Rural Landscapes and Farm Life

Etchings and prints capturing idyllic rural scenes, farmers at work, domestic landscapes, and serene pastoral settings across different periods.

Eeckhout, Gerbrand van den, Furnerius, Abraham, Amsterdam, Ploos van Amstel, Cornelis, Draughtsman for a farm, verso - stamped, A draughtsman sits on a bench in front of a farm. Two people are leaning on the lower door., print, engraving, prints, engravings, height 168 mm, width 217 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1767 - 1767, paper, papier, printtekening, etching, etchings, roulette, kleurdruk, 1628 - 1654-06-06, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29

James Tissot, The Encampment, Parc d'Issy (Souvenir of the Siege of Paris), 1871, etching and drypoint on paper.

Ship's Stem. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 4 9/16 × 3 1/2 in. (11.6 × 8.9 cm)Plate: 3 9/16 × 2 9/16 in. (9.1 × 6.5 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

The Arts Bridge (Registered Title) | The Arts Bridge, 1890 (dummy title)

Le Charpentier (Bartsch 49) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The carpenter (Bartsch 49). Water-strong on paper, 1645-1675.

Frederick Landseer Maur Griggs, 1876-1938, British, Sellenger, 1917. Etching.

Plough by a fence, print maker: Albertus Brondgeest, , Netherlands, 1796 - 1849, paper, etching, h 72 mm - w 116 mm

Harbor. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 135 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Julian Alden Weir, Dooryard, Buckets and Tree Dooryard, Buckets and Tree

Villers(Calvados). Artist: Maxime Lalanne, French, 1827-1886Printer: Imp. Beillet, Paris, active 19th century Publisher: Alfred Cadart, French, 1828-1875

TheTinkers. Artist: Auguste Brouet, French, 1872-1941

A Peasant Seated in a Shed 1800-1809 France. Of provincial origins and largely self-taught, Jean- Jacques de Boissieu remained in his native Lyon for most of his career. However, a trip to Italy in 1765ñ66 left a lasting impression on him he was especially struck by the intense quality of Italian light, which he applied to northern landscapes. Another source of inspiration for Boissieu was Dutch 17th-century art, evident in the some 700 drawings and numerous etchings that constitute his principal oeuvre.. Pen and black ink with brush and gray wash, on ivory laid paper, pieced at bottom and laid down on tan wove paper, laid down on cream laid paper . Jean Jacques de Boissieu

George Chinnery, 1774-1852, British, Coast Scene with Fishermen and Buildings, Macao, 1843. Graphite and pen and brown ink on medium, smooth, beige wove paper.

Archway, Brussels 1887 United States. Etching with foul biting in black ink on cream laid paper . James McNeill Whistler

Petit Village sous lesarbres. Artist: Adolphe Marie Timothée Beaufrère, French, 1876-1960

Siena. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1905. Dimensions: 115 x 82 mm (image/plate); 136 x 99 mm (sheet). Etching in black on buff wove paper, laid down on cream wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, USA.

Schaaters on the ice near a mill near Penningsveer, Esaias van de Velde, 1645 print Haarlem paper etching / engraving windmill in landscape. skates (winter sports) Penningsveer

Une carrière; from Magasin Pittoresque ca. 1852 Charles Jacque. Une carrière; from Magasin Pittoresque. Charles Jacque (French, Paris 1813-1894 Paris). ca. 1852. Wood engraving. Prints

The landscape with three cottages Harmensz van Rijn Rembrandt (1606-1669). The landscape with three cottages (B 217 - 3rd state), 1650.

The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621. Charles Meryon (French, 1821-1868); after Stefano della Bella (Italian, 1610-1664). Date: 1860. Dimensions: 98 × 201 mm (image); 120 × 230 mm (plate); 114 × 226 mm (primary support); 244 × 364 mm (secondary support). Etching on grayish ivory wove paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

View of Amsterdam from the Northwest. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Plate: 4 7/16 x 6 in. (11.2 x 15.2 cm)Sheet: 4 3/4 x 6 1/4 in. (12 x 15.8 cm). Date: ca. 1640. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Winter landscape with winter scenes. February is the gleaning month. Dead wood left over from the winter is gathered. Part of a series of the twelve months, each month is depicted with its typical human activities and climatic features., February Febrvari The twelve months (series title), print maker: Julius Goltzius, Gillis Mostaert (I), publisher: Claes Jansz. Visscher (II), print maker: Antwerp, publisher: Amsterdam, c. 1560 - 1595 and/or 1596 - 1652, paper, engraving, w 165 mm × h 116 mm

Children playing near Dorpshuizen, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint children's games and plays. village

Six Etchings: The Thatched Bakery, Auvers, 1895. Paul Gachet (French, 1828-1909). Etching; sheet: 25 x 32.5 cm (9 13/16 x 12 13/16 in.); platemark: 12 x 16.9 cm (4 3/4 x 6 5/8 in.).

Winter face, Jan van de Cappelle, 1634 - 1679 drawing paper. chalk brush

Drawing by Ferdinand Boberg. Dalsland, Tössbo hd., Ånimskog church Nordic

Berlin, Liebermann, Max, Wine Garden in Rosenheim, print, prints, height 197 mm, width 239 mm, 1847 - 1935-02-08, print maker, printmaker, 1857 - 1935, paper, papier, etching, etchings

The Smith's Yard, 1895. James McNeill Whistler (American, 1834-1903). Lithograph;

Barcelona (1887). Padr Square. Fountain and monument to Saint Eulalia. Illustration by Arcadio Casanovas. Etching. SPAIN. CATALONIA. Barcelona. Barcelona City History Museum.

Farmyard, 1759, etching on laid paper, plate: 27.4 x 39.5 cm (10 13/16 x 15 9/16 in.), sheet: 29.6 x 39.5 cm (11 5/8 x 15 9/16 in.), IFF (1700), no. 19, State i/ii, Jean-Pierre-Louis-Laurent Hoüel (artist) French, 1735 - 1813, François Boucher (artist after) French, 1703 - 1770

View of Spaarnwoude, Esaias van de Velde, 1610 - 1615, Design for a print., draughtsman: Esaias van de Velde, 1610 - 1615, paper, pen, brush, h 87 mm × w 178 mm

James McNeill Whistler, The Traghetto, NoI, 1879 1880 The Traghetto, No.I

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Le Déjeuner du départ à Asnieres (Lunch before leaving forAsnières). Artist: Charles-François Daubigny, French, 1817-1878

Woolcarders at Pont Marie. Louis Auguste Lepère; French, 1849-1918. Date: 1891. Dimensions: 226 × 192 mm (image); 233 × 197 mm (plate); 246 × 212 mm (sheet). Etching with drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The SMIDS, James Abbott McNeill Whistler, 1879 - 1883 print Interior of a blacksmith. On the right a man at work on an anvil. paper etching / drypoint smith, blacksmith

Illustration from a nineteenth century edition of 'Robinson Crusoe' a novel by Daniel Defoe. The book was first published on 25 April 1719. It relates the story of Robinson Crusoe, stranded on a desert Island for 28 years and his subsequent fight for survival.

Winter scene. Draughtsman: Gerard ter Borch (II). Draughtsman: Pieter de Molijn (rejected attribution). Dating: 1634. Place: Haarlem. Measurements: h 196 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

The Departure (The Return) Made 1861 France. Etching on ivory laid paper . Charles François Daubigny

Machine Guns. Artist: Kerr Eby (American, Tokyo, Japan 1889-1946 Norwalk, Connecticut). Dimensions: Plate: 7 × 11 9/16 in. (17.8 × 29.4 cm)Sheet: 11 1/2 in. × 16 in. (29.2 × 40.6 cm). Date: 1921-22. Museum: Metropolitan Museum of Art, New York, USA.

Duiventil and Hooiself, Esaias van de Velde, 1622 drawing paper. chalk brush hay-stack. dove-cote

Winter face. Skaters on the ice, in the background a church with houses.

Soupe à trois sous 1859 James McNeill Whistler American The title of this print translates as soup for three pennies and indicates that the men shown sit in a cheap café or bar (notes left by Whistler suggest it is the Café des Pieds-Humides ('Café of the Wet Feet') in Paris). Soon after making this etching, Whistler moved to London, took lodgings south of Tower Bridge, then recorded a similar scene in an etching titled "Longshore Men"). Black bottles on the tables here, near men who slouch or sleep, evoke the addictive properties of alcohol and the signature, etched at upper center on an otherwise unadorned wall, reads like a fragment of graphiti.. Soupe à trois sous 372513

Spain. Galicia. Shellfish gathering. Engraving. La Ilustracion Espanola y Americana, 1890.

Village with mill, Philip Zilcken, after Jacob Maris, 1867 - 1890 print paper etching / drypoint windmill. village

Moored boats along the quay, View of the Dark Spaarne in Haarlem, print maker: Cornelia Christina Johanna van Trigt-Hoevenaar, 1864 - 1909, paper, etching, h 170 mm × w 215 mm

San Luca dei Colli. Artist: Donald Shaw MacLaughlan (American (born Canada), Charlottetown 1876-1938 Marrakesh). Dimensions: plate: 8 5/8 x 8 3/4 in. (21.9 x 22.2 cm)sheet: trimmed to edge of plate. Publisher: Roullier Galleries. Date: 1904. Museum: Metropolitan Museum of Art, New York, USA.

Three men next to a horse and sled. Draughtsman: Gerard ter Borch (II). Draughtsman: Pieter de Molijn (rejected attribution). Dating: 1634. Place: Haarlem. Measurements: h 140 mm × w 197 mm. Museum: Rijksmuseum, Amsterdam.

On Lake Como. Dated: c. 1910. Dimensions: plate: 7.3 x 9.7 cm (2 7/8 x 3 13/16 in.) sheet: 15.5 x 17.1 cm (6 1/8 x 6 3/4 in.). Medium: etching in brown on laid paper. Museum: National Gallery of Art, Washington DC. Author: George Elbert Burr.

The Service Flag. Dated: 1918. Dimensions: image: 22.86 × 15.24 cm (9 × 6 in.) sheet: 29.21 × 22.86 cm (11 1/2 × 9 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

A Summer Scene. Hendrik Meyer (Dutch, 1744 - 1793)

The bridge prints, lithographs, works on paper

Sandwich. Henry Stacy Marks; English, 1829-1898. Date: 1882. Dimensions: 129 × 181 mm. Pen and brown ink, over traces of graphite, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Santa Fe. Dated: 1883. Dimensions: plate: 11.4 x 17.5 cm (4 1/2 x 6 7/8 in.) sheet: 19.5 x 24.5 cm (7 11/16 x 9 5/8 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: PETER MORAN.

Three Pigs Lying in Front of a Shed. Charles Meryon (French, 1821-1868); after Karel Dujardin (Dutch, c.1622-1678). Date: 1850. Dimensions: 162 × 139 mm (image); 162 × 139 mm (plate). Etching on tan wove chine. Origin: France. Museum: The Chicago Art Institute, USA.

View of the Haagsche Vaart with mills, Ernst Willem Jan Bagelaar, 1798 - 1837 print paper etching / drypoint windmill in landscape

Drawing by Ferdinand Boberg. Falkenberg Nordic

The prodigal child, according to Rubens (Dutuit 26 (5) pages 249) The prodigal child, according to Rubens (Dutuit 26 (5) page 249). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Woman standing on a boat for a windmill. Design for a print.

Mill in a meadow, Chris van der Windt, 1887 - 1949 print paper etching windmill in landscape. meadow, pasture

View in Cambridgeshire prints, etchings, works on paper

Village de Saint-Pierre: Effet d'orage , Villages, Hills, Storms, Alphonse Legros (1837-1911)

Félix Hilaire Buhot, Un Grain à Trouville (Squall at Trouville), 1874 1875 Un Grain à Trouville (Squall at Trouville)

'Sketch', 1936. Artist: Paul Gauguin.

Jules Adeline (1845-1909). "Vignette" Le Bréviaire Public "for the chapter" Notre-Dame de Paris ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, Maison de Victor Hugo. 102268-8 Breviary, drawing, ink, grid, illustration of literary work, book, 19th XIXth 19th 19th 19th 19th century

Etching by Max von Scherer titled 'Knight Sievering,' created in 1916, depicting a knight in historical armor.

Drawing by Ferdinand Boberg. Öland, Åkerbo hd., Persnäs sn., Lundby Nordic

I promessi sposi (The Betrothed), Lucia's meeting with the bravi by Alessandro Manzoni, drawing

Attempt to happiness; Z: "Kłosy" 1882, No. 912 (December 21), p. 389; Brzozowski, Feliks (1836-1892), Malinowski, Aleksander (1855-1917), Kłosy (Warsaw; woodcut; 1865-1890); 1882 (1882-00-00-1882-00-00);

The potters art, vintage engraved illustration.

The Pilots' Jetty Le Havre Morning, Cloudy and Misty Weather, Camille Pissarro,1903,

The Buccaneers, 1885. Winslow Homer (American, 1836-1910). Watercolor; sheet: 46.9 x 36.2 cm (18 7/16 x 14 1/4 in.).

Thomas Handforth, Moonshine Ranch, 1927, etching on paper.

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