Rural Landscapes with Human Figures

Beautiful rural scenes featuring figures engaged in activities like fishing and resting amidst serene natural settings. Soft colors and classic etching styles enhance the tranquility.

Landscape with figures and on the left a man in a punter, draughtsman: Bartholomeus Barbiers, after c. 1750 - 1808, paper, pen, brush, h 180 mm × w 232 mm

Landscape with the baptism of Christ in the Jordaan, Nicolas Perelle, 1636 - 1695 print publisher: ParisFrance paper etching / engraving baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Shepherd Asleep on a Hummock 17th century Anthonie Waterloo Dutch. Shepherd Asleep on a Hummock. Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching; third state of three. Prints

House Oudaan with in the foreground an angler, draughtsman: Jacob Ernst Marcus, 1784 - 1826, paper, pen, brush, h 180 mm × w 245 mm

Landscape with figures and on the left a man in a punter, draughtsman: Bartholomeus Barbiers, after c. 1750 - 1808, paper, pen, brush, h 180 mm × w 232 mm

Boerenhofstede, Daniël Kerkhoff, 1812 drawing paper. chalk brush

A Peasant Woman and Daughter on a Small Wooden Bridge 17th century Anthonie Waterloo Dutch. A Peasant Woman and Daughter on a Small Wooden Bridge. Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching; third state of three. Prints

Landscape with Figure on welding animal, Nicolas Perelle, 1613 - 1695 print Paris paper etching / engraving landscapes. riding a horse, ass, or mule; rider, horseman

Print made by unknown artist, Collection of Prints by Notable Dilettanti, ca. 1780. Etching.

Richmond Terrace, Surrey, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

No. 166. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Landscape with meeting Jacob, Rachel and Lea at the Bron, Richard Earlom, After Claude Lorrain, 1776 print London paper etching landscape with ruins - II - ideal landscapes. river - HH - ideal landscapes. Jacob moves the stone which covers the opening of the well and waters Rachel's sheep

James Peller Malcolm, 1767-1815, American, Islington, 1808. Engraving.

Flood in Prater , January , Flood in Prater on January , Lorenz Schön -, Etcher

Apuleia in Search of Apuleius, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper, Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 5/8 inches (18.4 × 27 cm), bridge, buildings, field, flock, landscape, literary theme, mountains, religious and mythological subject, river, searching, staff, trees, women

"Copper engraving by Hendrik Hondius the Elder from around 1614 depicting the months of May and June. The print emphasizes seasonal imagery, figures, and decorative elements."

Alphonse Nicolas-Michel Mandevare drawing of a landscape featuring a straw hut, executed in red chalk.

No. 61. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

James T. Willmore, 1800-1863, British, Tamworth Castle, Staffordshire, 1827-1838. Open etching.

Liber Veritatis: No. 133, A Landscape, with Cattle, and the Angel Comforting Hagar, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell (British, 1720-1804). Etching and mezzotint printed in brown; sheet: 29 x 43 cm (11 7/16 x 16 15/16 in.); platemark: 21 x 26.2 cm (8 1/4 x 10 5/16 in.).

Etching by Pierre Chenu in the 18th century titled 'The Lover of Love' depicts a romantic theme, consistent with European printmaking of the period.

Village face, Nicolas Perelle, 1613 - 1695 print paper etching village

Print made by John Cousen, 1804-1880, British, Mercury and Herse, 1842. Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper with cream chine-collé.

Board V. / Vüe de la Ferme, / Taken from the point D. to the cabaret.

A Pastoral, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1896, Etching with mezzotint printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm), Plate: 8 × 10 7/8 inches (20.3 × 27.6 cm), and Image: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm)

Architectural garden with statues, Abraham Genoels, 1650 - 1690 print An architectural garden with a view of a pond and a terrace. Two statues at the start of the terrace. On the left Apollo, on the right Diana. Paris paper etching French or architectonic garden; formal garden. (story of) Diana (Artemis). statues, sculptures in garden. (story of) Apollo (Phoebus). garden pond. terrace

Landscape with men on antique squares of pedestal, Nicolas Perelle, 1613 - 1695 print Numbered in the bottom right: 4. paper etching landscape with ruins. pedestal of a piece of sculpture (perhaps in the form of a herm)

No. 77. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Culemborg, Weissenbruch, Jan, View of the river Lek near Vreeswijk, Some sailing ships can be seen on the river. On the left a boat is on the bank. A figure is depicted on the path next to it., print, prent, prints, prenten, height 151 mm, width 198 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, prentmaker, 1850 - 1850, paper, papier, etching, etsen

Arcadian landscape with on the left a temple and in the foreground a group of standing figures: the coast of Delos, with Aeneas, Ascanius and Anchises, Anius the king of Delos and priest of Apollo, Aeneas on Delos., draughtsman: Claude Lorrain, 1670 - 1672, paper, pen, brush, h 160 mm × w 220 mm

Vlieger, Simon de, work, Green hill, (1000 - 2000), etching, graphic, 13.2 cm x 15.3 cm

Landscape with a triumphal arch and grape harvest, Richard Earlom, After Claude Lorrain, 1774 print London paper etching vintage, grape harvest. triumphal arch. lake (+ landscape with figures, staffage)

Rendezvous Island, Solomon Islands, Lt. James George, ca. 1755-1795, ca. 1812, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 18 1/2 × 25 5/8 inches (47 × 65.1 cm)

Landscape with Tobias and the Engel, Nicolas Perelle, 1613 - 1666 print publisher: ParisFrance paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog. landscape with ruins

Wagenbauer, Max Josef, Examples for Landscape Sketchers, Examples for the landscape artist, Sheep at a well, print, prints, height 375 mm, width 290 mm, German, 1774-07-28 - 1829-05-12, print maker, printmaker, 1823 - 1823, paper, papier, lithography (technique)

Artist: Fabio Berardi, Italian, 1728-1788, After: Giuseppe Zais, Italian, 1709-1781, Landscape with Ruins, from a series of4, ca.1740, Engraving, image: 29.7 × 40.2 cm (11 11/16 × 15 13/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Pembroke Castle, from Twelve Views in Aquatinta from Drawings taken on the Spot in South Wales. Paul Sandby; English, 1731-1809. Date: 1773-1775. Dimensions: 186 × 260 mm (image); 239 × 314 mm (plate); 353 × 525 mm (sheet). Etching and aquatint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Letitia Byrne, 1779-1849, British, Oxford, undated. Etching on medium, cream, slightly textured wove paper.

Artist: Schelte Adams Bolswert, Flemish, 1586-1659, After: Peter Paul Rubens, Flemish, 1577-1640, Farm and Stream atSunset, Etching, sheet: 27.78 × 41.28 cm (10 15/16 × 16 1/4in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Three men in a boat, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print River face with three men in a boat and two houses on the waterfront. In the background the contours of a church. Utrecht paper etching / drypoint rowing-boat, canoe, etc.. church (exterior). river. farm or solitary house in landscape

Print made by Charles Turner, 1774-1857, British, Walzen, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

A wooded landscape in which a boy (Tobias) and an angel walk., Landscape with Tobias and the angel, print maker: Gilles Neyts, (mentioned on object), publisher: Frans van den Wijngaerde, (mentioned on object), Antwerp, 1643 - 1679, paper, etching, h 127 mm × w 167 mm

Landscape with grain harvest, Giuliano Giampiccoli, After Marco Ricci, 1708 - 1759 print A river landscape with a group of farmers and peasant women who harvest grain and plow a field with the help of oxen. print maker: Italyafter design by: Italypublisher: Venice paper etching farmers. agriculture. cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). ploughing

Arcadisch Landschap, D. Nachenius, 1770 drawing paper. pencil. watercolor (paint) brush

Landscape with ball players and other figures for an inn, Pietro Antonio Martini, after David Teniers, 1774 print Numbered below: No. 81 De L'Oeuvre de Teniers. Paris paper etching / engraving inn, coffee-house, public house, etc.. ball games

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins at Rome, Landscape with herd and Corinthian capital, verso - stamped, A landscape with two shepherds, goats, cows and a horse by a fountain. In the foreground is a Corinthian capital. In the background ruins., print, prints, height 135 mm, width 135 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Print, Jacob and Laban (Il Ponti); Print Maker: William Wolleft; After Claude Lorrain (French, 1600-1682); England; engraving on white paper; 60.3 × 83.1 cm (23 3/4 × 32 11/16 in.); Bequest of George Campbell Cooper; 1896-3-345

No. 85. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Artist: Willem de Heusch, Dutch, 1625-1692, Artist, style of: Jan Both, Dutch, 1618-1652, WoodlandScene, Brush and gray watercolor and shades of gray wash over sketch in pencil, pen and brown ink, 17.5 × 23.5 cm (6 7/8 × 9 1/4in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper - Drawings andWatercolors

Non dolga alluom la frale suz natura che rovina leta caselli e mura. Artist: Joseph Wagner, German, 1706-1780 After: Giuseppe Zais, Italian, 1709-1781

When you want to make school Buissonni�re ... / 5 (title registered) | Album 1837 by Charlet. (Title of all)

Procris and Cephalus, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by George Clint, 1770-1854, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm), Plate: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm), arrow, bow, Cephalus inadvertently kills Procris, death, dog, foliage, landscape, literary theme, man, Metamorphoses, mourning, mourning of Procris, path, quiver, religious and mythological subject, tree, woman, woods

Face at Katwijk Binnen, draughtsman: Paulus Constantijn la Fargue, 1778, paper, pen, brush, h 211 mm × w 366 mm

Jephthah's return Melville, Harden Sidney, fl. 1837-1882. still image. 1864. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Biblical events, Jephthah (Biblical judge), Jephthah's daughter (Biblical figure), Chariots , To 499

Plate 29 from Blatt Baum und Landschafts Studien. Lorenz Ekemann Alesson; Swedish, 1791-1828. Date: 1805-1815. Dimensions: 320 x 230 mm (image); 470 x 320 mm (sheet). Lithograph on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

River face, draughtsman: Gerrit Toorenburgh, (mentioned on object), 1766, paper, pen, brush, h 104 mm × w 122 mm

Rijn, Rembrandt van, The milkman, Landscape with fisherman, lower right - pencil, print, prints, verso lower right, C. 13263, verso lower right - pencil, C. 1389-7500, height 64 mm, width 175 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1652, second quarter 17th century, third quarter 17th century, Eastern paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Print made by unknown artist, Collection of Prints by Notable Dilettanti, ca. 1780. Etching.

In a landscape, hunters on horseback ride along the road. Some of them rest in the grass with the hunting dogs. On the jetty is a fisherman with a fishing net. At the bottom in the margin a two-line verse in Dutch and a two-line verse in French. Numbered bottom right: 1. Print from a series of different months, also depicting an element or season, Landscape with hunters: the element earth Terra Landscapes with the months, elements and seasons , print maker: Pieter Nolpe, (mentioned on object), Pieter Symonsz. Potter, (mentioned on object), publisher: Matthijs van Marebeek, (mentioned on object), Amsterdam, 1669 - 1699, paper, etching, engraving, h 404 mm × w 528 mm

Face in Abstede, Abraham Rademaker, After Herman Saftleven, 1685 - 1735 drawing View in Abstede, a hamlet outside Utrecht. paper. chalk. pencil brush prospect of village, silhouette of village Abstede

Paris, Joubert, François Etienne, Moreau, Louis Gabriel, Neglected park, verso bottom center - stamped, A neglected park with a large staircase leading to a terrace., print, prints, verso center oder - stamped, height 174 mm, width 127 mm, 1740 - 1806, print maker, 1770 - 1805, third quarter 18th century, fourth quarter 18th century, first quarter 19th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1787 - 1836, publisher

Amsterdam, Schagen, Gerrit Lucasz van, Vinne, Jan Vincentsz. van der, Views Buijten Haarlem, Landscapes of the surroundings of Haarlem, copies, At 't out Verbrant Huijs, Seated figures along a row of trees and houses, verso - stamped, Two groups of seated figures along a row of trees and houses on the right. In the middle two horsemen., print, prints, height 147 mm, width 185 mm, Work conception, Northern Netherlands, 1663-02-03 - 1721-03-01, after print by, 1690 - 1690, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1642 - 1690, publisher

River face, draughtsman: Nicolaas Wicart, 1758 - 1815, paper, pen, brush, h 243 mm × w 322 mm

The flight into Egypt: altered plate from Seghers, Rembrandt van Rijn, c. 1653 print paper etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Inundated Ruins of a Monastery ca. 1824 Karl Blechen German With Caspar David Friedrich and Johan Christian Clausen Dahl, who both exerted a major influence on his art, Karl Blechen can be termed one of the leading landscapists of German Romanticism. A more overtly subjective painter, he transformed his observations of nature and architecture by means of his imagination and technical experiments. The proud medieval building in this drawingin fact hardly more than a seemingly endless wall supported by a row of arched vaultshas been overgrown by vegetation and worn away by water. The quintessentially Romantic theme of the victory of nature over man is animated by the richness of Blechen's technique: he scraped away ink to add highlights to the water and evoke the scaly surface of the stems of the trees at left. The drawing is directly related to a painting from 1824 that was unfortunately destroyed in a fire in 1931. Its nervous yet careful execution and the differences between it and

August, The Months: pl.8 Hollstein 34-45, etching, Hollstein, no. 41, State only, Jan van de Velde II (artist) Dutch, 1593 - 1641

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, 1771, Etching

Watercolor reproduction: Henryk Filipowicz (1842-work 1915), presbytery; from: "Tygodnik Ilustrowany" 1879, No. 188, (19 July), p. 45; Unknown, Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1879 (1883-00-00-1883-00-00);

Hamilton's duelling-ground.. Hunt, Charles Havens. Prints. 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Burr, Aaron, 1756-1836 , Homes and haunts, Hamilton, Alexander, 1757-1804 , Homes and haunts, Weehawken (N.J.)

Etching by Anthonie Waterloo depicting a rider on a fence, created between 1629 and 1690.

The Mineral Spring. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Marie C. Prestel, 1747-1794, German, A Country Churchyard. Verse from Gray's Elegy, 1790. Aquatint on moderately thick, moderately textured, cream, laid paper, mounted on, moderately thick, smooth, cream, wove paper.

Landscape with Road and Monument mid-18th century-early 19th century Imitator of Jean Honoré Fragonard French Long considered a drawing by Fragonard, this work is probably by an imitator whose technique is too weak to masquerade as anything else. It is likely a copy after a now-lost drawing, identical in size, sold by Edmond de Goncourt at the turn of the century.. Landscape with Road and Monument. Imitator of Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). mid-18th century-early 19th century. Pencil and pale sepia wash. Drawings

Copper engraving by Hendrik Hondius the Elder depicting the months of July and August. Produced around 1614, it shows seasonal elements, calendar representation, and human activity.

Hommeltje By Utrecht Aen de Lyydschen Rhyn 1765

Henry Ogg, active 1830, Putney from the River Side, 1830. Engraving.

Two farmers harvest hay, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print Hay is loaded onto a car. A drinking horse in the foreground. Haarlem paper etching July and its 'labours' (+ with scenes showing human occupations ~ seasons and months). hay-wagon. hay-stack. horse

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, ca. 1780, Etching

Coastal face with Ezekiel weeping about the destruction of Tire, Richard Earlom, After Claude Lorrain, 1776 print London paper etching sailing-ship, sailing-boat. cattle. coast - HH - ideal landscapes. sea (seascape). Ezekiel prophesies against Tyrus (Ezekiel 26-28) Tyrant

Landscape with a young man looking at the silhouette of a woman, Daniel Nikolaus Chodowiecki, 1793 print Berlin paper etching landscapes. youth, adolescent. anonymous historical person portrayed - BB - woman. lover with love-letter

Johannes Glauber engraved a landscape with an antique column relief between 1661 and 1726, showing natural scenery, trees, terrain, and classical architectural elements.

Print, Landscape with a Castle, ca. 1760-1780; Print Maker: Giuseppe Zocchi; After Claude Lorrain (French, 1600-1682); Italy; engraving in brown ink on white paper; 23.2 × 30.4 cm (9 1/8 × 11 15/16 in.); Bequest of George Campbell Cooper; 1896-3-342

Monument of Prince Józef Poniatowski in Leipzig. unknown, graphic artist

Decorative Border For Title Page, James Bruce, 1730-1794, British, undated, Graphite on medium, moderately textured, beige wove paper, Sheet: 12 3/4 × 15 1/8 inches (32.4 × 38.4 cm)

Hampton, Middlesex, unknown artist, nineteenth century, after unknown artist, 1809, Engraving

Ecole d'Alfort Artist's working dates 1817-1859 France. Tinted (two-stone) lithograph on white wove paper . Charles-Nicolas Lemercier

Arcadian landscape with a large stone vase and a water carrier, circular in format, executed in brown and gray ink and wash over graphite pencil.

Abbaye en Ruine au milieu des Arbes. Richard Cooper (Scotland, Edinburgh, 1740-after 1814). Scotland, 1802/1806-1807. Prints. Etching

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm), Plate: 8 1/2 × 11 3/8 inches (21.6 × 28.9 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm)

View of the Buitenplaats Vegtvliet on the Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 39. print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house Vecht. Fracture

The Months, set oftwelve. Artist: Jan van de Velde II, Dutch, 1593-1641

Pope's Villa, Print made by John Pye, 1782-1874, British, Figures by Charles Heath, 1785-1848, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and line engraving on medium, slightly textured, cream wove paper

No. 67. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Landscape with watermill and antique source, Nicolas Perelle, 1613 - 1695 print paper etching watermill in landscape. well

Arcadian landscape with two women and a dog at the waterfront. .

The Morning ca. 1765 After Joseph Vernet. The Morning. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1765. Engraving; third state of four. Jacques Aliamet (French, Abbeville 1726-1788 Paris). Prints

A country village : With cart and numerous figures in foreground , Villages, Covered wagons, Trees, Horses. Thomas Rowlandson (1756-1827). Prints and Drawings

Landscape with Mercury that steals the cattle of Apollo, Richard Earlom, After Claude Lorrain, 1776 print London paper etching city-view, and landscape with man-made constructions - II - ideal landscapes. landscape with bridge, viaduct or aqueduct - II - ideal landscapes. Mercury and Battus; Battus is bribed with a heifer as hush-money

Village face with Vijver, Cornelis Brouwer, After Allaert van Everdingen, 1782 print A village with a pond on the right in the foreground. In the background the sails and masts of ships. The print is loose in an album, see page 36. Amsterdam paper etching village. pond, pool

The Old Footbridge, Banks of the Petit Morin. Louis Auguste Lepère; French, 1849-1918. Date: 1915. Dimensions: 188 × 243 mm (image/plate); 223 × 273 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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