Sacred and Spiritual Representations

Prints illustrating religious figures and artistic interpretations of biblical scenes, with detailed compositions and backgrounds, emphasizing spirituality.

Apollo, captain of the muses, Apollo, draughtsman: Alexander Liernur, 1796, paper, h 240 mm × w 168 mm

Bliżej Kultury Pills, Kornel (1823 1885)

This copper engraving print by an unknown contributor, created between 1590 and 1690, depicts the Prophet Esias in the Sistine Chapel, focusing on the figure, gesture, and composition.

Ceiling painting in the Spiegelzaal of Versailles Castle, Claude Augustin Duflos, Johann Georg Wille, After Charles Le Brun, After Jean Baptiste Massé, 1752 print print maker: Franceprint maker: Parisafter painting by: Spiegelzaalafter drawing by: Paris paper etching / engraving sheaf of corn as attribute of Ceres Mirror

Monument to Nicholas Copernicus in toruń Dietrich, Adolf Fryderyk (1817 1860), Tieck, Christian Friedrich (1776 1851)

Ceiling painting with two Caratives, Jean Baptiste de Poilly, After Pierre Mignard (1612-1695), 1679 - 1728 print Ceiling painting in the Saint-Cloud gallery. Paris paper etching / engraving caryatids ~ architecture Saint-Cloud

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash off-white laid paper, Roundel with a Sybil (), grotesques for the decoration above the mirror, noble cabinet, Palazzo Altieri., Rome, Italy, 18th century, architecture, Drawing, Drawing

Etching by Hubertus Quellinus from 1665 showing a male figure in armor holding an ax and shield, accompanied by a dog and a pigeon, executed in Baroque engraving style.

Copper engraving by Jan Harmensz. Muller depicting the mythological scene of Merkur kidnapping Psyche, created in 1593.

Drawing (Italy); Felice Giani (Italian, 1758-1823); pen and black ink, graphite on paper; Mat: 91.3 x 71.4 cm (35 15/16 x 28 1/8 in.) 29.2 x 22 cm (11 1/2 x 8 11/16 in.)

Apollo, captain of the muses, Apollo, draughtsman: Alexander Liernur, 1796, paper, h 240 mm × w 168 mm

Design for a memorial with a woman's portrait held by the time. Memorial for a Woman. Father time shows the portrait of the woman. On The Left A Grieving Female Figure With Spade.

Etching by Hubertus Quellinus, 1665, depicting Kronos, the mythological god of time, with classical symbols and allegorical composition.

King David leaning against pedestal, Claude Mellan, 1659 print King David leaning against a pedestal with a bass relief and Davids Kroon. Behind the pedestal is his harp. On the left is a queen with crown and scepter, probably one of the women of David. paper engraving story of David

Below are steps. Above are stands, between two vases with flames, a round base, having above mouldings a frieze with a row of figures. Above it stands a pedestal, whose base is elongated by the projecting bases for two standing figures, a variation of 1938-88-1289, as is the entire pedestal and the group on top. The inscription is in the panel of the lower part, and the round part has festoons, no flutes. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Heart monument of Henry II Achille-François-René Leclère (1785-1853). Monument of the Heart of Henry II. Pencil.

Design for a grave monument.

Martin Milmore Memorial, Forest Hills Cemetery, Boston. still image. Postcards. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Boston (Mass.), Cemeteries, Monuments & memorials

Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio ca. 1570-1615 Cherubino Alberti (Zaccaria Mattia) Italian. Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio 397306

Copper engraving by Raffaello Santi showing a karyatid representing Protection, produced between 1655 and 1703.

Personification of virtue; Numismata virorum illustrium ex Barbadica Gente. A console with the feminine personification of virtue: a winged woman with a skewer in her left hand and a few laurel curses in her right hand. The sun on her breast. The print is part of an album.

Lazio Viterbo Bagnaia Villa Lante97. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statue of Laurens Jansz. Coster. .

Mienczylaw, Duke of Poland.

Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is similar to -1255 left, the monument a variation of -1255 right. The relief on the pedestal represents a classic sacrifice. The sarcophagus stands upon a base with moulding on its lower part. The putti sit upon the base with festoon in front. The front of the sarcophagus has the shape of an urn. Above it is a variation of -1254. Center, a crown. The wall above forms a niche in which stands a round pedestal with a variation of -1290. The escutcheons are in front of the entablature. The left hand of the woman points to heaven. The medallion is supported by putti standing behind it., Rome, Italy, 1793, architecture, Drawing, Drawing

Saint Ignacy Loyola; Unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Caim (Fl. Ca 1740-1780), Tyszkiewicz, Konstanty (1806-1868); 1740-1760 (1740-00-00-1760-00-00);

Astronomy, Anonymous, after Pierre Prud'hon, 1813 print paper etching 'Astronomy', 'cosmography'; 'Cosmography' (Ripa)

Wallpaper Panel depicting Spring with female herm. Artist: Jacquemart et Bénard (French, active 1791-1809). Designer: Charles Percier (French, Paris 1764-1838 Paris). Dimensions: 63 1/4 × 39 1/2 in. (160.7 × 100.3 cm). Date: ca. 1808.Wallpaper panel from a set of four after designs by Charles Percier. The panel is composed of many handmade sheets pasted together and then printed. Museum: Metropolitan Museum of Art, New York, USA.

Frontispiece for Oliver Bonartus' church diary showing figures and architectural elements, executed with brown and gray ink, spring, and white to cream highlights.

Wallpaper Panel depicting Spring with female herm ca. 1808 Jacquemart et Bénard French Wallpaper panel from a set of four after designs by Charles Percier. The panel is composed of many handmade sheets pasted together and then printed.. Wallpaper Panel depicting Spring with female herm. Jacquemart et Bénard (French, active 1791-1809). ca. 1808. Grisaille on green ground

Portrait bust of a poet. Draughtsman: Jacobus Buys. Dating: 1777. Measurements: h 184 mm × w 119 mm. Museum: Rijksmuseum, Amsterdam.

Man subjects a harpy; Wanderings of Aeneas; L'ENEA Vagante Pitture Dei Caracci. Console with a naked man, one of the soldiers of Aeneas, sitting on a harp.

Napoléon, Emperor of the French 1811 Designed by Alexandre Evariste Fragonard French. Napoléon, Emperor of the French 371456

Relief with a Roman emperor that brings a sacrifice to Apollo; Roman sculpted reliefs; Icone et segment (...). Relief with a Roman emperor that brings a sacrifice to the God Apollo at an altar. On the left a man at a horse. On the right a man with a spear next to the emperor. Text in Latin in undermarge. Print is part of an album.

Keizers Matthias and Ferdinand II; Entry of Ferdinand in Antwerp in 1635 (no. 22), 1639 - 1641 print Statues of the Keizers Matthias and Ferdinand II. Sixth leaf with two Austrian emperors in the column gallery of the emperors. With images of the Victrix gods, Jupiter Conservator and Diana. Page No. 22 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. monument, statue Antwerp

Baccio Baldini (1436-1487). "The prophets, Samuel". Fifth issue of a suite of 24 pieces (Bartsch 5). Chisel. 1450-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-29 XVEME XV XV 15th 15th 15 CENTURY, engraving

Adres van Jean Baptiste Merlen, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, 1779 - 1850 print paper etching (story of) Minerva (Pallas, Athena). (story of) Vulcan (Hephaestus). printing press. engraving. medal (considered as a piece of sculpture, regardless of its specific function)

Luise, Princess of Mecklenburg-Strelitz.

Italy, Zuccaro, Jacopo, Villamena, Francesco, Personifications of Virtues, Prudence, verso - stamped, Personification of Prudence (Prudentia) with a round mirror in his hand., print, prints, height 206 mm, width 146 mm, Italian, 1566 - 1624-07-07, print maker, printmaker, 1576 - 1624, paper, papier, engraving, engraving (printing process), Work conception

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Symbols of the four evangelists, verso - stamped, A console with the four symbols of the evangelists: an angel (Matthew), eagle (John), ox (Luke) and lion (Mark). The print is part of an album., print, album sheet, prints, height 181 mm, width 183 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Fantasy and contrast; Caprice, Contrarialété; R Dessus de Portes; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). A Dessus de-Porte with a vase with half-drawers, garlands, torches, a snake, books, a mask and a round medallion with a setting or rising sun and a rainbow over the sea. Below a Dessus de-Porte with a face with turban, garlands, a zeis, torches, a snake and an octagonal table with a smoke barrel and a water-pushing dolphin. Print number 91.

Bernhard Rode's drawing serves as a memory for a Prussian general, executed with lead handle and feather on yellow-brown paper with lavated shading.

William Henry Brooke after Hieronymus Bosch, The Death of the Miser The Death of the Miser

Paris, Imprimerie Eudes, Dujardin, Lyon, Garcin, Jacques, Two 15th and 16th century reliefs and two sculptures, at the Exposition Rétrospective of 1877 in Lyon, France, recto - printed, These prints are part of a cover with 79 prints on 54 leaves and 65 text sheets., photomechanical print, photographs, photographically illustrated books, EXPOSITION RÉTROSPECTIVE DE LYON, PAR JB GIRAUD., PL. LXVI., BAS-RELIEF EN MARBRE, STATUE_XVe SIÈCLE, COLLECTION DE Mr CHATEL., PL. LXVII., DIVERS,

Bacchus' sacred procession, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 21, 1757-1787, Naples.

Sculpture La Pudicizia; Modesty, Vatican. Part of photo album with recordings of sights and artwork in Rome.

Personification of abundance; Numismata virorum illustrium ex Barbadica Gente. A console with the female personification of abundance. She has a wreath with flowers in the hair and a cornucopia in her right hand. In her other hand a forest corners and barley. Some ears of corn fall on the earth. The print is part of an album.

Personification of Dignity, Robert van Audenaerd, 1673 - 1743 print A console with a curved woman in Roman clothing. She tries to wear a big stone on her shoulders. The stone is decorated with foliage. The print is part of an album. paper engraving Dignity; 'Dignití' (Ripa)

Unknown photographer, La Paix in Paris (without date): View. Photo on cardboard, 41.7 x 31.3 cm (including scan edges) N.N. : La Paix, Paris

Schiller, Frederick von.

Knt., Monument to Sr. Cloudesly Shovell, Knt. Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster: containing an account of its ancient and modern building, Cole, James, engraver, Dart, John, d. 1730, Dowling, J., Engraving, between 1723 and 1727

Frederick II., King of Prussia.

Reproduction of the allegory on the flowering and decline of the Netherlands, 1585, 1878 print Reproduction to the allegory on the flowering and the decline of the Netherlands, 1585. At the bottom, the berid personification of the Netherlands is in a loggia in times of adversity, Spanish soldiers with stolen possessions on either side. At the top, Belgica is under a canopy in better, prosperous times, in rich clothing, left and right trade at sea and on land. Great Britain paper photolithography personifications of countries, nations, states, districts, etc. Netherlands

Design on the occasion of the 100-year anniversary of the Grootnoordhollandsche from 1845 and General Friesche. .

Dousieme livre des oeuvres de J.A. Meissonnier/Livre de Chandeliers de Sculpture en Argent., Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Candelabra with three branches exuberantly decorated with leaves on candleholders, leaves twisting down the body and terminating with a cascade of leaves and flowers that rest on a base., Paris, France, 1740, metalwork, Print, Print

Decorative plate; William Chaffers (British, active 1870s); London, England; 1872; Woodburytype; 9.5 × 12.6 cm (3 3,4 × 4 15,16 in.)

Staande Vrouw, Anton Maria I Zanetti, After Paramigianino, 1724 print A standing woman, a vase on her head. Italy paper standing figure - AA - female human figure. carrying something on the head or on the shoulders

Pedestal with Female Figures Supporting a Vase, Pen and brown ink, brush and brown wash, graphite on laid paper, Three women in classical dress support a vase decorated with florals and one handle showing. Below is a large plinth, at front a tablet with a festoon., Italy, late 18th century, architecture, Drawing, Drawing

Grave stele of Hegeso , Antiquities, Sculpture, Stelae, Monuments & memorials. Nicholas Catsimpoolas Collection

Copper engraving and etching by Jeremias Falck from 1648 depicting Prudence as an allegorical figure, showing symbolic attributes and gestures.

Apple. Steam plaque from 1837 on the facade of the Pału (); Bu Hak, Jan (1876-1950); 1920 (1920-00-00-1920-00-00);

Statue of Erasmus; Statue of Erasmus, in Rotterdam. Erasmus, for feet, browse in a book. Statue on the Grote Markt in Rotterdam. The statue is manufactured in 1622 to the design of Hendrick de Keyser.

Portrait bust from a poet. Possibly a design for a print.

Nicolao Copernico Grata Patria Dietrich, Friedrich Christoph (1779 1847), Thorvaldsen, Bertel (1768 1844)

Heinrich of Meissen.

Justitia; Reginalt Rixque Mortalium Iustitia; Cardinal virtues. A pendentive with the personification of the cardinal virtue justice (Justitia) with a scale, three putti and a woman's figure with bare breasts.

Cacciaguida Greets Dante and Virgil, Giuseppe Longhi, Italian, 1766-1831, Graphite on cream paper, laid down, An elderly bearded man, half-nude, greets Dante and Virgil. This is Cacciaguida, Dante's great-grandfather. Dante wears a hood or Phrygian cap, while Virgil wears a laurel crown. Figures appear prostrate on the ground behind them., northern Italy, Italy, 1790-1830, figures, Drawing, Drawing

Kneeling Maria, Anonymous, 1500 - 1510 drawing North-Italy paper. ink pen / brush

Wooden stick illustration by Leonhard Beck depicting Sanctus Arnulfus, one of the saints from the Sipp, created in 1517.

February allegory; Thoma, Hans (1839-1924); 1901 (1901-00-00-1901-00-00);Frigia (mitol.), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, allegories, astrology, goddesses, illustrations, calendars, February (allegory), masquerade, months (allegories), German drawings, zodiac signs

Monument for Camillo Cavour on the Piazza Carlo Emanuele II in Turin, Italy, Giacomo Brogi (Attributed to), after Giovanni Dupré, 1873 - 1881 photograph Turijnpublisher: Florence cardboard. paper albumen print historical persons. monument, statue. piece of sculpture, reproduction of a piece of sculpture Piazza Carlo Emanuele second

Müller F., Church, Pfaffen-Schwabenheim. (From: Denkmäler d. German architecture, Darg. V. Hessische Verein F.d. admission Middle Ages Kunstwerke, Darmstadt, Vol. 1, Atlas, 1856): Tomb of the Count Johannes von Sponheim 1:10. Lithograph colored on the cardboard, 53.8 x 35 cm (including scan edges)

Statue of a Roman, Anonymous, 1600 - 1699 drawing paper. pencil brush piece of sculpture, reproduction of a piece of sculpture. anonymous historical person portrayed alone. officer

Image 'De Faam' founded in the park of Paleis Het Loo, 1864, 1864 print Image 'De Faam' of sculptor Eugène Lacomblé, donated to King William III as a thank you for his efforts for the victims of the flood in January and February 1861. The statue was founded in the park of Palace Het Loo, 21 June 1864 . print maker: Netherlandsafter sculpture by: Netherlandsprinter: The Hague paper steel engraving piece of sculpture, reproduction of a piece of sculpture. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Palace Het Loo

Altar with statuette of Jupiter.altar with Statuette or Jupiter.

Relief of the death of Mary, Anonymous, 1869 - 1887 photomechanical print München paper. cardboard collotype piece of sculpture, reproduction of a piece of sculpture Bavarian National Museum

Portrait of Louis XIII, King of France and Navarra; Falck, Jeremias (Ca 1609-1677), Egmont, Justus Van (1601-1674); 1643 (1643-00-00-1643-00-00);Louis XIII (King of France - 1601-1643) - iconography, Witke -Jeżewski, Dominik (1862-1944) - collection, gift (provenance)

Judyta according to the sculpture of Donatell. unknown, Donatello (ca 1386 1466)

Achille sous sa tente. Honoré Daumier (1808-1879). Lithographs

Copper engraving and etching by Carl Gottlieb Guttenberg showing the monument to J. J. Rousseau in Geneva, created in 1780.

Blanco medallion and the personnifications of justice, theology, philosophy; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with a blank front and back. There are two men around the pedestal (a spiritual and a senator) and three female personifications. The woman on the left is the female personification of justice. She has a sword and a scales in her hands. The woman on the right is the personification of philosophy. Her skirt is like a staircase with the Greek letter θ (TH) at the top. Books and a scepter in her hands. In the middle is theology. She has two uneven faces. One face looks at heaven, the other to the earth. In addition to her a heavenly globe and a wheel. The print is part of an album.

Ornamental design of three children holding up a fountain 19th century Auguste Pequegnot French. Ornamental design of three children holding up a fountain 374055

Monument with two standing figures and two current gods, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush piece of sculpture, reproduction of a piece of sculpture

Title page for "Poems by H. Tollens CZ., Part 1," 1808. Title page with a harply woman.

Design for a Monument, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Mathematics, Painting seated upon a pedestal support the cardinal's portrait. The pedestal is intended for the inscription; it is decorated with a garland. An apse is shown in the background., Rome, Italy, October 1796, architecture, Drawing, Drawing

Man with a writing tablet and two children; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 62. The print is part of an album.

Thalia, Alexander Liernur, 1796 drawing Thalia, muse of the comedy. paper. pencil Thalia (one of the Muses); 'Talia' (Ripa)

Good Shepherd; Ludy, Friedrich August (1823-), Clasen, Carl (1812-1886), Verlag von G.J.manz (fl. Ca 1840-1870), Manz 'Kunst-Verlag (Regensburg; Printing; Ca 1850-1970); 1850-1870 (1850-00-00-1870-00-00);

Schaeffer Heinrich (1836-1874), marble console for a statuette. Monthly competition June 1870 (06.1870): Perspective view. Pencil watercolored on paper, 47.5 x 41 cm (including scan edges) Schaeffer Heinrich (1836-1874): Marmorkonsole für eine Statuette. Monatskonkurrenz Juni 1870

Part of the crown of Charlemagne, Anonymous, 1850 - 1880 print Germany paper etching crown (symbol of sovereignty) Dom

Decorated Capital Letter P, Jakob Frey, Swiss, active Italy, 1681 - 1752, Giovanni Passari, Italian, Engraving on paper, Letter P before St. Peter and St. Paul., Rome, Italy, ca. 1715, ephemera, Print, Print

Two Hermes from Hercules; Hermen (copies). Two Hermen (square pillar with human bust or upper body) from Hercules. The left has the upper body and genitals of Hercules, the lion skin with head and paws over his head and shoulders. The judge has the upper body of Hercules with his knots in hand. The Hermes are on an increase with a two-legged text in Latin.

Etching by François Perrier from 1638 depicting Roman statues, illustrating classical sculpture forms, drapery, and proportions in a detailed composition.

Niche with bust of Petrus Camper. Grave monument in the Pieterskerk Leiden, The grave of Petrus Camper., print maker: Daniël Vrijdag, Anthony Ziesenis, Amsterdam, 1792, paper, etching, engraving, h 138 mm × w 81 mm

Figures and Vases, Pierre-Nicolas Beauvallet, 1820 Ornament print with two standing figures at the bottom and three vases at the top. Part (13th CAH. F.LE 4) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens dance le style antique'. paper etching ornaments ~ art. piece of sculpture, reproduction of a piece of sculpture. vase ~ ornament

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket to a Concert of Ancient Vocal and Instrumental Music, 1786. Line engraving and etching on medium, slightly textured, cream laid paper.

Plaster cast of a relief of a praying angel in the Musée des Monuments Français in Paris, c. 1875 - c. 1900 photograph Trocadéro Palace cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). permanent exhibition, museum. angels Trocadéro Palace

Fountain in Patio of Pilate's House, Seville, Spain

Photo production of a relief by Bertel Thorvaldsen, Budtz Müller & Co., after Bertel Thorvaldsen, 1862 - 1904 photograph Copenhagen (city) paper. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture Copenhagen (city)

The tombstone of the German bishop on the tombstone found in a bone in freising; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Germany, 12th century, bishops, gift (provenance), tombstones, personalities, foreign personalities, clothing, clergy outfits

of 3