Rustic Life and Gatherings

A collection of etchings depicting rural interiors with people smoking, drinking, and socializing, highlighted by warm colors and intimate settings.

Rhine, Rembrandt van, The rat poison seller, verso bottom center, print, prints, RHL 1632, bottom right, height 138 mm, width 125 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

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Three smoking Mannen, Johann Andreas Benjamin Nothnagel (possibly), 1739 - 1804 print paper etching inn, coffee-house, public house, etc.. drinking. pipe ~ tobacco. reading

Herberg interior with smoking and drinking farmers, Johannes Christiaan Janson, after Adriaen van Ostade, 1778 - 1823 print Herberg interior with smoking farmers near a fireplace. One of them sitting on a stool, seen on their backs. On the right in the foreground a dog, eating from a pot. Three drinking farmers in the background, sitting at a table. More edited than the previous state. paper etching inn, coffee-house, public house, etc.. tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

The age; The ages of man, "Les Quatres Ages de la Vie Humaine". Two old men and an old woman at the fireplace. The men smoking and drinking and the woman has a bowl in the hands. On the wall is a print with the personification of death. The print is part of a series of four prints about the ages of man.

The home of the lost son.

Abraham Entertaining the Angels 1656 Rembrandt (Rembrandt van Rijn) Dutch. Abraham Entertaining the Angels 343136

De Kastanjever, Thomas Wijck, 1626 - 1677 print A man roasts chestnuts. Two men and two women around them. Another woman looks from the window of her house. paper etching fruits: chestnut

The peasant paying his ecot (Bartsch 42) Adriaen van Ostade (1610-1685). The peasant paying his ecot (Bartsch 42). Floor and dry tip, 1647-1653.

Rhine, Rembrandt van, The rat poison seller, verso bottom center, print, prints, RHL 1632, bottom right, height 138 mm, width 125 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

La Conversation, state print; Le Prince, Jean-Baptiste (1734-1781); 1764 (1764-00-00-1764-00-00);Lagrenée, Louis-Jean-Francois (1724-1805)-dedication for, Le Prince, Jean-Baptiste (1734-1781). Divers Habillament des Femmes de Moscovie - Illustrations, Malin, F.A. - collections, Russia, Witke-Jeżewski, Dominik (1862-1944)- collection, gift (provenance), French (culture), state prints, genre scenes

Return of the Lost Son, Jean Baptiste Pierre Michiels (Attributed to), after Rembrandt van Rijn, 1831 - 1890 print paper etching the prodigal son kneels before his father who takes him in his arms

Picture trader, 1755 print Look through a window. Within a young practitioner who shows his prints to a customer. paper etching merchant, salesman

Second Guard-Room. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 13 5/8 × 8 5/16 in. (34.6 × 21.1 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Kellen, David van der (1804-1879), Figures at the waterfront, verso - written, Three pipe-smoking men, a girl and a dog at the waterfront. Two boats are sailing on the water and the contours of a city can be seen in the background., print, engraving, prints, engravings, verso - stamped, This is the last picture of my Father etched. J.Ph vd Kellen 1875, height 126 mm, width 161 mm, 1804-09-25 - 1879-03-30, print maker, prentmaker, 1814 - 1875, paper, papier, etching, etsen

The Return of the Prodigal Son, Rembrandt van Rijn, 1850 - 1906 print paper etching the parable of the prodigal son (Luke 15:11-32)

A young man sitting and standing; The roller cart.

Joseph's coat brought to Jacob, anonymous, after Rembrandt van Rijn, after 1633 print paper etching Genesis: the story of Joseph

The Doll 1610-85 Adriaen van Ostade Dutch. The Doll 396479

Joseph tells his dreams.

Francisco de Goya y Lucientes (1746-1828). Spanish painter. Los Caprichos. Plate 21. How they pluck her! (Cual la descanonan!). San Fernando Royal Academy of Fine Arts. Madrid, Spain.

Joost Joosten te Veere tie in prison, 1560, 1683 - 1685 print Joost Joosten is horribly tortured in the prison in Veere before being burned. Northern Netherlands paper etching execution of heretic, e.g. by burning at the stake, 'auto-da-fé' Veere

Harmensz van Rijn Rembrandt (1606-1669). "The worship of shepherds (B 45 - 1st state), around 1654". Museum of Fine Arts of the City of Paris, Petit Palais. 26994-7 Shepherd, ox, Catholic, Christian Christian, Christ, Etable, Birth, New Testament, Biblical Scene, Virgin

The Merry Shoemaker. Dated: 1695. Dimensions: sheet (trimmed to plate mark): 25.2 x 18 cm (9 15/16 x 7 1/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Dusart.

Man and a woman winding yarn on a bobbin, Jan de Visscher, after Adriaen van Ostade, 1655 - 1673 print In a messy interior, a man and a woman are busy garen on bobbins the winds. Between them a child watches, leaning on the woman's leg. A dog is sleeping between the eggshells and broken legs. print maker: Northern Netherlandspublisher: Amsterdam paper etching dog. pipe ~ tobacco. winding of yarn on reels or spools

This 1654 etching by Rembrandt depicts the adoration of the shepherds with a lamp, emphasizing detailed figures, interior setting, and early Baroque Dutch printmaking techniques.

The rat vendor. Second condition of the copy of the same name to Rembrandt: The CJ Visscher address has been polished.

The Humpbacked Violinist 1610-85 Adriaen van Ostade Dutch. The Humpbacked Violinist 396320

The Circumcision in the Stable Made 1654 Holland. Etching on ivory laid paper . Rembrandt van Rijn

Abraham and Isaac 1645 Rembrandt (Rembrandt van Rijn) Dutch Among Rembrandt's most moving prints, this etching depicts the story of Abraham, who, as a test of his faith, was ordered by God to sacrifice his son Isaac. As is typical of the artist's work of the 1640s, Rembrandt chose to illustrate the most emotionally poignant moment of the story: Isaac, unwittingly the intended sacrifice, asks his father, "Where is the lamb for the offering" Abraham responds that God will provide one. Rembrandt arranged the composition around the pivotal gesture of the father, who points to God with his upraised finger. Like a storm cloud, lines swirl in the background behind Isaac, while the area behind his father is blank, modulated only by a thin film of ink.. Abraham and Isaac 343139

Spinster sitting on the threshold of a house in conversation with Man, Adriaen van Ostade, 1666 - 1670 print Haarlem paper etching winding of yarn on reels or spools

Family by the fire, Jos Hemeleer, After Adriaen van Ostade, 1840 print Man gives a child to eat and a woman stands by the fire. paper etching family life at home. feeding a baby

Three workers at work, Johannes Josephus Aarts, 1881 - 1934 print All wear a headgear. On the right in the foreground a wicker basket. Japanese paper (handmade paper) etching working class, labourers

January (one of a series representing the labors of the months) 1690 or slightly earlier Jonas Umbach German. January (one of a series representing the labors of the months) 334994

17th century Dutch family at trestle table in front of a doorway. A girl reaches for a doll held by her mother. while her father watches. The Doll, 1679. Copperplate engraving by David Deuchar after an original by Adriaen van Ostade from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Cottagers, with Fireside 1799 Henri Merke In the 18th and 19th centuries, magic lanterns entertained viewers by projecting images onto a wall or screen (these box-like devices used a mirror to intensify light and direct it through a tranparent image and lens). The London publisher Rudolph Ackermann produced specially treated prints for use in magic lanterns and this example represents the first stage of such an image. Etched lines, based on a drawing by Rowlandson, have established the design. Next tone would have be added to the printing plate and the resulting images hand-colored and oiled. A finished colored example is in the British Museum.. Cottagers, with Fireside. After Thomas Rowlandson (British, London 1757-1827 London). 1799. Etching; proof before aquatint or mezzotint. Rudolph Ackermann, London (active 1794-1829). Prints

Drinking figures by an open window, Charles Emile Jacque, After Adriaen van Ostade, 1845 print Numbered bottom left: 53. paper etching drinking. hotel, hostelry, inn. open window

Feeling, Jean Baptist Leprince, 1775 print paper etching feeling (one of the five senses). feeling pulse or heart-beat

The Smoker and the Drinker 1682 () Adriaen van Ostade Dutch. The Smoker and the Drinker 357199

The Rat Catcher, Rembrandt van Rijn, 1632 print paper etching rat exterminator

In a landscape near a tree sits a woman with a hood on her head. Next to her is a man resting his right arm on a birdcage and holding his hand in front of the birdhouse., Man and a woman near a tree, print maker: Hendrik Kuipers, (mentioned on object), Dordrecht, 1789, paper, etching, h 179 mm × w 125 mm

The Liver Player with the Dancing Dog.

After: Jacques Callot, French, 1592-1635, La vieille aux Chats (The Old Woman with Cats), from LesGueux, Engraving, platemark: 13.5 × 8.7 cm (5 5/16 × 3 7/16in.), French, 17thcentury, Works on Paper -Prints

Circumcision, Rembrandt Harmensz. van Rijn, 1628 - 1632

Inn scene, print maker: Charles Emile Jacque, (mentioned on object), France, 1823 - 1894, paper, etching, drypoint, engraving, h 54 mm - w 49 mm

La Complaisance maternelle. Dated: 1776. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Sigmund Freudenberger.

Haarlem, Ostade, Adriaen van, Hunchbacked violinist before an inn, A hunchbacked man plays the violin before the entrance to an inn. In the doorway stands a woman with a small child in her arms. Next to her stands a boy with a hoop. The man on the fence smokes a pipe. This print is part of an album., print, picture, album sheet, prints, pictures, height 163 mm, width 111 mm, height 351 mm, width 262 mm, Northern Netherlands, 1610-12-19 - 1685-04-28, print maker, printmaker, 1652 - 1656, paper, papier, etching, etchings, Work conception, after own design by, 1846 - 1900

La charité , Beggars, Charity, Alphonse Legros (1837-1911)

The Taste 1610-85 Adriaen van Ostade Dutch. The Taste 396341

. The sense of sense of taste depicted with the cakes of Griete-gruys that bakes pancakes for greedy children and adults said the text of four lines under the image that floats the spot with the sense.

Woman throws a bucket of water over a man while another man sets the house on fire, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing Job's wife pouring a bucket of water over him

Smoker with company at a table, Nicolaes van Haeften, 1695 print Paris paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). farmers

The Man with a Cane (Fragment from the Hundred Guilder Print). Dated: c. 1649. Dimensions: plate: 5.2 x 7.6 cm (2 1/16 x 3 in.) sheet: 6.2 x 8.5 cm (2 7/16 x 3 3/8 in.). Medium: etching with drypoint and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Rembrandt van Rijn and William Baillie.

Man and two women, Salvator Rosa, c. 1656 - c. 1657 print Seen a standing man in Eastern clothing on the back. On the right two women. Italy paper etching / drypoint head-gear: turban

Three men and an empty jar, Jacob Laurensz. van der Vinne, Adriaen van Ostade, 1699

Pero sucks the chained Cimon in prison, Bernard Picart, After Rembrandt van Rijn, 1683 - 1733 print Pero gives her father Cimon de Borst in his prison collar (Caritas Romana). The story is an example from the classical literature of the love of children for their parents. Amsterdam paper etching But Suckling Cimon ('Roman Caritas')

Le Trictrac (Bartsch 39) Adriaen van Ostade (1610-1685). Trictrac (Bartsch 39). Floor and dry tip, around 1668. Museum of Fine Arts in the city of Paris, small palace.

The Well. Charles Émile Jacque; French, 1813-1894. Date: 1845. Dimensions: 84 × 123 mm (plate); 150 × 184 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Merry Christmas (recto); Woman and Soldier Seated at Table(verso). Artist: Unknown

Carpenter. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 1 15/16 × 1 11/16 in. (5 × 4.3 cm)Plate: 1 7/16 × 1 3/16 in. (3.6 × 3 cm). Museum: Metropolitan Museum of Art, New York, USA.

The Smoker and the Drinker. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 3 1/8 × 2 7/16 in. (7.9 × 6.2 cm). Date: 1682 (). Museum: Metropolitan Museum of Art, New York, USA.

Italy, Cambiaso, Luca, Scacciati, Andrea II, Holy Family with the young John the Baptist, Mary sitting with the Christ Child in her arms. Next to her stands the young John the Baptist and on the right sits Joseph. In the background a column and a pyramid. In the foreground elements of columns, a lamb and a cross., print, prent, prints, prenten, height 429 mm, width 304 mm, Italian, 1725 - 1771, print maker, prentmaker, 1735 - 1771, paper, papier, sulphur print, roulette, kleurdruk, Work conception, 1527-10 - 1585

BOCKELDE Violin player for an inn, Adriaen van Ostade, 1941 A small man with a crooked back plays the violin in front of the entrance of an inn. In the doorway is a woman with a small child on her arm. On a fence a man smokes a pipe and a little boy is listening with a hoop in his hand. The print is part of a portfolio. Haarlem paper etching A small man with a crooked back plays the violin in front of the entrance of an inn. In the doorway is a woman with a small child on her arm. On a fence a man smokes a pipe and a little boy is listening with a hoop in his hand. The print is part of a portfolio. Haarlem paper etching

Reading man behind a desk, Robert Brichet, after Joseph Franz Freiherr von Goez, 1783 print Man in dressing gown and hat on the head, standing for a reader. He reads a book entitled 'La Chasse Heureuse'. A mask hangs on the side of the reader. A dog sleeps at the man's feet. paper etching reading. lectern ~ reading

Duchess with Death, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beings

L'Atelier de Rembrandt, tableau de J. Gilbert, from "L'Univers Illustré," p. 395. Artist: After Sir John Gilbert (British, London 1817-1897 London). Dimensions: Sheet: 9 3/4 × 12 5/8 in. (24.7 × 32 cm). Engraver: William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Subject: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Date: November 14, 1861. Museum: Metropolitan Museum of Art, New York, USA.

Saint Pierre et Saint Paul à la porte du Bonhomme Misère , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

Booted violin player in front of one inn, 1846 - 1900 A bought man plays the violin in front of the entrance of an inn. In the doorway is a woman with a small child on her arm. With her is a boy with a hoop. The man on the fence smokes a pipe. This print is part of an album. Haarlem paper etching A bought man plays the violin in front of the entrance of an inn. In the doorway is a woman with a small child on her arm. With her is a boy with a hoop. The man on the fence smokes a pipe. This print is part of an album. Haarlem paper etching

An old woman, in the light of a fire in an interior, bakes pancakes for a number of children., Pancake baker, print maker: Jan van de Velde (II), (mentioned on object), publisher: Jan van de Velde (II), (mentioned on object), Northern Netherlands, 1603 - 1641, paper, engraving, h 185 mm × w 130 mm

Rembrandt van Rijn's 1637 etching depicts the biblical story of Hagar, highlighting figures, gesture, and narrative composition.

Rembrandt van Rijn (Dutch, 1606 - 1669), The Goldsmith, 1655, etching and drypoint

Drinkers 1833-1894 France. Etching on cream chine laid down on ivory laid paper . Charles Émile Jacque

Abraham and Isaac, Rembrandt van Rijn, 1645 print paper etching / drypoint story of Abraham. story of Isaac

Christ between his Parents, Returning from the Temple. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet (Trimmed): 3 3/4 × 5 3/4 in. (9.6 × 14.6 cm). Date: 1654. Museum: Metropolitan Museum of Art, New York, USA.

Joseph telling his dreams., 1638, Netherlands, by Rembrandt van Rijn. Gift of Bishop Monrad, 1869.

Two women bake fish on the fire, Jan Luyken, 1711 print Amsterdam paper etching roasting, grilling. chimney. fishes

The Family 1647 Adriaen van Ostade Dutch. The Family 395581

Christ and the Woman of Samaria, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on cream laid paper, Christ and woman stand beside a well at left. Group of figures at lower right and in background. Foliage and houses in distance. Arched print., Netherlands, 1658, figures, Print, Print

The two old singers (Dutuit 6) Dusart, Cornelis. The two old singers (Dutuit 6). Etching. 1685-1685.

Fable A Man Bitten by a Dog 1773-1828 England. Woodcut on paper . Thomas Bewick

Haarlem, Enschede & Zn., Johan, Scheffer, J., Kok, EH, Ostade, Adriaen van, Interior of a hay barn, verso - stamped, The print is part of a portfolio., print, picture, album page, prints, RIJKS, MUSM, B, height 158 mm, width 194 mm, Northern Netherlands, 1610-12-19 - 1685-04-28, print maker, printmaker, 1647 - 1647, paper, etching, galvanizing, Work conception, after own design by, supervision, printer

Two travelers look at a man behind bars of a prison, Jan Luyken, 1711 print Amsterdam paper etching prison, jail. prisoner; in fetters. 'en route', traveller under way

Dentist, Jacob Gole, Cornelis Pietersz. Bega, 1670 - 1724

Scharenlijper, Justus van den Nijpoort, 1635 - 1692 print The scissors grinder stands with his scissors scraps cart in front of a house with a signboard. He holds a knife in his hand to grind. A woman and two children watch next to the cart, a boy is waiting with a knife in his hand. At the front right at the tree is a pooping dog. unknown paper etching / engraving sharpening, grinding (industrial processes). tools, aids, implements ~ crafts and industries: knife. signboard. dog

Rijn, Rembrandt van, Peter and John healing the cripple at the gate of the temple, verso - stamped, print, prints, height 179 mm, width 214 mm, print maker, printmaker, 1659 - 1659, paper, papier, etching, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

First Piast, Stan III; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1776 (1776-00-00-1776-00-00);Piast (legend), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), French (culture), Poland (culture), regalia, historical scenes, historical scenes, historical scenes ruler

Homelijk scene with child on the chest, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving cradle, crib. feeding a baby

Luit player votes his instrument, Albert Van Holsbeeck, 1887 - 1912 print paper etching tuning the lute

Rijn, Rembrandt van, Abraham and Isaac, verso lower left - stamped, print, prent, prints, prenten, Rembrant.1645., lower left, height 157 mm, width 130 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, prentmaker, 1645 - 1645, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Two men with stitch on view a mats chair. Draughtsman: Jacob de Wit. Dating: 1705 - 1754. Measurements: h 348 mm × w 257 mm. Museum: Rijksmuseum, Amsterdam.

They striven to put naked Ms. X.

Both smokers at a table (DuTUIT 20, Weigel 20) Van Haeften, Nicolas. The two smokers at a table (DuTUIT 20, Weigel 20). Etching. 1695-1695.

Farmers to a meal in an inn; The breakfast. Four men and a woman use a meal in a messy departure in an inn. The drink flows richly and the men's smoking pipe. A boy helps a small child with drinking from a jug. There are playing cards on the floor, a broken pipe and an empty can. Under the show is a Latin fresh tibull's poet in two rules: Securae RedDamus Tempora Mensae / Venit Post Multos Una Serena Dies

Slaughter scene. For a house, a group of people watches with slaughtering a pig.

Two farmers, Frans van der Steen, after David Teniers, c. 1600 - c. 1700 print paper engraving weighing gold or money. pipe ~ tobacco

LA Families (Bartsch 46) Adriaen van Ostade (1610-1685). The Family (Bartsch 46). Forte, in 1647

Kellen, David van der (1827-1895), At the lawyer's, verso - stamped, In a room a richly dressed lawyer sits in front of the mantelpiece at a lectern, in front of which stands a gesticulating man with a hat. Next to the man stands a little boy who is looking in the direction of the viewer and who has a ham and sausage with him. The man is possibly asking the lawyer for advice, who makes it clear to the man with a hand gesture that advice costs money. In the background is a bookcase with two busts on it and behind a gate is the silhouette of a figure visible at a lectern., print, prints, height 156 mm, width 121 mm, 1827-01-02 - 1895-09-09, print maker, printmaker, 1837 - 1882, paper, papier, etching, etchings, drypoint, dry needle

Chioggia. Friedrich Kallmorgan (German, 1856-1924). Etching;

Smokers in an inn, Adriaen van Ostade (attributed to), 1620 - 1685 print paper etching inn, coffee-house, public house, etc.. pipe ~ tobacco

The blind tobias: large plate.

Abraham and Izaac. Mirror-image copy to the Print of the same name from Rembrandt.

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