Saintly Depictions and Iconography

Prints of early church fathers and saints, focusing on their stories of martyrdom and devotion, highlighted by traditional settings and symbols.

The holy apostolic father Polycarp of Smyrna writes in a book and looks at the angel sitting next to him with a burning torch and bishop's mitre. Polycarp is standing on a pedestal. On the obverse the scene in which he is stabbed to death at the stake because the fire will not consume him. Print marked top center: II: Part Pag. 150., St. Polycarp of Smyrna, Apostolic Father Polycarp Bishop of Smyrna, There to Burn, in't Fire Set, and Pierced , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 274 mm × w 170 mm

H. Johannes chrysostomus, kerkvader, Jan luyken, after Jan Goeree, print The holy church father John Chrysostomus, standing on a pedestal. On the front a scene in which Chrysostomus dies after being abused several times. Print in the middle of it marked: III. Share p. 557. Amsterdam paper etching / engraving the archbishop of Constantinople, John Chrysostom; possible attributes: beehive, dove. the archbishop of Constantinople, John Chrysostom; possible attributes: beehive, dove - martyrdom, suffering, misfortune, death of male saint

H. Gregorius van Nyssa, kerkvader; Gregorius, Bisschop van Neo-Cesareen Inde Woestyne, wonderlyk zyn vervolgers ontkomen.The sacred church father Gregory of Nyssa seeks an angel that is on the back of a devil beast and holding it with chains. Gregorius is standing on a base. On the front the scene in which he prays with his deacon to God while they are beated by Roman soldiers. PRENT In the mid top marked: II part p. 213.

The holy apostolic father Polycarp of Smyrna writes in a book and looks at the angel sitting next to him with a burning torch and bishop's mitre. Polycarp is standing on a pedestal. On the obverse the scene in which he is stabbed to death at the stake because the fire will not consume him. Print marked top center: II: Part Pag. 150., St. Polycarp of Smyrna, Apostolic Father Polycarp Bishop of Smyrna, There to Burn, in't Fire Set, and Pierced , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 274 mm × w 170 mm

Saint Babylas of Antioch is studying a book, holding a pen and writing tablet at the ready. Babylas stands on a pedestal where his beheading is depicted on the front, St. Babylas of Antioch, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 172 mm

Laving the Thirsty, 1577 print Laving the thirsty as second of the seven works of mercy. The show is caught in an architectural frame with arch. Above, in Cartouche, the title. In the middle of the background the wedding in Kana, and Christ and the Samaritan woman at the source; Thirsty people get to drink in the foreground. A man transports a wine barrel on a wooden cart. In the four extreme corners of scenes from the O.T.: Eliezer and Rebekka at the source, Hagar gets to drink in the desert of an angel, Moses hits water from the rock, Simson drinks water after he has defeated a hundred philistines. On the right the apostle Marcus; Left King Solomon. With explanatory texts from O.T. and N.T. Under the performance four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints). paper engraving giving the thirsty to drink, 'sitiens potatur' ~ one of the (seven) Acts of Mercy. Christ orders (six) jars to be fille

St. Simeon of Jerusalem looks at the angel who hands him his bishop's mitre. Simeon stands on a pedestal where his crucifixion is depicted on the front, St. Simeon of Jerusalem, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 274 mm × w 172 mm

The holy church father Melito of Sardes with a book in his hands, behind him an angel. Melito stands on a pedestal where his teaching of Christian doctrine is depicted on the front. Print marked top center: II. Part Pag: 220., H. Melito of Sardes, Church Father Melito Bishop of Sardis. Educating in the Christian Religion , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 282 mm × w 179 mm

H. Clemens of Alexandria, church father. The sacred church father Clemens from Alexandria listening to an angel who reads him a text. Clemens is on a base where his teaching in the school of Alexandria has been displayed on the front.

Church father Tertullianus van Carthage, Jan Luyken, after Jan Goeree, 1698 print The church father Tertullian of Carthage looks at an angel who offers him a laurel wreath. Tertullian is on a pedestal. On the front a scene in which he writes one of his writings. Print in the middle of it marked: II. Share page: 240. Amsterdam paper etching / engraving male saints (TERTULLIAN OF CARTHAGE). writer, poet, author

Church father Origenes, Jan Luyken, after Jan Goeree, 1698 print The church father Origenes shows an angel a portrait medallion. Origenes is on a pedestal where torture death has been portrayed on the front. Amsterdam paper etching / engraving prison, jail. instruments of torture, execution or punishment

H. Clemens of Alexandria, church father; Klemens, catechist and elder t'alexandria underwying in the Christian. The sacred church father Clemens from Alexandria listening to an angel who reads him a text. Clemens is on a base where his teaching in the school of Alexandria has been displayed on the front. PRENT In the middle of a top: II Part Page: 233.

Allegory to the closing of peace, Bernard Picart, 1726 print Two kings, accompanied by their ministers and officers, shake hands over the peace altar in a temple. In the air the all -seeing eye surrounded by light rays and harpes that struggle out of the sky. In the background statues of virtues with peace and justice in the middle that embrace each other. In the foreground ambition, dial, deception and wickedness chained to war. In the margin a ten -line caption, in two columns, in French. Amsterdam paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). signing of peace treaty, concluding the peace. the Seven Virtues (symbolized). the all-seeing eye, triangle with eye ~ symbol of God the Father. harpy (fabulous bird); 'Arpie' (Ripa). symbols, allegories of war; 'Guerra' (Ripa). Disagreement, Discord; 'Discordia' (Ripa). Ambition; 'Ambitione', 'Amor di Fama' (Ripa). Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). Impiety; 'Impietí' (Ripa)

Freeing or visiting the prisoners, Philips Galle, 1577 print Freeing or visiting the prisoners as fourth of the works of mercy. The show is caught in an architectural frame with arch. Above, in Cartouche, the title. There are prisoners in the foreground in a block; They are visited by some citizens who offer them food. On the second plan, right, Paul and Silas in the prison in Filippi; On the left, Peter is liberated from an angel from the fishing. In the frame on the left Jeremiah with text from Jeremiah 21; On the right a king from the O.T. With text from Prediker 4. In the four extreme corners scenes from the O.T. and N.T. who are about prisoners: Abraham and Melchizedek; David and the Amalekites; Daniel in the Leeuwenkuil; Tobias. With explanatory texts from O.T. and N.T. Under the performance four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints). paper engraving visiting or liberating the impriso

Madonna of Loreto, within a niche with an angel on either side 1650-1724 Benoit Farjat. Madonna of Loreto, within a niche with an angel on either side. Benoit Farjat (French, 1626-1724). 1650-1724. Etching. Prints

Saints under an image of Santa Maria in Vallicella, Remoldus Eynhoudts, after Peter Paul Rubens, 1626 - 1680 print The H. Gregorius the Great, with a pigeon at the head, stands with other saints at a gate above which an image of Mary with child hangs. Antwerp paper etching pope Gregory the Great; possible attributes: dove, emperor Trajan - male saint represented in a group

Altar with Christ with the cross; Altars. Design for an altar with a painting of a appearance of Christ with the cross. Eight saints flanks the altar at the top and bottom. The altar is crowned by angels with garlands and a scene with the Archangel Michael.

Holy celebrations in November, Jaspar de Isaac, 1667 print print maker: Francepublisher: Paris paper engraving feasts of saints (and their relics). November ~ other concepts

Mary as a patron saint, Hieronymus Wierix, 1611 - Before 1619 print The kneeling Mary and Christ look up at the Tetragram that stands in the sky. The show is caught in a frame of beads. In every corner a medallion with scenes of the souls, the sick, the sinners and the prisoners who pray to Mary respectively. In the cartouche at the bottom, Saint Bernardus of Clairvaux kneels for Maria. Milk sprays out of her chest on the lips of the holy (lactatio bernardi). The print has a top in Latin. Antwerp paper engraving tetragram (in Roman or Hebrew script) ~ symbol of God the Father. Mother of Mercy, 'Mater Misericordiae', 'Schutzmantelmadonna', 'Schutzmantelmaria'. St. Bernard of Clairvaux kneels before the Virgin Mary who presses her breast from which milk spouts, wetting the lips of Bernard ('lactatio')

Mary as a patron saint, Hieronymus Wierix, 1611 - Before 1619 print The kneeling Mary and Christ look up at the Tetragram that stands in the sky. The show is caught in a frame of beads. In every corner a medallion with scenes of the souls, the sick, the sinners and the prisoners who pray to Mary respectively. In the cartouche at the bottom, Saint Bernardus of Clairvaux kneels for Maria. Milk sprays out of her chest on the lips of the holy (lactatio bernardi). The print has a top in Latin. Antwerp paper engraving tetragram (in Roman or Hebrew script) ~ symbol of God the Father. Mother of Mercy, 'Mater Misericordiae', 'Schutzmantelmadonna', 'Schutzmantelmaria'. St. Bernard of Clairvaux kneels before the Virgin Mary who presses her breast from which milk spouts, wetting the lips of Bernard ('lactatio')

Grave monument for Johannes Schelhammer; Siste gradum viator (...) Schelhammer Ivl Hamb. Tomb monument or epitaaf for German Theologian Johannes Schelhammer in the Evangelisch Lutheran Church at the Lutheran Burgwal in The Hague. A record with Latin inscription in memory of him is the center of an architectural frame. This is awarded a medallion on which the symbol of Christ's suffering is depicted: a pelican feeds her boy with her own blood. Two grieving women accompanied a portrait of Schelhammer.

God omringd door bijbelse figuren en heilige.God the Father Troning on a Piastal, with scepter and book in his hands. Links Moses, Aaron and Zacharias. Right representatives of the order orders. In the middle a white just before the title of the book. Above a weapon with a large Greek cross and four smaller crosses.

H. Ireneus van Lyon, church father, Jan Luyken, after Jan Goeree, 1698 print The Holy Church Father Ireneus of Lyon is in his hands with an open book. Next to him, an angel supports a sword that was stabbed in a Bisschops smiler. Ireneus is on a pedestal where his beheading has been portrayed on the front. Print in the middle of it marked: II. Share page: 202. Amsterdam paper etching / engraving male saints (IRENAEUS OF LYON). violent death by beheading

Apostle Timothy, Jan Luyken, After Jan Goeree, 1698 print The Apostle Timothy keeps a rolled out text sheet studied by an angel. Timothy stands on a pedestal where on the front is portrayed how he was hurled at Ephesus. Print in the middle of it marked: II. Share fol: 82. Amsterdam paper etching / engraving male saints (with NAME)

H. Ambrosius van Milan, church father, Jan Luyken, After Jan Goeree, 1698 print The Holy Church Father Ambrosius of Milan, standing on a pedestal. On the front the scene in which the arm of a murderer stiffened by a miracle when he wants to kill Ambrosius. Amsterdam paper etching / engraving Ambrose, bishop of Milan; possible attributes: beehive, cradle with baby, three-knotted scourge. attempt, political murder

Christus deelt kronen uit; Salve Regina, Mater Misericordiæ.Christ shares crowns from flowers. He is accompanied by Maria in her role as a person's intercession. The performance is caught in a bead frame. In every corner a medallion with scenes of people who suffer and want to have their pain soothed by Maria. In the cartouche down, men kneel, among whom a pope and an emperor, and ask for help to Maria. The print has an overscription in Latin.

Family tree of Maximilian (upper part); Triumphal arch of Emperor Maximiliaan I. Keizer Maximilian sat in a throne for his coat of arms, surrounded by angels and two women with coats of arms. Among him the top of his family tree. At the very top of a German text in Gothic script. Upper part of the central representation on the triumphal arch of Emperor Maximiliaan I.

Fight at a temple. Fight at a temple within which a monkey is on a base. In the trees in the foreground, monkeys climbing moles on the ground.

The Virgin and Child Enthroned, Saint Jerome at lower right, Saint Francis at lower left before 1749 Anton Maria Zanetti the Elder. The Virgin and Child Enthroned, Saint Jerome at lower right, Saint Francis at lower left. Anton Maria Zanetti the Elder (Italian, Venice 1680-1767 Venice). before 1749. Chiaroscuro woodcut printed from two blocks in green and black, with gold border and watercolor frame. Prints

The holy church father Epiphanius of Salamis, standing on a pedestal. On the obverse a scene in which the body of the deceased Epiphanius is brought back to Constantinople., Saint Epiphanius of Salamis, Church Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 270 mm × w 166 mm

Christ as a victor of death and sin. Christ as a victor of death and sin. He sits on a cloud with death and devil's reports under him. In addition to him the chained Adam and Eva. At the top of the Personifications justice and peace. At the bottom of the Personifications love (Caritas) and grace (misericordia). The print has a Dutch and French caption with explanation.

Apostle Judas Taddeus. The apostle Judas Taddeus with a roll of paper in his hands. Judas Taddeüs is on a base. On the front the scene in which he preaches the gospel to his audience.

H. Clemens van Rome, kerkvader.The Sacred Church Father Clemens of Rome studies a writings while an angel got a coat of arms with a bishop's mushroom. Clemens is on a base. On the front the scene in which he is tied to an anchor in the sea.

Lucas de Evangelist, Jan Luyken, after Jan Goeree, 1698 print The evangelist Lucas with an ox next to him. Lucas stands on a pedestal where his suspension has been portrayed on the front. Print in the middle of it marked: fol. 358. Amsterdam paper etching / engraving Luke the evangelist; possible attributes: book, (winged) ox, portrait of the Virgin, surgical instruments, painter's utensils, scroll. idols falling down at the preaching of Simon Zelotes

Kroning van Maria; Salve Regina, Mater Misericordiæ.Maria is crowned in heaven by the trinity. Christ and God's father put the crown on her head. The performance is caught in a bead frame. In every corner a medallion with scenes of the prophets, the apostles, martyrs and the church fathers. In the cartouche down the worship of Maria and the Christ child by the H. Catharina, the H. Agnes and other saints.

The accommodation of aliens; Hospitio Peregrinos Excipere; The seven works of mercy. The accommodation of aliens as the sixth of the works of mercy. The show is caught in an architectural frame with arc. Above, in cartouche, the title. In the foreground in the middle three pilgrims that turn to the house of a Lord in good matter. On the second plan, right in a leather Christ at Martha and Maria; Links Christ to visit at Zacheus; In the background Christ and the Emmausgoers. In the frame left there is a prophet with text from Isaiah 58; On the right a prophet with texts from Hebrews 13, Matthew 10 and Romans 12. In the four extreme corners of scenes with regard to the inclusion of aliens. With explanatory texts from O.T. and N.T. Under the show four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints).

The holy apostolic father Polycarp of Smyrna is writing in a book and looking at the angel sitting next to him with a burning torch and bishop's mitre. Polycarp is standing on a pedestal. On the obverse the scene in which he is stabbed to death at the stake because the fire will not consume him., St. Polycarp of Smyrna, Apostolic Father, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 274 mm × w 172 mm

Ornament with Christ as Salvator Mundi and two angels, 1714 print Numbered in the top left: no. 22. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornaments ~ art. angels. 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet

Allegorical representation with personification of the Roman Catholic Church, Martin Bouche, After Erasmus Quellinus (II), 1693 print The personification of the Roman Catholic Church with Bishop's Staff, Papal Tiara and a book with altar and the title of the book, surrounded by Putti. Above her a pigeon as a symbol of the Holy Spirit. On the right two putti with a papal coat of arms. At the bottom Romulus and Remus and the Wolvin. paper engraving / etching triumph of the Church (or Religion). insignia of the pope, e.g. tiara

The apostle Judas Taddeus holding a roll of paper. Judas Taddeus is standing on a pedestal. On the obverse the scene in which he preaches the gospel to his hearers. Print marked top center: Fol: 340., Apostle Judas Taddeus Saint Judas, Apostle, At Edessa the Gospel Preached , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 280 mm × w 177 mm

Mary with child and the Saints Ursula and Mary Magdalena, c. 1560 - c. 1580 print TRUNDY MARIA in a niche with the Christ child on their lap, flanked by two angels. Above them the Holy Spirit and God the Father. In the foreground the Holy Ursula with a staff with banner and Mary Magdalena with the ointment pot in her hand. Under the throne a sculpted Frisian with a representation of the fall. Both the angels and Mary hold on to strings attached prayer prints with the presentation of Mary with the Christ child. paper engraving the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship. female saints (with NAME). female saints (with NAME). Madonna accompanied by saint(s)

Crossing, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print Christ falls with the cross on his way to Golgota. Veronica offers a cloth to wash its sweat. Simon van Cyrene helps Christ with the cross. In standing oval with ornament. The eighth print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian). ornaments ~ art. Christ meets Veronica, who has a cloth to wipe Christ's face

The Leef of Christ in a shrine with six other representations from the life of Christ, Master II with skull, 1507 print Gothic shrine with six performances in circles, surrounded representation with Mary with sword in heart paves lying dead Christ. Six performances in circles are: crucifixion, burial, presentation in the temple, flight to Egypt, twelve -year -old Christ in the temple and crossing. Text is on the pedestal of shrine. Left and right are two weapons. Right: Wapen van Delft. Left: Weapon of other city. Low Countries paper. ink engraving / pen 'Pietà', 'Vesperbild', 'Marienklage' (no others present): Christ, either with or without crown of thorns, mourned by Mary. Mary pierced by a sword. coat of arms (as symbol of the state, etc.). carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian). crucified Christ, with particular persons under the cross. Christ's entombment (possibly by angels). presentation of the Christ-child in

Joachim and Anna with Maria as a child. Joachim and Anna kneel on either side of a crib. They keep their daughter Anna up. In heaven the holy three unit, with the Holy Spirit in the form of a pigeon, and Christ and God as people sitting on clouds.

The Distribution of FranciscanCords. Artist: Jacobus Neeffs, Flemish, 1610-1660

Apostel Barnabas.The Apostle Barnabas pointing to an angel who puts him a book. Barnabas is on a base. On the front the scene in which the apostles Paul and Barnabas are honored by the people in Lystra as gods.

Interior of the San Lorenzo in Florence; Veduta della Chiesa per di Dentro; Funeral of Emperor Ferdinand II. View from the ship in a side aischer from the San Lorenzo in Florence. The church is decorated in honor of the funeral of Emperor Ferdinand II. There are decorated skeletons against pillars. Title in undermarge.

Jacques Callot, Frontispiece for the Miracles and Graces of Our Lady of Bon Secours les Nancy Frontispiece for the Miracles and Graces of Our Lady of Bon-Secours-les-Nancy

H. Ignatius van Antiochië, apostolisch vader.The Holy Apostolic Father Ignatius from Antioch is accompanied by a lion and looks at the angel who holds an unrivaled piece of paper next to him. Ignatius stands on a base where it has been shown on the front how he torn through lions in the Colosseum in Rome.

Events from the life of Joseph, Adriaen Collaert, after Chrispijn van den Broeck, 1579 - 1583 print Joseph tells his father and his brothers about a dream he has had where the eleven gran sheaves of his brothers bow to the grain sheaf of Joseph. Above that, three medallions with images from the life of Joseph. Joseph on the left is put in the well by his brothers. In the middle medallion, Joseph is sold by his brothers to slave drivers. On the right, Joseph refuses to go into the advances of Pontifar's wife. The print has a Latin caption in a cartouche. The print is part of a series with scenes from the Bible book Genesis. paper engraving Joseph relates his first dream. while Joseph's brothers are eating, a caravan of Ishmaelite (Midianite) merchants passes by: Judah proposes to sell Joseph to them. Joseph is thrown into a pit (usually depicted as a well or cistern). Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her

The holy church father Dionysius of Alexandria is offered the bishop's mitre by an angel. Dionysius is standing on a pedestal. On the obverse, the scene of him being put on a donkey by four elders to take him to the Libyan desert. Print marked top center: II Part Pag 329., St. Dionysius of Alexandria, Church Father Dionisius, Bishop of Alexandria Syn persecutors escaped, is led from his fellow men after a Wilderness , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 276 mm × w 172 mm

Title page: Nouueaux Dessins d'cars à la Romaine; Nouueaux Dessins d'cars à la Romaine. Altar with high pedestal on which a picture of the triumph of Christ is.

Grave monument of Pope Adrianus VI, Jan Wandelaar, 1727 print Grave monument with the tomb of Pope Adrianus VI, in the Santa Maria Dell'anima in Rome. In the middle the pope lies on a sarcophagus (a gisant). On the tympano Mary with the Christ child, flanked by Peter and Paulus. On either side and crowned with personifications of the seven virtues. At the top of both sides of two coins, one from Mantua and one from the Museum of Equitis Francisci Galdi, taken from the book by Aegidius Sadeler. At the bottom of a cartouche an eleven -line caption in Latin. North Netherlands paper etching / engraving grave, tomb. the Seven Virtues (symbolized). armorial bearing, heraldry. pope Santa Maria dell'Amima

Saint Mary (the Blessed Virgin) with the Christ Child, Saint Paul the Apostle and Saint Jerome. Soft ground etching () with colour aquatint by F. Rosaspina after G.F.M. Mazzola, il Parmigianino.

Emblem with man who prepares with good deeds for a prayer to God, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print A man with Bible and rosary in his hand follows an angel who points to an appearance of God in heaven. The man gives a beggar money. His crutches lie next to him. A short Latin text refers to the book Tobit, verse 12 in which Tobias thanks and praises God. Antwerp paper engraving the life of man. giving alms or other charity, e.g.: handing out food. person with a physical disability. crutches

Two women show a medallion with the worship by the Shepherds, Pieter van Call (II), After F. Westhovius, 1710 print Two women show a medallion with the worship of the shepherds. The medallion rests on a pedestal. The right figure holds a mirror in her hand and tramples a snake with her foot, the left tramples a fool's staff. The two women are under an arc. Images have been incorporated in the arch that have to do with the birth of Christ. Above the annunciation to Maria and the announcement to the shepherds. On either side the birth of Christ and the presentation in the temple. paper etching birth and youth of Christ

Apostel Timotheüs.The apostle Timothy holds a rolled text sheet that is studied by an angel. Timothy stands on a base where it has been shown on the front how he took place to death.

Pius VI., Pope.

Gabriel appears to Zechariah; History of John the Baptist. While Zacharias in the temple burns incense, the angel Gabriel appears to him to proclaim him the birth of his son John the Baptist. Zacharias and Gabriel stand for a sacrificial, believers who are present in the temple before the angel.

Christ for Herod; Passion of Christ. King Herod intersects Christ, but it doesn't answer him. Herod and his soldiers mocked in Christ. They attract him a show away. In the margin a seven-line caption in Latin that refers to the performance. The scene is caught in an ornamental picture frame with prophets with book rolls on either side.

Christ in the garden of Getsemane, Johann Sadeler (I), After Marcus Gheeraerts (I), 1560 - 1600 print The praying Christ and the sleeping apostles in the garden of Getsemane. An angel comes to comfort him. In standing oval with ornament. Judas comes in with the Getsemane soldiers in the foreground. The second print of a thirteen -part series of ornament prints about the passion of Christ. unknown paper engraving Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12). ornaments ~ art. Christ's prayer in the Garden of Gethsemane during the night

Maria with child on throne, with rosary, Robert van Audenaerd, after Carlo Maratta, 1695 - 1700 print Maria sits on a throne and Christ stands for her on a pillow. He hands out Rosary to members of the Dominican Order. Right Dominicus and left Catharina van Siena. These further give the wreaths to others. Under the show a verse from the Bible in Latin. Rome paper etching / engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata. the Virgin Mary (or the infant Christ in her lap) hands over a rosary to St. Dominic, who kneels before her; usually St. Catharine of Siena is also present. Madonna of the Rosary. Madonna (or Mary without Christ-child) as patroness or protectress, e.g. of a confraternity or lay order

Creation of Adam and Eva and scenes from the life of Christ. God creates Adam and Eva in Paradise (below). God creates heaven and earth and places the globe between the sun, the moon and the stars (above). This central representation (no. 1) is framed by numbered scenes that depict the life of Christ. Left, from bottom to top: Annunciation (No. 2), the birth of Christ (No. 3) and the Crucified Christ (No. 4). Right, from top to bottom: the resurrection of Christ (No. 5), the Ascension (No. 6) and the last judgment (No 7). Under, from left to right: Pentecost, with the outpouring of the Holy Spirit (no. 8), the Holy Communion (No 9), forgiven the sins (No 10) and the Resurrection (No. 11). Above: Trinity worship. There is a caption in Latin under every performance. In the top corners the female personifications of faith (left) and power (right). In the middle in a cartouche a inscription in Latin.

John Duns Scotus

Christ arouses the son of the widow in Naïn, Jacob Matham, after Federico Zuccaro, 1694 - 1715 print Christ with the son of the widow in Naïn, who was propagated on a bar. Christ brings him back to life. Bystanders look full of wonder. Amsterdam paper engraving Christ touches the bier of the son of the widow of Nain: the young man sits up. the son of the widow of Nain is carried out of the city on a bier (Luke 7:11-17)

Events from the life of Lot; Scenes from Genesis. Lot kneels for two angels in the city of Sodom. Upstairs, three medallions with images from the life of Lot: the angels hit the laughter of fate with blindness, in the middle destiny that flight from Sodom with his two daughters, while God destroys the city with sulfur and fire, right fate His two daughters are seduced with alcohol. The print has a Latin caption in a cartouche. The print is part of a series of scenes from the Genesis Bible book.

Emblem with worship of Saint Francis of Assisi who lived in virtue; Den Wech des century life. The sacred Francis of Assisi is honored with palm branches. Man must follow his example and live in virtue to know peace in the heart and to be honored.

Altar with a painting of the Ascension of Mary; Retables d'cars à l'Italienne. Altar with a painting by the Ascension of Mary. At the bottom of the map of the altar. Print is part of an album.

The Catholic Church and the Community of Saints, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around representation with saints in cloud and pope on throne with two bishops and a cardinal next to him. paper 'The Catholic Church, the communion of holy articles of faith. Pope. Saints. Roman Catholic Church

Triumph of divine love (left plate). Divine love (Caritas) is on a two-wheeled cart. She holds a child against breast. In addition to her, two more children are looking for protection. At the front of the car is a pelican that feeds her boy with her own blood. Above the head of divine love flies like a group of angels in a round dance whose front is a torch. There are two angels behind the car, one loves a burning heart in the air, the other threatens two winding snakes with a torch, symbol of hatred.

Circumcision of Christ, Jacques Blondeau, After Ciro Ferri, 1665 - 1698 print print maker: unknownpublisher: Rome paper engraving circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Virgin and Child Enthroned with Saint Anne. Dated: c. 1512/1513. Dimensions: sheet: 16.9 x 24.1 cm (6 5/8 x 9 1/2 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master NA. DAT with the Mousetrap.

Presentation in De Tempel, Benoît Audran (I), After Charles Le Brun, 1671 - 1721 print print maker: Francepublisher: Paris paper etching / engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Christ as the groom of the church (Ecclesia), Jacob Matham, after Karel van Mander (I), 1602 print Blazoen van de Rederijkerskamer De Witte Angieren. In the middle Christ as a groom of the church (Ecclesia), surrounded by an oval cartouche with two allegorical figures with a few beaten hands and a burning heart as attributes (faithfulness and love). At the bottom minerva (left) and Mercury (right). Haarlem paper engraving armorial bearing, heraldry. 'Ecclesia' as bride of Christ (the Lamb), 'Ecclesia sponsa Dei', 'sponsus-sponsa' (+ Christ (bearded)). specific aspects, allegorical aspects of Minerva; Minerva as patroness. specific aspects, allegorical aspects of Mercury; Mercury as patron

. A garden with trees. The Personifications Peace (Pax) and Silence (Silentium) in the foreground. In the middle of the print of the image of Christ as the good shepherd, with a lamb on his shoulders. Left next to him a relief with the sacrifice of Isaak by Abraham. Right next to him a relief with the decapitation of goliat by David. The text has a Latin caption with the papal weapon.

Ontwerp voor een titelpagina.Design for a title page. In the middle a plane has been opened for the title of the book. Several biblical performances around it. At the top of the transfiguration, on the right the vision of Cornelius de Centurion, down Christ in Getsemane, on the left a praying Mary. With two references to Bible verses, respectively Luc. 20 and hand. 10.

Performances from the Old Testament, Jan Luyken, 1700 print Performances from the Old Testament in an oval list. In the foreground Moses with the Ten Commandments. Moses is sitting and trampled idols. Behind him, Abraham is blessed by King Melchizedek. In the background Ismael and Isaac with their wives. Amsterdam paper etching Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Melchizedek blesses Abraham. Ishmael's marriage. marriage of Isaac and Rebekah

Frame with H. Antonius, Anna in Drieën and Building in Leuven, Joannes Verhoeven, 1768 print The Holy Antonius with bell, staff and pig, and Anna in three flanks an empty cartouche. At the bottom of a building in Leuven, with the portraits of Plato and Aristotle on either side. Northern Netherlands paper engraving / pen the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. 'Anna selbdritt', i.e. Anna, Mary and Christ-child close together Louvain

Birth of the Virgin, Matham Greners, After Bartholomeus sprung, 1584 print With caption in Latin. Rome paper engraving birth of Mary. other representations ~ God the Father. cherubs, i.e. children's heads with wings. sitting or standing on clouds

Cartouche with the resurrection of Christ, Jan Caspar Philips, 1736 print Christ rises from his grave. The soldiers who lie around the grave wake up and flee. On the right in the background the arrival of the three holy women at the grave. The show is caught in a cartouche. paper etching / engraving Resurrection of Christ. the holy women (the three Maries) on their way to or at the tomb, to anoint Christ's body

Anna-in three with the 'Ave Gratia plena' motet. Maria with child and the H. Anna, sitting on a throne with ballroom. The child sits on Maria's lap, who loves a grape roos in her right hand. On the shot of the H. Anna a Bible, open at the text of Isaiah 9.6, in which the birth of Christ is announced. Above the throne in a cloud five angels that hold an open music book in which music format of the four-bell motet 'Ave Gratia plena' from Cornelis Verdonck. Two angels that play the zinc and the viola da braccio. On the edge of the throne quote from Lukas 1: Mater Mea et Frathes May Hi Sunt, Qui Verbum dei Audiunt and Faciunt.

Dressing the nudes; Operary nudos; The seven works of mercy. Dressing the nudes as third of the seven works of mercy. The show is caught in an architectural frame with arc. Above, in cartouche, the title. In the foreground some arms are provided with clothing. On the second plan, left, in a departure, the revival of Tabitha by Peter; Right, in landscape, the preaching of John the Baptist and, in the background, the return of the lost son. In the frame on the left a prophet with text from Isaiah 58 and Ezekiel 18; Right Tobit with text from Tobit 4 about giving alms. In the four extreme corners of scenes from the O.T. and N.T. who refer to the dressing of nudes: Adam and Eve are driven out of paradise and get clothing from God the Father; Jozef's brothers show the rug of Benjamin, Tobit gives alms to the poor; Jonathan gives his cloak, his rug and his arrow and arch to David as a sign of covenant. With explanatory texts from O.T. and N.T. Under the show four lines of Latin. This print i

Outpair from the Holy Spirit. Maria is in the middle of a sacral space surrounded by the apostles. The Holy Spirit, in the form of a pigeon, flies in a ray wreath above the men. All have the fiery tongues, as a sign of the outpouring, on their heads.

Frame with the Ascension of Christ. A picture frame with the Ascension of Christ. In the middle of the prints of his feet in the ground. Middle above disappears in a cloud. Two angels indicate symbols of Petrus and the papacy. On the left a fishing boat and two fish. On the right the keys of Petrus under a religious canopy.

Maria with child on throne, with rosary trips. Maria is sitting on a throne and Christ stands for her on a pillow. He issues rosary wreaths to members of the Dominicoorden. Right Dominicus and left Catharina van Siena. These further give the wreaths to others. Under the show a verse from the Bible in Latin.

Maria carries Saint Francis of Assisi to Christ. The sacred Francis of Assisi kneels in a church and above him Christ and Maria with Engelenkoren appear. Maria acts as a chance of humanity and introduces Franciscus to Christ. In addition to Christ, a saint with a cathedral, miter and book, may be the holy dominian. On the book there are three objects where Christ talks about his blessing, these can symbolize the virtues of obedience, poverty and chastity. There is a Latin fresh under the show.

Monument Ter Ere van Johann Baptista von Tassis, 1588, 1643 - 1645 print Monument founded in honor of Johann Baptista von Tassis, killed at the siege of Bonn on 26 April and buried in Cologne on May 12, 1588. Plaplette with a painting of tassis with Johannes the Baptist Knibling in front of the crucifix. At the top a plaque with Latin inscription and decorated with allegorical figures of virtues. Southern Netherlands paper engraving grave, tomb and other grave-forms and grave-markers. picture, painting Cologne

Three angels admire an obelisk with scenes from the New Testament; Title page for: L. ten Kate, the life of our Savior (...), 1732. Landscape with three angels at an obelisk. On the monument the title in Dutch, in the midst of passions of equipment and other attributes that refer to the life of Christ. On the basement scenes from the New Testament, the birth of Christ, the crucifixion, the resurrection and the Ascension. In the background a column with scenes from the Old Testament. Three putti in the foreground. One of them plays a harp, another rolls paper on the ground.

Klemens VIII., Pope Maleronica: Arconi, Piacestec: Vintage, Francesco

Pilatus shows Christ to the people (Ecce Homo), Izabel threatens Elia and the Babylonians demand Daniël's death., Jacob Cornelisz van Oostsanen, 1525 - 1530 print Top part of and leaf from a Biblia pauperum. On the left Izabel threatens Eilas with death, in the middle Pilatus Christ shows to the people, on the right the Babylonians demand Daniël's death. Frame with four prophets. Text in French under the performances. paper Jezebel sends a message to Elijah in which she threatens to take his life. Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). Daniel and King Darius (Daniel 6). other groups of prophets

Josef of Calasanz, holy.

Prophet Jeremiah; Paintings in the Lunetten above the windows in the Sistine Chapel. A lunet with the prophet Jeremiah and naked figures.

Frame with the Ascension of Christ, Anonymous, 1650 - 1750 print A frame with the Ascension of Christ. In the middle of the prints of his feet in the ground. In the middle above Christ disappears in a cloud. Two angels point to Peter's symbols and paushood. On the left a fishing boat and two fish. On the right the keys of Peter under a ecclesiastical canopy. paper engraving Christ almost vanished: only feet visible ~ Ascension. the footprints of Christ on the Mount of Olives ~ the Ascension. angel(s) talking to the apostles and perhaps to other witnesses of the Ascension. specific aspects ~ St. Peter

The Assumption with the Cherubin. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Altar with H. Sebastiaan, Gottfried Bernhard Götz, Joseph Anton Feichtmayer, 1740 - 1745 print Saint Sebastiaan and two angels on an altar with rocaille ornaments. A harness at the top. Augsburg paper etching / engraving altar. St. Sebastian, tied to a tree or a pillar, is pierced by arrows

Altaar Met Madonna, Jakob Gottlieb Thelott, after Christian Friedrich Rudolph, 1718 - 1760 print Design for an altar with rocaille ornaments and in the middle a crowned madonna on clouds surrounded by winged putti. On the left is a female saint with a flower wreath on the head. At the top the monogram of Maria. The altar is crowned by two winged putti that holds a crown. Augsburg paper etching / engraving altar. Madonna: i.e. Mary with the Christ-child. monograms of Mary. female saints

Wedding passes on the marriage of Zacharias Hendrik Alewijn and Maria Schuylenburgh. The bride and groom stand in a baroque garden and hold each other's hand. Children and angels spread flowers. A verse of six lines about marriage on a base.

Saint Mary (the Blessed Virgin) with the Christ Child and angels, accompanied by Saint Margaret, Saint Adelaide (), Saint Catherine, and other saints. Etching by G. Benaglia, 1812, after A. De' Antoni after E. Salmeggia.

Hoiding water; Inuentions Pour Faire Des Plaques Ou Des Aubenistiers Seruans aux orphes. Worn by two angels, back plate with the baptism of Christ. From first edition.

Events from the life of Jacob; Scenes from Genesis. Jacob hats sheep for Laban. Above, three medallions with images of events in Jakobs live. On the left, Jacob Laban asks after seven years to the hand of his daughter Rachel. Jacob struggles in the middle with an angel. On the right, Jakob meets his brother Esau, who forgives him immediately. The print has a Latin caption in a cartouche. The print is part of a series of scenes from the Genesis Bible book.

Gregorius miss. Gregory kneeling for the altar, the figure of Christ has appeared. God the father and angels in the apse.

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