Rural Life and Landscape Sketches

Sketches capturing rural life and serene landscapes, depicting scenes with people, nature, and structures in varied pen and ink styles.

Landscape with a group of people and a castle, Esaias van de Velde (Possible), 1600 - 1630 drawing Landscape with a group of people in the foreground and in the background a castle. paper. chalk brush farm or solitary house in landscape. farm or solitary house in landscape

Sheet of Sketches. Denis Auguste Marie Raffet (French, 1804-1860); published by Chez Gihaut Frères (French, 19th century). Date: 1829. Dimensions: 195 × 301 mm (image); 253 × 342 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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Capt. Thomas Hastings, 1778-1854, British, Clevedon, 3 August 1845, 1845. Graphite on medium, slightly textured, cream wove paper.

Landscape with a group of people and a castle, Esaias van de Velde (Possible), 1600 - 1630 drawing Landscape with a group of people in the foreground and in the background a castle. paper. chalk brush farm or solitary house in landscape. farm or solitary house in landscape

View of a Port. Dimensions: overall: 16.2 x 21.7 cm (6 3/8 x 8 9/16 in.). Medium: pen and black ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: European 18th Century.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of eight marines engraved in 1634. Three men standing on the shore. Third piece (A. de Vesme 812. Dutuit 31) (Main title), 1634. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Plain (La plaine). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sleden by the banks of a frozen river, Jacob Ernst Marcus, 1784 - 1826 drawing paper. ink. pencil. chalk pen / brush horse-sleigh

Landscape with Figures and Camp Site. Artist: Attributed to Josua de Grave (Dutch, Amsterdam 1643-1712 The Hague). Dimensions: 5 1/8 x 7 1/2 in. (13 x 19.1 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Five figures resting for a farmhouse, Jan van Goyen, 1651 drawing paper. chalk brush farm or solitary house in landscape. (traveller) resting in the open air. animal traction, animal-drawn vehicle (carriage etc.)

Attributed to William Frederick Wells, 1762-1836, British, Landscape with Figures and Cattle, 1787. Graphite on medium, slightly textured, blued white laid paper.

Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), The Campagna, undated. Graphite, gray wash and blue wash on medium, slightly textured, cream laid paper.

River face with mills and ships.page 50 from a sketchbook with 80 pages.

William Miller, 1796-1882, British, Marly, 1831. Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray chine colle.

La Terre, from The Elements. Artist: Reinier Nooms, called Zeeman (Dutch, Amsterdam ca. 1623-1664 Amsterdam). Dimensions: sheet: 3 1/8 x 7 9/16 in. (8 x 19.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The edges of the Scheldt. / 4 (title registered) | Sketch by Charlet. (Title of the whole)

York town. York town

Out of study window , Cities & towns. Francis Seymour Haden (1818-1910). Prints and Drawings

L'Ile aux Moines with Figure and Cart. Dated: c. 1858. Dimensions: sight size: 22.5 x 39.5 cm (8 7/8 x 15 9/16 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: Eugene Boudin.

Castle Bentheim. Draughtsman: Jacob Isaacksz. van Ruisdael (possibly). Dating: 1638 - 1682. Measurements: h 141 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

View of Nijmegen from the north, Jan Ruyter, After Cornelis Pronk, 1726 - 1744 print Face over the river Waal on the city of Nijmegen, with the Sint-Stevenskerk on the right and the Valkhof on the left. In the foreground some cows and various figures. Amsterdam paper etching prospect of city, town panorama, silhouette of city. cow. sailing-ship, sailing-boat Valkhof. Waal. Sint-Stevenskerk. Nijmegen

View of Monte Testaccio in Rome (artificial mound composed of pieces of broken amphorae); in the centre of the composition, on the battlefield, riders and pedestrians with animals, surrounded by spectators.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Wagon with stylishly dressed ladies and gentlemen passes a cabin and two beggars, Wagon at a cabin., draughtsman: Pieter de Molijn, 1650 - 1660, paper, h 118 mm × w 189 mm

In the earliest Tyden of Batavieren, Anonymous, c. 1789 - c. 1810 drawing Netherlands paper. ink pen / brush extinct, 'historical' peoples (with NAME)

In Schellingwou, 1722 - 1784 copper (metal) etching

Orfordness, James C. Allen, active 1821-1831, British, after Joseph Mallord William Turner, 1775-1851, British, ca. 1830, Line engraving and etching on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm), Plate: 8 7/8 × 12 5/8 inches (22.5 × 32.1 cm), Chine collé: 8 7/16 × 12 3/16 inches (21.4 × 31 cm), and Image: 7 × 9 7/8 inches (17.8 × 25.1 cm)

Rijn, Rembrandt van, The landscape of the gold weigher, The view of Bloemendaal with the Saxenburg estate, verso bottom center - pencil, print, prints, Rembrandt. 1651, bottom left, verso bottom left, From the John Barnard Colln, verso center - pencil, K 5011, C 5309, verso bottom left - pencil, C. 13267, height 121 mm, width 319 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

The month July, July, draughtsman: Hermanus Numan, 1754 - 1820, paper, pen, brush, h 117 mm × w 186 mm

Herdsmen in an ItalianLandscape. Artist: Nicolaes Berchem, Dutch, 1620-1683

Southern landscape with partying company and antique column. Southern, hilly landscape. Left is a partying company around a table. A figure is on his head; A love couple is sitting on the edge of a basin. In the middle of the foreground a walking couple, right some riders and hunters with dogs. The center plan prominently shows an antique column with a putto, a naked figure and a half-broken antique image. In the background a panoramic art landscape is portrayed with a city on a bay. Boats and swimming figures are proposed in the water.

Visscher, Claes Jansz. (II), Avercamp, Hendrick, Amsterdam, Jelissen, Meynert, Landscapes, Landscape with antique ruins, recto top right - handwritten in brown ink, Hilly landscape with antique ruins and various figures. In the background ships on the water. Print from a series of six with landscapes., print, prent, prints, verso - stamped, 9, height 153 mm, width 255 mm, print maker, prentmaker, 1610 - 1614, paper, papier, engraving, engraving (printing process), 1585 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

River face with a boat pulled by four men, Jacob Esselens, 1636 - 1687 drawing paper. chalk brush

Landscape with Church. Dated: first half 19th century. Dimensions: overall: 15.5 x 23.2 cm (6 1/8 x 9 1/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: John Sell Cotman.

Visition with a road in the foreground, Aert de Gelder, 1690 - 1710 drawing paper. ink pen

Landscape with cattle drivers and cattle walking over a stone bridge, Richard Earlom, After Claude Lorrain, 1774 print In the distance an idealized view of Tivoli. London paper etching cattle driving, cattle driver. landscape with ruins. landscape with bridge, viaduct or aqueduct Tivoli

River Landscape with Wagons on a Road near a Village. Artist: Joos de Momper the Younger (Netherlandish, Antwerp 1564-1635 Antwerp). Dimensions: Sheet: 9 1/4 x 14 9/16 in. (23.5 x 37 cm). Date: late 16th-mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

A polder landscape with an open gate on the right at night. In the ditch a boat and on the horizon a windmill, Landscape with boat and open gate, print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1828, paper, etching, h 98 mm × w 150 mm

A view of Portsmouth in Piscataqua River. Aquatint with etching. Title in manuscript. Depicts two figures standing on the banks of the river in the foreground; the figure on the left is pointing with his left arm. From the author's Atlantic Neptune. Variant of number 479 in Donald H. Cresswell's The American Revolution in drawings and prints.. The heavily forested areas of New Hampshire contributed to a thriving lumber and shipbuilding business on the Piscataqua River. As seen in this detail view of Portsmouth, N.H., the city grew into a bustling port after the French and Indian War, and was a key supplier to the mast trade and the shipbuilding industry on the eastern seaboard. The town also exported fish and other provisions to sugar plantations in the Caribbean. Samuel Holland, Surveyor General for the Northern District, relocated from Québec to Portsmouth in 1770 to begin the survey of New England, a task that would take the next five years to complete... , New Hampshire , Rockingh

fine arts, Barlach, Ernst (1870 - 1938), graphic, ""Zwischen Charkow und Belgorod"" (Between Kharkov and Belgorod), charcoal drawing, 27.2 cm x 34.7 cm, 1906, Kunsthalle Kiel,

Schjerfbeck, Helene, work, Sitting boy, sculpture, 1877-1878, pencil on paper, drawing, 23.3 cm x 26 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), Coach And Highwayman, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Two men conversing on a path and a rider galloping at a round tower in a river landscape, On the horizon sailing ships, print maker: Jan van de Velde (II), Dating 1639 - 1641.

La Chamarere; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Estonia, Frasik, Tadeusz-collection, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni-Illustrations, Vernet, Claude-Joseph (1714-1789), French (culture), landscapes, purchase (provenance)

Max Klinger, Intermezzi, Opus IV, Bl. 10: Simplicius in der Waldeinode (Simplicius in the Wilderness), 1881, etching and aquatint on paper.

Bath coaches in Scheveningen, Pieter Bartholomeusz. Barbiers, 1822 drawing paper. chalk. ink pen / brush beach (as place of recreation) Scheveningen

Design for a Frontispiece: Allegorical Landscape, Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), undated, Graphite, with red chalk, incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, beige laid paper with gold leaf, watercolor, pen in black and red ink, border lines, Mount: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm), Contemporary drawn border: 7 1/4 × 5 3/8 inches (18.4 × 13.7 cm), and Sheet: 5 1/2 × 4 inches (14 × 10.2 cm), allegorical, design, figures (illustrations), frontispiece (illustration), genre subject, landscape

Careers in America in Belleville Jules Beldame. Careers of America in Belleville. Drawing.

Artist: Anthonie Waterloo, Dutch, 1610-1690, Le village au bord ducanal, Etching, 11.1 × 20.9 cm (4 3/8 × 8 1/4in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Rijn, Rembrandt van, Bretherton, James, Landscape with three gabled cottages beside a road, verso - stamped, print, prints, height 162 mm, width 202 mm, English, 1750 - 1781, print maker, printmaker, 1760 - 1781, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Draftsman for farm, Cornelis Ploos van Amstel, after Abraham Furnerius, after Gerbrand van den Eeckhout, 1767 print A draftsman is sitting on a bench in front of a farm. Two people lean on the lower door. Amsterdam paper etching farm (building). draughtsman at work - CC - out of doors

Breenbergh, Bartholomeus, unknown, Ossenbeeck, Jan van, Landscape with a sarcophagus and a fountain, verso - stamped in black ink, print, prints, verso - stamped, height 120 mm, width 165 mm, Northern Netherlands, 1624 - 1674-03-30, print maker, printmaker, 1647 - 1674, paper, papier, etching, etchings, Work conception, 1599 - 1657

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of twelve landscapes. A peasant carrying a package on his left shoulder at the end of a stick. Seventh number of a suite of 12 rooms. (A. de Vesme 775; Dutuit 147) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Pencil sketches by Heinrich Bürkel depicting jumping deer and figures on a fountain located on a bend, showing natural and architectural forms, around 1865.

Ice entertainment on a river near a city, Anonymous, 1600 - 1700 print Ice entertainment on a frozen river near a city. On the left in the foreground, a farmer and farmer's wife are watching the skating riders. On the right a skating driver falls back on the ice. In the background a corpse hangs on the gallows. On the other side of the Bervoren River a city. Netherlands paper engraving winter sports. city-view in general; 'veduta'

Lange Ludwig (1808-1868), antique debris (without dat.): Perspective view. Pencil watercolored on paper, 16 x 18.7 cm (including scan edges)

West Cowes, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)

Out of Study Window, Francis Seymour Haden, 1818-1910, British, 1859, Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper, Sheet: 9 3/4 x 14 5/16 inches (24.8 x 36.3 cm), Plate: 4 1/4 x 10 3/16 inches (10.8 x 25.9 cm), and Image: 4 1/4 x 10 3/16 inches (10.8 x 25.9 cm), buildings, city, cityscape, clouds, distance, landscape, rooftops, sky, skyline, spires, steeples, towers, trees, Brompton, Chelsea, England, Europe, Kensington, London, United Kingdom

De Pont, Alexander Schaepkens, 1831 - 1888 print paper etching ferry

Batavia, 1868. Johan Barthold Jongkind (Dutch, 1819-1891). Etching;

Francis Seymour Haden, 1818-1910, British, Fulham, after 1858. Etching and drypoint on medium, slightly textured, cream laid paper.

The Submersion of Pharaoh's Army in the Red Sea, 1514-15, printed 1549. Titian (Italian, c. 1488-1576), published by Domenico dalle Greche (Italian, 1503-1603). Woodcut; unframed: 40 x 55 cm (15 3/4 x 21 5/8 in.). This composition is made up of twelve separately printed woodcuts to create one image in grand scale. The size rivals that of a history painting, and, unlike most prints, the composition would have been hung on the wall. This is confirmed by the complete lack of complete impressions from the date of the print's creationaround 1515. This and all extant impressions date from a later edition, published in 1549 by the publisher Domenico dalle Greche (Italian, active 1543-1558). The woodcut is based on a drawing by the Venetian master Titian, and the bold, expressive, and irregular marks of the woodcutter imitate his drawing manner. The narrativethat of the Israelites’ persecution under the Egyptian pharaoh and his army’s fate when they followed Moses into the Red Seais propel

Polder landscape with fishermen, draughtsman: Pieter Coopse, 1668 - 1677, paper, pen, brush, h 136 mm × w 200 mm

Landscape. Artist: Unknown

Faces on Emmerik on the Rhine, 1736, Paulus van Liender, after Jan de Beijer, 1762 print Two faces on the German city of Emmerik, located on the Rhine. In the foreground lands with cattle and farmers. Two performances of one plate. paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). prospect of city, town panorama, silhouette of city Emmerik. Rhine

Veer, Jan van Goyen, 1606 - 1656 drawing Group of people in a rowing boat. Possibly a design for a print. paper. ink pen ferry

Brown ink and gray wash drawing with black chalk by Richard van Orley showing a hay cart traveling toward a barn along a rural path.

Twelve landscapes. Plate L: The sentry-box on the wall., Anthonie Waterloo, artist, 1640-1690, etching

Tavern on the Way to Billancourt. Louis Auguste Lepère; French, 1849-1918. Date: 1905. Dimensions: 164 × 253 mm (image); 177 × 262 mm (plate); 210 × 306 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fair in a village, intermediary draughtsman: Jan van Goyen, draughtsman: anonymous, 1653 - 1700, paper, h 190 mm × w 325 mm

Beach scene withdory. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

James C. Allen, active 1821-1831, British, Aldborough, ca. 1830. Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream, wove paper, with gray, chine colle.

Bauer, Marius, Pilgrims in Mecca, printed, Figures on horseback and with laden camels in a city with several mosques., print, prints, verso - stamped, height 98 mm, width 348 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1892 - 1892, paper, papier, etching, etchings, plate tone

Etched by Joseph Mallord William Turner, 1775-1851, British, The Straw Yard, 1808. Etching and mezzotint, printed in brown ink, with scraping, brown ink, and brown wash Engraver's proof (aa) on medium, slightly textured, cream wove paper.

Face at Verona, draughtsman: Carel Vosmaer, 1895, paper, h 283 mm × w 412 mm

Southampton, Capt. Thomas Hastings, 1778-1854, British, 1826, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 10 3/8 inches (17.5 × 26.4 cm)

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Ploos van Amstel, Cornelis, Berchem, Nicolaes Pietersz., Körnlein, Johannes, Amsterdam, Woman on a mule, verso - stamped, A woman rides a mule along a river. Next to the donkey are cows, sheep and a goat. On the water a barge., print, prints, height 150 mm, width 229 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, supervision, 1769 - 1769, paper, paper drawing, crayon method, carbon copy, roulette, - 1772, print maker, printmaker, 1620 - 1683-02-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Nymphenburg. Dated: 1818. Dimensions: plate: 12 × 16.7 cm (4 3/4 × 6 9/16 in.) sheet: 20.4 × 29.9 cm (8 1/16 × 11 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Wilhelm von Kobell.

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Figure in Tree near Pond, undated. Black chalk and gray wash with white gouache on medium, slightly textured, cream laid paper.

VillageFair. Artist: Louis-Adolphe Hervier, French, 1818-1879

Mr. Hawks thinks he had Better Turn Back, Hablot Knight Browne, 1815-1882, British, undated, Graphite and black chalk, Sheet: 4 1/4 x 7in. (10.8 x 17.8cm) and Frame: 9 15/16 × 12 9/16 × 13/16 inches (25.2 × 31.9 × 2 cm), animal art, horses (animals), leisure, sporting art

Loevestein, Jan de Beijer, 1750 drawing paper. ink. chalk pen / brush castle Slot Loevestein

Spring. Dated: c. 1832. Dimensions: plate: 15.4 x 25.5 cm (6 1/16 x 10 1/16 in.) sheet: 27 x 38 cm (10 5/8 x 14 15/16 in.). Medium: mezzotint on laid paper proof. Museum: National Gallery of Art, Washington DC. Author: David Lucas after John Constable.

Figures and ducks for a half-timbered house. Leaf 31 Recto from a sketchbook with 44 sheets.

Lazio Roma Monterotondo Palazzo del Municipio. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

III.Eme Vüe of Livorno Widmung: Dedicated to His Royal Highness Monseigneur The Archduke Pierre Leopold Royal Prince of Hungary and Boheme Archduke of Austria Grand Duke of Tuscany &. &. &.

A Mill by a Waterfall, Joseph Farington, 1747-1821, British, undated, Pen, brown ink, brown wash, gray wash, white gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 7 3/4 inches (14.6 × 19.7 cm), hills, house, landscape, mill, river, trees, waterfall

View of a harbor with a tower on the Waterkant, Anonymous, 1700 - 1799 print paper. cardboard. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). harbour. rowing-boat, canoe, etc.. sailing-ship, sailing-boat. tower, clock tower ~ monumental adornment

Skaters on the River Vecht, near Maarssen, with the Estates of Daelwijck and Vechthoven in the Distance, Abraham Rutgers, c. 1682 - c. 1699, draughtsman: Abraham Rutgers, draughtsman: Johannes Leupenius, (rejected attribution), Maarssen, c. 1682 - c. 1699, paper, pen, brush, h 191 mm × w 306 mm

Pieter de Molyn's drawing depicts a sloping terrain in front of a city, rendered in black chalk with brown brush and gray-brown wash, showing landscape, slope, and city structures.

Harbor Scene, unknown artist, between 1826 and 1866, Brown wash heightened with white over graphite, Sheet: 5 1/16 x 8 7/8in. (12.9 x 22.5cm)

A Sailboat and Dingy on a River or Pond Watched by Two Figures on the Bank. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Plate: 3 1/8 x 10 in. (8 x 25.4 cm)Sheet: 18 1/2 x 12 3/8 in. (47 x 31.5 cm). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA.

A Water-Wheel Driving a Transporter, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and gray and black ink; Verso: pen and black and gray ink, with trace of red pastel/charcoal, over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 11 5/16 x 18 1/4 inches (28.7 x 46.4 cm), driving, genre subject, grass, horses (animals), landscape, men, river, riverbank, rocks (landforms), trees, water, water mill

Lazio Roma Castel Fusano Castello Chigi6. Hutzel, Max 1960-1990 Architecture: exterior views of the castle and interior views of entrance hall and main salon. Detailed shots of: maps, salon fresco cycle of New Testament, allegorical and mythological scenes, chapel altarpiece, and other works all by Pietro da Cortona. 3 marble busts. Antiquities: Roman sarcophagus in garden Object Notes: 4 negatives of an ancient Roman statue in a niche (of a goddess missing head and arms) that are catalogued with Castello Chigi may be misidentified. General Notes: Hutzel made 2 separate photo campaigns in Castel Fusano; new numbers have been assigned to the photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well

William Brockedon, 1787-1854, British, Landscape with Hamlet and Cart, 1800. Watercolor over graphite.

Moulins Debray Street LePic

'Landscape with a Wooden Footbridge'. Holland, Circa 1670. Dimensions: 19,7x30,6 cm. Museum: State Hermitage, St. Petersburg. Author: Jacob Isaaksz van Ruisdael.

Goyen, Jan van, Netherlands, Bagelaar, Ernst Willem Jan, View of a lake with boats, print, prints, height 52 mm, width 78 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Work conception, 1596-01-13 - 1656-04-27

Ox market in Hillegom, draughtsman: Barent Gael, draughtsman: Cornelis Dusart, 1640 - 1673, paper, pen, brush, h 208 mm × w 360 mm

Face over the Lek on the villages of Vreeswijk and Vianen, Jan de Beijer, 1744 drawing paper. ink pen / brush river Leak. Vianen. Vreeswijk

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