Rural Landscapes and Social Activities

Drawings depicting serene rural landscapes with people engaging in activities such as boating and harvesting, highlighting nature's beauty and social interaction.

Landscape, Allaert van Everdingen, 1631 - 1675, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, pen, brush, h 49 mm × w 84 mm

Face to Emmen. .

River face on the Vecht, Jacob Esselens, 1636 - 1687 drawing River face, a boat sails on the left. paper. chalk. graphite (mineral). ink pen Vecht

Maaiers at a Boerenhoeve, Hendrik Meijer, 1754 - 1793 drawing paper. ink pen / brush reaping, picking, mowing ~ harvest

Landscape, Allaert van Everdingen, 1631 - 1675, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, pen, brush, h 49 mm × w 84 mm

Genoels, Abraham, work name: Puistotie, (1000 - 2000), line etching, graphics, image width 20 cm, image height 14 cm

Wooded Landscape with Figures on Horseback Crossing a Bridge. Date/Period: Between 1775 and 1780. Drawing. Gray wash with pen and gray ink, heightened with white gouache and chalk on medium, slightly textured, cream laid paper, mounted on card. Height: 264 mm (10.39 in); Width: 346 mm (13.62 in). Author: Thomas Gainsborough.

Kalkovens near Hillegom, Gerard van Rossum (1698/99-1772), 1765 drawing paper. watercolor (paint) brush industries ~ clay, sand, chalk, etc. Hillegom

Sir Richard Colt Hoare, 1758-1838, British, View at Valmontone. November 1790, 1790. Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper.

Face in Waterloo, Anonymous, 1815 - 1830 print Face in the village of Waterloo. In the distance the Sint-Jozefskerk, in the foreground men load branches in a car. Surroundings of the Battle of Waterloo of 18 June 1815. See also the Pendant. print maker: Netherlandspublisher: Amsterdam paper etching / engraving public road in village Waterloo

Face in Emmen. Draughtsman: Gerrit Hendrik Gobell. Dating: 1832. Measurements: h 268 mm × w 374 mm. Museum: Rijksmuseum, Amsterdam.

Karel Dujardin (1622-1678). "Italian landscape corner". Museum of Fine Arts of the City of Paris, Petit Palais. Campaign, Dutch School, Italy, landscape

Landscape with road along a canal, draughtsman: Johann Goll van Frankenstein (I), 1732 - 1785, paper, pen, brush, h 195 mm × w 267 mm

Thomas Rowlandson, 1756-1827, British, Church, undated. Watercolor with pen and gray ink, over graphite on medium, slightly textured, cream, wove pape.

Bril, Paul, Sadeler, Aegidius, unknown, Johann (I), Landscape with two shepherds and a flock, verso center bottom - stamped, A landscape with some trees. Two shepherds drive a herd of cows and sheep up a hill towards an inn., print, prints, verso bottom center - stamped, height 200 mm, width 212 mm, Publication (Event), Publication, Southern Netherlands, 1550 - 1600-08, publisher, uitgever, 1580 - 1600, paper, papier, engraving, engraving (drukprocedé), 1570 - 1629, print maker, prentmaker, 1554 - 1626-10-07, intermediary draughtsman

Face in Borger in Drenthe, Egbert van Drielst, 1755 - 1818 drawing paper. chalk brush prospect of village, silhouette of village Borger

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Two Figures by the Side of a Pond and a Church in a Hilly Landscape, undated. Graphite on very thick, slightly textured, cream laid paper.

On the left a woman with child on a country road. In the middle a dog is drinking from a puddle of rain. On the right a man walks with a mule. Behind three oaks the outline of a castle ruin, Woman with child and man with donkey in landscape., draughtsman: Egbert van Drielst, 1755 - 1818, paper, pen, brush, h 310 mm × w 445 mm

The flag of the arsenal, side of the Seine Anonymous / Simon-Mathurin Lantara (1729-1778). The flag of the arsenal, side of the Seine. Feather, color lavis.

The Hofstede Savingshout at Haarlem. Design for a print.

On the road along the pond figures are walking. On the water, a ferry with figures being pulled by a rope to the other side. On the water ducks and swans. Numbered top right: Pl. 6. The ferry in park Het Loo Near the new ponds Twelve faces in Park Het Loo XII Views in Park Het Loo , print maker: anonymous, Frederik August Maximiliaan Textor, (mentioned on object), printer: Hilmar Johannes Backer, (mentioned on object), printer: Dordrecht, The Hague, Apeldoorn, 1822 - 1845, paper, h 335 mm × w 480 mm

Coastal face with the roof of Europe, Richard Earlom, After Claude Lorrain, 1776 print London paper etching city-view, and landscape with man-made constructions - II - ideal landscapes. coast - HH - ideal landscapes. sea (seascape). Europa and her maidens play with the bull, and/or adorn it with flowers

Louis XIV (king of France), Paris, Swanevelt, Herman van, Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita, Oval fantasy landscapes, Landscape with rock formation, verso lower left - stamped, In an oval frame a walker walks on a path along a large rock formation., print, prints, height 45 mm, width 74 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Make creatures. Wilhelm's rest.

Scheyndel, Gillis van (I), Northern Netherlands, Velde, Jan van de (II), Farmhouse near a pond, verso - handwritten, Figures near a farm and two figures in a rowing boat on a pond., print, prints, verso - stamped, Boerner, height 99 mm, width 195 mm, 1593 - 1641-11-04, print maker, printmaker, 1603 - 1641, paper, papier, etching, etchings, Northern Netherlandish, 1595 - 1660-12-24

Etched by Joseph Mallord William Turner, 1775-1851, British, Apuleia in Search of Apuleius, between 1813 and 1823. Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper.

Thomas Rowlandson, Cottage and Barn with Figures Resting by the Side of a Country Road, c. 1810-20, pen with gray and vermilion ink and watercolor on cream wove paper.

Anne Rushout, ca. 1768-1849, British, From Portico at Wanstead Grove, May 24, 1825, 1825. Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper.

Sylvan Lake, Greenwood Cemetery, in: The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, No. 2 1847 Frances Flora Bond Palmer. Sylvan Lake, Greenwood Cemetery, in: The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, No. 2. Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New York). 1847. Lithograph. W. H. Graham (New York, NY)

Kirkstall Abbey, on the River Aire, Print made by James Bromley, 1801-1838, British, after Joseph Mallord William Turner, 1775-1851, British, 1823 to 1827, Mezzotint and soft ground etching; engraver's proof

Sheet 23 recto from a sketchbook with 41 sheets, Face on Glue, draughtsman: Johannes Tavenraat, Cleves, 1833, paper, brush

Landscape with Judas Hanged.

Winter Scene in theCity. After: Sebastian Vrancx, Flemish, 1573-1647

Henry Swinburne, 1743-1803, British, Landscape with Anchored Boat and Figure, undated. Pen and balck ink, gray ink, gray wash, and graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

The knock on the Vegt 1760

De 'Boelo Sepong' Bij Maros, c. 1750 drawing paper. ink brush / pen landscapes in tropical and sub-tropical regions Maros

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: City of Vicenza, 2.n Nov.r 1840. Pen, brush and black ink over graphite.

The Corner of the Bulwark at Utrecht. Herman Saftleven the Younger (Dutch, 1609 - 1685)

Amsterdam, Esveldt Holtrop, Jan Steven van, Perelle, Nicolas, Mirror of nature and school of drawing, Landscape with building on a lake, Landscape with building on a lake. On the left in the foreground a man and a woman. The print is part of an album., print, picture, album sheet, prints, pictures, height 133 mm, width 188 mm, French, 1631 - 1695, print maker, printmaker, 1641 - 1695, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1777 - 1833-11-20, publisher

Vues d'Italie' Bay of Naples, Dufour et Leroy, Block-printed on handmade paper, In sepia tones. Scene of a village along a waterway, A small boat with passengers on the water, a small bridge crosses the water. Two figures playing in front of large tree., Paris, France, 1815-20, Wallcoverings, Scenic, Scenic

View of Austeria in the manders; Vogel, Zygmunt (1764-1826); 1812 (1812-00-00-1812-00-00);Młociny (Warsaw), Warsaw (Masovian Voivodeship), Wierzejski, Tadeusz (1892-1974) - collection, Wisła (river), architecture, aristocracy, baroque (archite.), Baroque (style), gift (provenance), courts ( architect.), Riders, Karczma, Karczma (Archite.

Face over meadows on a city, Anonymous, 1700 - 1800 drawing paper. ink. pencil pen / brush prospect of city, town panorama, silhouette of city

River face on the Vecht, Jacob Esselens, 1636 - 1687 drawing River view with two sailing boats. paper. chalk. graphite (mineral). ink pen Vecht

Tivoli, a Composition, Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1827, Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper, Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm), Plate: 21 1/4 × 28 1/4 inches (54 × 71.8 cm), and Image: 15 7/8 × 23 7/8 inches (40.3 × 60.6 cm)

Design for a room wall with paintings of: Duivendrechtse Brug and Krimpen aan de Lek. Draughtsman: Jurriaan Andriessen. Dating: 1752 - 1819. Measurements: h 245 mm × w 429 mm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen.

Sir Charles D'Oyly, 1781-1845, British, active in India, View of Calcutta and its Environs: Town and Port of Calcutta, 1812. Watercolor, graphite, white gouache, gray wash, and charcoal on moderately thick, slightly textured, gray/green, wove paper.

Sir Jeffry Wyatville, 1766-1840, British, Design for the Hermitage, Virginia Water, undated. Graphite, pen and brown ink, brown wash on slightly textured, medium, white wove paper.

Landscape with Christ in the Garden of Gethsemane, Jan van Londerseel, 1580 - 1625

Agostino Mitelli, Landscape with Ancient Tombs Landscape with Ancient Tombs

Loevestein, Jan de Beijer, 1750, draughtsman: Jan de Beijer, 10-Aug-1750, paper, pen, brush, h 167 mm × w 297 mm

View of a part of the Farnesian gardens on the Palatine in Rome.Face from the Garden of the Palazzo Farnese on the Palatine With Two Statues and the Colosseum.

Landscape with dancing figures, 1807 print Landscape with on the left a sitting figure with hingy bolder. To his right seven dancing figures. Animal grazing. Two towers and a bridge in the background. paper etching pastorals, Arcadian scenes. hurdy-gurdy player - CC - out of doors. folk dancing (men and women together)

View of Huis Herlaar and Tienhoven, Jan de Beijer, 1750 drawing paper. ink pen / brush prospect of city, town panorama, silhouette of city. river Huis Herlaar. Tienhoven aan de Lek

Arcadian landscape, draughtsman: Jacob van Liender, 1706 - 1759, paper, brush, pen, h 81 mm × w 130 mm

Landscape with a Hunting Party. Sporting art. Watercolor with pen and red-brown and gray ink over graphite with pen and gray ink and wash line on border on thick, moderately textured, beige, wove support paper. Height: 198 mm (7.79 in); Width: 292 mm (11.49 in). Author: Thomas Rowlandson.

Venice, Senate of Venice, Italy, Costa, Giovanni Francesco, Views of the River Brenta, Les delices de la Brenta, Le delicie della Brenta, Veduta del Casino del NH Griman, Casino del NH Grimani on the Brenta, View of the Casino del NH Grimani on the River Brenta. A gondola is sailing on the water. Numbered lower center: LX and lower right: Tom: II. This print is part of an album., print, prent, prints, prenten, height 252 mm, width 334 mm, Italian - 1773, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, grantor of privilege

Ruin of Castor and Pollux Temple Inside walls of old Agrigento, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

Woodland Scene with a Peasant, a Horse, and a Cart. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: Sheet: 9 1/2 x 12 11/16 in. (24.1 x 32.2 cm). Date: ca. 1760.This boldly drawn colored drawing belongs to a series executed in the 1760s, when Gainsborough lived in the spa town of Bath (1759-74). Drawings from that period use contrasts of light and shadow to make forms fresh and legible, and are among the artist's most highly finished. This sheet belongs to a group that the artist gave to Goodenough Earle, owner of Barton Grange, near Taunton, Somerset. Descending in the family, the drawings were sold in 1914 by Knoedler & Co., New York, mostly to American collectors. Museum: Metropolitan Museum of Art, New York, USA.

Rodin's Property at Meudon (La propriété de Rodin à Meudon). Dimensions: 18.3 cm x 25.4 cm, 13.3 cm x 20.3 cm, 12.7 cm x 20.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: Auguste Deltre.

Mural de la Saleta: Paisaje con casón. Museum: CASA DE JUAN ARIAS DE SAAVED JADRAQUE ESPAÑA. Author: JOVELLANOS.

Plan for the Garden of the Chteau de Bagatelle 1817 Pierre Lapie French. Plan for the Garden of the Chteau de Bagatelle. Pierre Lapie (French (1771-1850)). 1817. Pen and black ink, watercolor

Adam Callander, active 1780-1811, High Cliff Castle (Hants), undated. Watercolor and pen and black ink on slightly textured, medium, white wove paper.

Johann Oswald Harms, Landscape with a Draftsman among Ancient Ruins, 1670s Landscape with a Draftsman among Ancient Ruins

View of Warren Hastings' House at Alipur and two figures in the foreground, William Hodges, 1744-1797, British, between 1781 and 1783, Gray wash, pen and black ink and graphite on laid paper, laid down on 19th century wash mount, Sheet: 17 11/16 x 29 7/16in. (44.9 x 74.8cm)

Amsterdam, Marot, Daniël (I), Netherlands, Nouveau liure de paysages, Landscape with three trees, Behind the trees is a round pond with a wall with niches and cascades. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 249 mm, width 164 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

James Moore, 1762-1799, British, Dunnottar Castle, 1792. Watercolor and graphite on medium, slightly textured, beige, wove paper.

Daniel Thomas Egerton, c.1800-1842, British, Set of four: (4) Stag Hunting, 1808. Aquatint, hand-colored.

VALENCIA. VISTA DEL PASEO DE LA ALAMEDA. DIBUJO DE LIEGER. GRABADO SIGLO XIX.

La Source, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm) and Sheet: 4 × 6 inches (10.2 × 15.2 cm)

Man on Horseback and Other Figures, William Anderson, 1757-1837, British, undated, Watercolor, pen, black ink, and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)

A Sandpit, Paul Sandby RA, 1731-1809, British, undated, Watercolor, pen and brown ink and graphite on thick card, Sheet: 8 1/4 x 10 7/8 inches (21 x 27.6 cm), carts, horses (animals), landscape, trees

Samuel Davis, 1757-1819, British, River Scene and Bridge with Artist Sketching in Foreground, 1777. Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream laid paper.

BosPad, 1783 Page 168 from a sketchbook with 175 pages. paper. pencil. ink. watercolor (paint) pen / brush Page 168 from a sketchbook with 175 pages. paper. pencil. ink. watercolor (paint) pen / brush

On the Dee. Drawing. Watercolor and black ink over graphite on medium slightly textured cream laid paper. Height: 416 mm (16.37 in); Width: 600 mm (23.62 in). Author: Francis Towne.

Edward Lear, 1812-1888, British, Peppering, Oct. 3. 1834, 1834. Graphite on moderately thick, slightly textured, beige wove paper.

The tree cabinet and former bird shiest to Laxenburg. Le Cabinet of the Arbres et Le Ci-Devant Jeu de l'Oiseau Dedication: her K.K. Majesty Mirien Theresien dedicated to deepest awe

Amsterdam, Esveldt Holtrop, Jan Steven van, Mirror of nature and school of drawing, Landscape with the ruins of a Roman temple, The print is part of an album., print, prent, albumblad, prints, prenten, height 98 mm, width 177 mm, print maker, prentmaker, 1600 - 1699, paper, papier, etching, etsen, Publication (Event), Publication, 1777 - 1833-11-20, publisher, uitgever, 1787 - 1833

Mężczyźni, konie, powozy i namioty wśród drzew w Patnie. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Face in the gardens of the Landplaats Zandbergen, Hermanus Numan, 1754 - 1820 drawing paper. ink. watercolor (paint) brush / pen garden. castle House Zandbergen

Landscape with Ruins. Date/Period: Ca. 1800-1808. Engraving. Etching on paper. Height: 276 mm (10.86 in); Width: 368 mm (14.48 in). Author: Ignazio Degotti.

Smaller Italian Sketchbook (containing 43 drawings on 44 leaves) 1774-75 () Joseph Wright (Wright of Derby) British Wright traveled to Italy rather late in his career, arriving in Rome in 1774. The Met holds two sketchbooks from his Italian sojourn, this one and a larger example, both filled primarily with wash drawings of landscapes and Roman ruins. Although he had established his reputation as a painter of portraits and figural groups, upon his return to England, Wright increasingly turned to landscape as a subject.. Smaller Italian Sketchbook (containing 43 drawings on 44 leaves). Joseph Wright (Wright of Derby) (British, Derby 1734-1797 Derby). 1774-75 (). Graphite, pen and ink, gray wash and yellow wash or watercolor. Sketchbooks

On the Amstelveense Weg, Jan Hulswit, 1776 - 1822, draughtsman: Jan Hulswit, 1776 - 1822, paper, brush, h 250 mm × w 357 mm

View of a Laan in Vauxhall Gardens in London, Robert Sayer, After Canaletto, 1751 print Numbered at the top right: 6. London paper. watercolor (paint) etching / brush garden. garden buildings. garden ornaments. avenue, boulevard, promenade, esplanade Vauxhall Gardens

The Mall from Saint James' Park. Dated: 1720s. Dimensions: overall: 30.2 x 46.1 cm (11 7/8 x 18 1/8 in.). Medium: gouache on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Marco Ricci.

Shooting a pair: 2. Evening, Print made by George Morland, 1763-1804, British, aquatinted by Samuel Alken, 1756-1815, British, after George Morland, 1763-1804, British, 1792, Aquatint, hand-colored, title in wash border, Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)

A Scene in Cornwall 1776-1827 England. Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on board . Thomas Rowlandson

INDIGENAS DEL ARCHIPIELAGO DE LAS TONGA, CON SU JEFE VUNA A LA CABEZA, AGASAJAN AL EQUIPO EXPEDICIONARIO DE MALAESPINA EN LA PLAYA DE. Author: TOMAS SURIA (1761-1844). Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.

Perspective cupplate with two painted glass plates, hilly landscape with walkers and transport activities, perspective cabinet glass plate glass paint plywood, handpainted Later made-up perspective box of plywood. In the cabinet two painted glass plates: front and background creating three-dimensional effect creates optics perspective leisure transport glass painting

GRABADO- LA ESCUELA ILUSTRADA DE AMSTERDAM - S XIX. Location: PRIVATE COLLECTION. France.

Armed horsemen at a forest ridge, draughtsman: Hermitage Meester, , 1615 - 1635, paper, brush, h 208 mm × w 293 mm

Portrait of Anna Ram-Strick, born Utrecht 1591, wife of Philips RAM, died Utrecht 1637. Knee piece on the left, standing.

Village Festival, Hendrik Gerrit ten Cate, 1840 drawing paper. ink pen / brush prospect of village, silhouette of village. (annual) fair, trade fair. dancing

James Pattison Cockburn, 1778-1847, British, Coastal scene with Figures, Boats, Lighthouse, etc, undated. Pen and brown ink with brown wash on medium, moderately textured, gray wove paper.

Jean Jacques de Boissieu depicted a landscape with a farmer's house and working men using pen, ink, and watercolor.

David Cox, 1783-1859, British, A Street in Harborne, ca. 1808. Watercolor and graphite on medium, moderately textured, cream wove paper.

Parijs, Rigaud, Jacques, Autre vuë particulier de Paris prise du milieu du Pont Neuf regardant vers le Pont Royal, View of the Pont Neuf over the River Seine at Paris, seen in the direction of the Pont Royal, Paris, In the bottom margin a line French text., print, optical print, prints, optical prints, height 237 mm, width 475 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, cardboard, watercolor (paint), watercolour, etching, etchings, brush, French, 1681 - 1754, print maker, printmaker

Classical Landscape withFigures. Artist, possibly by: Cornelius Bisschop, Dutch, 1630-1674 Artist, possibly by: Jan de Bisschop, Dutch, 1628-1671

Charles Vincent Barber, 1784-1854, British, Harvesting - The Noontide Rest, 1811. Graphite and watercolor on moderately thick, rough, cream wove paper.

Drawing by Charles-Joseph Natoire depicting the thermal baths of Septimius Severus on the Palatine Hill, using black chalk, pen, red chalk, brush, brown and black washes, watercolor, and white highlights on blue paper, dated 1760.

Three Figures Standing under a Large Tree, Anne Rushout, ca. 1768-1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)

Print made by Alfred W. Cooper, active 1850-1901, British, The River, undated. Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper.

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