Sacred Religious Art

Intricate copper engravings and prints showcasing religious themes, depicting figures in elaborate ceremonies and divine scenarios.

Triptych after Anth. Blocklant: resurrection of Mary, Mary with the infant Jesus, the donator with his patron saint, proclamation to Mary and adoration by the shepherds. On 3 plates, print maker: Paulus Constantijn la Fargue, after: Anthonie Blocklandt, , 1739 - 1782, paper, etching, engraving

The martyrdom of Saint Laurence of Rome. Engraving by Adamo Ghisi (Scultori) after F. Zuccaro.

Woodcut by Albrecht Dürer titled 'Himmelfare and the Crowning Glory' from Marienleben series, created in 1510, depicting religious imagery associated with the life of Mary.

Madonna and Child with Angels Bearing Symbols of the Passion. Friedrich Sustris (Dutch, about 1540 - 1599)

Copper engraving by Hendrick Snyers from 1643 illustrating the mystery of sacred transformation, showing religious figures and symbolic elements.

God with personification of history and prophecy, anonymous, after claude mellan, in or after 1642 print paper engraving God the Father

Triptych after Anth. Blocklant: resurrection of Mary, Mary with the infant Jesus, the donator with his patron saint, proclamation to Mary and adoration by the shepherds. On 3 plates, print maker: Paulus Constantijn la Fargue, after: Anthonie Blocklandt, , 1739 - 1782, paper, etching, engraving

S. Anne, prophétesse (St. Anna, Prophetess), September 1st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Anne, prophétesse (St. Anna, Prophetess), September 1st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Copper engraving by Meister der Wiener Passion from 1481 depicting the burial of Christ, showing figures, tomb, and surrounding mourners.

Entombment 19th century Anonymous, German, 19th century German. Entombment 370391

Mary with child surrounded by saints. Mary is in the middle with the standing Christ child next to her. They are surrounded by saints and angels. On the right in the foreground the Saint John is the Baptist.

The Holy Trinity and Saint Mary (as the Blessed Virgin of Einsiedeln) with the Christ Child, Saint Meinrad and pilgrims. Photoengraving after the Master E.S., 1466.

Triumph of the Eucharist about idolatry, Etienne Picart, after Peter Paul Rubens, 1670 - 1680 print France paper engraving / etching Idolatry; 'Idololatria', 'Religione finta' (Ripa). glorification, triumph of the Eucharist. places and objects of worship ~ non-Christian religions

. God seated the Father on a throne holds together with angel. Died Christ. Above it floats the Holy Spirit in the form of a pigeon. The throne is surrounded by angels that make music and the suffering tools. Left and right in the ornamental picture frame Moses with the dining of the law and high priest Aaron. Two four-line verses in Latin.

Copper engraving by Harmen Jansz. Muller from 1567-1570 depicting the parable of the clever and foolish virgins, showing virgins, lamps, and 16th-century engraving techniques.

Title page with bishops and pagan kings, Title page with bishops and pagan kings left and right of a plaque. Central top of the tetragram, flanked by an angel and a devilish figure, archbishop, bishop, etc. (Roman Catholic), king, angels fighting against other evil powers, triangle (within circle), with eye or tetragram, Trinity, Adriaen Lommelin (mentioned on object), Antwerp, 1630 - 1677, paper, engraving, h 206 mm × w 160 mm

Album n � 1. Stained glass project for the ladies of the Cross, St Quentin: PRESENTATION OF THE VIRGIN IN THE TEMPLE Gsell-Laurent. Album n � 1. Stained glass project for the ladies of the Cross, St Quentin: presentation of the Virgin at the Temple. Pencil on layer.

Crucifix with crucifixion scene, Raphaël Sadeler (II), 1622 print A crucifix with the crucifixion scene. Print Maker: Munichprint maker: Munich publisher: Munich printer: Ingolstadt paper engraving / letterpress printing specific forms of the cross. crucified Christ, with particular persons under the cross

Ste. Marie-des-Anges (Our Lady of the Angels), August 2nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Marie-des-Anges (Our Lady of the Angels), August 2nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Umbria Terni Terni S. Maria Assunta, Duomo0. Hutzel, Max 1960-1990 Exterior views: baroque facade, bell tower, portico, blind gothic portal with a vinescroll archivolt, and preserved main portal with an inhabited vinescroll architrave. Interior views: main altar marble ciborium and altar painting of the Assumption of the Virgin; half-dome fresco of the Trinity; mixed media altarpiece formed by a wooden crucifix hung on top of a painting of the crucifixion with saints Mary and Mary Magdalen; fresco fragments of Saint Anthony Abbot; organ by Bernini, and various paintings. Sacristy: ornate interior with ceiling paintings by Pietro da Cortona; museum with architectural fragments and a tomb effigy; reliquary of St. Valentine in the shape of an arm and hand; gold processional cross; terracotta statue of the Madonna and Child and a stone statue of the Pieta.. Crypt: 10th and 11th-century capitals; Roman and medieval sculptural fragments; and the tomb of St. Anastasia. Also included with the

Album # 2; Stained glass project for Guingamp: Proclamation of the dogma of the immaculate design Gsell-Laurent workshop. Album # 2; Stained glass project for Guingamp: Proclamation of the dogma of the Immaculate Conception. Black Stone, Watercolor Lavis.

Copper engraving by Jan Wierix, created between 1570 and 1620, depicting Christ on the cross and Christ in a spring scene, showing religious figures and symbolic elements of the Passion and resurrection.

Obesion, 1610 - 1620 print The deceased Christ is bidden by his mother, Mary Magdalena and John the Evangelist. Print is part of an album. paper engraving Christ's body supported

After Maso Finiguerra, The Virgin and Child Enthroned, with Angels and Saints, 1450 1470 The Virgin and Child Enthroned, with Angels and Saints

Christkind wipes the floor, Christoffel van Sichem (II), After Hieronymus Wierix, 1617 - 1658 print The Christ child wipes the floor in the house. Joseph is working on the wall. Help two angels. Maria is cooking. Amsterdam paper Joseph and the Christ-child ~ daily life in Nazareth. household occupations of Mary. angels

Etching by Bernhard Rode, 1783, depicting Joachim II administering the Holy Lord's Supper in two forms, illustrating religious ceremony and ritual.

Album n � 1. Stained glass project for the Church of Bernay: group of characters worshiping the virgin crown by the Holy Trinite Gsell-Laurent workshop. Album n � 1. Stained glass project for the church of Bernay: group of characters worshiping the virgin crowned by the Holy Trinity. Pencil with gouache rehaught on layer paper.

Sketchbook Folio, Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo; Italy; pen and brown ink, brush and brown wash, over black chalk on heavy white wove paper ; 30.6 x 22.7 cm (12 1/16 x 8 15/16 in.)

Pencil drawing by Josef von Führich depicting the crucifixion scene with a hermit and David, illustrating figures in religious context.

Bonaventura Emler pencil drawing depicting the Holy Trinity, showing three figures in religious composition with attention to posture, gesture, and spatial arrangement.

John Islip on his death bed surrounded by saints and monks: the Virgin Mary intercedes for him. Etching by James Basire the elder, 1808.

Anonymous drawing depicting Saints Antonius and Paul, executed in pen and black chalk on brown paper.

Schmitz, Anselm, Ivory book cover of a gospel book with a relief of Christ on the cross, recto - printed, photograph, photo, page, photos, photographically illustrated books, No. 186. Couverture d'un évangéliaire, height 135 mm, width 99 mm, photographer, 1871 - 1876, photographic paper, photo paper, albumen print, albumine print

Umbria Perugia San Giacomo di Spoleto S. Giacomo9. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Album n � 1. Stained glass project for the Church of Vaugrinuse: Adoration of the Mages Gsell-Laurent. Album n � 1. Stained glass project for the Vaugrinuse Church. Black stone on layer.

Italy, Acqualagna, Santa Maria Della Scala, Adoration of the Magi by anonymous

Abruzzo Teramo Teramo S. Berardo, Cathedral6. Hutzel, Max 1960-1990 Exterior views mainly of the facade: doors and portal sculpture by Deodatus; also views of the bell tower, crossing, and dome. Interior views of the restored nave (12th century): capitals, low-relief sculpture and holy water basins. Choir (14th century): the roof, a paschal candlestick, and a pulpit; also numerous views of a silver altar (1433-1438) with scenes from the Life of Christ and his Passion. Sacristy: (16th century) an elaborately carved altarpiece, paintings, and wood furniture. Baroque chapel of S. Berardo (17th century): a cupola, niched statues, ornate capitals, pendentive sculptures, an altar with a marble sarcophagus and ciborium, and a reliquary in the shape of an arm. Negatives (but no prints) show a silver bust of S. Berardo from this chapel. Other interior views include a holy water font, the coat of arms of the Bishop Micozzi, crucifix (13th century), rose window, fresco fragments, a large ciborium

Wing of altarpiece: Birth of Christ, Paulus Constantijn La Fargue, After Anthonie Blocklandt, 1759 print print maker: Netherlandsafter own design by: NetherlandsThe Hague paper etching / engraving story of the birth of Christ (Luke 2:1-20)

Anonymous work shows the Madonna seated between a bishop and a martyr, with additional figures including Christ with the crown of thorns, saints, and inscriptions, drawn in pen and ink with lavated shading.

Umbria Perugia Gubbio S. Domenico1. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Mosaic in the Basilica of Sant'Apollinare in Classe in Ravenna, representing the sacrifice of a lamb, c. 1875 - c. 1900 photograph Basilica of Sant'Apollinare in Classe cardboard. photographic support albumen print interior of church. art (+ mosaic making). sacrifice of the paschal lamb ~ Jewish religion Basilica of Sant'Apollinare in Classe

A copper engraving by Adriaen Collaert depicting the seven gifts of the Holy Spirit as female personifications and niche figures, created between 1580 and 1618.

A kneeling nun in front of an assembly of priests. (dummy title)

A draft altar image by Moritz von Schwind around 1835, showing the coronation of Mary with saints in two spheres, drawn in pencil with an arched edging line.

The worship of the kings. Gothic window with representation of worship of three ways. Eight medallions with performances from the life of Mary. Saint Catharina with wheel and sword and holy barbara with tower.

Netherlands, Letter of greeting with the descent of the Holy Spirit, verso - stamped, Letter of greeting with blank cartouche within a decorative frame with a representation of the descent of the Holy Spirit (Pentecost)., print, popular print, letter of greeting, prints, popular prints, height 414 mm, width 325 mm, print maker, printmaker, 1700 - 1899, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Malègue, Hippolyte, Tapestry with the Annunciation, Christ in the Temple and prefigurations, in a church at La Chaise-Dieu, recto - printed, photograph, photo, page, photos, album des tapesseries de l'église de la Chaise-Dieu, par MH Malegue - Planche IV, height 98 mm, width 179 mm, photographer, 1868 - 1873, photographic paper, photo paper, albumen print

Image of the brother of the Holy Mother of the Virgin; Swach, Antoni (1656-1711); 1691 (1691-00-00-1691-00-00);

The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists 17th century Joachim von Sandrart German. The Holy Kinship (Madonna and Child and St. John) with Prophets and Symbols of the Four Evangelists. Joachim von Sandrart (German, Frankfurt 1606-1688 Nuremberg). 17th century. Red chalk. Drawings

Copper engraving 'The Output of the Holy Spirit' by Meister E.S., created in the second third of the 15th century, depicting the Holy Spirit in a religious context.

Photo production of Fresco The Ascension of Maria, apartment Borgia, Vatican, Anonymous, After Bernardino Pinturicchio, c. 1885 - c. 1910 photograph This photo is part of an album. Apostolic palace baryta paper gelatin silver print picture, painting. the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels Apostolic palace

Christ shown to the people, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print Pontius Pilatus shows the brushed Christ to the Jewish people. People call for his crucifixion. The show is caught in an ornamental frame that is decorated with putti, flower vases and poultry. print maker: Antwerppublisher: Amsterdam paper engraving Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). ornamental birds: peacock. flowers

Johann Baptist von Lampi the Elder's 1783-1788 drawing depicts the Pentecost, executed with pen, bister washes, and white highlights, showing multiple human figures and gestures in a religious scene.

Photo production of a painting by Fra Angelico, representing Mary with child on a throne surrounded by saints, c. 1875 - c. 1900 photograph Galleria dell'Accademiaafter painting by: Italy cardboard. photographic support albumen print Madonna: Mary sitting or enthroned, the Christ-child in her lap (or in front of her bosom) (Mary sometimes represented half-length). saints Accademy's Gallery

Saint Francis of Assisi receiving the stigmata of Christ from the seraph; vignettes of Christ and the Apostles in the border. Engraving, 16--.

A spiritual song, / From the passion our Lords / Jesus Christ, widow Jacobus van Egmont, 1724 - 1761 print Christ on the cross, with angels on either side who take care of his blood in Kelken. On the left Maria, right Johannes in Devotion. The Crucifix is decorated with the symbols of the four evangelists. At the top left of the sun, the moon at the top right. Text in the left and lower margin in four columns. paper letterpress printing crucified Christ with Mary and John on either side of the cross; Holy Rood. angel(s) catching Christ's blood in cup(s). sun and moon in the sky at either side of the cross of Christ

Saint Lambert Trampling his Murderers, Surrounded by the Four Church Fathers early 17th-mid 17th century Antoine Sallaert Flemish. Saint Lambert Trampling his Murderers, Surrounded by the Four Church Fathers 405843

Christ appears on the delicious Giovanni da San Facondo, Giacomo Cavedone, c. 1601 - c. 1620 drawing prepared paper. paint (coating). ink pen / brush male saints (with NAME)

Drawing by François Verdier depicting the Madonna worshiped by saints, created with black chalk, brown wash, and white highlights on an upper altar leaf dated 1690-1700.

Photo production of the frescoes on the ceiling of the Sixtine Chapel in Vatican City by Michelangelo, representing the creation, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print the six days of creation (Genesis 1:3-25). groups of prophets, usually holding books or scrolls (Isaiah, Jeremiah, Ezekiel, Daniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, Malachi). sibyls. sitting figure Sixtine Chapel (Vatican)

The Apostles from the Veit Stoss altarpiece. Wyczółkowski, Leon (1852-1936), graphic artist

The Fifteen Mysteries and the Virgin of the Rosary (Modern Impression) 1488 Francisco Doménech Spanish The plate from which this is printed is the Chalcographie - Bibliothèque Royale de Belgique in Brussels.. The Fifteen Mysteries and the Virgin of the Rosary (Modern Impression) 415265

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church7. Hutzel, Max 1960-1990 Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the interior decoration by Andrea and Giovanni della Robbia: the dossal in the first altar to the right depicts the penitent St. Jerome, the Coronation of the Virgin, and the Stigmatization of St. Francis; the pulpit depicts the Last Supper, the Resurrection, and the Ascension. Other della Robbia terracottas show the Assumption of the Virgin among angels and the Baptism of Christ. Coverage includes the very Mannerist main altarpiece, an icon of the Virgin and Child (engaged in close eye contact) set in an aedicule, a polychrome statue of St. Anthony Abbot, several crucifixes and a baptismal font. General Notes: SS. Fiora and Lucilla is also called the Pieve (Parish Church). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until hi

Tintoretto's drawing of the Assumption Day, made with chalk, paintbrush, and oil paint on brown primed paper, using quadrille layout and a lead handle.

Christ for Annas, Jan Harmensz. Muller, after Lucas van Leyden, 1800 - in or before 1891 print Is part of a cover with fourteen prints. paper engraving Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

, Stephansdom - outside - relief Jesus says goodbye to his mother, postcard, Germans postcard publisher, producer

St Margaret's Westminster: the east window. Engraving by J. Basire, 1768.

Crucified Christ with Mary, Mary Magdalena and John, 1560 - 1600 print Crucified Christ with Mary, Mary Magdalena and John. Diceing soldiers at the bottom. Shaded background. From series of 14 ovals with grotesken in which scenes from the passion are depicted. Netherlands (possibly) paper engraving crucified Christ with Mary, John, and Mary Magdalene. soldiers throwing dice for Christ's seamless garment ~ Christ's death on the cross

Christ on the cross with Mary, John and Mary Magdalena, Christoffel van Sichem (II), 1657 print Amsterdam paper letterpress printing crucified Christ with Mary, John, and Mary Magdalene

Christ appears to Blessed Giovanni da San Facondo, draughtsman: Giacomo Cavedone, c. 1601 - c. 1620, prepared paper, pen, brush, h 231 mm × w 118 mm

Malègue, Hippolyte, Tapestry with the kiss of Judas and prefigurations in a church at La Chaise-Dieu, bread sharing, recto - printed, photograph, photo, page, photos, album des tapesseries de l'église de la Chaise-Dieu, par MH Malegue - Planche photo paper, albumen print

Devotional picture of the Madonna of the Chair, Engraving and brush and watercolor on vellum, Within framing lines and a floral cartouche is the figure of the enthroned Madonna and Child, both wearing gold crowns. Descriptive ribbon, below, reads: N. Sra Dela Sedes” and ribbon meandering through cartouche reads: Alla Lvia” three times., Spain, 1750-1770, Print, Print

Fragment of a missal: initial with standing evangelist or apostle ..

Grieving angels; The Sorrowing Angels. A group of four graves angels, three standing and one of whom are seated.

Frame in honor of Maria, Anonymous, 1650 - 1750 print A frame with in the middle of the Mariamonogram. Under the monogram the conquered snake of evil. In the lower corners a flowering rose and a flowering lily, symbols for the Virgin Mary. On the left Maria on the moon, on the right another image of Mary or another saint. In the middle of God the Father with two crowns. Southern Netherlands paper engraving Madonna on the crescent of the moon (sometimes called Queen of Heaven) (in mandorla). monograms of Mary. God the Father

Hans Bol, The Crucifixion, 1570s The Crucifixion

Image of Our Lady of the Gate of Dawn at the Carmelite Church in Vilnius. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Balcewicz, Franciszek Wacław (fl. ca 1748-1760), graphic artist

Annunciatie, Paul Mondekens, after Cornelis Cort, after Federico Zuccaro, 1600 - 1699 print In the middle the proclamation to Mary. To the left of Moses, the prophet Isaiah and King David and on the right King Solomon and the prophets Jeremiah and Haggai. They each hold a tablet, with a Bible text referring to Mary and the arrival of Christ. On the far left and right landscapes with symbols for the immaculate conception and purity of Mary. Among other things, a closed garden, lilies, a source and a closed gate. In the middle of God the Father and the pigeon of the Holy Spirit. Angels worshiping on the clouds. Netherlands paper etching / engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation). prefigurations of Mary; Mary and her prefigurations. God the Father. Holy Ghost represented as a dove (in flames). fenced or walled garden; 'Hortus Conclusus'

Mantua, Andreani, Andrea, Bologna, Treviso, Girolamo da (II), Gandini, Alessandro, Virgin and Child Surrounded by Saints, verso - stamped, Virgin and Child is seated in the centre with the standing Christ Child next to her. They are surrounded by saints and angels. In the foreground on the right is Saint John the Baptist., print, prent, prints, enten, height 368 mm, width 253 mm, print maker, prentmaker, 1610 - 1610, third quarter 16th century, derde kwart 16e eeuw, fourth quarter 16th century, vier kwart 16e eeuw, first quarter 17th century, first quarter 17e eeuw, paper, papier, chiaroscuro woodcut, Italian, 1497 - 1544, after, after painting by, Publication (Event), Publication, 1559 - 1629, publisher

A copper engraving by Jacob Matham, 1602-1605, depicting the Virgin Mary with the child Jesus, Saint Joseph, and two angels holding cherries, with detailed figures and composition.

St. Justa and St.Rufina. Artist: Unknown

Expulsion from Paradise, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print Genesis from the creation to the expulsion from paradise, and later years of Adam and Eve. sibyls. sitting figure. groups of prophets, usually holding books or scrolls (Isaiah, Jeremiah, Ezekiel, Daniel, Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, Zechariah, Malachi) Sixtine Chapel (Vatican)

Adoration Of Magi by Caspar Fraisinger, Pen, ink, watercolor on paper, 1597, 1560-1599, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 28, 8x15, 4

An etching by Bernhard Rode depicting Jesus giving alms to the poor, showing figures, gestures, clothing, interaction, posture, setting, and religious theme, created in 1789.

Marriage of Maria and Jozef, Adam von Bartsch, After Anonymous, After Federico Barocci, 1782 print paper etching marriage of Mary and Joseph, 'Sposalizio': they are married by the high priest

Picture photography: Jesus' pity to the grave, a picture in the end of the St. Mary's Church in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); around 1880 (1875-00-00-1885-00-00);Amalia (1846-1928) - collection, Krieger

Umbria Perugia San Giacomo di Spoleto S. Giacomo5. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

Pope and Cardinal Visited by dead, Leendert Springer (I) (Possible), in or Before 1844 print Presentation from a death dance. A pope and cardinal are visited by resolutive bodies. Leiden paper dance of Death; Death together with one or more human beings

Abruzzo Chieti Chieti S. Tommaso Apostolo, Cathedral2. Hutzel, Max 1960-1990 Cathedral was begun in 840, and building continued in the 11th cent. It was reconstructed in the 14th cent. The interior underwent a radical restoration in the 18th cent. in the Baroque style. The campanile was built in 1335. Photos include exterior views of the facade and the campanile along with several details. The interior views show the Baroque nave with its vaults and cupola. There are paintings in the vaults and over the altars, including one of St. Thomas & Christ over the main altar. There are also photos of the marble paliotto in front of the altar (17th cent.). Other interior details are the baptismal font, a wooden statue of the Madonna & Child, and wooden statues of two saints, one St. Peter. There are also several photos of the crypt, including a few of the painting fragments remaining there. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Foundation tympanum in the church of the most frequent Mary of the Virgin in the sand in Wroclaw; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Baby Jesus, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection , Maria (Mother of Jesus Christ), Our Lady with the Child, Wrocław (Dolnośląskie Voivodeship), Włostowicowa, Maria, Włostowicowa, Maria - iconography, gift (provenance), Church of the Blessed Virgin Mary in sand (Wrocław), Portraits of donors, sculpture (sculpture ( artist), Romanesque sculpture, tympanony, Świętosław ( -1153), Świętosław ( -1153)-iconography

The Adoration of the Holy Trinity in the New Covenant 1588 or before Friedrich Sustris Central European. The Adoration of the Holy Trinity in the New Covenant 395496

François Xavier Fabres altar design shows Moses striking water from the rock, executed in chalk, ink, pen, brush, and wash.

Thy Neck Is Like the Tower of David, illustration from a Canticum Canticorum blockbook, 2nd ca. 1460/1465 Anonymous, Netherlandish, 15th century Netherlandish. Thy Neck Is Like the Tower of David, illustration from a Canticum Canticorum blockbook, 2nd. Anonymous, Netherlandish, 15th century. ca. 1460/1465. Woodcut printed in brown. Prints

The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta) 1600-1620 Anonymous, Italian, 17th century Italian. The Swearing In of a Knight of the Tuscan Order of Saint Stephen (or Malta) 338729

Album # 2; Stained glass project for Orleans: a holy brawn in front of a city Gsell-Laurent workshop. Album # 2; Stained glass project for Orleans: a holy kneeling in front of a bishop. Pencil on layer.

Coat of arms with the Arma Christi, master of the Amsterdam cabinet, 1475 - 1480 print Coat of arms with Arma Christi, crowned by the head of Christ, flanked by mourning Mary and John. Germany paper drypoint Army Christmas'

Christ Geneesm the man met waterzucht; The dropsy, calling the entertainment; Life's passion and death of Jesus Christ ..

Relief of Mary, Christ and John the Baptist, of the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Basilica of San Marco paper collotype piece of sculpture, reproduction of a piece of sculpture. Christ as adult. Mary (without the Christ-child). John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff Basilica of San Marco

Christkind sleeps in the cradle, Christoffel van Sichem (II), After Hieronymus Wierix, 1617 - 1658 print Landscape with the Christ child that is sleeping in his crib. Two angels watch over him. Maria sits next to the cradle and emits. Amsterdam paper cradle, crib. household occupations of Mary. angels

Marches Macerata San Severino Marche S. Lorenzo in Doliolo6. Hutzel, Max 1960-1990 Exterior views of the 11th-century church with 14th-century cloister and bell tower. In the crypt (9th-13th centuries) are ceiling and wall paintings of angels, the Evangelists, and various other saints in medallions; votive frescoes of Saints Dominic, Augustine, and Anthony Abbot; and the tomb of S. Domenico. In the fourth and fifth crypt chapels is a fresco cycle by the Salimbeni brothers of the martyrdom of St. Andrew. The church interior is heavily restored, with modern nave piers and capitals. Displayed in the sacristy are salvaged fresco remains, a wooden statue of Christ (17th century), and paintings. Also views of a holy water font and a marble ciborium. Object Notes: Hutzel photo campaign date: April 5, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore,

Annunciation, Paulus Mondekens, Cornelis Cort, Federico Zuccaro, 1600 - 1699

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