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Rural Landscapes and Daily Life

Etchings showcasing serene rural scenes with figures in landscapes, including farmers, fishermen, and winter sports activities, highlighted by charming architectural and natural elements.

Amsterdam, Jonghe, Clement de, Roghman, Roelant, Village views in the Northern Netherlands, Amyden, View of Ameide, verso - stamped, View of the village of Ameide, situated on the river Lek. On the left the church and on the waterfront some fishermen and boats. Numbered lower right: 6., print, prent, prints, prenten, height 134 mm, width 210 mm, Noord-Nederlands, 1627-03-14 - 1692-01-03, print maker, printmaker, 1643 - 1677, paper, papier, etching, etsen, Publication (Event), Publicatie, 1624 - 1677, publisher
Amsterdam, Jonghe, Clement de, Roghman, Roelant, Village views in the Northern Netherlands, Amyden, View of Ameide, verso - stamped, View of the village of Ameide, situated on the river Lek. On the left the church and on the waterfront some fishermen and boats. Numbered lower right: 6., print, prent, prints, prenten, height 134 mm, width 210 mm, Noord-Nederlands, 1627-03-14 - 1692-01-03, print maker, printmaker, 1643 - 1677, paper, papier, etching, etsen, Publication (Event), Publicatie, 1624 - 1677, publisher
280 assets in this story
Dog in Erf, Gerardus EMAUS DE MICAULT, 1835 print Netherlands paper etching dogThe Luxembourg in Paris. Draughtsman: Charles Rochussen (possibly). Dating: 1824 - 1894. Measurements: h 165 mm × w 237 mm. Museum: Rijksmuseum, Amsterdam.The Swan's Inn with Farms from the series The Small Landscapes. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); After The Master of the Small Landscapes (Netherlandish, 16th century). Dimensions: plate: 5 7/8 x 8 3/4 in. (15 x 22.2 cm)sheet: 6 7/8 x 9 15/16 in. (17.4 x 25.2 cm). Former Attribution: Formerly attributed to Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels). Date: 1559-61. Museum: Metropolitan Museum of Art, New York, USA. Author: Johannes van Doetecum the elder. After The Master of the Small Landscapes. Lucas van Doetecum.Winter landscape with a farmhouse and an ice skater, executed in black chalk with gray wash on brownish paper, showing minor tears at the edges.Drie Prating Manners, Franis Deoyoy, After David Teniers, 1758 - 1762 print View of a village on a river. In the foreground a house in which three men in conversation. There is a woman in the doorway of the house and two pig heads stick out of the adjacent shed. On the left a dog. Southern Netherlands paper etching dog. prospect of village, silhouette of village. pigItalian landscape with ruins, Abraham Casembroot, 1650 - 1675 drawing paper. ink pen / brush. .View of the Zijlpoort in Haarlem: May, Jan van de Velde (II), 1630 - 1699 print View of the Zijlpoort in Haarlem, for which a more pleasure boat has been moored, representing the month of May. On the right in the foreground a dressed rider with two dogs and a man with a stick over the shoulder. In the middle a walking pair. At the bottom of the astrological symbol of the constellation twins. Print from a series of twelve. Northern Netherlands paper etching landscape symbolizing May. Gemini (zodiacal sign of May). city-gate. riding a horse, ass, or mule; rider, horseman ZijlpoortFarmer and Farmer in a rowing boat in which two tons, on a river along a farm. A stone bridge in the background. 30th print of a series of 36 prints of landscapes, divided into six parts.Sébastien Bourdon, Landscape with Peasant and his Herd Landscape with Peasant and his HerdHarbor face with two trees, Adam Perelle, 1650 - 1695 print Nummered in the bottom left: 1. publisher: ParisFrance paper etching coastCanal with a Large Boat and a Bridge 1650 Holland. Etching on paper . Rembrandt van RijnView of Suez, Gaspar Bouttats, After Jan Peeters (I), 1672 print View of the city of Suez. The Red Sea in the background. In the foreground a well where a caravan supplies. The print has a Dutch caption with references to buildings and places on the print. Antwerp paper etching spring, source of river or stream Suez CanalLandscape with woman with jug on head. .Landscape near Hanau with a view of Steinheim Bey Hanau Townscapes and Landscapes Amoenissimae Aliquot Locorum In Diversis Provincijs iacentiu Effigies , print maker: Wenceslaus Hollar, publisher: Abraham Hogenberg, Cologne, 1635, paper, etching, h 60 mm × w 94 mmLandweg along a Vaart, Jan van Goyen, 1653 drawing paper. chalk brush landscapes with waters, waterscapes, seascapes (in the temperate zone). landscapes with waters, waterscapes, seascapes (in the temperate zone)Auroram/ Dageraedt, Anonymous, After Jan van de Velde (II), 1620 - 1670 print A park -like landscape with a bridge over a water. Two sitting and one standing gentleman and a dog on the left bank. Birds in the air. Northern Netherlands paper etching / engraving morning ~ landscape (sometimes titled 'Aurora'). park. landscape with bridge, viaduct or aqueductA ferry with a figure and two cows near a fort in a wide river landscape. Fifth print from part five of a series of sixty prints with landscapes, divided into five parts of twelve prints each, Ferry with cattle near a fort in a river landscape Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mmMan leaning on a stick for a ruin, Laurens Barata, Before 1628 - After 1656 print Italy (possibly) paper etching landscape with ruinsView of Visible Remains of the Baths of Diocletian, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1774. Dimensions: 422 x 688 mm (image); 447 x 699 mm (plate); 498 x 725 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.Amsterdam, Cruys, Samuel, Spilman, Hendrik, Six diverse Nice Landscapes, Six landscapes, River landscape with a church near a mountain, verso - stamped, print, prints, height 120 mm, width 150 mm, Northern Netherlands, 1721-02-17 - 1784, print maker, printmaker, 1742 - 1784, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, dutch, publisherView of Lembeek, Flemish Brabant, Josua de Grave, 1675 drawing Lembeek paper. ink pen / brush prospect of village, silhouette of village LembeekBaleveld, Alexander Mollinger, 1846 - 1867 print On a bleaching field, a woman puts laundry on the grass. On the left was on a washing line, on the right. Netherlands paper etching bleaching (laundering). hanging the wash to dryLandscape with man at a well, Jan van de Velde (II), 1615 print Landscape with man at a well and three sitting figures in a meadow. Fifteenth print from a series of eighteen. Northern Netherlands paper etching well. meadow, pastureKerkhoff, Daniël, Barn with open doors, print, prints, height 69 mm, width 110 mm, print maker, printmaker, 1767 - 1821, paper, papier, etching, etchings, 1766-02-05 - 1821-03-05Walking couples and an elegant company in boat on the water around the small wood gate in Haarlem. On the left in the foreground two swans. Seventeenth print of a series with 36 prints of landscapes, divided into six parts.View over a river on a church. Draughtsman: anonymous. Intermediary draughtsman: Jan van Goyen. Dating: 1653 - 1700. Measurements: h 113 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.Landscape with a Large Tree on the Right and a Distant View of a Town on the Left 1626-1680 Italy. Pen and brown iron gall ink, over charcoal, on ivory laid paper, laid down on cream card . Giovanni Francesco GrimaldiThe Little Farm. Dated: possibly c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.Face of Nijmegen; Nimwegen uijt to see the ooy. View of Nijmegen. In the foreground a shepherd in cattle and a man on a country road.Landscape with water in the foreground, in which, on the right, people are fishing with nets. On the left some walkers and in the background a village. Below the scene a text in Latin. Print from a series featuring the four seasons, Summer, a landscape with fishermen Aestas The four seasons, with large structures , print maker: Hendrick Hondius (I), (mentioned on object), Petrus Stephanus, (mentioned on object), after: Monogrammist SCM (17e eeuw), (mentioned on object), The Hague, 1601, paper, engraving, h 230 mm × w 340 mmDancers and Musicians Before Village with Ruined Tower Artist's working dates 1620-1682 France. Red chalk over traces of graphite with pen and brown ink border, on cream laid paper . Claude LorrainLandscape with mill, Magdalena van de Passe, After Adam Willaerts, 1617 - 1634 print Landscape with a mill and in the foreground a shepherd with his herd. Utrecht paper engraving landscapes (+ landscape with figures, staffage). windmill in landscapeSummer, Egbert van Panderen, Theodoor Galle, 1591 - 1637. Two landscapes. Above a landscape with a building and a man leaning on a stick. Under a landscape with a man at a monumental garden vase and on the right a building. At the top right numbered: 334.Photo collection Government information service. Zuilen (Utrecht) Engraving. undated. ColumnThe Twelve Months: April, 1608-18. Jan van de Velde II (Dutch, 1593-1641). Etching;Giovanni Battista Piranesi, Veduta delle Terme di Tito, 1776 Veduta ... delle Terme di TitoAttributed to Jacques François Amand, Gardens of the Villa Mattei, c 1760 Gardens of the Villa MatteiTobias catches the fish in a brook, which he will cut open on the advice of the archangel Raphael and keep heart, liver and bile to heal Tobit with. The stream flows in front of an Italian farm. To the right a waterwheel. Print from a series of Italian landscapes, Landscape with Tobias and the angel Italian landscapes (title series)., print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, h 234 mm × w 314 mmRider on the road along a farm; Landscapes to Esaias van de Velde.Landscape with a Castle and a Drawbridge. Dated: before 1753. Dimensions: plate: 16.2 x 17.6 cm (6 3/8 x 6 15/16 in.) sheet: 23.7 x 34 cm (9 5/16 x 13 3/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Antonio Landi.Italy, Tempesta, Antonio, Sadeler, Aegidius, Johann (I), Italian landscapes, Landscape with two islands, verso bottom center - stamped, A river landscape with two islands, connected by a bridge. On each of the islands a castle. In the foreground, a farmer feeds grain to her chickens and a man lets his horse drink from the river. The print is part of a five-part print series with Italian landscapes., print, prints, height 204 mm, width 210 mm, Publication (Event), Publication, Southern Netherlands, 1550 - 1600-08, publisher, uitgever, 1580 - 1600, paper, papier, engraving, engraving (printing process), 1570 - 1629, print maker, printmaker, Work conception, Italian, 1555 - 1630-08-05The village by the Canal (Hollstein 91) Anthonie Waterloo (1609-1690). Roll, Johannes (author of the model). The village by the canal (Hollstein 91). Floor, 17th century.Cottage with White Paling among Trees, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1648, paper, pen, brush, h 171 mm (6 mm strip of paper added at the bottom) × w 255 mmView of Palace Honselaarsdijk; 'T Huys t honslerdyk. View of Palace Honselaarsdijk. In the foreground tree party and a path with three hikers, a rider with servant and a carriage. On the right in the background the palace. The show is framed by a border with oak leaf motifs and a banderole with the title on it.WOUT of good men.Cottage with White Paling among Trees. Draughtsman: Rembrandt van Rijn. Dating: 1648 and/or 1645. Place: Amsterdam. Measurements: h 171 mm (6 mm strip of paper added at the bottom) × w 255 mm. Museum: Rijksmuseum, Amsterdam.Artist: Schelte Adams Bolswert, Flemish, 1586-1659, After: Peter Paul Rubens, Flemish, 1577-1640, CountryLandscape, Etching, sheet: 31.1 × 45.3 cm (12 1/4 × 17 13/16in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -PrintsBliżej Kultury unknownVillage view with activity on the water: April, Jan van de Velde (II), 1630 - 1699 print View of a village with a stone bridge, where there is a lot of activity on the quay and on the water, representing the month of April. On the left a woman at a flower seller, a fisherman on the quay and a rowing boat on the water with a couple and lots of household goods. At the bottom of the astrological symbol of the constellation bull. Print from a series of twelve. paper etching landscape symbolizing April. Taurus (zodiacal sign of April). bridge in village across river, canal, etc.. traffic on the water. anglingRustic Seaside Scene. Possibly Jean Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 215 × 320 mm. Pen and black ink, with brush and gray wash, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Landscape with farm and water, Anonymous, After David Teniers (II), 1636 - 1679 print Landscape with a farm on the left and water on the right. In the foreground two men in conversation and a rowing boat on the water. A windmill in the background. Antwerp paper etching water course. rowing-boat, canoe, etc.. windmill in landscapeRiver landscape with farm and meadows, Jan Caspar Philips, 1746 print View of a river landscape with a farm and meadows. In the foreground the coat of arms of The Hague and two putti with maps. In the margin a four -line caption in Dutch. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.) (+ province; provincial). meadow, pasture. maps, atlases The HagueEtching by Rembrandt from 1650 showing a landscape with three farmhouses, created using etching and pinion techniques.Summer (Aestas), with constellations, Jan van de Velde (II), 1617 print View of a mill in a landscape with many figures. In the foreground a sitting man with dogs and on the right milking women. On the left a woman with a jug on the head and a child. In the air the three constellations: lobster (left), bull (center) and virgin (right). Imagination of the season summer, second print of a series of four. Amsterdam paper etching / engraving zodiacal signs of the summer season. summer ~ human activities (the four seasons of the year). summer, 'Aestas'; 'Estate' (Ripa). summer landscape; landscape symbolizing summer (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months)Slaughter scene. For a house, a group of people watches with slaughtering a pig.The stranded sperm whale in Noordwijk in 1629, Esaias van de Velde, 1629 drawing paper. chalk. ink pen / brush beach. swimming mammals: whale (+ dying animal; death of animal; dead animal). historical events and situations NoordwijkGarigliano Passage (Italy) 1793 Jean Jacques de Boissieu French. Garigliano Passage (Italy). Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1793. Etching with drypoint; fifth state of five. PrintsView of Rome with the Tiber and the Ponte Sisto. Boats in the foreground and two conversing figures on a road. Third print in a series of 52 prints with landscapes, divided into two parts of 26 prints each., View of Rome with the Tiber and the Ponte Sisto Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mmAvercamp, Hendrick, Amsterdam, Fokke, Simon, Noord-Hollandse landschape, Amstelveen, Ao 1624, River landscape with boats near Amstelveen, 1624, verso - stamped, River landscape with boats near Amstelveen. On the bank a figure watches a fisherman pull his fishing net onto dry land. On a bank further away a corpse hangs from the gallows. In the distance a mill and the church tower of Amstelveen., print, prent, prints, prenten, height 14 mm, width 17.2 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, prentmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception, 1585 - 1634Face on streef church; Streenskerck; Dutch village scenes. View of Streeskerck from the water. The Streefkerk is probably intended here and a mistake has been made with the transcription of the F and the S. Print from a series of twelve village scenes of Dutch places near Utrecht with boats in the foreground.Amsterdam, Visscher, Claes Jansz. (II), Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Landscapes with farms, Farmhouse with yard and dilapidated barn, verso - stamped, View of a farm with a yard. On the right in the foreground a woman and a dog. In the background is a dilapidated barn., print, prints, height 105 mm, width 160 mm, Northern Netherlands, 1586 - 1652-06-19, print maker, printmaker, 1620 - 1620, paper, papier, etching, etchings, 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, Work conception, Southern Netherlands, 1580 - 1633-03-25, after a print by, Publication (Event), Publication, publisherLandscape with sloops, Claes Jansz. Visscher (II), After Cornelis Claesz van Wieringen, 1613 print There are four sloops on the tide line in a bay. It is ebb. There are figures around the bay, one of which is fishing. On the right of the quay a ruin and in the background view of the sea. Amsterdam paper etching rowing-boat, canoe, etc.. ebb, low tide. fishermanView of a riverside village showing buildings, river, and staff figures with watercolored robes, created with light-brown ink and lavated technique.On the way from Val' Oscuro to Nice Written 1842 England. Graphite on gray wove paper . Elizabeth MurrayDecker, Coenraet, View of dunes with lighthouse and beach, verso - stamped, View of high dune with lighthouse and beach with fishermen. In the lower margin a line of Dutch text from Psalm 148., print, book illustration, prints, images, Sara Cornelia Kragt, verso - handwritten, height 124 mm, width 146 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1685 - 1685, paper, etching, etchings, Work conception, after own design byDahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Sala, Awestadfors, View of Sala and Avesta, The print is part of an album., print, album sheet, prints, height 271 mm, width 338 mm, 1655 - 1727-05-18, print maker, printmaker, 1704 - 1704, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervisionMaarten Schenck van Nideggen drowns for Nijmegen, 1589, Simon Fokke, 1752 print In the water in front of the city of Nijmegen are overloaded and half -sunken barges. Various figures have drowned and float in the water. Maarten Schenck van Nideggen is located between two boats and is about to drown. Amsterdam paper etching drowning, shipwrecked person NijmegenLandscape with a River and gatehouse, Esaias van de Velde, 1616November. Artist: After Jan van de Velde II (Dutch, Rotterdam or Delft ca. 1593-1641 Enkhuizen). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1628-29. Museum: Metropolitan Museum of Art, New York, USA.Landscape with bear hunt, c. 1595 - c. 1625 print Landscape with mountains and a ruin in the middle. At the bottom right men with spears and hunting dogs hunt for a bear. paper engraving landscape with ruins. hunt ~ predatory animals (fox, lion)Two men with a dog in a landscape. Right two houses in a landscape. There are two men and a dog. On the left on the hill a gallows with a healed one.Face to Culemborg. Draughtsman: Jan de Beijer. Dating: 20-Jul-1750. Measurements: h 159 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.The Little Trellis. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.Cats, Jacob (1741-1799), Haarlem, Wit, Izaak Jansz. de, The twelve months, Bloeimaand, Figures with household goods in a village street, verso - stamped, View of a village with a move. The furniture and crates are loaded from a cart pulled by two horses and carried into a house. In the foreground a man with a basket on his back., print, prints, ro: I. de Wit Jz. fc; lo: J. Cats del., mo: BLOEIMAAND, height 202 mm, width 235 mm, Northern Netherlands, 1744-12-09 - 1809-03-13, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, 1741-06-11 - 1799-11-09, intermediary draughtsmanCommanderij in Maasland, 1731 Leaf 9 Recto from a sketchbook with 78 sheets. Maasland paper. ink. pencil pen / brush Maasland Leaf 9 Recto from a sketchbook with 78 sheets. Maasland paper. ink. pencil pen / brush MaaslandKalkovens at Hillegom with Kolferslakers in the foreground, Hendrik Tavenier, 1744 - 1807 drawing paper. ink pen / brush industries ~ clay, sand, chalk, etc.. 'kolf' (ball game) HillegomApril; De twaalf maanden.A landscape with fields with a gate and a bridge on the left, representing the month of April. On the right, on the country road and on the fields of a few farmers, on the bridge a fisherman. In the distance the tower of the Sint-Bavokerk in Haarlem. Left and top right the symbols belonging to this month of the constellation bull. Fourded from a series of twelve.Woman with a basket for a farmhouse on the water, Hermanus Jan Hendrik Rijkelijkhuizen, 1857 print Utrecht paper. etching / drypoint farm or solitary house in landscape. trees. small canal, ditchOld Customs House on the Tiber. Jean Jacques de Boissieu; French, 1736-1810. Date: 1807. Dimensions: 185 × 302 mm (image); 239 × 348 mm (plate); 259 × 360 mm (primary support); 313 × 400 mm (secondary support). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.View of a village with a windmill on the right. In the foreground on the road horsemen and pedestrians, Village with windmill Small landscapes (series title), print maker: Johannes of Lucas van Doetechum, intermediary draughtsman: Meester van de Kleine Landschappen, publisher: Joannes Galle, Antwerp, 1559 - 1561 and/or 1610 - before 20-Dec-1676, paper, etching, h 137 mm × w 193 mmTurf ship from Breda, 1590; 't Kasteel van Breda surprises, through a peat ship, in the year 1590. Ingestion of Breda through the peat ship, March 4, 1590. The ship is in the ice in front of the slot.The nacelle removed on the edge (Bartsch 52) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The nacelle removed at the edge (Bartsch 52). Water-strong on paper, 1645-1675.The Herd Returning in Stormy Weather, 1651. Claude Lorrain (French, 1604-1682). Etching;Some drinking farmers are at a table under a tent cloth. Next to an open fire with a pot above it. On the other side of a closed an inn. A boat with tons on the water. Eighth print of a series of 36 prints of landscapes, divided into six parts.View of the Nieuwezijds Voorburgwal in Amsterdam, Frans Schikkinger, 1848 - 1902 print View of the canal Nieuwezijds Voorburgwal behind the Begijnhof. On the right is a ship in the canal. Amsterdam paper etching / drypoint canals, waters (in city) Nieuwezijds VoorburgwalTwo men in a rowing boat just behind a stone bridge, print maker: Ernst Willem Jan Bagelaar, (mentioned on object), Bosch, Netherlands, 1798 - 1837, paper, etching, drypoint, h 80 mm × w 102 mmHofwijck aan de Vliet, Jan de Bisschop, 1648 - 1671 drawing paper. ink pen / brush river (+ landscape with figures, staffage) Hofwijck. Vliet, theView of arsenal Israel Silvestre and Israel Henriet. "View of arsenal". Floor, 1650-1655.Two men in a rowing boat just behind a stone bridge, Ernst Willem Jan Bagelaar, After Bosch, 1798 - 1837 print paper etching rowing-boat, canoe, etc.. landscapes with waters, waterscapes, seascapes (in the temperate zone)Winter landscape, draughtsman: Barend Cornelis Koekkoek, (attributed to), draughtsman: Jan Hulswit, (possibly), 1813 - 1862, paper, pen, brush, h 162 mm × w 220 mmHuts Artist's working dates 1641-1675 Holland. Etching on paper . Allart van EverdingenNetherlands, Bos, Anthonie van den, In the country of Drenthe, Man sitting working on a scythe in front of a house, verso - stamped, print, prints, height 120 mm, width 153 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchingsPencil, black chalk, and brush drawing by Carl Christian Fechelm copying Jan Both, showing a ruin on a bay with architectural remains, water, and surrounding terrain on yellowish paper, 18th century.Lincent, Constantijn Huygens (II), 1675, draughtsman: Constantijn Huygens (II), 27-Sep-1675, paper, pen, h 102 mm × w 171 mmFrancesco I d'Este Dissolved the Seige of Reggio, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 7/8 × 6 5/16 in. (12.4 × 16 cm)Plate: 4 3/4 × 6 1/8 in. (12.1 × 15.6 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Israël Silvestre, Veue de Larcenal, 1655 Veue de LarcenalFace at Zaltbommel. Draughtsman: Hermanus Numan. Dating: 1754 - 1820. Measurements: h 187 mm × w 276 mm. Museum: Rijksmuseum, Amsterdam.Blois Cathedral, France, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 3 3/8 × 4 11/16 inches (8.6 × 11.9 cm)