Rural Life and Livestock Scenes

These artworks depict pastoral settings with cows and shepherds, showcasing tranquil, nostalgic moments in nature, featuring warm tones and rustic charm.

Sherpherdess Seated on a Rock, Jean-Francois Millet, 1856, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

A huntsman and dogs. Date/Period: 1891. Painting. Oil on canvas. Height: 71.4 cm (28.1 in); Width: 121.9 cm (47.9 in). Author: Winslow Homer.

Calling the Cows Home. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: 37 1/4 x 25 1/2 in. (94.6 x 64.8 cm). Date: ca. 1872.Millet mentioned this painting in a letter of August 1872 to his friend and biographer, Alfred Sensier: "I've groaned more than I've worked, since I've done hardly anything but a sketch. You know the subject, a cowherd sounding his horn to collect his cattle at the end of the day." Millet had treated this subject in a charcoal drawing of 1857-58 and a pastel of 1866. Museum: Metropolitan Museum of Art, New York, USA.

Painters in a kolkhoz by Obrynba, Nikolai Ippolitovich (1913-1985)/ State Museum- and exhibition Centre ROSIZO, Moscow/ Russia/ Oil on canvas/ Soviet Art/ 92x143/ Genre

The Pet of the Common, John Callcott Horsley (London, England, 1817 - 1903) 1853

Cider Making. Artist: William Sidney Mount (American, Setauket, New York 1807-1868 Setauket, New York). Dimensions: 27 x 34 1/8 in. (68.6 x 86.7 cm). Date: 1840-41.Though this scene convincingly captures a moment in rural life, its inspiration lay in the political maneuvering surrounding the hard-fought presidential election of 1840. The image of down-home simplicity embodied by the cider makers was evoked by the Whig candidate, William Henry Harrison, promoted as a common man who preferred a log cabin and hard cider to the supposed excesses of the Democratic White House of Martin Van Buren. The work was commissioned by the prominent New York businessman and Whig leader Charles Augustus Davis. Davis was the creator of the folksy "Jack Downing" character, whose musings broadened Whig appeal through attacks on the disastrous Jacksonian financial policies responsible for the Panic of 1837. Mount, a conservative Democrat who opposed the populist Jackson, punctuated his painting with detail

Sherpherdess Seated on a Rock, Jean-Francois Millet, 1856, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Alberto Pasini (Busseto, 1828-Cavoretto, 1899). Arabs by a Campfire (1866). Oil on canvas. 60 x 46 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

The Pumpkin Harvest, 1897, Giovanni Segantini, Italian, 1858 - 1899, 33 x 57 1/8 in. (83.82 x 145.1 cm) (sight)50 x 74 1/4 x 5 1/4 in. (127 x 188.6 x 13.34 cm) (outer frame), Oil on canvas, Italy, 19th century, 'Within the lifetime of a single generation, a rustic and in large part wild landscape was transformed into the site of the world's most productive industrial machine. It would be difficult to imagine more profound contradictions of value or meaning than those made manifest by this circumstance.' So writes Leo Marx in his touchstone book The Machine in the Garden (1964).

The Green Hill. Dated: 1878. Dimensions: sheet: 17.5 × 20.9 cm (6 7/8 × 8 1/4 in.). Medium: watercolor, gouache, and graphite on gray-green wove paper faded to brown. Museum: National Gallery of Art, Washington DC. Author: Winslow Homer.

The burial Theobald Chartran (1849-1907). The burial. Oil on wood, 1892.

Village. Tetmajer, Włodzimierz (1862-1923), painter

Avilov, Mikhail Ivanovich (1882-1954) State Russian Museum, St. Petersburg 1935 206,5x360 Oil on canvas Soviet Art Russia History

A scene from the legend of Saint Adalbert, Wounded Adalbert is carried away, Wounded Adalbert is carried away, draughtsman: Charles Rochussen, 1824 - 1894, paper, brush, h 109 mm × w 163 mm

Dorokhov, Konstantin Gavrilovich (1906-1960) State Museum- and exhibition Centre ROSIZO, Moscow 1936 147x200 Oil on canvas Soviet Art Russia

REPARANDO LA BARCA (VALENCIA) (1904-5) CAT 707. Author: JOAQUIN SOROLLA Y BASTIDA. Location: MUSEO SOROLLA. MADRID. SPAIN.

Horseriding, by Paul Eugene Henri Gauguin, oil on canvas, 1901, 1848-1903, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 76x95

Winslow Homer, Sketch of a Cottage Yard, c 1876 Sketch of a Cottage Yard

Ruth, by Luigi Nono (1850-1918).

The Herald (Clan rises against clan), 1897 by Nicholas Roerich (1874 - 1947), Russian painter. Nicholas Roerich (October 9, 1874 - December 13, 1947), also known also as Nikolai Konstantinovich Rerikh, was a Russian painter, writer, archaeologist, theosophist, philosopher, and public figure.

Journey of russian tsar Alexei Mikhailovich by Vyacheslav Grigoryevich Schwarz, Oil on canvas, 1868, 1838-1869, Russia, Moscow, State Tretyakov Gallery, 79,3x57

The Reapers 1783. George Stubbs

'The Cast Shoe', 1865 (1901). Artist: Unknown

Winslow Homer, Perils of the Sea, 1881, watercolor over graphite on cream wove paper.

Le retour des champs (returning from the fields)

Pastoral Jerome B.Thompson (1814-1886 American)

FEZ walk F�lix Ziem (1821-1911). Market in Fez. Oil on wood, 1887.

Drinkers at a table, by Adriaen Brouwer (1605 or 1606-1638), oil on panel, 25.5x21 cm.

The Polovtsian camp. Stage design for the opera Prince Igor by A. Borodin by Korovin, Konstantin Alexeyevich (1861-1939) / Museum of Private Collections in A. Pushkin Museum of Fine Arts, Moscow / Theatrical scenic painting / 1914 / Russia / Gouache on c

The destruction of Sodom and Gomorrah or The Expulsion from Paradise, Willem de Zwart, 1900 - 1931

Ploughman with Woman Planting Potatoes, 1884, by Vincent van Gogh (1853-1890).

Boyar by Urlaub, Johann-Georg-Christian (1844-1914)/ State Tretyakov Gallery, Moscow/ 1879/ Germany/ Oil on canvas/ Academic art/ 29,8x43,3/ History

Ring-around-the-rosey, by Niccolo Cannicci (1846-1906).

Boyan playing a gusli by Vasnetsov, Viktor Mikhaylovich (1848-1926)/ State Museum Abramtsevo Estate, near Moscow/ 1880/ Russia/ Oil on cardboard/ Russian Painting of 19th cen./ 33,5x42,2/ Music, Dance,Genre,Mythology, Allegory and Literature

People listening to harpist, Russia, near Moscow, State Museum Abramtsevo Estate, 33, 5x42, 2

W Odzimierz Tetmajer (1861-1923), in front of the Karczm; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1907 (1907-00-00-1907-00-00);

Railway station scene by Nikolai Alexeyevich Kasatkin, oil on canvas, 1894, 1859-1930, Russia, Ivanovo, State Art Museum, 37x52, 5

Washing the legs (Siberian scene); Malczewski, Jacek (1854-1929); around 1886 (1880-00-00-1890-00-00);Young Poland (style), Siberia (Russia), modernism (style), female characters, male characters, interior scenes, symbolism (style), purchase (provenance), exile, exile

Fin du travail (The End of the Working Day) Jules Breton (French, 1827-1906). Fin du travail (The End of the Working Day), 1886-1887. Oil on canvas, 33 1/16 x 47 1/4in. (84 x 120cm). Jules Breton portrayed rural laborers, frequently young women, as dignified, majestic, and, above all, poetic. Here, bathed in the glow of the setting sun, three women cross flowering fields, their postures evoking those of ancient classical sculpture. Bretons rosy sentimentalism and his visions of earthly and female fecundity—produced for the urban gaze—earned him both critical praise and commercial success. Many critics contrasted what they perceived as Bretons optimism with Jean-François Millets savagery. As one described in 1868, “M. Breton never forgets that he is an artist.. He achieves results that are more sympathetic and seductive to the public of the city. He is little smitten with reality and generally horrified by the peasantry. M. Millet, on the other hand, has consistently taken the part

Painting titled "The Haystacks" by Paul Gauguin dated 1889

Wojciech Kossak (1856-1942), episode of 1812; Wisła (Kraków), Jabłoński, T. and Spółka (Kraków; Reproductive Department; 1890-1926), Anczyc, Władysław Ludwik and the company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Tess. Date/Period: 1893. Painting. Oil on canvas. Height: 1,220 mm (48.03 in); Width: 1,518 mm (59.76 in). Author: James M. Nairn.

VERSTRAETE, ThŽodore (1850-1907). Yoke at the sunset. end 19th c. Oil on canvas. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum.

Marken funeral barge, 1890-1891, Christchurch, by Petrus van der Velden. Gift of the New Zealand Academy of Fine Arts, 1936.

Luis Menéndez Pidal / 'At work'. Ca. 1908. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Last Journey by Perov, Vasili Grigoryevich (1834-1882)/ State Tretyakov Gallery, Moscow/ 1865/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 45,3x57/ Genre

Dawn in The Roman Campagna, Aurelio Tiratelli (Rome, Italy, 1842 - 1900) c.1889

Kacper Elechowski (1863-1942), Pastuszków; Stella (Bochnia; Publisher; 1908-1932); around 1908 (1903-00-00-1913-00-00);

Sunset through a gateway. By Hermann David Salomon Corrodi (1844 - 1905) Italian painter of landscapes and orientalist scenes.

Alice Havers, The Belle of the Village, 1889, ,oil on canvas, The Atkinson, Southport

Le frère et la soeur, Penmarc'h. oil on canvas. Date: ca. 1901. Museum: Smithsonian American Art Museum.

Good Samaritan. Makowski, Tadeusz (1882-1932), painter

Idyll; Malczewski, Jacek (1854-1929); 19th/20th century (1890-00-00-1910-00-00);National Culture Fund

Georges-Jules Bertrand (1849-1929), known as Georges-Bertrand. The cabbage, sketch for the dining room of the town hall. Oil on canvas, 1893. Museum of Fine Arts of the city of Paris, Petit Palais. 19th XIXth XIX 19th 19th 19th century, Oil on canvas

Powiec Ukrainian; Zezchowski, Kazimierz Konstanty (1838-1917); 1867 (1867-00-00-1867-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Ploughing Rite by Myasoedov, Grigori Grigoryevich (1834-1911)/ State Russian Museum, St. Petersburg/ 1876/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 78x134/ Genre,Mythology, Allegory and Literature

LLIMONA i BRUGUERA, Joan (1860-1926). Returning From the Threshing Floor. 1896. This work was painted on another named 'La muerte subita' (Sudden death), exhibited in 1893. With this work he won a medal in the III Exposition of Fine Arts of Barcelona. Modernism. Oil on canvas. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Painting depicting the start of the city of Cape Town, South Africa, by Joseph Ratcliffe Skelton (1865-1888) British artist. Dated 1880

Fishermen (Crayfish Catch). Wyczółkowski, Leon (1852-1936), painter

Winter Fuel, John Everett Millais, 1873,

Joaquin Sorolla/ Extremadura. The market, 1917. Series: Vision of Spain. Oil on canvas, 351 cm x 302 cm. Museum: HISPANIC SOCIETY OF AMERICA, NUEVA YORK, USA.

Country Boy on a Pole Barrier. Dating: 1900 - 1911. Measurements: h 28 cm × w 37 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jozef Israëls (mentioned on object).

The Shepherdess. Dated: c. 1869. Dimensions: overall: 52.6 x 94.9 cm (20 11/16 x 37 3/8 in.). Medium: pastel on brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Émile Jacque.

Józef Ryszkiewicz (1856-1925), on mushrooms; Kulikowski Salon (Warsaw; Art Gallery; Publisher), Husnik & Häusler (Praga; Reprographic Zak 1888-1936); around 1910 (1910-00-00-1915-00-00);

Antonio Muñoz Degrain / 'Episode of the Flood in Murcia'. 1892. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Head of the House at Prayer. Frederick Goodall (1822-1904). Oil on canvas. Dated 1872. 99 x 248.8cm

The Blind Girl, 1856. Artist: John Everett Millais. Oil on canvas. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854. The two girls in the foreground and the middle ground were added later in Perth in 1855. The models were Matilda Proudfoot as the blind girl and Isabella Nichol as her younger sister. Millais had first used his wife Effie but then replaced her with Matilda. The scene deals with the contemporary social problem of homelessness, focusing on the predicament of children and the disabled.

José Jiménez Aranda / 'The Small Naturalists', 1893, Spanish School, Oil on canvas, 48,5 cm x 62,5 cm, P06618. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Heiska, Jonas, work name: Sorsanampujat, 1934, oil on canvas, mounted on cardboard, painting, 23.5 cm x 28.5 cm

Antoni Vila i Arrufat / "Autumn", 20th century, Painting. Museum: Museo comarcal de Manresa, Manresa, Barcelona, Cataluña, España.

Cowboy, 1910-1920, by Guglielmo Micheli (1866-1926). Oil on panel, 45.5x25.5 cm.

Muscovite boyar getting feudal payment by anonymous artist, painting, Russia, Moscow, State Tretyakov Gallery, 29, 8x43, 3

A Different Sugaring Off. Date/Period: Ca. 1865. Painting. Height: 428.75 mm (16.87 in); Width: 812.80 mm (32 in). Author: Eastman Johnson.

Wanderers. Kowarski, Felicjan Szczęsny (1890-1948), painter

Sioux Encamped on the Upper Missouri, Dressing Buffalo Meat and Robes. oil on canvas. Date: 1832. Museum: Smithsonian American Art Museum.

Snow plowers at the Oostplein, cityscape painting visual material linen oil paint, Landscape size oil on canvas Horses in the snow Marine barracks warehouse Royal Dutch Cigar Factory tower of the Apparatus for Eyeliders and the mill stump of De Roode Leeuw signed lower right and dated: August v Voorden 1919 cityscape topography Rotterdam City center Stadsdriehoek Oostplein winter

The Boyhood of Raleigh, by John Everett Millais, 1870, Tate Britain, London, England, UK

The Colonies Pay Tribute to the Dutch Maiden, Charles Rochussen, 1852

The Emigrants, triptych painting by Eugene Laermans (1864-1940) 1894.

This painting, titled Diana of the Uplands, was done by British painter Charles Wellington Furse (1868-1904). Furse was related to the painted Joshua Reynolds. Furse's father became Archdeacon of Westminster. Furse was elected an Associate of the Royal Academy. Diana of the Uplands shows the artist's wife (a daughter of John Addington Symonds) on a windswept common. Two greyhounds strain at the leash that she hold sin her head, while with the other hand she grasps her hat in protection against the fresh breeze. It is an open-air study, full of space and sky and instinct with vitality.

Two Gentlemen of Verona by William Holman Hunt, 1850-1, UK, Birmingham, City Art Gallery

The Forester's Cart Artist's working dates 1843-1888 Netherlands. Watercolor on cream wove paper . Anton Mauve

Adoration. Date/Period: 1885. Painting. Oil on canvas. Width: 165.1 cm. Height: 129.5 cm (overall). Author: Paul Peel.

Resting in the shade, 1892, by Giovanni Segantini (1858-1899), oil on canvas, 44x68 cm.

Józef Ryszkiewicz (1856-1925), Spring; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Russian bachelotette party by Alexei Ivanovich Korzukhin, oil on canvas, 1889, 1835-1894, Russia, St. Petersburg, State Russian Museum, 93, 5x153

escena de la ibiza tradicional, oleo sobre tela, Jose Manuel Chico Prats, Museo de Etnografía de Eivissa, Can Ros - Puig de Missa, Santa Eulària des RiuIbiza, balearic islands, Spain.

An Idyll, Giovanni Segantini (Arco, Italy, 1858 - 1899) 1882-1883

Staking a Claim. Dean Cornwell (1892-1960). Oil on canvas. Painted in 1922. 91.9 x 76.6cm.

Washing Day. Sigurd Skou (1875-1929). Oil on panel, 1926. 66 x 81.2cm

Slavic Festival by Stolitsa, Evgeni Ivanovich (1870-1929) Regional Art Museum, Donetsk 1911 Oil on canvas 127x103 Russia Russian Painting, End of 19th - Early 20th cen. Genre Painting

On Gromniczno; Axentowicz, Teodor (1859-1938); 1898 (1898-00-00-1898-00-00);Walewski, Wincenty - collection, gift (provenance)

Ignacio Diaz de Olano Ignacio Diaz de Olano, return from the Calvary pilgrimage, 1903 oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain Copyright: xZoonar.com/Tolox 21893085

Wood-bearing women by Felix Edouard Vallotton (December 28, 1865 December 29, 1925) was a Swiss painter and printmaker associated with Les Nabis

Niewiaki; Szwalski, Kazimierz (1855-1940); 1879 (1879-00-00-1879-00-00);

The Neapolitan Royal Family on the hunt, by Filippo Palizzi (1818-1899).

Alla Domenicale. Angelo Morbelli (1853-1919). Oil on canvas. Signed and dated 1890. 73.66 x 111.76cm

JOSE GUTIERREZ SOLANA. PINTOR ESPAÑOL. MADRID 1886-1945. "MASCARAS DE CARNAVAL" OLEO. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Christmas Night, Gauguin, Paul, 1900.

The Dance Gallery, c1900-1947 Artist: Matija Jama. Jama believed in Impressionism as a necessary stage in the development of art.

ANGLADA CAMARASA, HERMENEGILDO. PINTOR ESPAÑOL . BARCELONA 1871 - 1959. " PAISAJE CON NIÑA CON BOTIJO " . 1894. MUSEO BELLAS ARTES. LA HABANA. SFGP / © KORPA. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE DE LOS ORGANISMOS TITULARES DE LOS MISMOS.

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