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Rural Landscapes and Daily Life

Etchings showcasing serene rural scenes with figures in landscapes, including farmers, fishermen, and winter sports activities, highlighted by charming architectural and natural elements.

Amsterdam, Jonghe, Clement de, Roghman, Roelant, Village views in the Northern Netherlands, Amyden, View of Ameide, verso - stamped, View of the village of Ameide, situated on the river Lek. On the left the church and on the waterfront some fishermen and boats. Numbered lower right: 6., print, prent, prints, prenten, height 134 mm, width 210 mm, Noord-Nederlands, 1627-03-14 - 1692-01-03, print maker, printmaker, 1643 - 1677, paper, papier, etching, etsen, Publication (Event), Publicatie, 1624 - 1677, publisher
Amsterdam, Jonghe, Clement de, Roghman, Roelant, Village views in the Northern Netherlands, Amyden, View of Ameide, verso - stamped, View of the village of Ameide, situated on the river Lek. On the left the church and on the waterfront some fishermen and boats. Numbered lower right: 6., print, prent, prints, prenten, height 134 mm, width 210 mm, Noord-Nederlands, 1627-03-14 - 1692-01-03, print maker, printmaker, 1643 - 1677, paper, papier, etching, etsen, Publication (Event), Publicatie, 1624 - 1677, publisher
280 assets in this story
Fishermen and fishing boats on the beach near Scheveningen, Leendert Brasser, After Jan van Goyen, 1760 print paper etching fisherman. beach. sailing-ship, sailing-boat. church (exterior) Scheveningen't Slot in Abcoude.IJsseldijk between Gouda and Moordrecht. Draughtsman: Jan de Bisschop. Dating: 1648 - 1671. Measurements: h 100 mm × w 154 mm. Museum: Rijksmuseum, Amsterdam.View of Delft, Jan van Goyen, 1652 drawing paper. chalk brush quay DelftBeach with a sand drawn on the sand; Gifted Binne Waters; Inland waterways. People walking on the beach and through the shallow water. A sailing ship on the sand drawn, a number of boats lying in the shallow water and a number of sailing on the open water. A small village on a higher land. Double edge around performance.Scheyndel, Gilles van, work, Market scene by the bridge, (1000 - 2003), line etching, graphics, leaf width 14.7 cm, leaf height 9 cmNieulandt, Willem van (II), Roman ruins and coastal landscapes (series 2), Trinità dei Monti in Rome, recto center top outside the plate edge - handwritten, On the left the church Trinità dei Monti in Rome. In addition other buildings and trees. Print is part of a series of Roman ruins and coastal landscapes after prints by Willem van Nieulandt. This series is a copy of the series that Claes Jansz Visscher made after Van Nieulandt., print, prent, prints, verso - stamped, 28, height 101 mm, width 157 mm, Northern Netherlands, 1584 - 1635, intermediary draughtsman, after a drawing by, 1594 - 1685, paper, papier, etching, etchings, print maker, printmakerTwo round frames with autumn landscapes and scenes. On the left September, the fruit month. The focus is on the fruit harvest. Men and women picking apples from an orchard. In the upper center is the constellation Libra. On the right, October, the wine month. Central to the picture is the picking of grapes and the making and toning of wine. Men, women and children pick and press grapes. Then the wine is poured into barrels. In the upper center is the constellation Scorpio. The print is part of a series on the twelve months., September and October The twelve months (series title), print maker: Adriaen Collaert, Hans Bol, publisher: Hans van Luyck, Antwerp, 1578 - 1582, paper, engraving, h 145 mm × w 306 mmFair in a village. Draughtsman: anonymous. Intermediary draughtsman: Jan van Goyen. Dating: 1653 - 1700. Measurements: h 190 mm × w 325 mm. Museum: Rijksmuseum, Amsterdam.Face of Cuijk, draughtsman: Hendrik Tavenier, (possibly), 1744 - 1807, paper, brush, h 91 mm × w 127 mmA Woman Spinning and a Fisherman 17th century Thomas Wijck Dutch. A Woman Spinning and a Fisherman 373723L'Hopital (The Hospital), from Les Petites Misères de la Guerre (The Little Miseries of War), plate 6 1636 Jacques Callot French. L'Hopital (The Hospital), from Les Petites Misères de la Guerre (The Little Miseries of War), plate 6. Les Petites Misères de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). PrintsDorpsstraat. Draughtsman: Jan van Goyen. Dating: 1606 - 1656. Measurements: h 79 mm × w 145 mm. Museum: Rijksmuseum, Amsterdam.Landscape with Galgenveld near Haarlem, Anonymous, After Esaias van de Velde, 1615 - 1652 print paper etching / engraving violent death by hanging. law and jurisprudence (+ place of execution) HaarlemBril, Paul, unknown, Sadeler, Aegidius, Seascape with the ruins of a tower, recto top left - written, print, prints, verso bottom center - stamped, 26., height 203 mm, width 278 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), 1554 - 1626-10-07, intermediary draughtsmanDavid Vinckboons, Venetian Party in a Chateau Garden, c 1602 Venetian Party in a Chateau GardenThe Hamlet on the Hill..Jutphaas 1727.Brickmaker near Hemiksem, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknownLandscape with ruins and a watermill, Jan van de Velde (II), 1616 print Landscape with figures and pakezels on a road at ruins. On the left a watermill. Eleventh print of part four of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with ruins. watermill in landscape. pack-animalJosef von Führich's drawing book, begun on December 10, 1806, includes pencil studies emphasizing figures, line work, and compositional form.Duck hunt with grid; Yacht and fishing; VENATIONES, PISCATIONES ET AUCUPII TYPI. Duck hunt where dogs float the ducks in a big trap. The print has a Latin caption and is part of a series of 54 prints.November; The twelve months, with village scenes, copies. Landscape with many figures on a country road including a pig powder with his herd at a village along a river; representative the month of November. On the right a pig is slaughtered for a brewery. Along the way another brewery. At the top of the constellations belonging to this month: Sagittarius. Eleventh print from a series of twelve.Huygens, Constantijn (II), Venlo, drawing, tekenaar, height 94 mm, width 152 mm, 1628-03-10 - 1697-10-02, draughtsman, 1673-10-23 - 1673-10-23, third quarter 17th century, paper, papier, ink, inkt, penThe Wagon Passing over a Bridge, from Vedute 1735-1744 Italy. Unlike painting, printmaking allowed Canaletto to separate and combine images at his own discretion. He etched the outer two vignettes on a single plate before cutting it in two (for the other half, see 1922.1381.10). Then he reversed their order and positioned a third, unrelated segment between them (1922.1381.11).. Besides reusing fragments of larger plates, these mysterious composite prints appear to have little in common beyond the archways and statues they contain.. Etching in black on ivory laid paper . CanalettoJohannes van Doetechum, the Elder and Lucas van Doetechum after Master of the Small Landscapes (Dutch, active 1554-1572; died before 1589), Village Street, published 1559-1561, etching retouched with engravingBeverloo. Draughtsman: Constantijn Huygens (II). Dating: 15-Jun-1675. Measurements: h 110 mm × w 156 mm. Museum: Rijksmuseum, Amsterdam.France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Views of ports de mer, Seaports, Tour de Calais, Tower of Calais, verso - stamped, The port of Calais with a wall and a tower on the coast. Three sailing boats lie in the harbour., print, prints, height 85 mm, width 137 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1647 - 1647, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilegeWatermill. Draughtsman: Herman Saftleven. Draughtsman: Cornelis Saftleven (attributed to). Draughtsman: Jan van Kessel (1641-1680) (rejected attribution). Dating: 1617 - 1681. Measurements: h 293 mm × w 425 mm. Museum: Rijksmuseum, Amsterdam.December 1628-29 Wenceslaus Hollar Bohemian. December 361701Landscape with a Square Tower. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1650. Dimensions: 88 x 156 mm (plate); 90 x 157 mm (sheet). Etching and drypoint in black on off-white laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.Shepherd and Ruins. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.Tomb of the Scipios, plate 18 from Some Views of Triumphal Arches and other arches. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1748. Dimensions: 132 x 265 mm (plate); 344 x 467 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.Saint Nicolas des Champs. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 100 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.The farm. De boerderij of plattelandsleven. Het Leven op het Platteland (). Draughtsman: Jacob de Gheyn (II). Dating: 1603. Measurements: h 195 mm × w 311 mm. Museum: Rijksmuseum, Amsterdam.Bliżej Kultury Wyspiański, Stanisław (1869 1907)Lubbaeus, Richard, Gerritsz, Hessel, Vinckboons, David (I), Northern Netherlands, The four seasons with castles, Ver, Spring, ca. 1625, back - stamped, The season spring. An elegant couple visits the work in a garden at Nijenrode Castle. With a 4-line caption in Latin., print, prent, prints, prenten, Frederik Muller Historieplaten, height 188 mm, width 245 mm, 1581 - 1632-09-04, print maker, printmaker, 1620 - 1629, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1576-08-13 - 1629, after a design by, Publication (Event), Publicatie, publisher, uitgever, - 1651, schrijverWatermill. Draughtsman: Jan van Goyen (possibly). Draughtsman: Anthonie Waterloo (rejected attribution). Dating: 1606 - 1656. Measurements: h 90 mm × w 139 mm. Museum: Rijksmuseum, Amsterdam.The peat ship is overtaken Breda the castle, 1590. The peat ship is overtaken in Breda, 4 March 1590. The barrier is pulled out of the water and picked up the bridge.Various people in a garden with high hedges, Paulus Constantijn La Fargue, 1739 - 1782 drawing paper. pencil. ink pen / brush gardenVillage, crossed by a busy river, Village, crossed by a busy river, intermediary draughtsman: Jan Brueghel (I), draughtsman: anonymous, 1595 - 1675, paper, pen, brush, h 196 mm × w 293 mmWithout title suburb, Karl Wiener -, artistSledge at the bank of a frozen river. Draughtsman: Jacob Ernst Marcus. Dating: 1784 - 1826. Measurements: h 130 mm × w 223 mm. Museum: Rijksmuseum, Amsterdam.Scottish Beggars Resting near a Well, Paul Sandby RA, 1731-1809, British, 1750, Etching on India paper, Image: 7 7/8 x 6 5/8in. (20 x 16.8cm) and Sheet: 8 1/8 x 6 3/4in. (20.6 x 17.1cm)Two poles, with a beam above, in the water, print maker: Caspar Jacobsz. Philips, (mentioned on object), Amsterdam, 1767, paper, etching, h 93 mm × w 67 mmThe Harvest (Souvenir of the Morvan) 1865 Charles-François Daubigny French. The Harvest (Souvenir of the Morvan) 337015Ruins of the Chteau of Crémieux (Isère). Charles François Daubigny; French, 1817-1878. Date: 1850. Dimensions: 93 × 174 mm (image); 121 × 197 mm (plate); 265 × 395 mm (sheet). Etching, roulette and aquatint on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.t Huys in Goudesteyn. / to Maerseveen.Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of various documents very necessary for fortification, a mortar without look. Second issue of a suite of 14 pieces (A. de Vesme 214. Dutuit 76b) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.Panorama of a wavy cereal field seen from above. Draughtsman: Gerard ter Borch (I). Dating: c. 1626 - 1630. Place: Zwolle. Measurements: h 151 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.Shepherd with cattle at a fountain. Draughtsman: Hendrik van der Straaten. Draughtsman: Jan van der Meer (II) (rejected attribution). Dating: 1675 - 1722. Measurements: h 134 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.Winter landscape with skaters on the ice, Pierre François de Noter, 1810 print paper etching skates (winter sports). winter landscape; landscape symbolizing winter (the four seasons of the year)Marine, 1601 - 1700, Etchings, 1 15/16 x 3 1/4 in. (5 x 8.3 cm), Paper / Sheet 3 11/16 x 5 11/16 in. (9.4 x 14.5 cm), Stamped in brown ink A. Freiherr von Lanna (Lugt 2773), Cream laidMartorell, siglo XIX. Museu Català de les Arts i Tradicions Populars. Author: FRANCISCO JAVIER PARCERISA Y BOADA.A stone, partly wooden, bridge over a river. Under the bridge is a jetty, on which an angler stands with a dog. On the left on the stairs a woman with a bucket. On the right side two men and a child. Print from a series of Italian landscapes, Bridge over a river Italian landscapes (series title)., print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, engraving, h 244 mm × w 317 mmWinter landscape with skaters near a village. In the middle a wooden bridge. In the foreground children with a sledge and a group of pommel players. Ninth print of a series of 36 prints of landscapes, divided into six parts, Winter landscape with skaters near a village Playsante lanscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, brush, pen, h 150 mm × w 280 mmLandscape by Richard Wilson, vintage engraving. Landscape by Richard Wilson, vintage engraved illustration. Magasin Pittoresque 1852. Copyright: xZoonar.com/PatrickxGuenettex 10673680John Constable , A Mill on the Banks of the River Stour, 1802 , Black chalk, charcoal and traces of red chalk on papers, London, England.The slaughtered fire in soap fishing farm, 1682; Figure, exhibiting the burnt parts, and ascending zeperij de harbor, how the self is extinguished: precautionary on 18 April 1682 / figure, Qui Represente les Parties Bruleës de la Savonnerie Nomie Le Marsouin, avec les vapors causees par l 'eau qu'on jetta sur le feu; ET COMMENT IL FUT ETEINT. The slaughtered fire in soapfish De Bokvis at the end of the Looiersgracht in Amsterdam, on April 18, 1682. Clouds of water vapor come from the building, caused by extinguishing. At the bottom of a map of the placement of the pumps and snakes. With four-line caption in Dutch and French. Plate 12 in the fire spa book by Jan van der Heyden.Wilhelm von Kobell, München (Munich), 1818 München (Munich)Print in upper right numbered: 70., Vogelaar Der Vogler , print maker: Jan Luyken, anonymous, Amsterdam, 1711, paper, etching, h 134 mm × w 85 mmAfter the Bylhouwers Tooren.The Windmill. Date/Period: 1641. Etching on paper. Height: 14.6 cm (5.7 in); Width: 20.9 cm (8.2 in). Author: Rembrandt Harmensz van Rijn.Jean Baptiste Oudry, The Partridge and the Cocks, 1732 The Partridge and the CocksAmoenissimæ aliquot locorum ... effigies. Plate 17. Zu Cöllen., 1635, Germany, by Wenceslaus Hollar. Gift of Bishop Monrad, 1869.Wysocice. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonistLaunch of a ship, Reinier Nooms, 1652 - 1654 print Shipyard of the East Indies Company (VOC) on the Rapenburg. A launch of a large ship whose hull is ready, but not yet the structure. A number of spectators watch from the quay. Netherlands paper etching / drypoint pier, quay, wharf. launching a ship AmsterdamFebruary 1772 Hendrik Meijer Dutch. February. Hendrik Meijer (Dutch, Amsterdam 1744-1793 London). 1772. Black chalk, brown, black or gray ink and watercolor. DrawingsMaking music in a garden. Woodcut from 'Calendarum Romanum Magnum', 1518.View of Gulf of Naples. Dated: 1681. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Melchior Küsel after Johann Wilhelm Baur.January, with a company on the ice; January; The twelve months. Winter landscape with ice face and a few farmer's homes. On the ice, right, is skated. Links in the foreground A store where cake () Is sold. A church left rear left. At the bottom (between excudit and cum) the Boraxus as a dogius personal signature. Under the show a text in Latin. Print from a series of twelve months.Honthorst, in EemlantPAISAJE CON GRANJA Y VACA - SIGLO XIX - O/L - 38x55. Author: HENRI ROUSSEAU (1844-1910) EL ADUANERO ROUSSEAU. Location: PRIVATE COLLECTION. France.Borselen, van, The Hague, Weissenbruch, Frederik Hendrik, Polder landscape with a mill and a fisherman in a boat, verso bottom center - stamped, print, prints, height 238 mm, width 217 mm, Dutch, 1828-06-01 - 1887-06-25, print maker, printmaker, 1838 - 1887, paper, papier, houtgravure, Work conceptionView Conflans, Reinier Nooms, 1650MEELMOLLS, CA. 1625, DURK EVERYS LONS, 1631 print A flour or grain mill on the water. On the right a boat and two figures. Numbered below: 4. Northern Netherlands paper etching windmill. A winter landscape with a mill. In the foreground a woman in a boat.Kościół Wizytek (d. brygidek) w Lublinie. Lerue, Adam (1825-1863), painterRien de trop (Nothing in Excess). Dated: published 1756. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Pierre Etienne Moitte after Jean-Baptiste Oudry.Spring; FAR; The four Seasons. View of a river landscape where some figures take a bath in the river, while a naked man pins in the same water. In the background a round tower, figures and ships. Presentation of spring from a series of the four seasons.