Saints and Apostles

Etchings of saints and apostles in devotional scenes, showcasing religious figures in prayer, almsgiving, and divine appearances.

The Adoration of the Magi 1654-1727 Giuseppe Bartolomeo Chiari Italian. The Adoration of the Magi 338514

Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section 1650-1700 François Collignon French. Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section. François Collignon (French, Nancy ca. 1610-1687 Rome). 1650-1700. Etching. Prints

Theodor Boeyermans, The Trinity and the Virgin Appearing to Ecclesiastics The Trinity and the Virgin Appearing to Ecclesiastics

Saint Elisabeth of Portugal Giving Alms to the Poor 1710-57 Daniel Gran Austrian. Saint Elisabeth of Portugal Giving Alms to the Poor 362769

Bishop (Saint Martin) WORK a man back to life.

Worship of kings. A group of men in a humble attitude, to the left. A cavalry can be seen in the background.

The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso) 1612-50 Pietro Testa Italian. The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso) 341598

The Adoration of the Magi 1654-1727 Giuseppe Bartolomeo Chiari Italian. The Adoration of the Magi 338514

Painting by Juan de Roelas showing the Madonna with a saint, executed using feather technique.

Adoration of the Shepherds n.d. Nicolas Bertin French. Adoration of the Shepherds 336454

Antonio Zanchi, Presentation of the Virgin in the Temple (recto), c 1700 Presentation of the Virgin in the Temple recto

The Holy Family with the Little John the Baptist, sitting under a palm tree, Francesco Fontebasso, 1719 - 1769 drawing paper. ink pen Holy Family with John the Baptist (as child)

Grounding Mary and the child surrounded by saints. .

A black and brown ink drawing by Hans von Aachen from the late 16th century depicting the enthroned Madonna with St. John the Baptist and St. John the Evangelist, surrounded by angels.

A red chalk drawing by Vinzenz Fischer depicting the admission of a saint to heaven, emphasizing figures, posture, and composition.

The Martyrdom of Saint Lucy: Her Last Communion before Being Dragged by Oxen 1556-1630 Giovanni Battista Maganza il Giovane Italian. The Martyrdom of Saint Lucy: Her Last Communion before Being Dragged by Oxen 340733

Madonna and Child with Saint John the Baptist and three other Saints 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Madonna and Child with Saint John the Baptist and three other Saints 340141

Three saints as a conveyor for victims of the plague. Three saints kneel for Mary and the Christ child. In the foreground victims of the plague. In the background a landscape with buildings, possibly the city of Lucca.

Chalk drawing with brown wash by an anonymous artist depicting the apostles gathered around the empty grave of the Madonna, showing figures, gestures, and drapery.

Worship by the shepherds, Annibale Carracci, c. 1606 print The shepherds, angels and Mary worship the Christ child that lies in a manger. Joseph is on the right at the donkey. Italy paper etching / engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Peter Denying Christ, engraver's copy after a painting by Lorenzo Pasinelli 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Peter Denying Christ, engraver's copy after a painting by Lorenzo Pasinelli 340232

The Descent from the Cross, 1773. After Jean-Baptiste-Marie Pierre (French, 1713-1789), Gilles Demarteau (French, 1722-1776). Crayon manner etching;

This etching by Andrea Meldolla depicts the birth of Christ, showing the Holy Family, surrounding figures, and stable setting with architectural details.

Study for an Altarpiece: the Madonna Worshipped by Saints and, Possibly, Donors, Black chalk, pen and ink, brush and bistre wash on paper, The Virgin is seated upon clouds having the Christ child in her lap. Some cherubim are beside her. On the earth are two groups of three worshippers each. The left one includes a holy pope, the right on Saint Francis. A man in cuirass, at right, and a woman, at left, represent, probably, the donors., Italy, 1530-1560, Drawing, Drawing

A drawing by Luigi Garzi depicting a heavenly glory with saints including Francis of Paola and Thomas Aquinas, with figures holding a violin, a tiara, and putto, executed in pen with gray and brown wash.

An anonymous drawing shows Religion instructing St. Cajetan and pointing to the crucified Redeemer, with church teaching giving him vessels and Haresia on the ground, executed in red chalk on brown paper.

Tombination of Christ, 1532 - 1563 print Christ is placed in his grave. A group of men and women mourn around the body. Italy paper etching Christ's entombment (possibly by angels)

Christ on the Kruisweg, speaking with the women, Giacomo Cavedone, 1587 - 1660 drawing paper. chalk. ink pen / brush carrying of the cross: Christ bearing the cross, alone or with the help of others (e.g. Simon the Cyrenian)

Saints Peter and John healing the Sick 16th century Anonymous, Italian, 16th century Italian. Saints Peter and John healing the Sick 391567

Entombment of Christ. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 7-3/8 x 7-7/16 in. (18.7 x 18.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

A pen and bister drawing by Peter Brandl depicting the martyrdom of a saint, possibly Agathe, showing dramatic posture and religious narrative.

Holy Carolus Bubromus Partly Almoezen out to beggars.

Christ in Gethsemane.

A red chalk drawing depicting the Annunciation scene, showing the angel Gabriel delivering the message to the Virgin Mary.

A chalk drawing by Felix Ivo Leicher from around 1790 depicting the Adoration of the Madonna by saints, emphasizing figures, drapery, and devotional composition.

Fragment of the anointing of David.

Saint Benedict exorcising a demon ca. 1637-39 Etched by Simone Cantarini Italian. Saint Benedict exorcising a demon 341525

St. Benedict Resuscitating an Infant ca. 1745 Pierre Hubert Subleyras French. St. Benedict Resuscitating an Infant 339779

Anonymous depiction of Josua and Eleasar distributing the Promised Land, showing figures under a canopy, men standing behind, and a boy with an amphora at the center front, executed with feather and laved technique.

Christ Brought Before Pontius Pilate 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. Christ Brought Before Pontius Pilate 336466

Saint Paul Preaching to the Britons, John Hamilton Mortimer, 1740-1779, British, between 1775 and 1778, Pen and black ink on moderately thick, slightly textured, cream laid paper, Sheet: 8 x 11 inches (20.3 x 27.9 cm), kneeling, listening, men, old, preaching, preaching, religion, religious and mythological subject, robes, staves, tree, women

Depicts the Madonna on a crescent moon with Saint Francis of Assisi, Saint Anthony of Padua, Saint Sebastian, and an elderly figure in the background, drawn in chalk.

Collection, Jacques Callot, 1624 - 1625 print Christ is betrayed by Judas with a kiss. Soldiers are ready to carry Christ around them. This print is part of the press series 'De Kleine Passie', consisting of 12 scenes from the suffering story. Nancy paper etching the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Anonymous drawing depicting the canonization of five saints, executed with feather and gray wash on blue paper.

Christ Preaching 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Christ Preaching 340163

Marco Benefial drawing depicting Saint Stephanus healing the blind and lame, executed in coal with white heightening on green-brown paper, 1720-1729.

The Apostles at the Tomb of the Virgin, and Studies for Two Pendentives 1691-1758 Francesco Maria Salvetti Italian. The Apostles at the Tomb of the Virgin, and Studies for Two Pendentives 341155

Anonymous drawing of a religious or ceremonial procession in a city, depicted in a standing oval format, executed in chalk.

Depiction of Saint Amond in prayer, drawn with pen.

The Virgin Appearing to Saint Joseph Calasanctius 1711-78 Attibuted to Marco Caprinozzi Italian. The Virgin Appearing to Saint Joseph Calasanctius 341914

The Madonna of the Santa Casa of Loreto, adored by three saints, Girolamo Brusaferro, 1710 - 1760, Compositional sketch for the altarpiece in the San Giovanni Decollato in Venice, with Mary with Christ Child, Saint Carlo Borromeo, Saint Francesco di Paola and Saint Spiridion. Design for a painting., draughtsman: Girolamo Brusaferro, draughtsman: Sebastiano Ricci, (rejected attribution), 1710 - 1760, paper, pen, brush, h 309 mm × w 171 mm

Christ's baptism. .

Christ in Gethsemane, Pieter Coecke van Aelst (I) (Circle of), 1515 - 1550 drawing paper. chalk. ink pen Gethsemane, Mount of Olives, 'Oelberg' (Matthew 26:36-56; Mark 14:32-52; Luke 22:39-53; John 18:1-12)

Matthäus Gundelach, The Assumption and Coronation of the Virgin, 1615 or before The Assumption and Coronation of the Virgin

Women sacrifice to priapus. A group of women brings a sacrifice to Priapus, the God of fertility. The phallus of the Praapus Herme is decorated with flowers and is sprinkled with water by an older woman. In the foreground a donkey is killed as a sacrifice.

Studies of a Monk in Ecstasy 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Studies of a Monk in Ecstasy 340187

Circumcision of Christ, Cornelis Schut (I), 1618 - 1655 print The Christ child is on Mary's lap. A priest sits on a stool in front of her and picks up a knife from a bowl that an angel holds him. A second angel also watches. There are spectators on both sides. On the right are the ox and donkey. In the air an angel with a jug. Putti holds the passion tools. Twenty verses under the image. paper counterproof the instruments of the Passion and the five wounded limbs. circumcision of the Christ-child by the priest in the temple (Luke 2:21) (+ angel(s))

Holy family with Johannes de Boper, Joseph Helwig, After Raymond de Lafage, c. 1780 - c. 1784 print Numbered in the bottom right: No. 9. paper etching Holy Family with John the Baptist (as child)

Saint Antonius of Padua kneeling in a landscape.

A red chalk and feather drawing by an anonymous artist showing a saint martyr holding a palm in the right hand, viewed from the front, mid-17th century.

Holy Family with Saints ca. 1550-54 Andrea Schiavone (Andrea Meldola) In Mariette Album, folio 31. Holy Family with Saints 365117

Anonymous drawing of the biblical scene of the adoration of the golden calf, using black chalk, pen, brush, and brown wash.

Grace chair surrounded by angels. On the throne God, the Holy Spirit (like an angel) and Christ as the man of sorrows, with his feet on the globe. Left and right of the throne, the upper portion of which only the contours in chalk have been increased, musicing angels. On the stairs for the throne, angels kneel on clouds, while holding the instruments of passion. Possibly a design for a print or embroidery.

. Maria pretended the body of the Died Christ, which is on her lap. With her two grieving angels. The thorns of them lies with them.

Crucifixion.

Le Christ au tombeau (The Entombment) 1762-63 Jean Jacques Lagrenée French. Le Christ au tombeau (The Entombment) 424315

Paolo Farinato drawing depicts Moses with the church fathers, executed with feather, laved, and white highlights on brown paper.

The Virgin Lamenting over the Dead Christ 1612-50 Pietro Testa Italian. The Virgin Lamenting over the Dead Christ 341593

Throning Mary in heaven surrounded by saints, Augustin Braun (attributed to), 1600 - 1699, Possibly design for a print., draughtsman: Augustin Braun, (attributed to), 1600 - 1699, paper, pen, brush, h 72 mm × w 104 mm

The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso) 17th century Anonymous, Spanish, School of Seville, 17th century Spanish. The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso) 336696

Burial of Christ (The Entombment), from The Passion, #11 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

Circumcision of Christ. The Christ Child is located at Maria on Schoot. A priest is sitting on a stool for her and picks up a knife of a bowl that holds an angel. A second angel also looks. Spectators are on both sides. On the right are the OS and donkey. In the air an angel with a jug. Putti holds the passion tools. Below the image twenty fresh rules.

The worship of the shepherds. .

Moses strikes water from the rock.

Luca Giordano, Saint Anthony of Padua Saint Anthony of Padua

Drawing by Bartolomé Esteban Murillo depicting Saint Magdalena receiving communion, executed in coal, showing posture, gesture, and religious context.

Holy Family with Infant Saint John. Ludolph Büsinck (Germany, Hanoversch Münden, 1599/1602-1669)Georges Lallemand (France, Nancy). Germany, 1625. Prints; woodcuts. Chiaroscuro woodcut from three blocks

Melchior Steidl, The Assumption of the Virgin, 1704 The Assumption of the Virgin

The Sermon on the Mount, Christian Wilhelm Ernst Dietrich, German, 1712 - 1774, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on paper, Christ is seen in the left foreground with the multitude before him. In the background, a monument and a bridge spans a waterfall. Inscribed, lower right: 'Rembrandt f. / 1656'., Germany, ca. 1735, Print, Print

Last judgment, Hieronymus Wierix, after Ambrosius Francken (I), 1563 - 1584 print Allegory of death, symbolized by the Last Judgment. Man (gay), surrounded by the divine virtues (Charitas, Fides and Spes) and Divine grace (Gratia), kneels in worship for the Trinity. In the foreground, dead people are on the edge of the gate to hell. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving Last Judgement. the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion. the Three Theological Virtues. entrance of hell as monstrous mouth (of Leviathan). death of human being

Finding of the Cross, Red chalk on cream laid paper, Several men and a woman kneel and bend in veneration around the Cross on the ground, the Crown of Thorns still attached., Italy, ca. 1650, figures, Drawing, Drawing

Depicts Abraham visited by three angels, drawn in chalk and feather, with wash, emphasizing biblical narrative and figures.

A red chalk and brown pen drawing depicting the Presentation of Mary in the Temple, with remnants of a brown feather border on coated paper.

Baptism of Christ late 16th-17th century Circle of Hans Rottenhammer I German. Baptism of Christ 382424

Christ nailed to the cross - a cardboard box to the cross for the church. Jakub in Nysa; Schall, Raphael (1815-1859); 1848 (1800-00-00-1900-00-00);

The scope of Christ, Master of the Egmont albums, 1590 - 1600 drawing paper. ink pen / brush flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Nebuchadnezzar gives the order to free Jeremiah of his fascinations. Nebuchadnezzar gives the order to free the prophet Jeremiah of his fascinations after the intake of Jerusalem Liberare Captiuos. Design for a print.

The Descent of the Holy Ghost late 16th-early 17th century Hans Rottenhammer I German. The Descent of the Holy Ghost 362763

Design for a stained glass window, Christ in the synagogue in Nazareth Life of Christ (series title), draughtsman: Monogrammist CM (Duitsland), 1800 - 1900, paper, pen, brush, h 232 mm × w 208 mm

A pencil and pen drawing by Martin Johann Schmidt depicting the vision of St. Antonius of Padua, showing the saint, angelic figures, and divine light.

Multiplication of the loaves through Christ.

Aaron and Hur Stutten Moses' hands during the fight of the people of Israel against the Amalekieten. Aaron and Hur Stutten Moses' hands during the fight of the people of Israel against the Amalekieten (Exodus 13: 7). Design for a painting.

The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch 18th century Charles Joseph Natoire French. The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch 337872

Plea of Saint Rochus, Johannes Glaber, after Gerard de Lairesse, 1656 - 1726 print During an outbreak of the plague, the Holy Rochus (above above) begs the Virgin Mary for help. In the foreground a group of bullying sufferers. The print is part of a series with biblical, mythological and allegorical representations. print maker: unknownafter drawing by: Amsterdampublisher: Amsterdam paper etching St. Roch interceding with Mary for the plague-stricken (+ Mary). cupids: 'amores', 'amoretti', 'putti'

Francesco Vanni chalk and feather drawing depicting the triumph of religion, with three angels carrying the sacrament over a large marble altar, four church fathers seated in front, surrounded by saints.

The death of Ananias; Scenes from the acts of the apostles. .

The baptism of the Chamberlaling.

Christ for Annas, Anonymous, After Albrecht Dürer, 1508 - 1600 drawing paper. chalk Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

BOCETO DEL DESCENDIMIENTO. Author: LUCA GIORDANO. Location: PRIVATE COLLECTION. MADRID. SPAIN. JESUS. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.

. John the Baptist preaches in the desert. He stands on a rock in the middle of listeners. In the background the baptism in the Jordaan. A four-line caption in Latin in the margin.

Red chalk drawing by Christian Wilhelm Ernst Dietrich around 1742-1745 showing the twelve-year-old Christ in the temple, emphasizing youth, posture, and facial expression.

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