Rural Landscapes and Nature

Etchings portraying pastoral scenes with trees, children, and wildlife. The mood is peaceful, rich in natural elements, and executed in detailed line work.

Les cerfs. Daubigny, Charles François (1817-1878). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Salmon Fisher (Le pecheur du saumon). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Little Shed (Le Petit Hangar). Alphonse Legros (French, 1837-1911). Drypoint;

La Tentation de Saint Antoine (The Temptation of St. Anthony) 1849 Rodolphe Bresdin French. La Tentation de Saint Antoine (The Temptation of St. Anthony). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 1849. Etching. Prints

Two children at a hail cross in the landscape, Louis Juliaan Fuchs, 1824 - 1873 print paper etching city-view, and landscape with man-made constructions. child (+ two persons)

Les cerfs. Daubigny, Charles François (1817-1878). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jean-Baptiste-Camille Corot, Young Mother at the Entrance to a Forest (Jeune Mère à l'Entrée d'un Bois), c. 1854, printed 1921, cliché-verre, gelatin printing-out print.

Jean Baptiste Camille Corot, Feast of Pan (La Fete de Pan), 1860 Feast of Pan (La Fete de Pan)

Along the Riverbank 1880-1890 France. Etching and drypoint on ivory laid paper . Alphonse Legros

Le Pecheur de Saumon (The SalmonFisherman). Artist: Alphonse Legros, French, 1837-1911

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Print, Saint Jerome Beside a Pollard Willow, 1648; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching and drypoint on laid paper; 18.1 × 13 cm (7 1/8 × 5 1/8 in.); Bequest of George Campbell Cooper; 1896-3-162

Chailli: Effetd’Orage. Artist: Alphonse Legros, French, 1837-1911

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Sappho (Sapho). Dated: 1871. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

Johan Thomas Lundbye (1818-1848), All� by Valloe, 1845

Lorage (The Thunderstorm). Artist: James Ensor, Belgian, 1860-1949

Paysage: Sans titre , Buildings, Alphonse Legros (1837-1911)

Le semeur (1st plate) , Farming, Alphonse Legros (1837-1911)

Fuite en Egypte a larbre mort. Artist: Adolphe Marie Timothée Beaufrère, French, 1876-1960

Alphonse Legros, Along the Marne (Sur la Marne) Along the Marne (Sur la Marne)

Barge on the Bank of a River 1865 Adolphe Appian. Barge on the Bank of a River. Adolphe Appian (French, Lyon 1818-1898 Lyon). 1865. Etching; first state of three. Prints

Tower (La tour). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Le Satyre (TheSatyr). Artist: Charles-François Daubigny, French, 1817-1878

Le Petit Berger, 2em Planche. Jean-Baptiste-Camille Corot (French, 1796 - 1875)

Cold needle etching by Rembrandt Harmensz. van Rijn from 1657 depicting Saint Francis praying on a tree, executed on Japanese paper with uneven tonal effects, showing expressive gestures and composition.

La PetitLac. Artist: Alphonse Legros, French, 1837-1911

Alphonse Legros, Near the Mill (Pres du moulin) Near the Mill (Pres du moulin)

Ottens, I., Visscher, Claes Jansz. (II), Velde, Jan van de (II), Northern Netherlands, Amoenissimae aliquot Regiunculae, Landscapes and ruins, Landscape with bird catchers, verso - stamped, Landscape with bird catchers at their nets. Seventeenth print from a series of eighteen., print, prints, verso lower left - stamped, height 122 mm, width 320 mm, 1593 - 1641-11-04, print maker, printmaker, 1615 - 1615, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

The Bronx. Dated: 1902. Dimensions: overall: 17.7 x 25.2 cm (6 15/16 x 9 15/16 in.). Medium: charcoal. Museum: National Gallery of Art, Washington DC. Author: Oscar F. Bluemner.

Charles François Daubigny, Satyr (Le Satyre), 1850 Satyr (Le Satyre)

The Battery Group 1817 Horace Vernet. The Battery Group. Horace Vernet (French, Paris 1789-1863 Paris). 1817. Lithograph; only state. Prints

The mill-wheel , Water mills. Francis Seymour Haden (1818-1910). Prints and Drawings

On the Schroon -- Evening. Stephen Parrish; American, 1846-1938. Date: 1880. Dimensions: 224 x 390 mm (image/plate); 370 x 506 mm (sheet). Etching on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Vicksburg Canal (from Confederate War Etchings) 1861-63 Adalbert John Volck American. Vicksburg Canal (from Confederate War Etchings) 421365

Kilcreggan, William Strang (Dumbarton, Scotland, 1859 - 1921) 1897

Lenfant prodigue (The Prodigal Son). Artist: Alphonse Legros, French, 1837-1911

Artist: Roeland Roghman, Dutch, 1597-1686, Int SeunigerBos, Etching, sheet: 12.9 × 20.7 cm (5 1/16 × 8 1/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

The Mill-Wheel, Francis Seymour Haden, 1818-1910, British, 1874, Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper, Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm), Plate: 7 1/16 x 10 7/16 inches (17.9 x 26.5 cm), and Image: 6 7/8 x 10 1/4 inches (17.5 x 26 cm), architectural subject, building, doorway, foliage, landscape, mill, river, rocks (landforms), still life, stream, trees, wheel, windows

Henri de Toulouse Lautrec, La valse des lapins, 1895 La valse des lapins

Jean Baptiste Camille Corot, Shepherd's Bath (Le Bain du berger), 1853 Shepherd's Bath (Le Bain du berger)

Drawing, Figure in Forest; Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); Italy; pen and ink, brush and wash on paper; 34 x 23 cm (13 3/8 x 9 1/16 in.)

Environs of Rome 1866 Camille Corot French. Environs of Rome. Camille Corot (French, Paris 1796-1875 Paris). 1866. Etching; third state of three. Prints

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various landscapes, two riders galloping to the right by a riding path. Ninth number of a suite of 12 pieces (A. de Vesme 765. Dutuit 88) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Francis Seymour Haden, The Mill Wheel, 1874 The Mill-Wheel

Allegorical representation of spring, Jean Audran (attributed to), after Nicolas Poussin, 1682 - 1700 print print maker: Francepublisher: Paris paper etching / engraving spring, 'Ver'; 'Primavera' (Ripa). Adam and Eve in paradise (before the Fall). God the Father

Dumbarton Rock, Etched by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching printed in brown ink, with graphite Early state (touched) on medium, slightly textured, cream wove paper, Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm), Plate: 8 3/4 × 11 1/4 inches (22.2 × 28.6 cm), and Image: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)

St. Elena in Belmonte. St Elena a Belmonte (title on object). Draughtsman: Hendrik Voogd. Dating: 1788 - 1839. Place: Rome. Measurements: h 420 mm × w 645 mm. Museum: Rijksmuseum, Amsterdam.

Figure on a stone at a forest path, 1857 Leaf 35 Recto from a sketchbook with 44 sheets. paper. pencil forest, wood. road, path. sitting figure

John Varley, Two Figures on a Country Road Two Figures on a Country Road

Near the Rix (Ain) 1864 Adolphe Appian. Near the Rix (Ain). Adolphe Appian (French, Lyon 1818-1898 Lyon). 1864. Etching; between second and third state of three. Prints

Personnages au bord de lamer. Artist: Ker-Xavier Roussel, French, 1867-1944

Combe Bottom 1860 Sir Francis Seymour Haden British Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."Landscape with two rabits at lower right."Published States: First.-The shadows of the rabbits are etched in. Inserted in the earlier numbers of Études à l'eau-forte to block out a portion of the letterpress."Source: H

Skater at Knotwilgen, Johannes Franciscus Hoppenbrouwers, 1857 print Winter landscape with two skaters on the ice, driving past two pollard willows. A mill in the background. The Hague paper etching / drypoint skates (winter sports). windmill in landscape (+ city(-scape) with figures, staffage). trees: willow

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A Dell, Helmingham Park, Suffolk Made 1830 England. Mezzotint on paper . David Lucas

Winter Evening Made 1914 France. Etching on cream laid Japanese tissue . Louis Auguste Lepère

Hieronymus at the Knotwilg.

Print made by Joseph Mallord William Turner, 1775-1851, British, Procris and Cephalus, 1812. Etching, printed in brown ink First published state on medium, slightly textured, cream wove paper.

La lac du Bois de Boulogne. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 8 1/16 × 11 7/16 in. (20.4 × 29 cm)Plate: 5 15/16 × 8 in. (15.1 × 20.3 cm). Date: around 1858. Museum: Metropolitan Museum of Art, New York, USA.

A Cemetery in Galicia, from Au Pied du Sinaï. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1897. Dimensions: 182 × 150 mm (image); 298 × 256 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Jesus and the Samaritan Woman. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1919. Dimensions: 197 × 231 mm (image/plate); 228 × 261 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Fisherman with a net. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 7 13/16 × 11 5/8 in. (19.9 × 29.6 cm)Plate: 5 15/16 × 9 3/8 in. (15.1 × 23.8 cm). Date: 1868. Museum: Metropolitan Museum of Art, New York, USA.

The Stork and Aqueduct, Etched by Joseph Mallord William Turner, 1775-1851, British, Possibly engraved by Henry Dawe, 1790-1848, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm), Plate: 8 1/2 × 11 inches (21.6 × 27.9 cm), and Image: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)

Death of the Vagabond Made 1879 France. Etching and aquatint printed in brown on heavy cream wove paper . Alphonse Legros

Les chercheurs de trésors , Treasure hunts, Alphonse Legros (1837-1911)

La Route de la Houssoye, 1913. Auguste Louis Lepère (French, 1849-1918). Etching;

Hilaire-Germain-Edgar Degas, Young Man, Seated, in a Velvet Beret, 1857, etching on paper.

Landscape with ruin and cattle, Anonymous, Ignace Duvivier, 1793 - in or after 1832 print paper etching / drypoint landscape with ruins. herd, flock

The Two Landscapes (Right Tree). Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 2 3/8 x 2 5/16 in. (6 x 5.8 cm). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA.

Hieronymus at the Knotwilg.

Beech, print maker: Arnoud Schaepkens

The Trout Stream Made 1906 United States. Etching in black on cream wove paper, laid down on ivory wove paper (chine collÈ) . Donald Shaw MacLaughlan

Study with man on trunk, Hermanus Fock, 1781 - 1822.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 13 x 9 11/16 in. (33 x 24.6 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Outskirts of Rome. Jean-Baptiste-Camille Corot (French, 1796-1875); printed by Auguste Deltre (French, 1822-1907); published by Cadart et Luquet, Editeurs (French, 1801-1900). Date: 1866. Dimensions: 288 × 210 mm (image); 316 × 235 mm (plate); 433 × 328 mm (sheet). Etching on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Page 23 recto from a sketchbook with 52 pages, Oak at Malling Abbey, draughtsman: Gerrit Postma, West Malling, 1858, paper

Francis Seymour Haden, 1818-1910, British, Kenarth, 1864. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

The Shepherd and His Family, Rembrandt van Rijn, 1644 print paper etching / drypoint

A Cancer looks at the sun, Jacques Callot, 1621 - 1635 print Presentation of a lobster that, on a coast, looks at the rising sun. This magazine is part of the emblem series 'Monastic Life in Emblemen'. In addition to an illustrated title page and 26 emblems, the second state of this series is a title page and a magazine with assignment, both in book print without image. Nancy paper etching crustaceans: lobster. sunrise

Sir David Young Cameron, 1865-1945, British, The Avenue, 1905. Etching on Japan paper.

Les bûcherons (1st Plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Fisherman's thatched cottage, 1895. Félix Hilaire Buhot (French, 1847-1898). Lithograph; sheet: 36 x 44.3 cm (14 3/16 x 17 7/16 in.); image: 19.2 x 27.3 cm (7 9/16 x 10 3/4 in.).

La petite soeur. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Women, Girls

Forest face with two hunters, monogrammist GH (draftsman; 17th century), 1600 - 1699 drawing paper. chalk brush forest, wood

Sketch after Cecil Lawson's "Swan and Iris". James McNeill Whistler; American, 1834-1903. Date: 1881-1882. Dimensions: 135 x 84 mm (plate); 212 x 146 mm (sheet). Etching and drypoint with foul biting in black ink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Alphonse Legros, Fagot-gatherers (Les fagottiers), French, 1837-1911, etching and drypoint

Johann Christian Reinhart, A Tivoli, 1794 A Tivoli

Ruisdael, Jacob Isaacksz van, Two farmers with their dog, The large beech, verso lower left - stamped, Large beech in a forest landscape with a house on the right and two farmers with a dog on the left., print, prent, prints, height 195 mm, width 279 mm, Noord-Nederlands, 1629-06 - 1682-03-14, print maker, printmaker, 1650 - 1699, third quarter 17th century, derde kwart 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Polotwilg in Sloterdijk.

The Dam Wood. James McNeill Whistler; American, 1834-1903. Date: 1873-1875. Dimensions: 176 x 113 mm (plate); 207 x 160 mm (sheet). Drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

De Es, Pieter de Josselin de Jong, 1871 - 1906 drawing paper. chalk

Abraham welcomes the angels, Rembrandt van Rijn (mentioned on object), 1656, paper, drypoint, h 159 mm × w 131 mm

Le Coup de Vent (The Gust ofWind). Artist: Alphonse Legros, French, 1837-1911

La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay). Dated: 1886/1890. Dimensions: plate: 24.7 x 35.7 cm (9 3/4 x 14 1/16 in.) sheet: 35 x 48.3 cm (13 3/4 x 19 in.). Medium: heliogravure, etching, drypoint, roulette, and spit-bite in gray-green (central plate) and black (margin plate) on wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Knotwilgen on the waterfront. Face over a water to which four pollard willows are. In the foreground two figures in a sloop and a mill in the background.

Fontainebleau Forest: The Painters (La Forêt de Fontainebleau: Les Peintres), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 11 x 15.6 cm (4 5/16 x 6 1/8 in.).

Drawing, Man with Donkey in Landscape; Italy; pen and ink on paper

Artist: Alphonse Legros, French, 1837-1911, Lisiere deForet, Etching, platemark: 20.3 × 32.2 cm (8 × 12 11/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Sketching No. 1. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 4 3/4 × 6 9/16 in. (12 × 16.7 cm)Sheet: 9 1/16 × 10 9/16 in. (23 × 26.8 cm). Date: 1861. Museum: Metropolitan Museum of Art, New York, USA.

Penton Hook. Artist: Sir Francis Seymour Haden (British, London 1818-1910 Bramdean, Hampshire). Dimensions: Plate: 5 13/16 × 9 1/4 in. (14.8 × 23.5 cm)Sheet: 7 13/16 × 12 1/8 in. (19.9 × 30.8 cm). Date: 1864.Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."In this work, an ancient, hollow tree leans over a river, as a

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