Rural Life and Nature

Prints depicting pastoral scenes with shepherds, families, and serene waterways, illustrating harmony with nature in various time periods.

A soldier shoots an arrow at a running man (in box with 43 drawings), Achilles pursues Hector around the wall of the city, Louis Fabritius Dubourg, 1747, paper, ink, pencil, brush, h 155 mm × w 202 mm

Herderin with Spintol on the banks of a river, Jan De Visscher, after Nicolaes Pietersz Berchem, 1643 - 1692 print On the banks of a wide river is a shepherdin with a spintol amidst cattle. In the background a village with a harbor and a ship on the river. Northern Netherlands paper etching / engraving river. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cow. spindle. sailing-ship, sailing-boat

The Holy Family Crossing the Lake in the Boat, plate seventeen from The Flight into Egypt. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1753. Dimensions: 180 x 239 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Man and woman at waterfall, baron Reinierus Albertus Ludovicus van Isendoorn à Blois, 1796 - 1856.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Florentine hunting. (A. de Vesme 742; Dutuit 182) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Le Florentin à la chasse. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed): 7 1/2 × 10 11/16 in. (19.1 × 27.2 cm). Publisher: Pierre François Basan (French, Paris 1723-1797 Paris ()). Date: ca. 1654. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753 The Flight with Joseph in the Foreground

The Holy Family Descending a Forest Path, Near a Flock and Some Shepherds, plate 21 from The Flight into Egypt. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1753. Dimensions: 190 x 251 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Return from Egypt, Hendrik van der Borcht (II), After Luca Bertelli, After Titian, 1594 - 1660 print Maria rests. On her lap, Christ plays with John the Baptist. Both are two-three years old. To the left of her, Joseph ensures that the donkey can graze a bit. In the background on the right a ruin with two men, probably the two thieves who will be crucified with Christ later. The print has a Latin caption with an explanation of the return from Egypt, an apocrypha story Italy paper etching rest on the return of the Holy Family to Israel. landscape with ruins. Mary, the Christ-child and John the Baptist (as child) with others

A soldier shoots an arrow at a running man (in box with 43 drawings), Achilles pursues Hector around the wall of the city, Louis Fabritius Dubourg, 1747, paper, ink, pencil, brush, h 155 mm × w 202 mm

A scene from the Old Testament Tempesta, Antonio (1555 1630)

Alphonse Legros, Allegory of the Peasant and Fortune (Le paysan et la fortune Sujet allegorique Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique

Gaetano Zompini, after Giovanni Benedetto Castiglione, An Elderly Shepherd Leading the Flock, 1758 1759 An Elderly Shepherd Leading the Flock

Man on crutches is chased away, Romeyn de Hooghe, 1668 print paper etching wooden leg. crutches. beggar. dog

Joseph with the Virgin and Child, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

. An emblem with a man and a woman who mourning the death of their child in the foreground. The man has covered his head. He has cut her hair. It lies as a sacrifice in addition to the corpse of his child. On the other side of the corpse the mother, who pulls out of grief her hair. Both sitting in front of a bare tree. In the background on the left the prophet Elisa, who takes revenge on the children who had made him for bald head. In the background right the destruction of Jerusalem by Emperor Vespasian and his son Titus.

Maria van Burgundy falls from her horse, 1482. Maria van Burgundy falls outside Bruges from her horse, March 17, 1482.

Design for a wallpaper painting with children and a dog, Dirk van der Aa, c. 1741 - c. 1809 drawing Children in a landscape enjoy themselves with a dog on his hind legs. Framework: Paper. Pencil. ink brush / pen

A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from 'Varie figure'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 4 1/8 x 6 1/8 in. (10.4 x 15.5 cm). Publisher: François Langlois (French, baptized Chartres, 1588-1647 Paris). Series/Portfolio: 'Varie figure'. Date: ca. 1645. Museum: Metropolitan Museum of Art, New York, USA.

Male and Woman on the road along River, Marten J. Waefelaers, 1779 - 1793 print A woman with a child on her arm walks on a path along the river. A man points out something to her. A mill in the background. South of the Netherlands paper etching river (+ landscape with figures, staffage). windmill

Fortuna ship: the janus temple closure after the defeat of Marcus Antonius at Actium.

Etching by Giovanni Lanfranco showing God appearing to Isaac, depicting divine figure, gestures of Isaac, and surrounding landscape in a biblical scene.

Four goats; at the back a nanny goat lies on the ground, in the middle a billy goat stands, in the front two kids lie on the ground, a fence and tree beyond. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: sheet: 5 1/8 x 6 3/8 in. (13 x 16.2 cm)mount: 7 3/4 x 9 3/8 in. (19.7 x 23.8 cm). Date: ca. 1641-78. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Berchem, Nicolaes Pietersz., Shepherdess on donkey and shepherd on horseback crossing the stream, verso - stamped, print, prints, height 263 mm, width 204 mm, Work conception, Noord-Nederlands, 1620 - 1683-02-18, after print by, 1652 - 1733, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, print maker, printmaker

A fisherman bringing in his nets, a man at left pushing a bale to the right, two seated figures mending nets, and two figures at right seen from the back ca. 1662 Etched by Stefano della Bella Italian. A fisherman bringing in his nets, a man at left pushing a bale to the right, two seated figures mending nets, and two figures at right seen from the back 376309

Le repos du berger , Shepherds, Hills, Buildings, Alphonse Legros (1837-1911)

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Ink and brush drawing by Étienne Parrocel depicting a man sentenced to labor, executed with laviert technique on brownish paper.

Venus donates Aeneas his armor. Venus donates Aeneas the armor that vulcanus has made for him. A harness hangs on the left in a tree and a shield, helmet and sword are presented by Putti to Aeneas. Right a river god.

The shepherd behind the tree (DuTUIT 23) Karel Dujardin (1622-78). The shepherd behind the tree (DuTUIT 23). Forte, 1656.

Fall, Nicolaes de Bruyn, 1600 print The earthly paradise with all kinds of animals. In the middle the tree of knowledge of good and evil. Adam and Eva are next to the tree. Eva shows an apple to Adam. A snake has been wrinkled around the trunk of the tree. The print has a Latin caption with an explanation. print maker: Antwerppublisher: Amsterdam paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her). Garden of Eden, paradise

Diogenes Seeking an Honest Man. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1645-1647. Dimensions: 219 x 306 mm (image); 220 x 310 mm (plate). Etching on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with two robbers on the right that attacks an old man; Quando Boni à Nequam Casus Patiuntur Acerbos, / Quid Faciant Sola Est Medium Patientia Victis; Landscapes to Domenico Campagnola. A landscape with a river and a village left. In the foreground on the right two robber that afford an old man. Title in Latin in undermarge. Numbered at the bottom right: 17.

Sater by statue of Priapus, Giovanni Benedetto Castiglione, 1643 - 1647 print Landscape with a satap sitting by an image of Priapus, a Greek god of fertility, and two saters with a herd of goats. paper etching (story of) Priapus. satyr(s) (in general)

Felsengrotte mit der 3 Schaffen. Reinhart, Johann Christian (1761-1847), graphic artist

Similarity of the treasure in the field.

Le paysan et la fortune: Sujet allégorique , Peasants, Houses, Hills, Putti, Alphonse Legros (1837-1911)

Don Quixote drinks wine with a hermit in a forest, Caspar Luyken, Pieter Mortier, 1696

Boer on Paard and Boer on foot, Stefano della Bella, 1656 print A farmer on horseback and a farmer on foot in a landscape. In the background on the left a house. paper etching farmers. riding a horse, ass, or mule; rider, horseman

The Flight into Egypt, no. 9 from The Life of theVirgin. Artist: Jacques Callot, French, 1592-1635

Della Bella, Stefano (dit Étienne de la Belle) (N.1610-05-18-D.1664-08-22), Cavalmiers of Cavaliers and a dead man. Sixth number of a suite of 12 pieces (A. de Vesme 251. Dutuit 92) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), The deadly fall of William III during a hunting party, 1702, The deadly fall of King William III during a hunting party, 4 March 1702. The king falls from his horse, with shocked bystanders., print, picture, history print, prints, pictures, Frederik Muller History plates, height 230 mm, width 153 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, prentmaker, 1794 - 1794, paper, papier, etching, etsen, 1724-11-19 - 1801-04-07, intermediary draughtsman

The risen Christ asks Mary Magdalene not to touch him. Etching by M. Corneille after Annibale Carracci.

Copper engraving by Nicolaes de Bruyn depicting a knight confronted by death and the devil, created between 1642 and 1665.

The Ford (Le passage du gué). Dated: 1634. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Claude Lorrain.

Plate Eleven of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Śpiący pasterz i stado kóz. Reinhart, Johann Christian (1761-1847), graphic artist

Latona en de Lycische Boeren, 1729 print paper etching vignette. Lycian farmers changed into frogs: Latona changes Lycian farmers into frogs, because while they were weeding a marsh, they prevented her and her children from quenching their thirst (Ovid, Metamorphoses VI 369)

Riders and fishermen on Oever van Meer, Anonymous (Possibly), Anton Domenico Gabbiani, 1662 - 1726 print View of the bank of one lake with two horsemen on horseback. One of the riders points to a fishing boat with three men who have a net. Italy paper etching lake. fisherman. fishing net. riding a horse, ass, or mule; rider, horseman

Two performances with Minerva, Pieter Tanjé, 1716 - 1761 print On the upper performance, Minerva drops from a cloud to Amor, who stops a piece of clothing. On the left a hero and a ship. On the lower performance, Minerva sits in a field, where there are different putti around her. She points to Fortuna, who runs away together with another woman. Amsterdam paper etching (Story of) Minerva (Pallas, Athena). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). sailing-ship, sailing-boat

Nymphs Onder Boom, Cornelis van Hagen, After Rademaker, 1706 - 1744 print Landscape with nymphs under a tree, one of whom with child in her arms. In the foreground a river. Top left: p. 400. Amsterdam paper etching nymphs (in general); 'Ninfe in commune' (Ripa)

Centaur with Shield and Two Satyresses 1727-1804 Giovanni Domenico Tiepolo Italian. Centaur with Shield and Two Satyresses 339430

Tobias is shocked by the fish, Herman van Swanevelt, 1629 - 1641 print In a wooded, hilly landscape, Tobias, a dog and the angel Rafaël are shown in the foreground at the Tigris River. Tobias comes out of the water with his arms held high and looks back at the large fish that has come to the surface. Rome paper etching a large fish appears while Tobias is washing his feet; he is frightened

The Ford, Claude Lorrain, French, 1604 - 1682, Engraving on light brown paper, Two women at right, one seated on the bank of a stream, a second about to step in. A peasant with cattle and goats leads the way., France, 1634, Print, Print

Woman surprised at Baden, Moyses van Wtenbrouck, 1645 - 1760 print A woman on the edge of the water hides back while she looks up to a man with a shepherd's staff. Behind her a herd with cows, goats and a packed donkey. A round tower in the background. The Hague paper engraving / etching public baths - AA - in the open air

Alexander the Great and Diogenes, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, graphite on thick white laid paper, Landscape drawing with figures. Diogenes sitting in far right foreground in front of barrel-shaped structure, surrounded by books and pupils; Alexander stands at left foreground with a group of followers; Athens is shown in the background., Italy, 1820-22, figures, Drawing, Drawing

Charity /Charity, Board No. 27 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Wood engraving, England, by Thomas Bewick.

The Baptism of the Eunuch, 1641, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 7 3/16 x 8 3/8 in. (18.3 x 21.3 cm) (plate), Etching, The Netherlands, 17th century

The Baptism of the Eunuch, Rembrandt van Rijn, 1641 print paper etching Philip baptizes the Eunuch

Harvesters Resting 1795 Jean Jacques de Boissieu French. Harvesters Resting. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1795. Etching with drypoint; fourth state of four. Prints

Wood engraving, England, by Thomas Bewick.

After: Jacques de Gheyn II, Dutch, 1565-1629, Landscape withFarmhouse, Pen and brown ink with gray wash, sheet: 15.7 × 25.8 cm (6 3/16 × 10 3/16 in.), Made in The Netherlands, Dutch, 16th-17thcentury, Works on Paper - Drawings andWatercolors

Nymphs on the riverbank. Five nymphs are gathered on the riverside. Amor is with a dog with them.

Man throws out a bucket of water in a canal, Romeyn de Hooghe, 1668 print Two people want to stop him by grabbing him by his shoulder. paper etching wooden container: barrel, cask, bucket. canals, waters (in city). four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Italian landscape with spinning woman and plowing farmer; Italian landscapes. Italian landscape with spinning woman and sleeping boy at a field where a farmer plows with two oxs. Print number 3 from series of four prints with Italian landscapes.

No se convienen.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Campaigns & battles, Cavalry

Leto (Latona) changes the Lycians in frogs; Metamorphoses from Ovid. Leto (Latona) is two children on the shore of the water. Opposite her changes the lycan farmers in frogs because she had banned her to drink water there. On the right a dovecote.

Gabriel Jacques de Saint-Aubin, French (1724-1780), Flight of M. de Belle-Isle, Prisoner with theAttakapas right, 1767, etching

Une escarmouche, 1601 - 1700, Etchings, 4 1/4 x 6 5/16 in. (10.8 x 16 cm), Paper / Sheet 4 1/2 x 6 9/16 in. (11.5 x 16.7 cm), Cream laid

September, Abraham Bloemaert, 1574 - 1651 drawing Collecting the grain harvest. Design for a print. paper. ink. chalk pen / brush September and its 'labours'. harvest

Huntsmen Resting. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Peeter Bout.

A centaur carrying a young child towards a female figure with arm outstretched. Pen and ink drawing.

Wizard and other figures look at snake, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching sorcerer, magician, wizard, warlock. snakes

Eva offers Adam the forbidden fruit; Biblical scenes; Historia del Testamento Vecchio / Dipinta in Roma Nel Vaticano da Raffaelle di Urbin (...). Adam is sitting on the ground and Eve stands at the tree of good and evil in which the snake is. Eva gives a fruit to Adam.

A brown ink drawing by Moritz von Schwind from 1822-1823 depicting a rural festival with dancers wearing medieval clothing.

Jean Baptiste Joseph Pater, Halt on the March Halt on the March

Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664, The Raising ofLazarus, Etching, sheet: 22.8 × 31.8 cm (9 × 12 1/2in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Tiré d'Alexandre et Porus, Drawings after the Battles of Alexander by Charles Le Brun, Le Brun, Charles, 1619-1690, Picart, Bernard, 1673-1733, Pen and brown ink, and grey wash on paper

Violin player and a young Limber turner, Adriaen van Ostade, 1654 - 1656 print Counterprint of a print by Adriaen van Ostade. Two musicians, a man with a violin and a boy with a winch, entertain a drinking company at a table in a village street. In the background there is a church tower where the flag hangs. Haarlem paper counterproof more than one musician with instrument. violin, fiddle. hurdy-gurdy

Herdsmen with Cattle and Sheep in Italianate Landscape. Artist: Nicolaes Berchem (Dutch, Haarlem 1621/22-1683 Amsterdam). Dimensions: 10 3/8 x 8 in. (26.6 x 20.7 cm). Date: mid-17th-late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Joseph and Mary Passing a Shepherd and His Flock, plate eleven from The Flight into Egypt Made 1753 Italy. Etching on paper . Giovanni Domenico Tiepolo

Léonard Gaultier, French (1561-1641), The Good Samaritan, probably c. 1576-1580, engraving

The Shepherd and His Family, Rembrandt van Rijn, 1644 print paper etching / drypoint

Refined soldiers for an inn, Pieter de Molijn, 1650 - 1660 drawing Refined soldiers for an inn, a marskramer with a dog on the left. paper. chalk land forces (+ cavalry, horsemen). pedlar. hotel, hostelry, inn

Rembrandt van Rijn (1606-1669), Fortunas SKIB, 1633

Angelica heals the wound of Medoro.

Christ on the Mount of Olives, from the Circular Passion 1509 Lucas van Leyden Netherlandish. Christ on the Mount of Olives, from the Circular Passion 364736

A Beggar 1833-38 Alexandre-Gabriel Decamps French. A Beggar. Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). 1833-38. Etching. Prints

Constantijn Huygens II in The Garden of Hofwijk Manor, Jan de Bisschop, 1648 - 1671 drawing Constantijn Huyghens de Jonge with his aunt and a maid in the garden of Hofwijk. paper. ink pen / brush historical persons. maid ~ house personnel. garden Hofwijck. Vliet, the

Amsterdam, Wit, Frederik de, Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Spinner by a rock, verso - stamped, Amidst some shepherds and cattle, a shepherdess sits spinning thread in front of a rock., print, prints, height 361 mm, width 457 mm, 1633 - 1692, print maker, printmaker, 1643 - 1706, paper, papier, etching, engraving, engraving (printing process), 1620 - 1683-02-18, after, after painting by, Publication (Event), Publication, 1631 - 1706, publisher

Landscape with horse traders on a market, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print paper etching / engraving persons engaged in trade and commerce. horse. fancy fair

The Vision of St. Eustace. Artist: Anonymous, Flemish, 17th century. Dimensions: 7 3/16 x 5 5/8 in. (18.3 x 14.3 cm). Former Attribution: Formerly attributed to Anonymous, Netherlandish, 16th century (). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Wild Sow and Her Young Attacked by Dogs, 1748. Jean-Baptiste Oudry (French, 1686-1755). Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paper; sheet: 37.7 x 51.7 cm (14 13/16 x 20 3/8 in.).

Rinaldo and Armida found as a love couple in one by two knights, Giovanni Domenico Tiepolo, after Giovanni Battista Tiepolo, 1775 print Italy paper etching Armida. Rinalo

Print, First Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 - 1781); France; aquatint and etching in sepia on ivory laid paper; 30.5 × 38.2 cm (12 in. × 15 1/16 in.); 1896-31-88

Brown and gray pen drawing by Cornelis Galle the Elder depicting a Capuchin saint washing the feet of a pilgrim or Christ, over black chalk, with dirt and corner damage.

A black chalk and gray lavated drawing by Hendrick Verschuring showing two men and a mule rider with a child in front of a camp.

Stefano Della Bella, Sailors Seated on a Bank Sailors Seated on a Bank

Journey of Jacob and Rachel to the land of Canaan, Rachel directs a horse towards the left, various other animals follow. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 2 3/16 x 4 3/4 in. (5.6 x 12.1 cm). Date: ca. 1643-48. Museum: Metropolitan Museum of Art, New York, USA.

Satan as a bird catcher with the world as a bait. Design for a print.

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