Sailing Boats and Canals

A series of landscapes featuring sailboats on canals, rivers, and harbors, with figures and towns depicted in a muted, sketchy style.

The Thames towards Erith, James McNeill Whistler (1834-1903), 1877, Etching

Sailing boats on the water, 1919 - 1921 Page 11 Recto from a sketchbook with 42 sheets. paper. chalk. pencil landscapes with waters, waterscapes, seascapes (in the temperate zone). sailing-ship, sailing-boat

Sailing Ships in Harbor near Windmill. Willem van de Velde, II; Dutch, 1633-1707. Date: 1653-1707. Dimensions: 163 x 427 mm. Graphite with brush and gray wash, on tan laid paper, laid down on board. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Willem van de Velde, II.

Windmills in Holland, 1867. Johan Barthold Jongkind (Dutch, 1819-1891). Etching; sheet: 32.2 x 40.5 cm (12 11/16 x 15 15/16 in.); platemark: 14.5 x 19.6 cm (5 11/16 x 7 11/16 in.).

Studies of Boats on a Riverside, James Ward, 1769-1859, British, undated, Graphite and gray wash on medium, slightly textured, blued white laid paper mounted on medium, slighlty textured, beige paper, Sheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm) and Mount: 11 1/2 × 11 1/2 inches (29.2 × 29.2 cm), boats, marine art, river, studies (visual works), tower (building division)

Sailing boats in the water, James Ensor, 1888 print paper etching ships (in general) - CC - more than one ship

River face. .

France, Appian, Jacques Barthélemy (Adolphe), Souvenir, River landscape with a mill, verso - stamped, print, prints, height 184 mm, width 274 mm, 1818 - 1898-04-29, print maker, printmaker, 1864 - 1864, paper, papier, etching, etchings, plaattoon

James McNeill Whistler, The Little Pool, 1861 The Little Pool

Eye Mill in Suffolk. Dimensions: overall: 24.6 x 33.9 cm (9 11/16 x 13 3/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to John Sell Cotman.

Montmartre; vague sketch. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 93 mm × w 149 mm. Museum: Rijksmuseum, Amsterdam.

Cornelius Varley, 1781-1873, British, A Sailing Barge being loaded with Hay, December 1827, 1827. Graphite with watercolor and black ink on medium, slightly textured, cream wove paper.

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Two men working on a flat bottom with ironed sailing, Adrianus Everssen, 1828 - 1897 drawing paper. pencil. watercolor (paint) brush

Yarmouth, Norfolk Made 1832 England. Mezzotint in black ink on heavy ivory wove paper . David Lucas

Artist: Charles Huard, French, 1874-1965, Chantiera aCancale, Etching, sheet: 13.1 × 16.1 cm (5 3/16 × 6 5/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Harbor, Brest. Artist: Eugène Boudin (French, Honfleur 1824-1898 Deauville). Dimensions: 9 1/8 x 14 3/16 in. (23.1 x 36.1 cm). Date: 1840-98. Museum: Metropolitan Museum of Art, New York, USA.

Flute ship on restless sea, Willem van de Velde (II), 1643 - 1707 drawing paper. pencil. ink pen / brush sea (seascape). sailing-ship, sailing-boat (with NAME)

Harbor head in Vlissingen ..

Millbank 1861 James McNeill Whistler American Sharply receding mooring posts and a high embankment at right direct our eye toward distant warehouses and a church in Lambeth, on the south bank of the Thames. This effect, together with the cropped form of a massive barge at lower left, and spatial leaps in the foreground, echo devices found in Japanese woodblock prints. Whistler selected this image to advertise an 1861 exhibition of his etchings held by the print dealer Edmund Thomas at 39 Old Bond Street. A decade later, Ellis & Green published it in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set").. Millbank 372525

Ships for the closed entrance of a port, Cornelis Claesz van Wieringen (Possible), After Cornelis Claesz van Wieringen, 1614 - 1618 print On the left a mill. Haarlem paper etching harbour. windmill

Stefano Della Bella, A Galley on the Shore Covered with a Tarpaulin, c. 1644, etching on laid paper.

An etching, drypoint, and aquatint titled 'Un vieux chantier à Rochester' by Félix Hilaire Buhot, created between 1874 and 1888, with a specific date of 1879. The artwork depicts an old shipyard, associated with the boat and ship industry. The piece is noted for its specific state as per standard reference number

The pool. prints, etchings, works on paper

View of the Lagune of Venice near Chioggia, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1903 print paper drypoint haff, lagoon created by sand, shingle bank ~ coast Venetian lagoon. Chioggia

The Broken Oar 1862 Charles-François Daubigny. The Broken Oar. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper. Drawings

Shipwruit, Johannes Huygens, 1843 - 1911 drawing On the right a sloping ship on a wild sea. On the left a sloop with people. paper. ink. deck paint. pencil brush shipwreck

Ship and Cutter, Print made by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1820 to 1826, Mezzotint; Engraver's proof (b) 1873 impression

Windmills in Overschie. Draughtsman: Adolf le Comte. Dating: c. 1900. Measurements: h 105 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Faces on Nijkerk and Garderen.Leaf 17 Recto from a Sketchbook with 51 Sheets.

River face; The Flemish head at Antwerp.

Early Morning James Abbott McNeill Whistler (American, 1834-1903). Early Morning, 1878. Lithograph (lithotint) on cream, moderately thick, smooth paper, Sheet: 6 3/4 x 10 1/4 in. (17.1 x 26 cm). James McNeill Whistler credited Japanese art with having a profound impact on his own artistic activities, which included painting, printmaking, and interior decoration. Indeed, the Japanese cultivation of beauty in all aspects of material life informed his own art for art’s sake” philosophy. This sensibility led Whistler to shift from naturalistic representation in his pictures toward more abstract, evocative arrangements of color and form in the late 1860s. In this image of London’s Battersea district across the Thames, the asymmetrical composition and emphasis on the misty atmospheric effects of early light both reveals the artist’s debt to Japanese art and transforms the urban industrial landscape into a thing of poetic beauty. American Art 1878

Three sailing ships and a seagull. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 103 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

Port of Bordeaux, 1869. Maxime Lalanne (French, 1827-1886). Etching;

Tree trunk and some barges. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 110 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

The Windmill, Rembrandt van Rijn, 1641 print paper etching

Fishing Boats on a Beach, Storm Clouds in the Distance; Eugène Isabey (French, 1803 - 1886); France; about 1830; Brown wash over graphite with touches of white gouache; 16 × 20.3 cm (6 5,16 × 8 in.)

The Broad Bridge. Dated: 1878. Dimensions: image: 18.7 × 28.1 cm (7 3/8 × 11 1/16 in.) sheet: 26.1 × 38.2 cm (10 1/4 × 15 1/16 in.). Medium: lithotint in brown on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Longueville, Charles (n.1829-09-21-d.), Naval combat (the alabama flowing under the fire of the kearsage against the Grande Rade de Cherbourg) (IFF 1) (Main title), 1864. Etch On Werned Holland Vergé paper: Aqua-Forters. Petit Palais, Museum of Fine Arts of the City of Paris.

The Inner Harbor, Gloucester. Stephen Parrish; American, 1846-1938. Date: 1883. Dimensions: 243 x 338 mm (image); 247 x 346 mm (plate); 339 x 447 mm (sheet). Etching and aquatint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

William Brockedon, 1787-1854, British, recto: A View of Lake Garda at Desenzano. Graphite, pen and brown ink.

Mill on the water, print maker: Hendrik Spilman, 1742 - 1784

The Windmill, Constantino Cumano, After Rembrandt van Rijn, 1770 - 1803 print paper etching windmill in landscape

Sketches of Marine Scenes (recto); Two Sketches Beside Stormy Coast, Cloudy Seascape Artist's working dates 1852-1883 France. Watercolor and graphite (recto), and watercolor with traces of graphite, heightened with touches of white gouache (verso), on off-white wove paper . Édouard Manet

Night Voyage, from the series, Voyage en Bateau 1861 Charles-François Daubigny French. Night Voyage, from the series, Voyage en Bateau 337002

Three Sketches of Dusseldorf River Boats 1795-1863 England. Black chalk, highlighted with white chalk, on gray wove, paper tipped onto cream wove paper . William Alfred Delamotte

James McNeill Whistler, Price's Candle Works, c 1875 Price's Candle-Works

River view with sailing ship, Johannes Bosboom, 1846 drawing River face with sailing ship, on the left a wood sawmill on the right a house. paper. India ink (ink) brush

Sailboats 1899-1901 France. Brush and black ink and gray wash, on ivory wove paper . Henri de Toulouse-Lautrec

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, TheWindmill, Etching, 14.5 × 20.8 cm (5 11/16 × 8 3/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Old Gdynia. Łopieński, Ignacy (1865-1941), graphic artist

Schuiten in the port of Volendam ..

Sea viewing with a ship at an island, Cornelis Claesz van Wieringen (Attributed to), 1590 - 1633 drawing paper. ink pen sea (seascape). sailing-ship, sailing-boat. sea (seascape). sailing-ship, sailing-boat

Johann Jacob Ulrich, Wine Barrels Loaded onto a Sailing Barge at Vevey, c 1850 Wine Barrels Loaded onto a Sailing Barge at Vevey

A Sailing Canoe of Otaheite, John Webber, 1752-1793, British, 1792, Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper, Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)

NEW YORK

Steamship at a river island, Joseph Hartogensis, 1850 - 1859 print unknown paper. etching river. steamship, motorship. island Wörth am Main

Seaport, Leon Dabo, American, 1868-1960, Blue crayon on paper, View across a sand bank, with tufts of grass. Buildings and sailing ship in the distance., USA, ca. 1890, seascapes, Drawing, Drawing

Broomielaw , Bridges, Rivers. Sir David Young Cameron (1865-1945). Prints

Javel (title registered (letter)) | From the IER in the twentieth, the districts of Paris, 1903, Edition N�284. (Title of all)

Le Bassin de la Villette, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

River face with bridge and sailboat, Philip Zilcken, after Johan Hendrik Weissenbruch, 1867 - 1890 print paper etching river. bridge. sailing-ship, sailing-boat Haarlem

Schokker on inland water, Gerrit Groenewegen, 1791 print A 'Schokker' with fishermen's utensils and three figures, one of which is at the helm. This print is part of a series of twelve prints with different sailing ships. paper etching ships (in general)

View of Haarlem van het Water, Johannes Gijsbert Vogel, 1895 drawing Haarlem paper. chalk prospect of city, town panorama, silhouette of city. river Haarlem

Edward Lear, 1812-1888, British, Ibreem, 10:30 am, 2 February 1867 (318), 1867. Watercolor with pen and brown ink over graphite on thick, rough, cream wove paper.

Capt. Thomas Hastings, 1778-1854, British, Sketch of a Ship on a Stormy Sea, between 1826 and 1830. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

Port of Bordeaux. Maxime Lalanne; French, 1827-1886. Date: 1869. Dimensions: 105 × 150 mm (image); 117 × 157 mm (plate); 172 × 207 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Figures in a sailboat on a turbulent sea, 1830 - 1860 A sailboat in the background. Leaf 36 Recto from a sketchbook with 46 sheets. paper. pencil A sailboat in the background. Leaf 36 Recto from a sketchbook with 46 sheets. paper. pencil

Two pencil sketches by Ludwig Rösch from 1924, each showing different subjects and compositions.

Constance' c1841-1842: Joseph Mallord Willliam Turner (1775-1851) English artist. Study.

The Temptation of Saint Anthony: Science (page 27), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

A Seascape with Two Sail Boats. Dimensions: sheet: 11.4 x 18 cm (4 1/2 x 7 1/16 in.). Medium: watercolor and graphite (in the sailboat at left) on beige laid paper. Museum: National Gallery of Art, Washington DC. Author: John Constable.

Munsterhjelm, Hjalmar, Sketch book, 1870s, pencil on paper, drawing, see parts of the work, 14.5 cm x 22 cm, Munsterhjelm, Hjalmar, 1870s, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Windsor (Memorial) 1887 James McNeill Whistler American. Windsor (Memorial) 372710

Pejzaże z okolic Sao Joao da Barra. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

The fisherman, Fredericus Jacobus van Rossum du Chattel, 1873 - 1892

Cornelius Varley, 1781-1873, British, Front View of a Vessel with Masts, undated. Graphite on medium, moderately textured, cream wove paper.

Artist Unknown, River Scene, Rouen, 19th century, oil on panel.

Elbridge Kingsley, At Sea, c 1883 At Sea

THE DEATH OF THE POET SHELLEY, 1822: THE PLACE WHERE SHELLEY'S BODY WAS CAST ASHORE. TOMB IN THE PROTESTANT CEMETERY AT ROME (RIGHT)

Mill "De Kat to a drawing / from Jhr. Van Loon. ± 1850." pen in black recto r.o. on the set -up sheet

Study of Sailboats (from Sketchbook) Henry Ward Ranger American This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects.Beginning in 1899, Ranger became a leading member of the artists colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.. Study of Sailboats (from Sketchbook) 16193

Floating battery / cannonial hat Charles Kosin. Floating battery / gunboat. Ink cloud on paper.

Savoy Pigeons James Abbott McNeill Whistler (American, 1834-1903). , 1896. Lithograph, 11 15/16 x 7 1/8 in. (30.3 x 18.1 cm). American Art 1896

London Bridge,' an etching by James McNeill Whistler, created in 1875. The artwork depicts London Bridge in the year 1875

The pennyboat. Whistler, James McNeill (1834-1903). 1860. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Vue de la Ville de Delft (2nd state). Lalanne, Maxime (1827-1886). Avery, Samuel Putnam, 1822-1904. Prints. 1866. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Delft (Netherlands)

View of Amsterdam from the north by Hans Bol, created around 1590 using tempera and gouache with gold highlights on parchment, depicting cityscape and architectural details.

The Tow. Dated: 1881. Dimensions: image: 299 x 477 mm sheet: 382 x 579 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Henry Farrer.

Moulin des Chapelles (Vendée) (Windmill of Chapelles[Vendee). Artist: Auguste Lepère, French, 1849-1918

Crossing the river. Shimada, from the series: Fifty Fifty three stops on the Tokaido highway /Tokaido gojusan tsugi Katsushika, hokusai (1760 1849)

Blankenbergh. Dated: 1876. Dimensions: sheet: 38.26 × 55.88 cm (15 1/16 × 22 in.) board: 40.96 × 58.42 cm (16 1/8 × 23 in.). Medium: gouache over graphite on blue wove paper laid down to board. Museum: National Gallery of Art, Washington DC. Author: William Stanely Haseltine.

boats, Narcís Puget Riquer, charcoal drawing,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, balearic islands, Spain.

Study sheet with various sailing ships, Willem Bastiaan Tholen, 1870 - 1931 drawing paper. chalk ships (in general) - CC - more than one ship

SUMMERSIDE, CANADA, NINETEENTH CENTURY ENGRAVING

Study sheet with mast from a ship, Willem Bastiaan Tholen, 1870 - 1931 drawing paper. chalk. watercolor (paint) brush

Landscape with mills at Water, Anton L. Koster, 1869 - 1937 drawing paper. chalk. watercolor (paint) brush windmill in landscape

Ernest David Roth, Meaux (Mills on the Meuse), 1910, etching on paper.

Schuiten in 't IJ with the Lutheran Church, Willem Witsen, 1870 - 1923 print paper

Etching by Jan van de Aveele depicting a war fleet of sailing ships at sea, created between 1678 and 1727. The print shows ships, sails, rigging, and detailed maritime landscape.

The Mildmay Sea-Piece, plate 40 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); engraved by W. Annis and I.C. Easling. Date: 1812. Dimensions: 181 × 263 mm (image); 210.5 × 292 mm (plate); 293.5 × 443 mm (sheet). Etching and engraving in brown on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

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