Rural Life and Family Scenes

Depictions of rural life in historical contexts, featuring men and women gathering resources and family groups in various settings.

Drinking man, woman and violinist, A man with raised glass in one hand and a jug in the other hand is sitting at a table with a reading woman. Around the woman's neck, a standing man, with a violin and bow in his hand, has put his arm, one person with musical instrument, not playing, glass, rummer, container or ceramics: jar, jug, pot, vase, violin fiddle, Wybrand Hendriks (mentioned on object), unknown, c. 1759 - 1831, paper, etching, h 114 mm × w 103 mm

A man and two women gather firewood while a family group rests together on the ground. The artwork was created in 1819 by George Morland (1763-1804), and is published by M.A. Nattali in London. It features British clothing and dress, figure drawing, and landscape painting, depicting country life and the rural population of Great Britain. The etching measures 28 x 18 cm

Giovanni Battista Tiepolo (aka Giambattista Tiepolo) (Italian, 1696 - 1770). Seated Magician (Le Magician Assis et Observant des Cranes), 1737. Etching. First state, before the number.

A Father and his Family. Charles Émile Jacque (French, 1813-1894); after Adriaen van Ostade (Dutch, 1610-1685). Date: 1844. Dimensions: 122 × 90 mm (image); 133 × 100 mm (chine); 155 × 109 mm (plate); 297 × 216 mm (sheet). Etching on buff China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Joseph Telling his Dreams, 1638. Rembrandt van Rijn (Dutch, 1606-1669). Etching with drypoint; platemark: 11.2 x 8.4 cm (4 7/16 x 3 5/16 in.).

Diogenes searching for a honest man ca. 1645-47 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Diogenes searching for a honest man 393218

Kneeling monk and woman for a man at a stable, Louis Michel Halbou, After Sigmund Freudenberger, 1781 - 1782 print Bern paper etching barn. kneeling figure

Father with child on their lap in Interieur, Adriaen van Ostade, 1648 print A father gives a small child to eat on his lap, the mother stands by the fireplace where a pot hangs above the fire. A small child is sitting on the floor at a stool to eat. This farmers family is situated in a poor interior with various household attributes and a box bed in the background. paper etching / drypoint (family) meal. father and child(ren), man and child(ren) (family group)

Drawing by François Boucher depicting soldiers in a store, executed with brown feder and brush with reddish lavation, dated 1723.

The Rat Catcher, Anonymous, After Rembrandt van Rijn, After 1632 print paper etching rat exterminator

Drinking man, woman and violinist, A man with raised glass in one hand and a jug in the other hand is sitting at a table with a reading woman. Around the woman's neck, a standing man, with a violin and bow in his hand, has put his arm, one person with musical instrument, not playing, glass, rummer, container or ceramics: jar, jug, pot, vase, violin fiddle, Wybrand Hendriks (mentioned on object), unknown, c. 1759 - 1831, paper, etching, h 114 mm × w 103 mm

Harmensz van Rijn Rembrandt (1606-1669). "Abraham and Isaac (B 34 - single condition), 1645". Museum of Fine Arts of the City of Paris, Petit Palais. 26993-16 Old Testament, Bible, Catholic, Christian Chretian, Child, Family, Patriarch, Father Fils, Biblical Scene

Farmers' family in a tavern cellar, drawn by Cornelis Pietersz. Bega with black chalk on parchment.

Amsterdam, Schenk, Leonard, Lairesse, Gerard de, unknown, Glauber, Johannes, Biblical, mythological and allegorical representations, Adoration of the Magi, verso center bottom - stamped, Mary and Joseph show the Christ child to the three wise men and their entourage. They offer the child their gifts. The king in front kisses the child's feet. In the background, the star that guided them. The print is part of a series with biblical, mythological and allegorical representations., print, prints, height 284 mm, width 382 mm, 1646 - 1726, print maker, printmaker, 1656 - 1726, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1641 - 1711, after a design by, Publication (Event), Publication, 1696-02-26 - 1767-06-11, publisher

St. Peter Recognized by a Servant Girl. Artist: Leonaert Bramer (Dutch, Delft 1596-1674 Delft). Dimensions: 8 1/4 x 6 3/16 in. (20.9 x 15.7 cm). Date: 1611-74. Museum: Metropolitan Museum of Art, New York, USA.

Figuren Oostersse Figuren; Collection of eighty-five original prints.The print is part of an album.

The reinforcement of Hagar and Ismaël. At the request of his wife Sara Versted Abraham his firstborn son Ismael and his mother Hagar. Abraham stands for his house and sends Hagar and their son Ismaël away. Hagar cries and dries the tears with a cloth.

In front of an inn, a quack (dentist) treats a man. The patient has clenched his fists. A group of bystanders stand around the spectacle., Dentist, print maker: Jan van Somer, (mentioned on object), after: Jan Both, (mentioned on object), 1655 - 1700, paper, h 271 mm × w 212 mm

The strolling musicians, circa 1635, by Rembrandt van Rijn.

After Rembrandt van Rijn, Three Oriental Figures (Jacob and Laben), 1762, etching on paper.

The Quack 1610-85 After Adriaen van Ostade Dutch. The Quack 396317

Rhine, Rembrandt van, Street musicians, verso lower left - stamped, print, prints, height 139 mm, width 116 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1637, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Italy, Britto, Giovanni, Venice, Titian, Adoration of the Shepherds, verso - stamped, Under a canopy the shepherds adore the Christ Child lying in a manger. Mary and Joseph are standing by the Child. On the left are two boys and in the background a landscape., print, prent, prints, prenten, height 396 mm, width 497 mm, Italian, 1488 - 1576-08-27, print maker, printmaker, 1535 - 1540, second quarter 16th century, paper, papier, ink, inkt, houtsnede, pen, 1500 - 1550, block cutter

A standing sailor talking to a seated Levantine ca. 1660 Stefano della Bella Italian. A standing sailor talking to a seated Levantine 375745

In a landscape with a tree sits a woman with a cap on her head. Beside her stands a man who rests his right arm on a bird cage and holding his hand for the birdhouse, print maker: Hendrik Kuipers (mentioned on object), Dating 1789.

Smoking and drinkers Adriaen van Ostade (1610-1685). Smoking and drinkers. Forte, circa 1646.

The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers: joueurs de trompes et de musette 1754 Etienne Fessard From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoires scenes were set into trompe loeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessards suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin 59.570.49. The print depicting the ceiling (Caviglia-Brunel, 2012, under *P.195, p.360) is missing from the Mets set.. The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers: joueurs de trompes et de musette. Etienne

Rembrandt van Rijn (1606-1669), Christ PAA Oliebjerget, About 1657

Beggar who eats grapes, Thomas Wijck, 1626 - 1677 print Scene from the anonymous Spanish shell novel Lazarillo van Tormes. The young Lázaro steals grapes from a poor blind beggar. A bridge in the background. paper etching beggar. bunch of grapes. male literary characters (with NAME)

Lydia Bates, A Fellow of Maudlin, 1784 A Fellow of Maudlin

The Pebble Trigger, draughtsman: Adriaen van Ostade, c. 1675 - c. 1699, paper, pen, brush, h 180 mm × w 247 mm

Man pays his costs to wife in an inn, Adriaen van Ostade, 1648 - 1653 print Interior of an inn with a farmer who has been incurred with a woman. Through the windows and a semi -opened door, light also falls inside on a group of men by the fireplace at the back of the departure. Haarlem paper etching inn, coffee-house, public house, etc.. indoor recreation (+ paying, settling the bill ~ indoor recreation)

Three farmers sitting around a bench, Jonas Suyderhoef, After Adriaen van Ostade, 1647 - 1652 print Interior with three farmers, who are sitting around a bench. The man on the left plays the violin, the man on the right raises the glass and the man in the middle holds a pipe in his hand. At the bottom of the margin a four -line verse in Dutch. paper engraving violin, fiddle. glass, rummer. interior of the house. pipe ~ tobacco

Eyeglass Merchant 1610-85 After Adriaen van Ostade Dutch. Eyeglass Merchant 396311

The Spectacle Seller 1610-85 Adriaen van Ostade Dutch. The Spectacle Seller 396244

Rhine, Rembrandt van, Saint-Non, Richard de, Street musicians, print, prints, height 152 mm, width 122 mm, 1727 - 1791-11-25, print maker, printmaker, 1771 - 1771, paper, aquatint, etching, etchings, hand colouring, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Three Eastern figures, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Pulcinella Als Schoolmeester, Filippo Vasconi, After Pier Leone Ghezzi, 1719 print Pulcinella as a schoolmaster in an interior. Pulcinella is left with donkey and reading and writing children. A young man will vomit above a bed. On the right Pulcinella's wife with a spinning skirt and a maid with two children. Italy paper etching Types in 'Commedia dell'Arte': Pulcinella. Stage. vomiting

Hearing; T 'hearing; Five senses. The sense of sense portrayed with two singers who broken the ears of the listeners with their song. The text of four lines under the image floats the spot with the sense.

Eyeglass Merchant. Artist: After Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 4 3/16 × 3 3/8 in. (10.7 × 8.6 cm). Date: 1610-85. Museum: Metropolitan Museum of Art, New York, USA.

The Smoker and the Drinker. Adriaen van Ostade (Holland, Haarlem, 1610-1685). Holland, 1650 (). Prints; etchings. Etching

The assembly near the fireplace (Hollstein 23) Bega, Cornelis Pietersz. The assembly near the fireplace (Hollstein 23). Etching.

Spinner., 1631-1677, by Thomas Wyck. Gift of Bishop Monrad, 1869.

Jewish woman from Algiers, Eugène Delacroix, 1833 print paper. etching Phrygian bonnet. symbols, religious and magic concepts, occupations, fashions, realities, general ideas ~ Judaism and Jewry. clothes, costume

The Circumcision: Small Plate Rembrandt (Rembrandt van Rijn) Dutch ca. 1630

. Etching on paper

Street musician with violin and dancing dog, Jan Chalon, 1748 - 1795

A Jewish Woman of Algiers, 1833. Eugène Delacroix (French, 1798-1863). Etching with chine collé;

The Entombment, c. 1654. Rembrandt van Rijn (Dutch, 1606-1669). Etching; sheet: 21.4 x 16.4 cm (8 7/16 x 6 7/16 in.); platemark: 21 x 16 cm (8 1/4 x 6 5/16 in.).

Farmer's wife in a shed comes down the stairs, Willem Linnig (II), 1861 print paper. etching barn. farmers - AA - female farmer, farmer's wife

Peter and John Healing the Cripple at the Gate of the Temple. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1658-1659. Dimensions: 180 x 218 mm (image/plate); 182 x 220 mm (sheet). Etching with drypoint in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Man with a goose in a farmer's interior, Daniël Vrevalwaard (I), After Jacob Smies, 1802 - 1809 print A man with a goose on his lap sits at a table in which three more figures, in a farmer's interior. Top right: pl. Iv. Bottom right: p. 184. Haarlem paper etching political caricatures and satires. farmers. kitchen-interior. water-birds: goose

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), two seated pilgrims and a peasant lying on a belly. Sixth number of a series of 13 pieces (A. de Vesme 109. Dutuit 85) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Jacob Hogg, active 1751, British, Canterbury Tales: Three Gamblers and Time (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968).

Ruin with reading man surrounded by nine figures, Jacques Dassonville (attributed to), 1629 - 1670 print France paper etching / engraving ruin of a dwelling, house, castle, etc.. reading

Marriage of Medoro and Angelica.

A farmer shows a dentist his wide-open mouth. Two children and his wife, sitting on the ground to the left, look on anxiously., Dentist, print maker: Jacob Gole, Cornelis Pietersz. Bega, Amsterdam, 1670 - 1724, paper, h 257 mm × w 188 mm

A standing sailor talking to a seated Levantine ca. 1660 Stefano della Bella Italian. A standing sailor talking to a seated Levantine. Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1660. Etching; second state of two. Prints

Christ seated disputing with the doctors., 1654, Netherlands, by Rembrandt van Rijn. Gift of Sir John Ilott, 1952.

Girl from Hoorn, Van Opzij, Gillis van Scheyndel (I), After Willem Pietersz Buytewech, 1645 - 1670 print A young woman from Hoorn, dressed in traditional costume, stands next to a house on the waterfront. There is a boat with hay in service. The print is part of a series of eight young women in North Holland traditional costumes. Amsterdam paper etching / engraving folk costume, regional costume Zijpe and Hazepolder

Rijn, Rembrandt van, Peter and John healing a cripple at the temple gate: roughly etched, verso lower left - stamped, print, prints, height 221 mm, width 169 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1627 - 1631, second quarter 17th century, second quarter 17e century, paper, etching, etchings, Work conception, after own design by

Artist, attributed to: Ferdinand Bol, Dutch, 1616-1680, Artist, formerly attributed to: Gerbrand van den Eeckhout, Dutch, 1621-1674, King Ahasuerus and Queen Esther Acknowledging Mordecais Role in Saving the Jews, ca. 1645-52, Pen and brown ink and brown wash, sheet: 20.5 × 29.8 cm (8 1/16 × 11 3/4 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors

Two figures in a blacksmith, Jan Luyken, 1689 print Amsterdam paper etching / letterpress printing smith, blacksmith. smith, blacksmith (+ indoors; in laboratory, factory, barn, etc.)

Oriental standing and sitting, Job and his Friends, draughtsman: Aert de Gelder, draughtsman: Rembrandt van Rijn, (rejected attribution), draughtsman: Willem Drost, (rejected attribution), 1640 - 1690, paper, pen, h 178 mm × w 166 mm

Krijgsman is seated with a woman under a gallows, Guillaume Joseph Vertommen, 1842 print paper etching the soldier; the soldier's life. instruments of torture, execution or punishment: gallows. adult woman. adult man

Etching by Rembrandt from 1654 depicting a young Jesus sitting beneath a scribe, showing posture, gesture, and facial expression in a biblical scene.

Departure of Tobias and the Angel, Rembrandt van Rijn (copy after), c. 1645 - c. 1650, draughtsman: Rembrandt van Rijn, (copy after), Amsterdam, c. 1645 - c. 1650, paper, pen, h 192 mm × w 171 mm

A man at a kitchen table speaks to an attentive listening crowd. Behind him a large fireplace. On the floor a pitcher, baskets, an axe and a toppled stool, Man Speaking to a Company, print maker: Pieter Cornelis Nicolaas van de Poll, 1835 - 1892, paper, etching, h 127 mm × w 146 mm

Sinterklaas evening, Santa-Claus, Simon Andreas Krausz, 1770 - 1825

Abraham and Isaac 1645 Holland. Etching and drypoint on white laid paper . Rembrandt van Rijn

Abraham and Isaac (reverse copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 6 1/4 in. × 5 in. (15.9 × 12.7 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Map playing soldiers, Cornelis Bloemaert (II), After Abraham Bloemaert, after c. 1625 print Three soldiers play a card game under a tree. With two -way Latin caption. paper engraving Pastoral, Arcadian Scenes

Gaetano Zompini, after Giovanni Benedetto Castiglione, Chiron Teaches Geography to Achilles, 1758 1759 Chiron Teaches Geography to Achilles

Illustration for the 'Works of J.P.C. Florian'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1796. Prints; etchings. Etching

Family in front of a house. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1873. Measurements: h 141 mm × w 127 mm. Museum: Rijksmuseum, Amsterdam.

Lazio Roma Rome S. Maria in Domnica8. Hutzel, Max 1960-1990 Exterior views of facade and arcade of Renaissance church founded on remains of Roman construction in 7th c. Views of neighborhood portals. Interior views of nave, altar, carved wooden ceiling, 9th c. mosaics, apse fresco by Lazzaro Baldi. Views of crypt statue and fragments of Medieval pluteus. Antiquities: 2 Roman sarcophagi General Notes: Views of Fontana della Navicella, which stands in front of the church, have been extracted from this numerical sequence and stored in separate file. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

The Raising of Lazarus: SmallPlate. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

The Adoration of the Shepherds: With the Lamp Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). The Adoration of the Shepherds: With the Lamp, ca. 1654. Etching on laid paper, Plate: 4 1/8 x 5 1/16 in. (10.5 x 12.9 cm). European Art ca. 1654

Christ and the Woman of Samaria Among Ruins, Rembrandt van Rijn, 1634 print paper etching the woman of Samaria (John 4:4-42)

Holy Family. After Luca Cambiaso; Italian, 1527-1585. Date: 1568-1572. Dimensions: 265 x 193 mm. Pen and brown ink with brush and brown wash, and traces of graphite, on cream laid paper, laid down on tan laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Healing the blind Tobias; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

The Old (Bartsch 2) Honey, Jan. The old (Bartsch 2). Etching.

Four figures in a ruin, Gerrit Groenewegen, 1764 - 1826.

Three Women and a Child on a Roof. Artist: Adrian Ludwig Richter (German, Dresden 1803-1884 Dresden). Dimensions: 3 7/16 x 4 7/16 in. (8.8 x 11.2 cm). Date: 1820-84. Museum: Metropolitan Museum of Art, New York, USA.

The Stoning of St. Stephen. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Wael, Cornelis de, North Netherlands, Schaep, M., Harbor scenes, Barber shaving a sailor, verso lower left - stamped, In the middle a barber is shaving a sailor. On the left some slaves are watching. On the right two men are sitting on a bench. An older man is standing next to them. Behind the barber, a cloth canopy hangs from the roof of a building., print, prent, prints, prenten, height 115 mm, width 149 mm, print maker, prentmaker, 1649 - 1649, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1592-09-07 - 1667-04-21

Deucalion and Pyrrha create a new human breed; Metamorphoses from Ovid. The water of the flood has dropped and Deucalion and Pyrrha get their face to cover their face at the Temple of the Oracle Themis. In the background they throw stones behind that in people.

The Drunken Couple, Cornelis Dusart, Netherlandish, 1660-1704, Etching on laid paper, Before an inn, a couple revel, tankard and flask in hand. Other figures picnic in the background., Netherlands, 1685, figures, Print, Print

Hearing; The five senses. A man stands on and to sing stool. There are spectators around him. Under the show a two-legged fresh in Dutch. The print is part of a series of five prints with the five senses.

Comedy, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds" December 8, 1778 Etched and published by John Hamilton Mortimer British. Comedy, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds" 407884

Peasant Couple Dancing. Barthel Beham; German, 1502-1540. Date: 1524. Dimensions: 56 x 39 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Board Farmers Men and Women at the table for a house, Matthias Scheits, 1676 print paper etching farmers

Pilate Washing His Hands, from The Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm). Date: 1512. Museum: Metropolitan Museum of Art, New York, USA.

Death of Goetz von Berlichingen. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Block: 8 9/16 x 5 3/4 in. (21.8 x 14.6 cm)Sheet: 10 11/16 x 7 1/2 in. (27.1 x 19.1 cm). Series/Portfolio: Goethe, Goetz von Berlichingen. Date: 1845.The subject of this print is based on a scene in Goethe's play (published in German in 1773; and French in 1823) that tells the story of the life of a German knight (1480-1562) who fought to regain the privileges of free knights, nullified by the emperor Maximilian I in 1495. Museum: Metropolitan Museum of Art, New York, USA.

Man and wife in hug with a standing man behind them, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving embracing each other, kissing

Magician under a parasol. An googcher or quacks standing under a parasol at a table with objects. A number of audience around the table.

August; The twelve months of the year, "Les XII Mois de l'Année". In a barn a farmer grain thirsty with a threshing leg. Next to him pours a woman in a bag. Two farmers in the background. The print is part of a series of twelve prints with the twelve months of the year.

Portret van Heinrich Eberhard Gottlob Paul. .

A hunchbacked beggar The beggars. 1632. Vliet, Jan Joris van der, b. ca. 1610. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Beggars

Farewell to David and Jonathan, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching David and Jonathan embracing; David's leave-taking from Jonathan

Paulus for Agrippa, Pieter Fransz de Grebber (attributed to), 1610 - 1652 drawing paper. chalk brush / counterproof

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