Rustic Landscapes and Farmhouses

A collection of historical etchings showcasing serene rural landscapes, featuring cottages, barns, and flocks of sheep among trees, with varied textures and fine detailing.

Rijn, Rembrandt van, Netherlands, With, Pieter de, Farm on the Diemerdijk, verso lower left - stamped, Farm on a road near the Diemerdijk, near Amsterdam., print, prent, prints, height 78 mm, width 207 mm, Northern Netherlands, 1635 - 1689, print maker, printmaker, 1650 - 1660, third quarter 17th century, paper, papier, deck paint, dekverf, etching, etchings, brush, Borstel, 1606-07-15 - 1669-10-08

Landscape with a Haybarn and a Flock of Sheep (copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam); Captain William E. Baillie (Irish, County Kilbride 1723-1810 London). Dimensions: Plate with curved top: 3 3/8 × 6 15/16 in. (8.6 × 17.7 cm)Sheet: 4 × 7 15/16 in. (10.2 × 20.2 cm). Date: 1750-1810. Museum: Metropolitan Museum of Art, New York, USA.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Landscape with the Church of San Teodoro. Dated: 1744/1750. Dimensions: sheet: 16.6 x 21.9 cm (6 9/16 x 8 5/8 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

Rijn, Rembrandt van, Netherlands, With, Pieter de, Farm on the Diemerdijk, verso lower left - stamped, Farm on a road near the Diemerdijk, near Amsterdam., print, prent, prints, height 78 mm, width 207 mm, Northern Netherlands, 1635 - 1689, print maker, printmaker, 1650 - 1660, third quarter 17th century, paper, papier, deck paint, dekverf, etching, etchings, brush, Borstel, 1606-07-15 - 1669-10-08

Cottage among Trees ca. 1650 Rembrandt (Rembrandt van Rijn) Dutch Among Rembrandt's sketches of rustic farmhouses and cottages, this drawing is unusually finished in execution and formal in composition. Rembrandt drew the scene with fine pen lines of fairly even width. He applied wash sparingly and rendered the texture of the thatch roof with heavily inked strokes reminiscent of a drypoint burr. In so doing, he created a work related in feeling to his etchings. Rembrandt situated the cottage parallel to the picture plane and framed it symmetrically by adding at the right of the original sheet a strip of paper, on which he extended the tree branches, the fences, and the distant horizon. In its reinterpretation of Italian Renaissance principles of composition, this drawing reveals parallels with paintings Rembrandt made in the years 1648-50, most notably the Supper at Emmaus of 1648 (Musée du Louvre, Paris).. Cottage among Trees. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Am

Toll on the Amsterdamsche Vaart. Draughtsman: Jan Striening. Dating: 1837 - 1903. Measurements: h 215 mm × w 305 mm. Museum: Rijksmuseum, Amsterdam.

Francis Seymour Haden, 1818-1910, British, The Lark at Heaven's Gate Sings, 1859. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

Boerderij op een heuvel; Twaalf landschappen.There is a farm on a hill where a country road runs along. On the road a rider, a walker and a dog. In the background two fishermen and a ruin. The print is part of a series of twelve landscapes.

View of Leith, 1750, Paul Sandby, British, 1731 - 1809, 8 1/2 x 6 1/2 in. (21.59 x 16.51 cm) (sheet), Etching in brown ink, England, 18th century

On the Test. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1859. Prints. Etching and drypoint

Henry Edridge, 1769-1821, British, Michelham, Surrey, 1797. Graphite on medium, slightly textured, cream wove paper.

Landscape with travelers and fishermen, Nicolaes van Lijnhoven, 1620 - 1700 drawing Landscape with travelers at a gate and fishermen who bring in nets. paper. ink pen / brush four-wheeled vehicle drawn by two animals. fresh-water fishery. stadia of travel. (traveller) resting in the open air

Bords de la Somme à Amiens (Banks of the Somme atAmiens). Artist: Auguste Lepère, French, 1849-1918

Depicts a landscape with trees, farmhouses, and a tower by Rembrandt, created as an etching with a ledge and uneven light tone around 1650, showing natural and architectural elements.

The Gate (L'entree du champ). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Chinatown-Monterey. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 7 1/2 × 10 11/16 in. (19.1 × 27.2 cm)Plate: 5 3/16 × 7 1/16 in. (13.1 × 18 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Marsh (Les marais), drypoint, Bliss 1923, no. 298, Alphonse Legros (artist) French, 1837 - 1911

Sir Robert Smirke the younger, 1781-1867, British, Fuori della Porta di S. Lucia, Vicenza, 1804. Graphite on medium, slightly textured, beige, wove paper.

Rijn, Rembrandt van, Farmhouses on a canal: a view of Diemen or Ouderkerk aan de Amstel, verso lower right, print, prints, verso lower left, height 140 mm, width 207 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1643 - 1647, second quarter 17th century, paper, etching, etchings, plate tone, Work conception, after own design by

Johann Gottlieb Friedrich (1742-1809), illustration for "catechism for all people", 1742 - 1809

High houses in the wood, above a water, Barend Cornelis Koekkoek (Manner of), 1813 - 1862 drawing paper. pencil brush

Garden with Obelisk, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Artist: Alphonse Legros, French, 1837-1911, Paysage de Tourbieres: Dans le Marais (Countryside of Tourbieres: In theMarshes), Etching and drypoint, platemark: 6.3 × 12.8 cm (2 1/2 × 5 1/16 in.), Made in France, French, 19thcentury, Works on Paper -Prints

Branchville, Connecticut, c. 1880. John Henry Twachtman (American, 1853-1902). Etching;

Apeldoorn. Draughtsman: Constantijn Huygens (II). Dating: 30-Dec-1675. Measurements: h 115 mm × w 192 mm. Museum: Rijksmuseum, Amsterdam.

Capt. Thomas Hastings, 1778-1854, British, From the Public House near Scale Hill, 2 August 1835, 1835. Graphite on medium, slightly textured, cream wove paper.

Bank of a water, with trees and a house, Jan de Bisschop, 1648 - 1671, draughtsman: Jan de Bisschop, 1648 - 1671, paper, pen, brush, h 147 mm × w 91 mm

Landscape with a Country House. Artist: Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne). Dimensions: 3 5/16 x 5 5/8 in. (8.4 x 14.3 cm). Former Attribution: Formerly attributed to Antoine Watteau (French, Valenciennes 1684-1721 Nogent-sur-Marne); Formerly attributed to Anonymous, French, 18th century. Date: ca. 1714. Museum: Metropolitan Museum of Art, New York, USA.

Sir Robert Smirke the younger, 1781-1867, British, Florence From the Road Towards Perugia, 5 Mile Distant, 1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Sketch of a garden with obelisk and person at Vijver, Dionys van Nijmegen (Possibly), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Masure sur laColline. Artist: Alphonse Legros, French, 1837-1911

Barn in a landscape, Cornelis van der Griendt, 1858 print Sanding in a landscape of water. Three figures on the right. Netherlands paper etching / drypoint barn

Figures in a rowing boat on a river at a church tower. Leaf 36 Recto from a sketchbook with 41 sheets.

A Farm 1625-1635 France. Brush and brown wash with black chalk on ivory laid paper . Jacques Callot

Genezzano, 17 May 1838. Date/Period: 1838. Drawing. Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper. Height: 252 mm (9.92 in); Width: 356 mm (14.01 in). Author: Edward Lear.

Farm with frozen river with skaters on the ice, Esaias van de Velde, Anonymous, Claes Jansz. Visscher (II), 1614 - 1617.

Etched by Joseph Mallord William Turner, 1775-1851, British, Solitude, 1814. Etching on medium, slightly textured, cream wove paper.

Swineherd near church, Allaert van Everdingen, 1631 - 1675

Man pushing a donkey towards a bridge Landscapes after Esaias van de Velde (series title), Esaias van de Velde, print maker: anonymous, publisher: Johannes Pietersz. Berendrecht, Haarlem, 1610 - 1617, paper, etching, h 58 mm × w 97 mm

The boathouse; The cousin.

Study for Cottage in Cornfield, East Bergholt. Date/Period: Ca. 1833. Drawing. Graphite and brown wash on medium, smooth, beige wove paper laid to card. Height: 89 mm (3.50 in); Width: 64 mm (2.51 in). Author: John Constable.

Artist: Allaert van Everdingen, Dutch, 1621-1675, The ThreeCottages, Etching, sheet: 12.5 × 16 cm (4 15/16 × 6 5/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Woman with a burden on a farmyard, 1859 - 1864 Page 66 Recto from a sketchbook with 77 sheets. paper. pencil farm (building). carrying something on the head or on the shoulders

Drawing, A Village Square; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; graphite and black crayon on rough grey paper; 22.5 × 38.3 cm (8 7/8 × 15 1/16 in.)

Le Drageoir aux épices by J. K. Huysmans: p. 77, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

The Large Thatched Cottages. Félix Hilaire Buhot; French, 1847-1898. Date: 1881. Dimensions: 140 × 273 mm (plate); 218 × 357 mm (sheet). Etching and drypoint on light gray Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rijn, Rembrandt van, Netherlands, Koninck, Philips, Two farms with pointed gables, verso lower left - stamped, Aan a country road two farms with pointed gables, in the distance a lake with sailing ships., print, prent, prints, height 58 mm, width 174 mm, 1619-11-05 - 1688-04-10, print maker, prentmaker, 1629 - 1688, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, paper, papier, etching, etchings, brush, Borstel, Noord-Nederlands, 1606-07-15 - 1669-10-08

Village on Sunny Hillside 1650-1651 Netherlands. Five drawings (1961.378-1961.382) were once bound in a small sketchbook of approximately 200 pages. Because it was light and portable, Jan van Goyen could tuck it into his pocket while walking in search of inspiration. Sketchbooks allowed the artist to quickly delineate sand dunes and architectural structures in the vicinity of his residence in The Hague and farther afield. These landscape sketches in black chalk and ink wash relateódirectly and indirectlyóto compositions the artist later realized in oil paintings.. Black chalk, with brush and gray wash, on ivory laid paper . Jan van Goyen

Wirinaki Station drawings, works on paper

Pierre at Gentily Went Pierre-Egène vibert, 1885 - 1937 print paper color woodcut landscapes. city-view, and landscape with man-made constructions Gentilly

Etching by Jacques-Philippe Le Bas from 1734-1783 showing the galleys of Naples, with ships, harbor, and waterfront buildings.

Woman at a well, Jan van Goyen, 1635 - 1645 drawing paper. chalk brush farm or solitary house in landscape. well

Open Landscape with Three Horsemen in the Middle Distance Heading to the Right, Windblown Trees at Left. Artist: After Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: Plate: 9 15/16 x 13 7/8 in. (25.2 x 35.2 cm)Sheet: 12 3/8 x 18 1/2 in. (31.5 x 47 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Published in: London. Series/Portfolio: Imitations of Modern Drawings. Date: 1784-88. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing by August Xaver Karl von Pettenkofen illustrating a scene from Gil Blas, showing characters, gestures, and narrative action.

Jean Claude Richard de Saint Non after Jean Honoré Fragonard, Le Petit Parc, 1763 65 Le Petit Parc

Alphonse Legros, Sunset (Le soir (Coucher de soleil)) Sunset (Le soir (Coucher de soleil))

Farmhouse with dovecote on a river Landscapes after Esaias van de Velde (series title), Esaias van de Velde, (mentioned on object), print maker: anonymous, publisher: Claes Jansz. Visscher (II), (mentioned on object), 1610 - 1650, paper, etching, engraving, h 96 mm × w 172 mm

Tide Bridge. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 5 7/8 × 7 5/8 in. (15 × 19.3 cm)Plate: 3 7/8 × 5 1/2 in. (9.9 × 14 cm). Date: 1924.Dromore, Maine. Museum: Metropolitan Museum of Art, New York, USA.

Man and woman in a landscape Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Man and woman in a landscape. Graphite pencil with white chalk rehaught on paper.

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Landscape with a Woman at a Well, from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 135 x 207 mm (image/plate); 166 x 237 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Sheet of Sketches Made 1829 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

La femme puisant de l'eau. 1701 - 1800. Canaletto, 1697-1768. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with a sculpture, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil

Frais-Vallon, Autumn. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1912. Dimensions: 200 × 300 mm (image/plate); 242 × 325 mm (sheet). Etching and drypoing on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Landscape with two figures in a boat for a farm. Design for a print.

A drawing by Johann Georg Wagner titled 'Error', executed with gray pen, light brown and brown brush, and lavated shading.

Farm and a waxing woman, Jacob Jan van der Maaten, 1830 - 1879 drawing Farm between trees and waxing woman by the water. paper. deck paint brush / brush / brush farm (building)

Landscape with Windmill Johan Barthold Jongkind (Dutch, 1819-1891). Landscape with Windmill. Charcoal with watercolor wash on paper, 6 5/16 x 9 3/4 in. (16.1 x 24.7 cm). European Art

To Gentilly. Louis Auguste Lepère; French, 1849-1918. Date: 1910. Dimensions: 192 × 248 mm (image); 210 × 259 mm (plate); 310 × 342 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A collection of pencil sketches by Ferdinand Georg Waldmüller illustrating diverse subjects such as architecture, landscapes, and human figures, emphasizing structural accuracy.

Summer of Saint-Martin The Passing Wedding Made 1908 France. Etching on cream laid Japanese paper . Louis Auguste Lepère

Flood of Green Green Concert at New Bridge in 1867 Albert Maignan (1845-1908). Flooding the Green Green Concert at the Nine Bridge in 1867. Paris (IER and FIVE ARR.), 1867. Lead Mine.

Drinking and dancing persons in the courtyard of a tavern between ruins, draughtsman: Jean Baptiste Lallemand, 1726 - 1803, paper, pen, brush, h 233 mm × w 375 mm

At Charleroi, Constantijn Huygens (II), 1677 drawing Dealing the siege of Charleroi and retreat of the troops of Willem III, August 14, 1677. paper. ink pen raising the siege Charleroi

Lock, Louis Bernard Coclers, 1756 - 1817.

Gardens of the Villa Correr, near Strà (recto); Study for The Transverberation of Saint Teresa of Jesus and a Study of Hands (verso). Artist: Francesco Guardi (Italian, Venice 1712-1793 Venice). Dimensions: sheet: 9 1/16 x 15 1/2 in. (23 x 39.4 cm). Date: 1712-93. Museum: Metropolitan Museum of Art, New York, USA.

The Three Cows. Dated: 1877. Dimensions: plate: 13.9 x 20.1 cm (5 1/2 x 7 15/16 in.) sheet: 17 x 22.5 cm (6 11/16 x 8 7/8 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Barn in a landscape, Cornelis van der Griendt, 1858 print Sanding in a landscape of water. Three figures on the right. Netherlands paper etching barn

Between Thieusies and Strépy On demarche between Thieusies and Sterrij, draughtsman: Constantijn Huygens (II), 30-Aug-1675, paper, pen, h 105 mm × w 162 mm

Landscape with farm and roof of Ganymedes, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1612 - 1614 print Amsterdam paper etching farm or solitary house in landscape. the rape of Ganymede: he is carried off through the air by Jupiter in the form of an eagle, or by the eagle of Jupiter

La Factoria (The Factory), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. La Factoria (The Factory), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

French crown, Paris, Audran, Dughet, Gaspard, France, Gérard, River landscapes, River landscape with two walking figures, verso - stamped, print, prints, height 111 mm, width 292 mm, 1640 - 1703-07-26, print maker, printmaker, 1650 - 1703, paper, papier, etching, etchings, Work conception, French, Italian, 1615-06-07 - 1675-05-25, after a design by, Publication (Event), Publication, publisher, granter of privilege

A feather drawing by Giovanni Francesco Grimaldi depicting a village with a church situated on water, surrounded by a tree landscape. Figures appear in a cutout of the paper, doubled as the lower third.

Bella, Stefano della, Meryon, Charles, Passerelle du Pont-au-Change après l'incendie de 1621, Temporary pedestrian bridge on the site of Pont-au-Change after the fire of 1621 in Paris, verso right - stamped, Temporary wooden footbridge at the site of Pont-au-Change over the Seine in Paris after the fire of 1621. Meryon borrowed this representation from a drawing by Stefano della Bella. He even went so far as to adopt some collector's marks on the drawing, another mark is visible at the bottom left and a other mark at the bottom right was removed after the fifth state., print, prints, height 118 mm, width 226 mm, French, 1821-11-23 - 1868-02-14, print maker, 1860 - 1899, third quarter 19th century, fourth quarter 19th century, paper, etching, intermediary draughtsman, after a drawing by, Italian, 1610-05-18 - 1664-07-27

Hengelaar at a lapse hut in a landscape; Landscapes to Pieter de Molijn.a Lapse Hut in a Landscape; On The Left a Fisherman in a Boat. Fourded from a Series of Four.

View of Classical Ruins / recto: View of the Baths of Caracalla, Rome, with a Large Boulder in the Foreground, Guilliam du Gardijn, c. 1620 - c. 1625, Sketch of a ruin (on the lower half of the sheet)., draughtsman: Guilliam du Gardijn, draughtsman: Karel du Jardin, (rejected attribution), Rome, (possibly), c. 1620 - c. 1625, paper, brush, h 410 mm × w 537 mm

Winter face, Daniël Van Oosterhoudt, 1791 - 1850 drawing paper. chalk brush ice ~ freezing weather. playing with snow and ice - CC - adult(s) ~ snow and ice

Village de Wimille, pres Boulogne (Village of Wimille nearBoulogne). Artist: Alphonse Legros, French, 1837-1911

View of a River from a Terrace, Macon, Print made by Sir Frank Short, 1857-1945, British, after Joseph Mallord William Turner, 1775-1851, British, 1891, Etching printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 5/8 × 11 inches (19.4 × 27.9 cm)

Landscape (Paysage). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Brighthelmstone, England, James Moore, 1762-1799, British, 1793, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)

Marshal, Jean Baptiste, entrance to the Tuileries by the turning point. (Dummy title). Carnavalet museum, history of Paris.

The Steps, Luxembourg. James McNeill Whistler; American, 1834-1903. Date: 1892-1893. Dimensions: 208 x 157 mm (image); 368 x 247 mm (sheet). Transfer lithograph in black with stumping, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

View of Sloten, Roelant Roghman, 1637 - 1692 print Amsterdam paper etching / drypoint church (exterior). fisherman. 'en route', traveller under way Locks

Rivière, Henri (n.1864-03-11-D.1951-08-24), hamlet in the Cap de la Chèvre (main title), 1910. Etch drawn in bistre on laid paper of filigree arches. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with farm and rape of Ganymede, print maker: Boëtius Adamsz. Bolswert, Abraham Bloemaert, 1612 - 1614.

Ferdinand Georg Waldmüller pencil sketches from 1826-1829 showing figure studies, gestures, postures, and compositional arrangements.

The designer landscape Harmensz van Rijn Rembrandt (1606-1669). The landscape to the designer (B 219 - Single State), around 1645.

of 3