Rural Life and Trades in Art

Artworks featuring scenes of rural life, including woodcutters and agricultural activities, highlighting the simplicity and labor of countryside professions.

Les bûcherons (2nd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Fruit According to the Drawing of Apoloniusz Kędzierski. Cleastle from Tygodnik Ilustrowany 1882 (2) 288 Krąski, Apolonius (1861 1939), Unknown

Les bûcherons (2nd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Woman Pulling Flax Printed 1853 France. Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collÈ) . Jacques Adrien Lavieille

I want to use this tree; Piotrowski, Antoni (1853-1924); around 1900 (1890-00-00-1910-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, fairy tale, illustration, peasant, devil, for reproduction, study, lumberjack, profession, illustration, project, purchase (provenance)

PATIENCE ON A MONUMENT. BY C.T. GARLAND, FROM THE EXHIBITION AT THE DUDLEY GALLERY, 1879

Reynard and the Coney

The Vagabonds. Camille Pissarro (French, 1830-1903); published by Jean Grave (French, 1854-1939). Date: 1896. Dimensions: 295 × 247 mm (image); 484 × 353 mm (sheet). Lithograph in black on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le Chêne et les roseaux. Honoré Daumier (France, Marseilles, 1808-1879). France, 1834. Prints; lithographs. Lithograph

Sketch - Winter sports John Henry Walker (1831-1899)

SKETCHES AT THE AUTUMN MANOEUVRES

Fritz Reuter (1810) (1874) Low German writer and poet, Hanne Nuete un de luette Pudel, Eine Vogel, und Menschengeschichte, Platt, Low German, dialect, language, poet, poem, literary figure, graphic, humour, satire, Hanne Nuete 1, geese, landscape, teacher, pupil, children, beat, angry, North Germany, 19th century, historical illustration 1868

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Camille Pissarro, French (1830-1903), Paysanne bêchant (Peasant Laboring), 1890, etching and aquatint in black touched with graphite on laid paper

The Gleaners. Jean-François Millet (France, Gruchy, 1814-1875). France, 1855. Prints; etchings. Etching

set of 16: 16. Phesantsic shooting, Richard Purcell, active 1746-1766, Irish, 1823, Lithograph, Sheet: 5 3/8 x 8 1/4in. (13.7 x 21cm)

After Mariano José Maria Bernardo Fortuny y Carbó, Two Eastern Men Watching Snake Eat Rabbit with Ibis, 19th century, etching on paper.

(Etienne) Tu ne fait donc pasd’etudes?. Artist: Paul Gavarni, French, 1804-1866

Spielende Kinder. Liebermann, Max (1847-1935), graphic artist

PERRAULT, Charles (1628-1703). French writer. Hop O' My Thumb came the ogre and boots him out carefully. Gustave Dore engraving.

The Sower (The Parables of Our Lord and Saviour Jesus Christ). Artist: After Sir John Everett Millais (British, Southampton 1829-1896 London). Dimensions: image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm)sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Date: 1864.It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light--each Parable I illustrate perhaps a dozen times before I fix the image." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.The Parable of the Sower (Matthew 13:1-8) describes how s

Punchinello Feeding thePeacocks. Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Frank Henry Temple Bellew, A Country ResidenceAnswering an Advertisement, 1873, wood engraving on paper.

Two Dike Workers, one sitting, the other leaned against a tree, Johannes Josephus Aarts, 1881 - 1934 drawing Design for a print. paper. deck paint. pencil. ink pen / brush heaping up (industrial process). dikes, levee

Inconvenient de quitter. Dated: 1846. Medium: hand-colored lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Honoré Daumier and Edouard Bouvenne.

"- Well, are you finally finished... after all it's tiring to relax for such a long time," plate 1 from Les Artistes A La Campagne. Honoré Victorin Daumier; French, 1808-1879. Date: 1865. Dimensions: 230 × 200 mm (image); 362 × 273 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Askeladen fools the stupid troll. Date: 1887

Burning Weeds mid-July, 1883 Vincent van Gogh In July 1883, Van Gogh decided to try his hand at lithography for a second time. This is one of two prints he produced that summer on a scale he hoped would cater to illustration projects. The subject reveals his early interest in the work of the renowned French painter of peasant subjects, Jean-François Millet. In 1881, he read Alfred Sensiers biography of Millet, which illustrates a sheet of sketches featuring a woman burning weeds. The standing figure poking the fire in the background is reminiscent of illustrations in the Sensier volume. For this work, he used a fine pen on smooth transfer paper and encountered some difficulty with the fidelity of the transfer to the lithographic stone and subsequent printing. Consequently, he touched up the print extensively with pen and ink.. Burning Weeds. Vincent van Gogh (Dutch, Zundert 1853-1890 Auvers-sur-Oise). mid-July, 1883. Transfer lithograph with pen and ink. Prints

The Sorcerer, a man with a gun confronting a bird with the face of a man José Guadalupe Posada Mexican Printer Jean Charlot French ca. 1900-1910 According to note on mount sheet, this proof was printed by Jean Charlot. View more. The Sorcerer, a man with a gun confronting a bird with the face of a man. José Guadalupe Posada (Mexican, 1851-1913). ca. 1900-1910. Zincograph. Prints

Duin landscape with a waving man, leaning on a kick, Gillis van Scheyndel (I), After Jan Porcellis, 1618 - 1645 print Print Maker: Northern Netherlands Publisher: Haarlem paper etching dune coast. waving farewell ~ departure on a journey. agricultural implements: spade

Don Quixote and Sancho Panza. Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

Les boules, Plate 11 from 'Les Toquades', 1858, Paul Gavarni (Sulpice-Guillaume Chevalier), French, 1804-1866, 17 11/16 x 12 3/8 in. (44.93 x 31.43 cm) (sheet), Lithograph, France, 19th century

Figure Studies including Standing Boy Holding a Pitcher. Dated: published 1735. Dimensions: plate: 14.8 x 21.4 cm (5 13/16 x 8 7/16 in.) sheet: 22.7 x 35 cm (8 15/16 x 13 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: François Boucher after Abraham Bloemaert.

Vatican City, Papal Court, Italy, Villamena, Francesco, Street Cries from Rome, Gardener, recto lower center - handwritten in brown ink, A standing man with a dog and garden tools at his feet. Latin lines of verse in bottom margin., print, prints, verso - stamped, 06, height 321 mm, width 205 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1576 - 1624, paper, papier, engraving, engraving (printing process), granter of privilege

Wooden Collar. Stocks in China. Public punishment. 19th cent. China.

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat, Print made by A. M. Ireland, active before 1801, after William Hogarth, 1697-1764, British, 1794, Etching on medium, slightly textured, cream wove paper

Karikatuur van net in Nederland aangekomen Italiaanse schoorsteenveger; Il Spazzacammine fresco arrivato.Caricature of a just arrived in the Netherlands Italian chimney sweep that assesses its new homeland. There are two captions on the right and bottom.

Apeles Mestres (1854-1936). Spanish writer and draftsman. The Poppy. Illustration by Mestres for his work Idylls (Idilis). 1884-1889.

Ouverture de la chasse pendant la canicule. Honoré Daumier (1808-1879). Lithographs

Netherlands, Bray, Dirck de, Months of the year, September, verso lower left - stamped, A man stands on a ladder against a tree. A second man holds up a basket of fruit for him. On the right a woman catches fruit from the tree with her apron. A scale lies against the ladder., print, prints, height 91 mm, width 145 mm, Noord-Nederlands, 1645 - 1694-05-09, print maker, printmaker, 1635 - 1694, paper, papier, houtsnede

Vintage Book Drawing print for Treasure Island, by Robert Louis Stevenson. "I was kept busy all day in the cave, packing the minted money into bread-bags" (p.285) ie. find the treasure.

Resting hunter, Abraham van der Waijen -Pieterszen (Possible), 1836 - 1880 print paper etching hunters resting during the hunt

Honoré Daumier, Un Mari brûlé du feu de la jalousie, 1847 Un Mari brûlé du feu de la jalousie

Amsterdam, Luyken, Caspar, Moses at the Burning Bush, verso - stamped, print, prints, height 77 mm, width 88 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching

Chapter III "Animal Village" "Did He Starve" Reginald Birch (American, born London, England, 1856-1943). 1940. Black ink with touches of white correction fluid on heavy wove paper, Sheet: 21 x 15 in. (53.3 x 38.1 cm). American Art 1940

Edgar Chahine (1874-1947). "Double headache". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 25794-15 Strong water, fair, fight, fight, spectacle, spectator, fight

Hutsul crossing a river with a fishing net held in front of him Yaremche board from the portfoIIo: Leon Wyczółkowski, Hutsul portfoIIo, Kraków 1910 Wyczółkowski, Leon (1852 1936)

Honoré Daumier, Une heure, 1839 Une heure

Ulysses on the Island of the Goddess Calypso. Dated: 1634. Dimensions: plate: 10.7 x 15.8 cm (4 3/16 x 6 1/4 in.) sheet: 11.1 x 17.5 cm (4 3/8 x 6 7/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Gare le déraillement!. Dated: 1866. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Vintage Photograph. Painting "The Woodchopper" by Jean Francois Millet.

Banditti, unknown artist, ( W. Deacon ), undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 4 1/8 inches (13 × 10.5 cm) and Mount: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm), bandits, genre subject, helmets, rocks (landforms)

Death on the road to exile; verso: scene with three noblemen, design for an illustration to Pan Tadeusz" by Adam Mickiewicz. Maszkowski, Marceli (1837-1862), painter

EARLY TELEPHONE - ENGRAVING 19th CENTURY.

Une Rencontre en pleine eau. Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Banknote vignette with three putti symbolizing trade and agriculture ca. 1824-37 Attributed to Asher Brown Durand American. Banknote vignette with three putti symbolizing trade and agriculture 393925

Winter Scene, Pleasant Valley, New York William Rickarby Miller (American, 1818-1893). Winter Scene, Pleasant Valley, New York, March 22, 1884. Pen, ink and wash on paper, Sheet: 14 3/4 x 10 3/4 in. (37.5 x 27.3 cm). American Art March 22, 1884

Honoré Daumier, Un homme a la mer, 19th century Un homme a la mer

Swiss Family Robinson. The caption reads: Skinning a Kangaroo. The Swiss Family Robinson(German:Der Schweizerische Robinson) is a novel byJohann David Wyss, first published in 1812, about a Swiss family of immigrants whose ship en route toPort Jackson,Australia, goes off course and is shipwrecked in theEast Indies

Mais, voyons, Limousin, avec un mechant budget d’une cinquantaine de mill’ons, qu’est-ce que tu peux fiche?. Artist: Paul Gavarni, French, 1804-1866

Night from 4 to 5 August 1789 or the Patriotic Delire (1789) Night from August 4th to 5th 1789 or Patriotic Delirium (1789) ". Aquatint, 1789.

Le Front de Vincennes. Dated: 1914/1919. Medium: collotype. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Mitelli, Giuseppe Maria, inventor: Annibale Carracci, work, Donkey Rider (31), (1000 - 2000), line etching, graphics, dimensions : plate width 19.4 cm, plate height 28.2 cm

Malvolio Dancing, Robert Smirke, 1752-1845, British, 1827, Black ink with brown wash and oil on medium, smooth, cream wove paper, Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm), Image: 2 13/16 x 2 5/8 inches (7.2 x 6.7 cm), and Frame: 8 1/2 × 7 1/4 × 3/4 inches (21.6 × 18.4 × 1.9 cm), breeches, cap, costume, dancing, doublet, feather, gesture, jacket, literary theme, men, plays by William Shakespeare, steward, sword, tiles, Twelfth Night; or, What You Will, play by William Shakespeare

A hunter unfortunately crossing the river on a tree trunk; Charpentier, A. (woodcut; Fl. Ca 1880-1900), Bogaert, Emile (Fl. Ca 1880-1890); 1885-1900 (1885-00-00-1900-00-00);

Two men in a rowing boat are attacked by a giant eel. Drawing by W. E. Wigfull, 1908.

Examples of the lever: shears for shearing sheep and oars of a rowing boat. Engraving 1836.

Unlikely couple 2. Ernst Barlach (Germany, 1870-1938). Germany, 1919. Prints; lithographs. Lithograph on Watteau paper

A man on clogs splitting wood with an axe, The wood splitter Fourth suite (series title), print maker: Cornelis Steffelaar, (mentioned on object), Amsterdam, 1807 - 1861, paper, etching, h 116 mm × w 92 mm

Gypsies Cooking on an Open Fire. Painting. Watercolor. Height: 154 mm (6.06 in); Width: 122 mm (4.80 in). Author: Thomas Rowlandson.

Que se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Tampoco (Nor this). Plate 36 from The Disasters of War (Los Desastros de la Guerra) by Goya, Francisco, de (1746-1828)/ State Hermitage, St. Petersburg/ 1810-1820/ Spain/ Etching/ Classicism/ Mythology, Allegory and Literature

Greek peasant at a fountain in the Trabzon mountains, Turkey, drawing from Travels in Lazistan and in Armenia, 1869, by Theophile-Louis Deyrolle (1844-1923), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume IV, Issue 3, June 15, 1876.

Les Bêcheurs. Jean-François Millet (France, Gruchy, 1814-1875). France, circa 1855-1856. Prints; etchings. Etching

Reproduction of the illustrations of Juliusz Kossak (1824-1899) to "memory of the trial of trying to be" Józef Ignacy Kraszewski; over the 19th and 20th centuries () (1880-00-00-1905-00-00);

Sawing man. Draughtsman: Jean Bernard. Dating: 1826. Measurements: h 227 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

The Hedger, William Strang (Dumbarton, Scotland, 1859 - 1921) 1891

Lazio Roma Subiaco Rocca Abbaziale9. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Northern Netherlands, Cartoon of the Duke of Brunswick shooting at the sun, ca. 1784, verso - stamped, Cartoon of the Duke of Brunswick, shooting at the sun with bow and arrow, ca. 1784., print, cartoon, prints, Frederik Muller History plates, height 65 mm, width 76 mm, print maker, printmaker, 1784 - 1784, paper, papier, etching, engraving, engraving (printing process)

Evening, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 7/8 x 8 5/8 in. (15 x 21.9 cm)Sheet: 8 7/16 × 11 3/8 in. (21.4 × 28.9 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA.

Sinbad the Sailor (Sinbad le marin). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Man Bint Korenschoof in Akker with Koren, Johanna Henriëtte Besier, 1875 - 1887 print Netherlands paper etching binding ~ harvest

Kneeling man filling a jug in a ditch, draughtsman: Jacob Ernst Marcus, 1784 - 1826, paper, h 190 mm × w 276 mm

Figure Studies, Including One Man Sleeping on the Ground and Two Men Sawing. Dimensions: sheet: 12.8 x 23.3 cm (5 1/16 x 9 3/16 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Claude-Joseph Vernet.

A cartoon by Bruce Bairnsfather, in which a French farmer is about to propose, when a dormant mine ruins the moment. 1915

Jadowniki, voucher for a manual day, 1847

Redding, The Bathers, 2 Aug. 1873, wood engraving on paper.

Photo production of (presumably) a drawing entitled 'Auerbach's cellar (trip to the ton)'; Auerbach's Keller (Fassfahrt). Part of album with 30 photo production of drawings of the faust story of J.W. Von Goethe.

Honoré Daumier, Mes pauvres raisons, si vous ne revenez pas à la sauté, 19th century Mes pauvres raisons, si vous ne revenez pas à la sauté...

Seymour. James McNeill Whistler; American, 1834-1903. Date: 1858-1859. Dimensions: 135 x 98 mm (plate); 136 x 100 mm (sheet). Etching and drypoint with foul biting in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Seressaner, - Croate, From the series Seressaner and Croaten marked by Jos, Heick, October , Joseph Heick -, Lithographic, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

At the looms accord to the drawing of Apoloniusz Kędzierski. Cleastle from Tygodnik Ilustrowany 1894 (2) 321 Zajkowski, Andrzej (1851 1914), Krzeski, Apolonius (1861 1939)

Illustration by George Cruikshank to the poem The Lay of St. Medard. From the book The Ingoldsby Legends or Mirth and Marvels by Thomas Ingoldsby, published 1865.

Natives smoking game, Florida, United States of America, engraving from Etats-Unis d'Amerique, by Roux de Rochelle, L'Univers Pittoresque, published by Firmin Didot Freres, Paris, 1837.

Chinese washing auriferous sands, San Francisco, California. United States of America, drawing by Eustache Lorsay (1822-1871) Trip to California, 1859 by Louis Simonin (1830-1886) Le Tour du Monde 1862

Black porter slave in Rio de Janeiro, Brazil, South America. Journey of the French painter Francois Auguste Biard in Brazil, 1858-1859

Man who digs up a sword on an old battlefield, c. 1854 - c. 1887 On a sandy plain is a man with a pit. He has a shovel of his hands and looks at a man with a beard standing next to the pit. He studies the sword that the man has dug up. Behind him are bones and human skulls. Houses can be seen in the background. Drawing on page 27 of an album with 35 drawings. paper. watercolor (paint). ink pen / brush On a sandy plain is a man with a pit. He has a shovel of his hands and looks at a man with a beard standing next to the pit. He studies the sword that the man has dug up. Behind him are bones and human skulls. Houses can be seen in the background. Drawing on page 27 of an album with 35 drawings. paper. watercolor (paint). ink pen / brush

Man in landscape. unknown c. 1720-1750 Tapestry Dimensions: H 2'5" x W 2'6" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. Next to foliated tree trunk, a man handling a barrel Fragment with narrow border. No French & Co. stock sheet in archive, 15556 No French & Co. stock sheet in archive, 32270

1830 Courtly romance "battle of Hernani", by the French romantic author Victor Hugo. Set in a fictitious version of the Spanish court of 1519, it is based on courtly romance and intrigues. Three men -- two noblemen and a mysterious bandit -- are in love with the same woman. What follows in the ensuing chaos of action. In the first scenes Hugo introduces Don Carlos, King of Spain (the future Charles V, Holy Roman Emperor). 'Le Rire' magazine 1902.

THE MAYOR OF CASTERBRIDGE, DRAWN BY ROBERT BARNES, WRITTEN BY THOMAS HARDY, 1886; "Henchard turned slightly, and saw that the comer was Jopp, his old foreman."

Girl friends - reproduction of a painting. unknown, graphic artist, Witkiewicz, Stanisław (1851-1915), painter

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