Rural Landscapes and Motherhood

Etchings and prints depicting serene rural landscapes with figures, highlighting themes of nature and motherhood in soft, muted tones.

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

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Glass cliché on chinapapier by Jean-Baptiste Camille Corot depicting a young mother at the edge of a forest, created in 1856.

Souvenir of the Fortifications of Douai 1869-1870 France. Etching on ivory laid paper . Jean Baptiste Camille Corot

Alna Pastoral. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 5 1/2 × 7 3/16 in. (14 × 18.3 cm)Plate: 3 3/16 × 4 13/16 in. (8.1 × 12.2 cm). Date: 1924.Alna, Maine. Museum: Metropolitan Museum of Art, New York, USA.

Two children at a hail cross in the landscape, Louis Juliaan Fuchs, 1824 - 1873 print paper etching city-view, and landscape with man-made constructions. child (+ two persons)

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Le coteau , Hills, Alphonse Legros (1837-1911)

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Jersey; Six etching tests.

Artist: Gustave Adolphe Hoffmann, German, 1869-1945, QuietSpot, Etching, sheet: 15 × 11.2 cm (5 7/8 × 4 7/16in.), Made in Germany, German, 19thcentury, Works on Paper -Prints

Duinlandschap, print maker: Arnoud Schaepkens, 1831 - 1904, paper, etching, drypoint, h 117 mm × w 166 mm

The Salmon Fisherman (Le Pêcheur du Saumon), c. 1880. Alphonse Legros (French, 1837-1911). Etching on wove paper; platemark: 26.4 x 36.5 cm (10 3/8 x 14 3/8 in.); sheet: 38.6 x 53.6 cm (15 3/16 x 21 1/8 in.).

Saint Jerome Beside a Pollard Willow, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching and drypoint on laid paper, A tall strump of a tree occupies the center of the composition. Beside it, right, the Saint sits befor an improvized desk, writing. The head of a lion appears behind the tree, left., Netherlands, 1648, Print, Print

Menu with culinary motives and a putto that a Ham for a bridge, Jean-François Taelemans, after Félicien Rops, 1879 print paper. pencil etching angling. bridge. rodents: hare. bottle of wine

The Holy Tree of Metereeah, Print made by David Roberts, 1796-1864, British, Published by Day & Son, 1824-1913, British, 1856, Lithograph on moderately thick, smooth, beige wove paper, Sheet: 11 7/16 x 7 13/16 inches (29 x 19.9 cm) and Image: 6 7/8 x 4 11/16 inches (17.5 x 11.9 cm), figures, landscape, men, religious and mythological subject, sycamore, trees, Africa, Al Matariyah, Al-Qahirah, Egypt, Urban

Landscape with hunter and two fighting boys, Charles Verlat, 1834 - 1890 print paper ETCHING / DRYPOINT / REDOUSSAGE landscapes. hunter. fighting

Le grandcanal. Artist: Alphonse Legros, French, 1837-1911

The Tower. Alphonse Legros (French, 1837-1911). Etching and drypoint;

Arcadian landscape with figures around a statue, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, brush, h 227 mm × w 190 mm

The Young Shepherd, first plate. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1855. Dimensions: 324 × 247 mm (image); 362 × 287 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with old trees and figures. Artist: Gillis Neyts (Flemish, Overijse 1623-1687 Antwerp). Dimensions: sheet: 8 1/16 x 12 3/8 in. (20.4 x 31.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Le Lac. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: Sheet: 8 in. × 11 7/16 in. (20.3 × 29 cm)Plate: 6 1/8 × 7 7/8 in. (15.6 × 20 cm). Etcher: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Date: 1861. Museum: Metropolitan Museum of Art, New York, USA.

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A series of pencil sketches by Ferdinand Georg Waldmüller depicting figures, landscapes, and architectural details, focusing on form, perspective, and observational study.

Two hikers on the road at the high base for tree group, Anonymous, 1650 - 1749 print Germany paper etching monument, statue. landscapes

Nine Barrow Down, 1877. Francis Seymour Haden (British, 1818-1910). Drypoint;

Chailli Seen in a Storm (Chailli: Effet d'orage). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Etching by François Godefroy between 1763 and 1819 depicting villagers returning to a hamlet in a rural setting.

Reading Beneath the Trees (La Lecture sous les arbres). Dated: 1874. Medium: lithograph on yellow paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

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Nursemaid and Child 1859 James McNeill Whistler American. Nursemaid and Child 372502

Charles-François Daubigny, Harvest (Le Fenaison), 1862, printed 1921, cliché-verre, gelatin printing-out print.

La Mort dans le poirier , Death, Skeletons, Pear trees, Pears, Alphonse Legros (1837-1911)

Francis Seymour Haden, 1818-1910, British, Windmill Hill, no. 2, 1877. Etching and drypoint on medium, slightly textured, cream antique laid paper.

L'artiste en Italie (2nd state). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Artists at work, Italy

Two hunters on Hertenhacht, Stefano della Bella, 1642 print print maker: Francepublisher: ParisFranceFrance paper etching stag-hunting. hunter. hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt')

The Holy Family beside a Pool. Rodolphe Bresdin; French, 1825-1885. Date: 1865. Dimensions: 62 × 67 mm. Etching on white China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Alphonse Legros, Fagot gatherers (Les fagottiers) Fagot-gatherers (Les fagottiers)

Church and Farm at Éragny Made 1895 France. Etching and drypoint in black on ivory laid paper . Camille Pissarro

Simplicius alleen in the Natuur, Max Klinger, 1881 print Numbered in the bottom right: X. Print Maker: Munich publisher: Neurenberg paper. etching / drypoint Loneliness; 'Solitudine' (Ripa). landscapes in the temperate zone

The small lion hunt, with two lions ca. 1632 Rembrandt (Rembrandt van Rijn) Dutch. The small lion hunt, with two lions 373066

Forest landscape with wooden bridge, Aegidius Sadeler (II), after Pieter Stevens (II), 1624 - c. 1650 print Forest landscape with a river. In the foreground on the right two farmers with wheelbarrows. On the right a wooden bridge with travelers on horseback. The seventh print of an eight -part series with landscapes in Bohemen Prague paper etching / engraving forest, wood (+ landscape with figures, staffage). landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage). 'en route', traveller under way. wheelbarrow Bohemia

Sir William Blake Richmond, 1842-1921, British, Town on a Hillside, undated. Graphite on medium, smooth, cream wove paper.

Etched by Joseph Mallord William Turner, 1775-1851, British, The Stork and Aqueduct, between 1813 and 1823. Etching and mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper.

Autumn afternoon, Easthampton , Trees, Cemeteries. Childe Hassam (1859-1935). Prints and Drawings

Rembrandt van Rijn, The Small Lion Hunt (with Two Lions), c 1632 The Small Lion Hunt (with Two Lions)

La poésie dans les bois., 1845 - 1846, State noted with standard reference number

Persons on the terrace at a garden. Design for a painting.

Francis Seymour Haden, 1818-1910, British, The Mill-Wheel, 1874. Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper.

Fuite en Egpyte.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Jesus Christ , Flight into Egypt

Untitled (ExperimentWet Aquatint). Dated: 1890. Dimensions: plate: 9.37 × 7.14 cm (3 11/16 × 2 13/16 in.) sheet: 23.8 × 18.4 cm (9 3/8 × 7 1/4 in.). Medium: aquatint in black. Museum: National Gallery of Art, Washington DC. Author: James David Smillie.

Dans les ruines , Trees, Ruins, Alphonse Legros (1837-1911)

Saint Jerome Beside a Pollard Willow. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1648. Prints; etchings. Etching with drypoint

Procris and Cephalus, 1812

Souvenir dItalie (Memory of Italy). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Nursemaid and Child 1' by James McNeill Whistler (1834-1903), created in 1859. Etching

Rembrandt van Rijn, Saint Jerome beside a Pollard Willow, 1648 Saint Jerome beside a Pollard Willow

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Etched by Joseph Mallord William Turner, 1775-1851, British, Glaucus and Scylla, between 1813 and 1823. Etching, printed in brown ink on medium, slightly textured, cream wove paper.

Shepherd's Bath (Le Bain du berger). Dated: 1853. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Little Angler (Le petit pecheur a la ligne). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Print made by Richard Earlom, 1743-1822, British, A Study, with Ancient Ruins, 1810. Aquatint and etching printed in brown ink on moderately thick, slightly textured, cream wove paper.

The Black Dog Artist's working dates 1845-1908 Italy. Soft ground etching, etching and aquatint, from a zinc plate, in warm black on cream wove paper . Giovanni Fattori

Pan Reclining before a Large Vase Made 1645-1647 Italy. The Baroque Italian etcher and innovator par excellence, Castiglione employed his signature flourish in this oblong view of revelers regaining their strength after a bacchanal. The god Pan lies entangled with empty wine vessels; lightly stroking his panpipes as if to play, he gazes at an enormous ancient funerary vessel on a raised plinth.. Etching on paper . Giovanni Benedetto Castiglione

Samuel Middiman, ca. 1750-1831, British, Weathercote Cave when Half Filled with Water, 1821. Etching and line engraving on medium, slightly textured, cream, wove paper.

Landschaft mit Fischer. Reinhart, Johann Christian (1761-1847), graphic artist

The Good Samaritan Made 1861 France. Considered the masterwork of Bresdiní s career and one of the outstanding lithographs of the nineteenth century, The Good Samaritan relates the parable of the heathen who aided an injured traveller, whom a priest and a Levite had passed by with averted eyes. The work was first exhibited in the state-sponsored Salon of 1861 under the title Abd el-Kader aiding a Christian, in reference to the Muslim hero who personally saved thousands of Christians from Syrian aggression in 1860. While the event surely parallels the biblical tale, Bresdin probably alluded to the well-known contemporary figure of Abd el-Kader as a means to popularize his own religious imagery. Indeed, the print was so well received that it was published in a series of editions, at such profit to the artist that he later referred to the print as ìmy good Samaritan.î This proof was printed early in the first edition, before the lithographic stone began to deteriorate, and is one of the m

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

The bathed star and death. Design for a print.

Le Martinet near Montpellier 1836 Camille Corot French. Le Martinet near Montpellier 333884

This drawing by Johann Gualbert Raffalt depicts a sheer, executed with a wiping pencil, emphasizing line, texture, and form.

The Hilltop, c. 1926. Russell T. Limbach (American, 1904-1971). Lithograph;

Merciful Samaritan, Rodolphe Bresdin, 1861 print Paris paper. a Samaritan tending the wounds of the traveller. jungle (+ landscape (in the non-temperate zone) with figures, staffage)

View in a park with a Venus image. View in a park with the Venus Medici.

Kruk brings bread to Elijah; Reinhart, Johann Christian (1761-1847); 1800 (1800-00-00-1800-00-00);Bible, Elijah (Bible), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Old Testament (Bible), dedications, landscapes, crops, landscapes, biblical scenes, relaying

Encamping , Campfires, Camping, Smoking. James McNeill Whistler (1834-1903). Lithographs

Landscape with Figures 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Landscape with Figures 340013

Breuhaus de Groot, J., Woman on forest path, print, prints, height 85 mm, width 55 mm, print maker, printmaker, 1900 - 1999, 20th century, paper, papier, etching, etchings

The Clock Tower, From St. James Park. Joseph Pennell; American, 1857-1926. Date: 1904. Dimensions: 265 x 207 mm (image); 357 x 260 mm (sheet). Etching and drypoint on buff wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Jean Baptiste Camille Corot, Shepherd Struggling with a Goat (Berger luttant avec sa chevre), 1874 Shepherd Struggling with a Goat (Berger luttant avec sa chevre)

Forest face with two hunters, draughtsman: Monogrammist GH (tekenaar ; 17e eeuw), 1600 - 1699, paper, brush, h 165 mm × w 178 mm

Landscape with two figures at a monumental vase. .

To Gentilly Made 1910 France. Etching on cream laid paper . Louis Auguste Lepère

The Hague, Hartogensis, Joseph, Farmyard with chickens, verso - stamped, print, prints, height 68 mm, width 90 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings

Soleil couchant (SettingSun). Artist: Charles-François Daubigny, French, 1817-1878

A Woman Emptying a Wheelbarrow (Femme vidant une brouette). Dated: 1880. Dimensions: plate: 31.8 x 23 cm (12 1/2 x 9 1/16 in.) sheet: 51.5 x 35.7 cm (20 1/4 x 14 1/16 in.). Medium: aquatint with drypoint. Museum: National Gallery of Art, Washington DC. Author: CAMILLE PISSARRO.

Whose end does not look like in the beginning (Ive Party, Book 5) Albert Morand. Whose end does not look like in the beginning (Ive Part, Book 5). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

Au dormoir de Lantara. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Un vagabond passant dans une ruelle , Tramps, Alphonse Legros (1837-1911)

James McNeill Whistler, Nursemaid and Child, 1859 Nursemaid and Child

Hide-and-Seek (Cache-cache). Dated: 1858. Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Rembrandt van Rijn (Dutch, 1606-1669), Landscape with Sportsman and Dog, c. 1653, etching and drypoint

Design for a painting, Arcadian landscape, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, brush, h 326 mm × w 210 mm

Wright, Magnus von, Riekko, 1835, watercolor on paper, painting, light measurement width 22.5 cm, light measurement height 18 cm

A Vagabond Advancing along aLane. Artist: Alphonse Legros, French, 1837-1911

Kerk van Osny, Camille Jacob Pissarro, 1885 print A meadow with two women sitting under a tree. Behind a wall the village of Osny, with a number of houses and a church. France paper etching / drypoint village Osny. Bridge

Enckell, Magnus, work, Sketch book, 1894 - 1895, drawing, 30 cm x 23 cm, Enckell, Magnus, part: Sketches of faces, 1894 - 1895, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Title print with a man with a horse next to a rock, Jean Jacques de Boissieu, 1758 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching boulder, stone

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

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