Sailing Boats at Sea

Various watercolor paintings of sailing boats on calm waters, showcasing different styles and eras with soft colors and serene moods.

Jesus Asleep During the Storm James Tissot (1836-1902 French)

George Lothian Hall, 1825-1888, British, Tarifa Point, Spain and Mons Abyla, Africa, 1843. Watercolor and graphite on thick, moderately textured, cream wove paper.

Bergen op Zoom. Date/Period: 1826. Painting. Watercolor. Height: 67 mm (2.63 in); Width: 175 mm (6.88 in). Author: David Cox.

Swiss Family Robinson. The caption reads: He laughed heartily at queer spectacle we must present. The queer spectacle in the novel is bringing animals, including a donkey and cows, ashore by pulling and guiding with a sailboat. The Swiss Family Robinson(German:Der Schweizerische Robinson) is a novel byJohann David Wyss, first published in 1812, about a Swiss family of immigrants whose ship en route toPort Jackson,Australia, goes off course and is shipwrecked in theEast Indies.

Jesus Asleep During the Storm James Tissot (1836-1902 French)

Engraving depicting Cleopatra's Needle, an obelisk from Alexandria being transported to England. Dated 19th Century

Fishing Boat by Gustave Courbet (1819 - 1877); Oil on canvas; 1865

The caption for this 1902 image is: Drifting out to Sea. It is from The Cruise of the Dolphin, from The Story of a Bad Boy by Thomas Bailey Aldrich, with Tom the hero of tale. The Story of a Bad Boy is a semi-autobiographical novel published in 1869 by American writer Aldrich, fictionalizing his experiences as a boy in Portsmouth, New Hampshire.

Hercules Brabazon Brabazon, 1821-1906, British, Mouth of the Humber, undated. Watercolor and gouache with graphite and scratching out on medium, slightly textured, gray wove paper.

The stone fire beacon and the harbor head of Durgerdam. Draughtsman: Aert Schouman. Dating: 1756. Measurements: h 116 mm × w 181 mm. Museum: Rijksmuseum, Amsterdam.

Georges Lacombe, The Sea Off the Edge of a Boat, Brittany, 1894 The Sea Off the Edge of a Boat, Brittany

The Green Wave, by Claude Monet, ca. 186667, French impressionist painting, oil on canvas. This seascape used elements from Manet's 1864 paintings of the USS Kearsarge. Both paintings employ high horizons and painterly waves (BSLOC_2017_3_17)

Shooting the Rapids Winslow Homer (American, 1836-1910). Shooting the Rapids, 1902. Watercolor over graphite on off-white, thick, moderately textured wove paper with watermark, 13 15/16 x 21 13/16 in. (35.4 x 55.4 cm). American Art 1902

Port Royal, Jamaica, destroyed by earthquake

Mariano Fernández Copello / 'Epilogue'. 1892. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Sailboat by Arthur Beecher Carles, pastel drawing, 1882-1952, USA, Pennsylvania, Philadelphia, David David Gallery

The Story of Whaling Newell Convers Wyeth (1882-1945 American)

historic picture of mermaids, the mermaids' rock & vikings , (fanciful victoriana)

Fishermen at Sea. oil on canvas. Date: ca. 1913. Museum: Smithsonian American Art Museum.

Storm, Fine Art

Diaphanorama of a naval battle. Diaphanoramas are particularly suited to scenes with a lot of spatial depth, such as landscapes and naval battles. Interiors were also popular subjects. This naval battle consists of three glass plates painted on both sides, which the maker has effectively used to evoke a strong sense of recession.

Le Port de Mer, Medium: cotton Technique: printed by engraved copper plate on plain weave, Classical ruins, fishermen with nets and assorted boats in red on white. Condition poor., Nantes, France, ca. 1780, printed, dyed & painted textiles, Textile, Textile

From travel to Crimea; Cie Ski, Jan (1858-1913); 1887-1899 (1887-00-00-1899-00-00);Ałupka (Ukraine), Crimea (Ukraine), State Art Collections (Warsaw - 1922-1939) - collections, landscapes, coastal landscapes, message (provenance), boats, sailboats

Edward Lear, 1812-1888, British, Boats on the Nile, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper.

Stowing Sail. Winslow Homer; American, 1836-1910. Date: 1903. Dimensions: 355 x 554 mm. Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, scraping and graphite, on thick, moderately textured (twill texture on verso), ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Hove to, 1929, England, by Arthur Briscoe. Gift of Sir John Ilott, 1967.

Eduardo J Perrenoud 'Night Fishing' 1984, oil on canvas

Canoe with Three Men, Winslow Homer, American, 1836-1910, Crayon on paper, Sketch of three male figures in a canoe., Quebec, Canada, 1897, landscapes, Drawing, Drawing

Gloucester, Mackerel Fleet at Dawn, Winslow Homer, 1884, Museum of Fine Arts, Boston, Mass, USA, North America

Ericsson, Henry, work, Sketchbook, 49 leaves, 1933, drawing, Tivoli, amusement park, 13.5 cm x 21.8 cm, Ericsson, Henry, part: Pose sketches (mowers), 1933, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Color woodcut by Carl Moser from 1906 depicting a fishing boat at low tide on Japanese paper, showing boat details, water, shoreline, and environmental context with color layering.

Claude Monet (b. 14 November 1840 in Paris as Oscar-Claude Monet, d. 5 December 1926) important French painter, Impressionist style. Here his work, The Green Wave (ca. 1866-1867), The Green Wave (ca. 1866-1867), Sailboat fighting high waves in a stormy sea, expresses drama and movement

Marine James Hamilton (American, 1819-1878). Marine. Watercolor American Art

Painting, Galleon Room, Sintra National Palace, Sintra, Unesco World Heritage Site, Lisbon, Portugal, Europe

Myles Birket Foster, 1825-1899, British, The Jetty, undated. Watercolor and graphite on thick, rough, cream wove paper.

Amusement on the Caique. Date/Period: Late 19th Century - Early 20th Century. Painting. Oil on canvas. Height: 380 mm (14.96 in); Width: 610 mm (24.01 in). Author: Fausto Zonaro.

Presto (finale) o Brisa. Museum: COLECCION PARTICULAR. Author: PAUL SIGNAC.

IN TOW, FROM THE DRAWING BY ARTHUR HOPKINS, IN THE BLACK AND WHITE EXHIBITION, 1874 engraving

Shooting the Rapids, Saguenay River 1905-10 Winslow Homer American Homer often enjoyed fishing trips in the wilderness of Quebec with his brother Charles. He based this unfinished painting on watercolors created during their last visit to Canada in 1902. Family tradition suggests that it records a perilous canoe journey down the Saguenay River and that Charles is the frightened passenger holding on to the gunwales. Homer only sketchily blocked in details such as the paddles, the foam above a concealed rock in the riverbed, and the guides facial features, marking his intended revisions in chalk. The artists family believed that he considered the painting complete in its essentials, and donated it to the Museum after his death.. Shooting the Rapids, Saguenay River. Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). American. 1905-10. Oil on canvas with chalk

OLA DE FRIO EN AMERICA - BARCO CON HIELO - SIGLO XX - GRABADO COLOREADO. Location: PRIVATE COLLECTION. France.

Netting the Fish. Winslow Homer; American, 1836-1910. Date: 1889. Dimensions: 353 x 508 mm. Transparent watercolor, heightened with opaque white watercolor, with rewetting, blotting, and scraping, over graphite, on moderately thick, slightly textured, cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The caption for this image by NC Wyeth that accompanies the tale of Robinson Crusoe by Daniel Defoe reads: "All this while I sat upon the ground very much terrified and dejected. Robinson Crusoe is a novel written by the English novelist Daniel Defoe and published in 1719. A fictional autobiography, it tells the tale of an English castaway named Robinson Crusoe (seen here sitting dejected) who spent 28 years on a remote tropical island near Venezuela before he was rescued. Newell Convers Wyeth, known as N. C. Wyeth, was an American artist and illustrator. He was the pupil of artist Howard

PARNASSI - 1991 - 200X300 CM. Author: MIQUEL BARCELO.

Etching and aquatint by Rudolf Jettmar titled 'Nixen', depicting mythological water figures on rolled blue paper, 1899.

'The Basque Sailor Shanti Andía, the Bold', ca. 1924, Oil on canvas, 202 x 153 cm. Author: RAMON ZUBIAURRE (1882-1969). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Simberg, Hugo, work, Väinämöinen ja Ikiturso, c.1897, watercolor and gouache on paper, glued on etching paper, painting, 25.5cm x 34, 8cm, Photo no. 28644, 12.12.1994, photographer: Antti Kuivalainen, photo type: LAAKADIA, content description: Simberg, Hugo: Väinämöinen and ikiturso, 1897, watercolor and gouache, mounting on etching paper, 28.5x34.8

Winslow Homer, The Flirt, 1874 The Flirt

t Aankomen der orper schuit aan de Buiten Amstel (diary, November 19), draughtsman: Christiaan Andriessen, 1805 - 1808, paper, brush, h 182 mm × w 260 mm

Man at sea, a Punter driving, c. 1670 print paper etching poling, punting. rowing-boat, canoe, etc.

Sailing boat by William Turner, Oil on canvas, 1843, 1775-1851, Great Britain, London, Tate Britain, 61, 6x92, 1

Survivors. This image depicts artwork of survivors in the trough of the sea looking for rescue. Artwork by Hunter Wood.

Volunteer, Currier & Ives Prints

Casting her off, 1927, England, by Arthur Briscoe. Gift of Sir John Ilott, 1952.

Koraalvissers bij de stad Scilla. Pêche du Corail près de Scilla (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 173 mm × w 521 mm. Museum: Rijksmuseum, Amsterdam.

Print made by Robert Carrick, active 1847-1893, British, Rockets and Blue Lights, 1852. Chromolithograph on moderately thick,smooth, cream wove paper mounted to beige board.

Ships in the Ice, George Hendrik Breitner, 1901

Serenade, 19th century, by Salvatore Mazza (1819-1886).

Engraving depicting the 'Great Eastern' used during the creation of the Atlantic Telegraph. The Great Eastern is seen in a gale off Cape Clear. Dated 19th Century

Netting the Fish 1889 United States. An avid angler and sportsman, Homer often depicted fishing and hunting scenes in his artwork. Many of his watercolors that explore these subjects were painted on frequent trips to the Adirondack Mountains. Netting the Fish is unusual in its focus on a gentleman sportsman. Young, well groomed, and neatly attired, the fisherman in this watercolor stands in contrast to the rustic guides featured in many of the artistís other Adirondacks works. Homerís fluid brushstrokes describe the smooth surface of the water, and his background washes evoke the wooded shoreline seen at a distance. Netting the Fish is one of Homerís few grisaille, or monochrome, watercolors, painted as a study of values in preparation for the etching Fly Fishing, Saranac Lake.. Transparent watercolor, heightened with opaque white watercolor, with rewetting, blotting, and scraping, over graphite, on moderately thick, slightly textured, cream wove paper . Winslow Homer

BERUETE , AURELIANO. PINTOR ESPAÑOL. MADRID 1845 - 1912. " EL PUENTE DE HAVRE ". SFGP / © KORPA.

Quest for the Holy Grail Tapestries - Panel 5 - The Ship, 1900. Designer: Edward Burne-Jones. Designer: William Morris,.. Designer: John Henry Dearle,.. Manufacturer: Morris & Co. The fifth narrative panel of the series.

Illustration depicting a sailor looking over the deck of a ship at the full moon in the distance. By Georges Lepape (1887-1971), French poster artist, illustrator and fashion designer.

Jean-Baptiste Carpeaux (1827-1875). "Shipwreck in the port of Dieppe". Oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 70009-49 Boat, shipwreck, shipwreck, ship, port, 19th XIXth 19th 19th 19th 19th century, Oil on canvas

Sailing ship on a turbulent sea, 1830 - 1860 In the background buildings. Page 41 Recto from a sketchbook with 46 sheets. paper. pencil In the background buildings. Page 41 Recto from a sketchbook with 46 sheets. paper. pencil

Fishing Boats, Monhegan Eric Hudson (American, 1864-1932). , ca.1922-1930. Oil on canvas, 27 15/16 x 34 1/16 in. (71 x 86.5 cm). American Art ca.1922-1930

Shipwreck. Date: ca. 1920. pen and ink and watercolor on paperboard. Museum: Smithsonian American Art Museum.

Charon by Gustave Dore, Woodcut, 1857, 1832-1883, Private Collection

Thomas Chambers Felucca off Gibraltar Thomas Chambers, Felucca off Gibraltar, American, 1808 - 1866 or after, mid 19th century, oil on canvas, Gift of Edgar William and Bernice Chrysler Garbisch

Pinturas de Xavier Nogues, despacho de la alcaldia. Ayuntamiento de Barcelona.

A fire-ball is seen from time to time on Lake Biwa, at Zeze, and is attributed to the spirit of a dead daimio (prince) Date: 1908

J. M. W. Turner, The Sipwreck (detail of the boats) , 1805 , Oil paint on canvas, London, England.

Photo production of (presumably) a printer presented a rowing woman in a storm. Part of album with pictures of sights and landscapes in England and of art.

Toilers of The Sea, Sir William Quiller Orchardson (Edinburgh, Scotland, 1832 - 1910) 1870

Boy looking out at the ocean, wrapped in a blanket smoking a cigarette. , Boys, Beaches, Smoking, Cigarettes, Palettes, 19th Century American Trade Cards

Drawing to Mrs. Reiss, Hendrik Willem Mesdag, in Or Before 1907 drawing paper sea (seascape). sailing-ship, sailing-boat

Clouds and Water. Artist: Arthur Dove (American, Canandaigua, New York 1880-1946 Huntington, New York). Dimensions: 29 5/8 x 39 5/8 in. (75.2 x 100.6 cm). Date: 1930.Clouds and Water was inspired by the landscape of Halesite, a town on the north shore of Long Island where Dove and his companion Helen "Reds" Torr lived in the late 1920s. They resided on their boat, the Mona, in warm weather and they had just begun their first winter as caretakers of the Ketewomoke Yacht Club in November 1929. From their second-floor room at the Yacht Club, surrounded by windows on three sides, Dove and Torr had an unimpeded view of Huntington Harbor. In the airy marine prospect of Clouds and Water, several sailboats dip along the surface of the waves, and a landscape of rounded hills rises in the distance. The sky, which fills half the canvas, is banded with long curving lines that suggest wind currents. The painting's unrestrained painting style indicates Dove's philosophy about the elements of nature:

The Abduction of Proserpina. Date/Period: Ca. 1631. Painting. Oil on oak panel. Height: 84.8 cm (33.3 in); Width: 79.7 cm (31.3 in). Author: Rembrandt.

The Argonaut Billowing Home by Montague J. Dawson, 1895-1973, USA, New York City, Christie's ImagesFelix Rosenstiel's Widow & Son Ltd

The Rakish Brigantine, 1914. Wyeth, Newell Convers.

MARINA-28X44 CM-O/L. Author: MARIN RICARDO. Location: BANCO EXTERIOR. MARBELLA. Malaga. SPAIN.

John Biglin in a Single Scull. Thomas Cowperthwait Eakins (1844-1916). Watercolour on paper. Signed and dated 1873. 42.9 x 61cm.

Joaquin Sorolla/ Afternoon sun, Valencia Beach, oil on canvas, 1910, Private Colection. 100x 110 cm.

A pencil drawing by Emerich Alexius Swoboda shows a portrait of a man wearing a hat alongside a study of a braided fence, depicting facial features and fence structure.

Ships sailing in the Red Sea. Egypt in XIX century. Africa. Old 19th century engraved illustration, El Mundo Ilustrado 1881

The Water Babies Tom Sat Upon the Buoy 1916 illustration by Jessie Wilcox Smith.

The Toilers of the Sea Ca. 1880-85 Oil on wood Albert Pinkham Ryder American 1847-1917

The Destruction of Mankind by Max Koch

The surf. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: c. 1851 - c. 1924. Measurements: h 358 mm × w 543 mm. Museum: Rijksmuseum, Amsterdam.

Ferry and Statue of Liberty, 1999, Anthony Butera, (b.20th C.), Watercolor

Crossing of knights on Genoese galleys to the Promised Land in 1187, digital improved reproduction of an original print from the 19th century

This painting is by the British/Cornish artist and photographer Henry Scott Tuke (1858-1929). It dates to 1888-89. It shows a ship with one sail gone being swamped by a storm and the crew desperately trying to pump water out of the hull. At the time Tuke painted it, he was living on an old French brig in Falmouth Harbor.

Sailing ship on a turbulent sea, 1882 Drawing in a frame. Page 34 Recto from a sketchbook with 54 sheets. paper. pencil sea (seascape). sailing-ship, sailing-boat

Christ Saving Peter Robert Loftin Newman (American, 1827-1912). Christ Saving Peter, after 1885. Oil on canvas, 16 1/8 x 19 15/16 in. (40.9 x 50.7 cm). American Art after 1885

To Face the Wind, Clarence Underwood

Bathing knab

picture series Where is ..., Where is the skipper, sailor / Bilderserie Wo ist ..., Wo ist der Schiffer, Seemann, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Ship in a Storm, Le Navire dans La Tempete, circa 1899, by Henri Rousseau, Musee de L'Orangerie, Paris, France, Europe

The Great Explorers. Radisson. Pierre-Esprit Radisson. After a work by American artist Frederic Sackrider Remington, 1861 - 1909. This picture is number four in Remington's Great Explorers series

After the tornado , Fine Art

Unknown, "We Met by Chance" or "Waiting for the Swell", c. 1875, ink and ink wash on heavy paper.

The Naval Battle and Capture of Haiyang Island (Kaiyoto senryo kaisen no zu). Ogata Gekko; Japanese, 1859-1920. Date: 1894. Dimensions: . Color woodblock print; three sheets of oban tetraptych. Origin: Japan. Museum: The Chicago Art Institute, USA.

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