Saint Mary and Religious Imagery

Historical religious prints featuring Saint Mary with the Christ Child, including etchings and color lithographs showcasing traditional depictions and ornate designs.

Saint Mary Currier & Ives (1834-1907 American) Library of Congress, Washington, D.C., USA

The blessed Margaret of Citta di Castello. Etching by J. and J. Klauber.

S. Iphigénie, vierge (St. Iphigenia, Virgin), September 21st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Iphigénie, vierge (St. Iphigenia, Virgin), September 21st, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Saint Mary (the Blessed Virgin) with the Christ Child. Colour lithograph.

Saint Mary Currier & Ives (1834-1907 American) Library of Congress, Washington, D.C., USA

The Virgin of Antigua. Engraving.

Bliżej Kultury unknown, Bouasse Lebel (1845 1852)

Wszyscy Święci w MNK Jabłoński, Marcin (1801 1876)

Lazio Rieti Casperia S. Maria di Legarano2. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Albrecht Altdorfer, German (1480 or before-1538), The Beautiful Virgin of Regensburg, c. 1519-1520, woodcut printed from six blocks in red, green, blue, light orange, brown, and black

Religion, biblical scene, image of a saint, St. Theresa with the Child, Santa Teresa (1515-1582), Teresa Sanchez de Cepeda y Ahumada, St. Theresa with the Child Jesus, Teresa of Avila, Historical, digital reproduction of an original from the 19th century

Bliżej Kultury Benziger, Carl (N.n.), Benziger, Nicolaus (N.N.), Zakład litograficzny: Benziger and Co

Heiligenbild, St. Theresa with the Child, Santa Teresa (1515-1582), Teresa Sanchez de Cepeda y Ahumada / die heilige Theresia mit dem Jesuskind, Teresa von Ávila (1515-1582), Teresa Sanchez de Cepeda y Ahumada, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

The Visitation of Mary to Elizabeth. Steel engraving.

Saint Mary Magdalene as a hermal; S. Maria Magdalena; Kluizenaars; Sacra Eremus Ascetriarum.

The Virgin of Juanajuato. Etching.

View of Murillo's Immaculate Conception, National Shrine of the Immaculate Conception, Washington, D. C. , Churches, Tichnor Brothers Collection, postcards of the United States

French 19th century, coloured illustration showing the Catholic, Saint Victoire (died 253).

Bliżej Kultury unknown

Photo production of a painting by Bartolomé Esteban Murillo, representing the Immaculate Conception of Mary; Concezione di Murillo. Part of photo album with recordings of sights in Italian cities and works of art.

Umbria Perugia Spoleto (environs) S. Sebastiano8. Hutzel, Max 1960-1990 Most views of this small chapel focus on the interior frescoes. The Madonna and Child flanked by St. Roch and St. Sebastian are frescoed on the altar wall. On the side wall are three more frescoes of St. Sebastian. Object Notes: Hutzel photo campaign date: August 6, 1983. General Notes: Hutzel developed two sets of photographs from these negatives; thus, some prints hae been renumbered to correspond with their duplicates. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Wszyscy Święci w MNK Petrini, Giovanni (Ca 1750 1810/1825), Minardi, Tommaso (1787 1871)

Saint Mary (the Blessed Virgin) with the Christ Child. Colour lithograph by B. Kühlen.

Copper engraving 'Maria with the Book on the Crescent Moon' by Meister E.S., created in the second third of the 15th century, depicting the Virgin Mary holding a book on a crescent moon.

Saint Mary (the Blessed Virgin) with the Christ Child. Colour lithograph, 1898.

Saint Mary (the Blessed Virgin). Colour photogravure, 1902.

Umbria Perugia Spoleto SS. Giovanni e Paolo3. Hutzel, Max 1960-1990 Interior views of 12th century church all focus on frescoes (late 12th-14th centuries). Fresco subjects include: one of the first documented representations of St. Francis; the martyrdom of St. Thomas Becket of Canterbury; Herod's banquet; St. John and St. Paul beheaded; doors to Paradise; Crucifixion; St. John the Baptist; Madonna and Child Enthroned; St. Gregory as Pope and Saint; St. Joseph; St. Antony of Padua; St. Alo; St. Catherine; St. Jerome; St. Lawrence; St. Ansano; St. Michael slaying dragon; St. Margaret; St. Taddeus; St. Anthony Abbot; St. Clare. Object Notes: Hutzel photo campaign date: 1/21/83 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans a

Madonna and Child. Dated: c. 1460. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master of the Dutuit Mount of Olives.

fine arts, religious art, Virgon Mary with child, woodcut, South Germany, 1450/1460, private colllection,

Saint Frances of Rome (1384-1440) Founder of the Oblates of Rome Artist Unknown Engraving

Biblical History, The Queen of the Holy Rosary, Historical Steel Engraving from 1860

The Nativity - Virgin and Child, 1886. Sir Edward Burne-Jones (d.1898). Design for Church of All Hallows, Allerton, Liverpool, England

Saint Mary (the Blessed Virgin) with the Christ Child, with God and the Holy Ghost, and the heads of two monastic saints. Lithograph by N. Sanesi after Domenico Veneziano.

The Christ Child sitting on straw between lilies under the dove of the Holy Spirit and showing his Sacred Heart. Colour lithograph.

German 15th Century, Madonna and Child, c. 1450-1470, engraving, hand-colored in green and red

Sacred image, Virgin Mary with Child Jesus, Mother, Historical, digitally restored reproduction of a 19th century original, exact date unknown

St. Philomena Chapel, Franciscan Monastery, Washington, D. C. , Religious facilities, Tichnor Brothers Collection, postcards of the United States

Santa Rosa of Lima (1586-1617) Born Lima, Peru, of Spanish parents, was first canonized saint from the New World. From mid-19th century French coloured print.

Christ and Maria Magdalena in a fenced garden, Johann Nepomuk Strixner, After Anonymous, 1824 print Stuttgart paper Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Mary with child and book, above God and the Holy Spirit, Anonymous, Anonymous, 1500 - 1599 print paper pen Mary kneeling (on the ground), the Christ-child standing in front of her

Rohscan

The Virgin of Mariazell above Saint Martin, Bishop of Tours, who helps a man with a wooden leg. Gouache.

Vilnius. "Coast of Micha Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Umbria Perugia Gubbio S. Domenico6. Hutzel, Max 1960-1990 Exterior views of the church in the Medieval core collection show a 14th-century facade. Most views are of the restored baroque interior (1765): the altar paintings which line the nave, chapel ceiling frescoes of the four Evangelists, wood intarsia choirstalls and a pulpit. Painting subjects include: the Last Supper, S. Domenico, S. Vincenzo Ferreri, S. Chiara, S. Martino, St. Peter Martyr, St. Francis, St. John the Baptist, the Annunciation, the Three Magi, the Flagellation, Mary Magdalene, and Christ Entombed. Object Notes: Hutzel photo campaign date: November 8, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

St.Anne / Verre eglomise / C19th

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra5. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resul

The Virgin of Succour in the Sanctuary of the Borgo San Pietro at Bologna. Engraving.

Guardian angel unknown

Nativity of Lord Jesus

Woodcut from the fifteenth century, David van der Kellen (1827-1895), 1859 - 1864 print Be depicted a crowned Mary and Christ in a mandorla. Around angels, pigeons and inscriptions. Haarlem paper Madonna: Mary standing (or half-length), Christ-child close to her bosom. mandorla. Holy Ghost represented as a dove (in flames). other birds: dove

Saint Mary (the Blessed Virgin) with the Christ Child. Woodcut.

Heraldic flag of the guild of locksmiths, 1778 - side with image of the Holy Mother of Immaculate Birth (Immaculata). Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Cádiz. Imagen religiosa.

Lazio Viterbo Ischia di Castro S. Ermete5. Hutzel, Max 1960-1990 Exterior views of facade of early 18th c. church. Interior views of nave and altar, iconostasis, frescos, paintings, baptismal, chalice, reliquary. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The angels praising the Savior, historic steel engraving from 1860

St Anthony of Padua holding the Christ child ca 1900-1910 Anonymous. St Anthony of Padua holding the Christ child. Anonymous. ca 1900-1910. Etching on zinc and letterpress. Prints

Saint Mary (the Blessed Virgin) with the Christ Child. Colour lithograph, 1905.

Madonna with Child and Saint, Bicci di Lorenzo, Termpera on wood, 15th century, Galeria d'Arte Antica, Castello di Udine, seat of the State Museums, Udine, most important historical city of Friuli, Italy, Udine, Friuli, Italy, Europe

Picture of a saint, communion picture, baby Jesus with juniper branch Historic, digitally restored reproduction of an original from the 19th century

The Virgin and Child with Saint Joseph. Unknown maker, Netherlandish

Wszyscy wici w MNK unknown

Holy Picture of The Madonna, Alzano Lombardo, Italy.

Saint Mary (the Blessed Virgin) with the Christ Child. Engraving by S.A. Bolswert after Sir P.P. Rubens.

Wszyscy wici w MNK unknown

Saint Mary (the Blessed Virgin) as protector against fires. Engraving by Geoffroy.

Hail Mary, He who takes up his cross and follows me will be blessed, Communion picture, Souvenir of the Holy Communion, ca 1910, Germany, Historic, digitally restored reproduction of a 19th century original, exact date unknown, Europe

Saint Catherine of Siena. Colour lithograph, 1898.

Saint Mary (the Blessed Virgin), as the Virgin Immaculate. Engraving by C. Galle, 16--.

Wszyscy Święci w MNK Unknown, Litographic Plant T. Szulc (Poznań)

Wszyscy Święci w MNK unknown

The reine des anges / queen of angels, no 104 Unknown, Litographic Plant: Pellerin Ch. A. Epinal

Resurrection of dead and weighing of souls at the Last Judgement. Chromolithograph after 13th century Psalter.

Waldetrudis, saint.

Holy picture, child carrying Jesus on the cross, 1900, Austria, historical, digital reproduction of an original from the 19th century, Europe

View of Murillo's Immaculate Conception, National Shrine of the Immaculate Conception, Washington, D. C. , Churches, Tichnor Brothers Collection, postcards of the United States

Saint Isidro Labrador and Saint Maria de La Cabeza. Engraving by H.V. Ugarte, 1768.

Saint Mary (the Blessed Virgin) with the Christ Child, Saint Dominic Guzman and Saint Catherine of Siena. Engraving by C. Galle.

The twelve year old Jesus in the temple. Virgin Mary and Joseph found Jesus in the temple among the doctors. Luke book. Colored Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

Maria, saints.

Small picture of a saint with an image of St Cecilia, Germany, 1900, historical, digital reproduction of an original from the 19th century, Europe

Anonymous / 'The Virgin of Help at her Altar'. XVIII century. Coloured wash, Black chalk on yellow paper. Museum: Museo del Prado, Madrid, España.

The Angel at the Tomb, by Verestchaguine, in Russian Church of St. Magdalene, on Olivet. 1898, Jerusalem, Israel

Christ appearing in Holy Catherine of Siena Octave Tassaert (1800-1874). Christ appearing in Sainte Catherine de Siena. Charcoal and turned from white gouache on cream paper, nineteenth century.

The Grotto of Our Lady of Lourdes, Bronx, New York , Caves, Tichnor Brothers Collection, postcards of the United States

Adoring Angel - Study for the Ascension Mural. John La Farge (1835-1910). Watercolour, gouache and pencil on paper. Executed in 1887. 70 x 52cm.

Lord Jesus Brahi Unknown, Wilcza Ski, Jan Kazimierz (1806-1885); Post 1857 (1857-00-00-1882-00-00);

Saint's picture depicting St Cecilia, Germany, 1900, Historical, digital reproduction of an original from the 19th century, Europe

Lord Jesus Antokolski; Unknown, Wilcza Ski, Jan Kazimierz (1806-1885); after 1857 (1857-00-00-1882-00-00);

Basilicata Matera Matera Duomo42. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

VERA EFIGIES ALTERIUS... - HISTORICA RELACION DEL REINO DE CHILE - GRABADO DE 1646. Author: ALONSO DE OVALLE. Location: INSTITUTO DE COOPERACION IBEROAMERICANA. MADRID. SPAIN. INFANT JESUS. VIRGIN MARY.

The Angel at the Tomb by Verestchaguine, in the Russian Church of St. Magdalene, on Olivet 1900, Jerusalem, Israel

Religious Embroidery. Dated: 1940. Dimensions: overall: 48.8 x 39.4 cm (19 3/16 x 15 1/2 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Stanley Mazur.

Wszyscy Święci w MNK Unknown, Litographic Plant: Lemercier

The Soul of the Virgin Mary 18th century Unknown The popular devotional subject known as the "Soul of Mary" visualizes the inner presence of the Holy Spirit and emphasizes the Virgins participation in the mystery of the incarnation. Mary is represented half-length, holding the infant Christ in her arms, with the dove of the Holy Spirit over her heart. Surrounded by luminous clouds and haloed by cherubim, Marys upturned gaze is that of a soul in ecstasy. Her head is encircled by an inscription that includes the Christogram, IHS, and an intercessory invocation: For Mary, with Mary and in Mary. In the foreground, a pair of winged putti present a cartouche inscribed with the prayer: Bless the Lord, O my soul and let all that is within me bless his holy name. The painting would have functioned as an aid to individual prayer and contemplation.. The Soul of the Virgin Mary. Unknown artist, Peru (Cuzco), 18th century. Peru (Cuzco). 18th century. Oil and gold on canvas

Pax vobiscum! / Angel playing harp Angelico, from (B

Bliżej Kultury unknown

Communion picture, St. Mary and St. John, 1890, Germany, Historic, digitally restored reproduction of a 19th century original, exact date unknown, Europe

Miraculous manifestations of the Virgin Mary

San José de Nazaret, esposo de María y padre de Jesús. Grabado popular del siglo XIX.

Saint Clare. Coloured etching.

Lord Jesus Antokolski; Unknown, Wilcza Ski, Jan Kazimierz (1806-1885); after 1857 (1857-00-00-1882-00-00);

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