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Sailing Boats and Canals

A series of landscapes featuring sailboats on canals, rivers, and harbors, with figures and towns depicted in a muted, sketchy style.

The Thames towards Erith, James McNeill Whistler (1834-1903), 1877, Etching
The Thames towards Erith, James McNeill Whistler (1834-1903), 1877, Etching
248 assets in this story
6145-59251730
Loop from the Scheldt from Fort Bath to Antwerp, 1832, Anonymous, 1832 - 1833 print Face at a nutshell on the course of the Scheldt of Fort Bath in Zeeland to the city of Antwerp, at the time of the siege of Antwerp in December 1832. At the top a profile of the city and the shelling of the Citadel. The location of the gunboats and frigates is indicated on the river. Along the river are the various sconse and forts. At the bottom of the legend 1-23. print maker: Netherlandsprinter: Rotterdampublisher: RotterdamRotterdam paper bombardment ~ siege. maps of separate countries or regions Antwerp. Scales
6145-59267264
Sketch magazine with sitting woman and sailing ships, Hendrik Abraham Klinkhamer, 1820 - 1872 drawing paper. pencil brush sailing-ship, sailing-boat
6145-46325157
Hairdressing sailing ship. Leaf 13 Recto from a sketchbook with 46 sheets.
6145-30351616
Edward Lear, 1812-1888, British, Shelaal, 1867. Watercolor, graphite, gouache, pen and brown ink on thick, moderately textured, blue wove paper.
4443-21747825
Saw mill on the water, draughtsman: Coen Metzelaar, 1855 - 1881, paper, brush, pen, h 67 mm × w 106 mm
6176-67058591
'Canton', 1903. Artist: Mortimer L Menpes.
6145-30337195
William Miller, 1796-1882, British, Straits of Dover, 1827-1838. Line engraving, engraver's proof.
6145-59298583
Mills on the Zeeburgermeer, c. 1879 Page 11 Recto from a sketchbook with 27 magazines. Amsterdam paper. pencil windmill in landscape. landscapes with waters, waterscapes, seascapes (in the temperate zone) Amsterdam
6145-54537779
La petite ville.. 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
4409-20920411
SPERONADOS DE LA ISLA DE MALTA - SIGLO XIX. Author: RAFAEL MONLEON. Location: MUSEO NAVAL / MINISTERIO DE MARINA. MADRID. SPAIN.
6145-45525557
Bliżej Kultury Wyczółkowski, Leon (1852 1936)
6145-45484532
Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Cole, Vicat George (1833 1893)
6145-59717460
Water landscape with sailing ship, Ernst Willem Jan Bagelaar, 1798 - 1837 print Netherlands paper etching / drypoint landscapes with waters, waterscapes, seascapes (in the temperate zone)
4443-73167282
Nile Journey, Feluccas (recto), 1890, colored chalk on blue paper, sheet: 24.77 × 20.32 cm (9 3/4 × 8 in.), Elihu Vedder (artist) American, 1836 - 1923
4409-17427239
Cundy's Harbor. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 7 13/16 × 12 5/8 in. (19.9 × 32.1 cm)Plate: 3 9/16 × 8 1/8 in. (9 × 20.7 cm). Date: 1924. Museum: Metropolitan Museum of Art, New York, USA.
6145-59268797
Various studies of boats and some figure studies, Willem Bastiaan Tholen, 1870 - 1931 drawing paper. chalk ships (in general) - CC - more than one ship
6145-29077012
View from Saardam, 1909. Armand Guillaumin (French, 1841-1927). Color etching;
4443-21969585
A Foggy Day - Kotzebue; Edward S. Curtis (American, 1868 - 1952); 1928; Gravure; 28.3 x 39.4 cm (11 1,8 x 15 9,16 in.)
4409-17470403
Little Drawbridge, Amsterdam. Dated: 1889. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.
4409-17585856
Shepperton. Francis Seymour Haden; English, 1818-1910. Date: 1864. Dimensions: 139 × 121 mm (image/plate); 166 × 140 mm (sheet). Etching on wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.
6145-29081401
The Little Putney No. 1, 1879. James McNeill Whistler (American, 1834-1903). Etching and drypoint; sheet: 17.8 x 30.7 cm (7 x 12 1/16 in.); platemark: 13.3 x 20.7 cm (5 1/4 x 8 1/8 in.).
6145-59460785
Three sailing ships at Storm at Sea, Lodewijk Schelfhout, 1924 print paper drypoint sailing-ship, sailing-boat. storm at sea
6145-51935411
Painting.Plate, photo of pencil over vapor cavet Gävle (x 582).Bestowed by AB Götaverken.Dimensions: 520 x 400 mm.Has been used as an adhesive object and tradition-bearing objects on the Korveten Gävle.Use: Embarrgings.
4443-75477120
Une jetée en Angleterre by Félix Hilaire Buhot (1847-1898), created between 1874 and 1888, with a specific date of 1879. The work features elements such as rain, piers, and wharves in England, capturing the effects of the wind. The image is a drypoint, roulette, and aquatint print, noted with a standard reference number
6145-52338454
Fischer an der Nordsee.. Achenbach, Andreas, 1815-1910. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Piers & wharves, Sailboats
1899-18669404
1893 Art Work - Waterloo Bridge Joseph Pennell.
6145-30327194
Robert Brandard, 1805-1862, British, Bligh Sand, 1859-1879. Steel engraving.
4443-19586690
Lithographer: Unknown, Publisher: Endicott & Co., New York, 19th century, United States Iron Clad BatteryMonadnock, Color lithograph, block: 29.3 × 63.2 cm (11 9/16 × 24 7/8 in.), Made in United States, American, 19thcentury, Works on Paper -Prints
4443-19520229
Enormous Structure Situated on a Stream, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, The plan of the structure is octangonal. It has an enormous dome and is surrounded by water, with protruding bastions at its corners. The stream is surrounding the structure; four rowing boats, one of them loaded with sacks. Two sailing ships. In the background are the outlines of what seems to be a wall or mountains., Rome, Italy, 1780-1800, architecture, Drawing, Drawing
6145-29120212
The Mouth of the Aji River in Osaka. Utagawa Hiroshige (Japan, Edo, 1797-1858). Japan, circa 1840-1842. Prints; woodblocks. Color woodblock print
6145-55179657
Little Salute. Whistler, James McNeill (1834-1903). 1879 - 1880. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection
4443-21798219
Mill by the water, print maker: Willem Steelink (II), (mentioned on object), after: Paul Joseph Constantin Gabriël, (mentioned on object), Netherlands, 1889, paper, etching, h 257 mm × w 171 mm
6145-59551125
In the bend of carnation a prauw with poster, Jan Brandes, 1779 drawing Color drawing over two pages of coastal profile in pieces of each other from the bend of Carnation (Anyer) on the West Javanese coast and the Prauw with the poster who brought the post from the VOC ship there and brought overland to Batavia. With inscription. Part of Jan Brandes' sketchbook, dl. 2 (1808), p. 90-91. New paper. pencil. watercolor (paint) brush coast. sailing-ship, sailing-boat New
6145-59457035
Boot at Steiger, Arend Hendriks, 1911 - 1943 print Netherlands paper etching rowing-boat, canoe, etc.. moonlight. pier, quay, wharf
4409-17415905
Ship-Building, Gloucester Harbor - Drawn by Winslow Homer (Harper's Weekly, Vol. XVII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 3/8 x 13 3/4 in. (23.8 x 34.9 cm)sheet: 10 3/16 x 16 in. (25.9 x 40.6 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: October 11, 1873. Museum: Metropolitan Museum of Art, New York, USA.
4443-21182129
James McNeill Whistler (American, 1834 - 1903), The Thames, 1896, lithograph
4443-73176627
Edelfelt, Albert, work, Sketch book, drawing, 13 cm x 20.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland
6145-59023581
Levis, Henri Jean Baptiste, Seine before the Institut de France (dummy title). Watercolor. Carnavalet museum, history of Paris.
6145-29736211
Picture of Mitsumata 1797-1861 Utagawa Kuniyoshi Japanese. Picture of Mitsumata 57047
6145-59270700
Beach face with fishermen and sailing ship, Johannes Huygens, 1843 - 1911 drawing paper. ink. watercolor (paint). chalk. pencil brush beach (+ landscape with figures, staffage). sailing-ship, sailing-boat
6145-54679517
Egham Lock Sir Francis Seymour Haden British 1859 Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834-1903) and Alphonse Legros (1837-1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."View of the river Egham Lock on the river Thames; landscape with trees at left and right and background; river across foreground; opened lock gate in middle ground with shadows of gate reflected on river's surface.'State
6145-51827885
Brooklyn Bridge at Night Joseph Pennell (American, 1860-1926). Brooklyn Bridge at Night, 1922. Aquatint in black ink on cream, light-weight, slightly textured laid paper, Sheet: 8 3/8 x 10 1/2 in. (21.3 x 26.7 cm). After many years abroad, Joseph Pennell settled in Brooklyn Heights in 1921. His upper-story apartment afforded magnificent views of New York, its waterways, and its bridgesall of which were regular subjects in his art. Pennell achieved the tenebrous effects of this work with aquatint, an etching technique in which the picture is conceived in tone rather than line. Aquatint uses a plate coated with a porous, grainy ground. During the bath, acid bites the underlying metal around the tiny grains, thus creating a subtly patterned area that prints as a tonal wash. Varying the bath time for different sections of the plate results in darker or lighter tones. American Art 1922
6145-30173172
Saint-Servan Made 1912 France. Etching on cream wove paper . Louis Auguste Lepère
4409-17408120
Inner Port, Trouville. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 6 1/4 x 9 5/16 in. (15.9 x 23.7 cm)sheet: 10 7/8 x 13 5/8 in. (27.6 x 34.6 cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.
4443-19618979
Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)
4409-17565931
The Trocadéro. Henri Rivière; French, 1864-1951. Date: 1900. Dimensions: 525 × 819 mm (image); 643 × 900 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.
6145-29089543
The Sea at Camaret, The Red Rocks, 1895. Maximilien Luce (French, 1858-1941). Lithograph;
1746-111332183
East London by Pennell, Joseph, 1857-1926, artist 1908, drawing on textured cream paper. View across curved river running through factory district, lon e in small boat, foreground, smokestacks belching black smoke beyond and in distance.