper.

Artist: John Trumbull, American, 1756-1843, Untitled, from folio: Sketches in France & Germany, one of 22 sheets in FolioB, Graphite, 11 × 17.8 cm (4 5/16 × 7in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

Bivouac with horses and soldiers, draughtsman: Théodore Géricault, 1812 - 1818, paper, pen, brush, h 286 mm × w 470 mm

Capt. Thomas Hastings, 1778-1854, British, Wootton Bridge, 29 December 1825, 1825. Graphite on medium, slightly textured, cream wove paper.

Alphonse Legros, Traveler Reclining on the Grass (Le voyageur etendu sur le gazon) Traveler Reclining on the Grass (Le voyageur etendu sur le gazon)

Landscape with Figures, Thomas Daniell, 1749-1840, British, active in India, William Daniell, 1769-1837, British, undated, Graphite on medium, slightly textured, cream, laid paper; mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm), Contemporary drawn border: 4 13/16 × 7 1/4 inches (12.2 × 18.4 cm), and Mount: 5 15/16 × 8 1/2 inches (15.1 × 21.6 cm), figures, landscape, rocks (landforms)

Milfield, East Cowes, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)

Abklatsch of the chalk drawing on page 22, c. 1884 - 1891 Page 23 from a sketchbook with 49 sheets. paper

Study, 1849 - 1917 Leaf 25 Verso from a sketchbook with 35 sheets. paper. chalk. pencil

View of Venice, Italy, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of three gondolas in Venice with the facade of a building and a terrace garden in the background., Venice, Italy, 1880, landscapes, Drawing, Drawing

La bataille de Fleurus, avec la ballon l'Entreprenant. Dessin original de Louis Watteau, de Lille.. La Vaulx, Henry de, 1870-1930. Manuscripts, Portraits, Drawings, Prints. 1922. Science, Industry and Business Library: General Collection. Balloons (Aircraft), Fleurus, Battle of, Fleurus, Belgium, 1794

Capt. Thomas Hastings, 1778-1854, British, Above West Cowes, 8 February 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Dorpsgezicht.Page 38 From a sketchbook with 25 sheets.

William Hodges, 1744-1797, British, View of an Indian Village with a Man Seated in the Foreground, between 1781 and 1783. Gray wash, pen and black ink and graphite on laid paper, laid down on 19th century wash mount.

Drawing, Landscape with Cows; Italy; pen and ink on paper

Pencil sketch by Joseph Holzer showing women and children on a rock formation with poppeline fabric details.

John Hassell, 1767-1825, British, Autumn - Sowing Grain, 1812. open etching as published.

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

TEKENING UIT HET ALBUM 'TRAVEL IN ITALY, SICILY AND MALTA', 1778.

Munsterhjelm, Hjalmar, Sketch book, 1870s, pencil on paper, drawing, see parts of the work, 14.5 cm x 22 cm, Munsterhjelm, Hjalmar, 1870s, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Landscape with Men Fishing. Dated: 1544. Dimensions: overall (approximate): 14.6 x 22.6 cm (5 3/4 x 8 7/8 in.). Medium: pen and black ink with white heightening on blue prepared paper. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

Alphonse Legros, The House of the Well (La maison du puits) The House of the Well (La maison du puits)

Drawing, Terrapin Point; Frederic Edwin Church (American, 1826-1900); USA; graphite on light blue paper.; 30.1 x 41.9 cm (11 7/8 x 16 1/2 in.)

Sir Richard Colt Hoare, 1758-1838, British, At Grotto Ferrata, near Rome, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

Wolkenlucht, George Hendrik Breitner, 1884 - 1886 Page 2, Vrij Schutblad, from a sketchbook with 35 sheets. The Hague paper. chalk clouds

Farm with figure. Drawing in a frame. Leaf 18 Recto from a sketchbook with 25 sheets.

Figure with a rowing boat on a waterfront near Amersfoort, 1895 Page 30 Verso from a sketchbook with 39 sheets. Amersfoort paper. pencil landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). rowing-boat, canoe, etc. Amersfoort

Woman and child on the grounds of a ruin, Hendrik Valkenburg, 1859 - 1864, The two figures are standing by a tree on a piece of ground on which are scattered stones. Sheet 39 verso from a sketchbook with 77 sheets., draughtsman: Hendrik Valkenburg, May-1859 - Dec-1864, paper, brush

The Acropolis, Athens: The Pnyx, Areopagus, Acropolis and Mount Hymmettos. Théodore Caruelle d'Aligny; French, 1798-1871. Date: 1845. Dimensions: 329 × 483 mm (image); 439 × 594 mm (plate); 342 × 490 mm (primary support); 496 × 641 mm (secondary support). Etching on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A pencil drawing on blue paper by Edward Jakob von Steinle from 1853 depicting St. Goarshausen.

William Brockedon, 1787-1854, British, Dittisham. Graphite.

Capt. Thomas Hastings, 1778-1854, British, Holne Chase Bridge, 1833. Graphite on medium, slightly textured, cream wove paper.

The Siege 1817 France. Llithograph on ivory laid paper . Carle Vernet

Village on a Hilltop, 1825, Théodore Rousseau, French, 1812 - 1867, 6 9/16 x 8 3/8 in. (16.67 x 21.27 cm), Graphite and white chalk on pink wove paper, France, 19th century

John Robert Cozens, 1752-1797, British, Between Saint-Thibaud-de-Couz and Chambery, undated. Graphite on thin, slightly textured, cream laid paper.

A pencil drawing from Josef von Führich's 1807 drawing book featuring studies of human figures, gestures, and preliminary compositions for artistic practice.

A graphite pencil sketch by Simon de Vlieger showing boats in front of a castle, featuring a watermark with a horn in a crowned coat of arms.

Jerusalem Taken from the Mount of Evil Counsel (Jérusalem, vue prise du mont du Mauvais-Conseil) James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink, Sheet: 4 3/4 x 7 1/4 in. (12.1 x 18.4 cm). European Art 1886-1887 or 1889

Sketch of a Satyr holding a vessel whilst gazing at a goat by Titian (1485 - 1576) Italian painter and member of the 16th Century Venetian School. Dated 16th Century.

View of Rhenen from the other side of the Rhine, Jan Caspar Philips, after Jan de Beijer, 1756 print print maker: Amsterdamafter drawing by: Netherlandspublisher: Amsterdam paper etching church (exterior). river. prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage) Rhenen. Lower Rhine. Grebbeberg

View of the Fort of Peteter Pateeta, William Hodges, 1744-1797, British, ca. 1781, Gray wash, pen and black ink and graphite on laid paper, laid down on 19th century wash mount, Sheet: 19 7/16 x 26 7/16in. (49.4 x 67.2cm)

Farm with figure, c. 1846 - c. 1851 Drawing in a frame. Page 18 Recto from a sketchbook with 25 sheets. paper. pencil. chalk farm (building)

Landscape with a Haystack and Cart in a Farmyard. Draughtsman: Rembrandt van Rijn (copy after). Dating: after c. 1640 - c. 1650. Place: Amsterdam. Measurements: h 94 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Oakhampton Castle, William Brockedon, 1787-1854, British, 1800, Graphite, Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm)

Artist sketching among the ruins in Ravello. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Toorop, Jan, Canal at Katwijk aan Zee, Small sailing boat in the water near the dunes, verso - stamped, print, prints, height 139 mm, width 158 mm, Dutch, 1858-12-20 - 1928-03-30, print maker, printmaker, 1901 - 1901, paper, drypoint, plate tone

A pen and brush drawing over graphite pencil depicting the so-called grave of Nero (Tomba Nerone), lavated in black and pink, highlighted with deck white.

Rijn, Rembrandt van, The angler, Water with a fisherman and two swans, verso middle bottom - pen in brown, print, prints, Rembrandt f 1650, bottom left, verso middle bottom, verso bottom right, NS No 227, height 82 mm, width 108 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, plate tone, Work conception, after own design by

Dwie kompozycje: strumień wśród głazów i drzew, Baszta Bracka i kościół Świętego Krzyża (nieistniejący) w Lubaniu; verso: studium krzewów. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Trzy pejzaże z zabudowaniami w dżungli. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Digging the Mallegat outside Dordrecht, 1648, Aelbert Cuyp (attributed to), 1648 drawing View of the work when digging the Mallegat outside of Dordrecht in 1648. In the foreground a barge with a flag, on the left the dike and on the right the tents of the workers. Northern Netherlands paper. ink pen / brush digging (industrial process) Mallegat. Dordrecht

Above West Cowes, 8 February 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)

Reading at the Secluded Pine Studio (Song yinan). Artist: Wu Tao, 1840-1895

River landscape, riverbank cows and a woman with child, River landscape with boats, draughtsman: A. Carracci, (manner of), 1570 - 1650, paper, counterproof, h 185 mm × w 246 mm

William Brockedon, 1787-1854, British, recto: Sketch of Two Gondolas. Graphite.

Drawing, Landscape with Bridge; Italy; black crayon, pen and ink on paper

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink, with graphite Engraver's proof (d)(touched) on medium, slightly textured, cream laid paper, Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm), Plate: 8 1/2 × 11 3/8 inches (21.6 × 28.9 cm), and Image: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)

Farmhouse on the Slope of a Hill, c. 1508. Fra Bartolommeo (Italian, 1472-1517). Pen and brown ink; sheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); secondary support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.).

Gezicht op een straat.View of a street with a figure and a mill. Right trees. Leaf 9 Verso from a sketchbook with 27 sheets.

Village in Italy, Between Terni and Spoleto, Sir Robert Smirke the younger, 1781-1867, British, 1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)

Study sheet with a wall and the face of a man. Left and right etching exercises.

Water Cress Gatherers ( (Liber Studiorum, part XIII) 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Here we see his preliminary work on a plate that Thomas Lupton later completed in mezzotint. The rural English scene shows a woman picking cress in a stream near two children as figures with baskets rest at the end of a bridge, and a horse-drawn gig move away down a road next to a wall.. Water Cress Gatherers ( (Liber Studiorum, part XIII) 383027 Artist: Designed and etched by Joseph Mallord William Turner, British, London 17751851 London, Water Cress Gatherers ( (Liber Studiorum, part XIII), 1819, Etching only; before first state of three, plate: 8 9/16 x 11 3/8 in. (21.7 x 28.9 cm). The Met

Junction of Severn and Wye, Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching, aquatint, and mezzotint, printed in brown ink engraver's proof (b) on medium, slightly textured, cream wove paper, Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)

Sarmigstein on the Danube'. Albrecht Altdorfer (1480-1538) German painter, engraverand architect: Danube School. Pen and grey ink.

Landscape with a bridge over a speed. Page 27 from a sketchbook with 74 pages.

Drawing, Italian Coast Town; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite and black crayon on paper; 8.7 × 14.7 cm (3 7/16 × 5 13/16 in.); 1914-38-343

Print made by John Clerk of Eldin, 1728-1812, British, Old Tower, Leith, undated. Etching with pen and brown ink and gray wash on moderately thick, textured, beige laid paper.

Whippingham, 19 August 1826, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream laid paper, Sheet: 9 3/8 × 7 1/8 inches (23.8 × 18.1 cm)

Painting with motifs by John Ericsson's boat Monitor.

Depiction of a robbery attack in a forest, created with brown chalk on parchment, around 1660.

La Tour d'Henri VIII. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Running. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Bluck after Thomas Rowlandson.

Road in Care, Józef (1849-1914); 19th century (1801-00-00-1900-00-00);Czarnecki, Stefan (1904-) - collection, gift (provenance)

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Hill Sketch, undated. Graphite on medium, slighlty textured, cream laid paper.

Village de Cheheristân, près Ispahan.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Mary Mitford, active 1770, On the Seine, 1770. Watercolor over graphite on medium, slightly textured, cream laid paper.

Houses situated along a river, drawn in black chalk by Jan Josefsz van Goyen, showing signs of damage and brownish stains on the edges.

Pencil sketches by Ferdinand Georg Waldmüller including varied subjects such as figures, landscapes, and architectural elements, emphasizing observational accuracy and compositional structure.

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