Saints and Religious Figures

Engravings of saints, highlighting their significance in various religions. Each figure is depicted with unique attributes and attire.

Holy Catharina van Siena, Johann Sadeler (I), After Cornelis Cort, After Titian, 1580 - 1600 print The H. Catharina van Siena, a crown on her head. In her hands a lily, a crucifix, a Bible and a heart. paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata - portrait of female saint

Holy Romula; S. Romula Virgo; Sacred virgins.Title and Name Day in the undermarge.

Saint Mary (the Blessed Virgin). Line engraving by L. Kilian, 1623, after J.M. Kager.

Saint Catharina van Siena with Crucifix; S. Catharina Senensis.

Sitting Maria with aureole; Virgin of sorrows. Sitting Maria with hands crossed in front of her belly. To her head a ray wreath. Under the show a Latin verse from the Hooglied 7. This print forms a pendant with a print of Cornelis Galle with Christ as Salvator Mundi.

Holy Catharina van Siena, Johann Sadeler (I), After Cornelis Cort, After Titian, 1580 - 1600 print The H. Catharina van Siena, a crown on her head. In her hands a lily, a crucifix, a Bible and a heart. paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata - portrait of female saint

Kunera of Rhenen, saints.

Saint Hiltrude, Theodoor Galle (Attributed to), after Peter Paul Rubens, 1617 print Saint Hiltrude van Liessies, in an oval. She reads from a book with a burning oil lamp in the right hand. She is dressed as a bride of Christ. In the corners of the prints with performances from the life of Saint Hiltrude. The print has a Latin caption in a cartouche. Antwerp paper engraving female saints (with NAME). female saints (with NAME) - non-miraculous activities and events ~ female saint

Holy Repair, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints. hacking and thrusting weapons: sword

Saint Julia from Corsica; S. Iulia Virgo and Martyr; Sacred virgins.Title and Name Day in the undermarge.

Saint Bridget of Sweden, Crispijn van de Passe (I), 1602

This late 15th-century copper engraving by Israhel van Meckenem shows the Holy Anna Selbdritt, portraying three generations with religious significance.

Holy Brigitta van Sweden with cross in frame with ornaments, Nicolaes de Bruyn, 1581 - 1656 print Holy Brigitta van Sweden standing with cross and opened book. In the landscape behind her men with building materials on ladders at a building and the holy blessing the work. Framing with curling ornaments and various animals such as dogs, rabbits and snakes. Two boys hold festons with fruit. At the top the curl work is flanked by two owls and other birds. paper engraving the foundress of the Order of Bri(d)gettines, the widow Bridget (Birgitta) of Sweden; possible attributes: band over veil with five red spots, book, candle, heart with cross, inkhorn, pilgrim's hat, staff, wallet

Franziska Romana, saints.

The Savior with the Globe in his Hand 17th century Grégoire Huret French. The Savior with the Globe in his Hand 645138

Virgin Maria, Johannes Wierix (Possible), 1559 - 1635 print The Virgin Mary in prayer, with her hands folded in front of her chest. The show is caught in an ornamental frame that is decorated with figures of the prophet Isaiah, King David and completely at the top of the Holy Spirit in the form of a pigeon. In the context of a three -faced Bible quote from Luc. 1 in Latin. paper engraving other types of Mary (alone). prophets (before and during the Babylonian Captivity). David (not in biblical context); possible attributes: crown, harp. Holy Ghost represented as a dove (in flames)

The Virgin on the Crescent Made 1494-1504 Germany. Engraving in black on cream laid paper . Albrecht Dürer

Saint John the Evangelist. Lithograph by J.G. Schreiner.

Holy Barbara, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving the virgin martyr Barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, Dioscuros (her father), peacock feather, sword, torches, mason's tools, tower

Maria in closed space, Nicolas Bazin, 1643 - 1710 print France paper engraving St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present. open window

Maria; Maria Mater Dei. Maria stands in orientation to the left with her gaze aimed at her son who is depicted at the counterpart of this print: Christ as Salvator Mundi.

The Blessed Virgin 1726 Simon Vallée French. The Blessed Virgin 394640

Klara of Montefalco, saints.

Saint Catherine of Siena with stigmata at crucifix. Schelte Adamsz. Bolswert, Peter Paul Rubens, Martinus van den Enden, 1596 - 1659

Maria, Schelte Adamsz. Bolswert, After Anthony Van Dyck, 1596 - 1659 print Maria is used to her son in Orante's attitude to the left to her son who is depicted on the counterpart of this print: Christ as Salvator Mundi. paper engraving Mary as Orante (Somits Called 'Blacherniotissa')

Margarita da Montepulciano.

Virgin Mary. The Virgin Mary in prayer, folded with her hands in front of her chest. The show has been caught in an ornamental picture frame that is decorated with figures of the prophet Isaiah, King David and completely at the top of the Holy Spirit in the form of a pigeon. In the context of a three-legged Bible quote from Luc. 1 in Latin.

Sitting old woman cuts her nails, Johann Gottfried Haid, after Rembrandt van Rijn, 1764 print paper old woman. nails (fingers). tools, aids, implements ~ crafts and industries: scissors

Print, Mater Dolorosa; After Guido Reni (Italian, 1575 - 1642); France; engraving on paper; 44.5 × 34 cm (17 1/2 × 13 3/8 in.); 1896-31-54

Maria like Mater Dolorosa; Praying Mary. Maria, halvened, the hands in a praying gesture. Under the show a line Latin text (Luke 1: 47).

St. Claire 1667 Claude Mellan French. St. Claire 392749

Woodcut from 1512 by Hans Burgkmair the Elder depicting Saint Clara in devotional pose.

Woman with veil mapping at graftombe with urn; Elmaas vow ..

Saint Catharina van Siena with Crucifix, Pieter de Bailliu (I), After Abraham van Diepenbeeck, 1623 - 1660 print Antwerp paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata

Holy Helena, Crispijn van de Passe (I), 1602 print The H. Helena with the cross in her hand. In the background the discovery by St. Helena of the true cross of Christ. The show is caught in an oval frame with an edge writing in Latin. In the margin a three -faced caption in Latin. Print from a series with famous women. Cologne paper engraving empress Helena, mother of Constantine the Great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails. the finding of the True Cross. St. Helena (one of the nine worthiest women)

Ida von Toggenburg, saints.

Maria in Gebed, Girolamo Scarselli, After Guido Reni, 1660 - 1680 print paper etching Mary (without the Christ-child)

The Virgin in prayer, looking up with clouds behind her, in an oval frame, after Reni 1648-81 Engraved by Francois de Poilly French After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.. The Virgin in prayer, looking up with clouds behind her, in an oval frame, after Reni 668082

Saint Mary (the Blessed Virgin). Engraving.

Saint Itisberga, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints

H. Catharina van Siena, Wierix (possibly), 1595 - 1633 print The Holy Catharina van Siena, the crown of thorns on the head and the cross wounds visible. In her hands she holds a crucifix and a rosary. Her boste portrait is caught in an oval frame with an edge in Latin and at the top of the pigeon of the Holy Spirit. In the context at the bottom of an eight -line caption in Latin. Around the whole a decorative framework with various flowers. Antwerp paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata. crown of thorns ~ instruments of the Passion. aids for prayer, e.g. rosary. crucifix ~ personal devotion. Holy Ghost represented as a dove (in flames). flowers

Sibille Van Erythrae, Crispijn van de Passe (II), After Crispijn van de Passe (I), 1615 print The Sibille of Erythrae is sitting at a table, she holds a book in her left hand and she strokes a lamb with her right hand. She looks up to heaven where Christ appears with the cross. In the margin a caption in Latin. Print from a series with Sibillen. Utrecht paper engraving Erythraean sibyl. types of adult Christ (alone)

Holy Matthias; SS Apostolorum icons. The print shows the Holy Matthias. In his left hand, torture tool, the hand. The series consists of prints based on paintings by Peter Paul Rubens.

Print made by Johann Lorenz Haid, 1702-1750, German, Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis, undated. Mezzotint on moderately thick, slightly textured, beige laid paper.

Maria at the Sleeping Christ child. .

Holy Juliana van Nicomedia, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints

Gertrud by Helfta, saints.

GIPSY WOMAN OF GHAWAZEE. Egypt, engraving 1879

The H. Apollonia, kneeling to the right, the head to the left. In addition to her an open book and a rod. In the background, the H. Apollonia jumps from our own will on the stake. The fourth print of a seventeen-part series with female saints.

The Virgin in prayer looking down, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Francois de Poilly (French, Abbeville 1623-1693 Paris). Dimensions: Sheet (Trimmed): 3 7/8 × 2 11/16 in. (9.9 × 6.9 cm). Date: ca. 1640-93.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Hope; SPES; The seven virtues. Landscape with the female personification of hope (SPES), one of the three theological virtues, looking up to heaven. On her feet an anchor and a spade. On the right in the background the resurrection of Christ. On the left in the background Jonah is spit through the fish. In the margin a two-legged caption in Latin. Second print from a series with the virtues.

Reproduction of a portrait of a nun, produced using photogalvanography (t Liefdruck) around 1860.

Saint Catharina van Siena with Crucifix, Pieter de Bailliu (I), 1623 - 1660 print paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Christ, Mary and the apostles, Ave Maria gratia plena dominus tecum, Mary, verso - stamped, Mary standing. In the background on the left the Assumption of Mary. In the background on the right the Annunciation., print, prints, height 525 mm, width 381 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

The penitent Maria Magdalena. The bumpy Maria Magdalena prays for a crucifix in a cave. For her a scent, a skull and her ointment. In the margin a caption in Latin.

Sacred image, Maria Immaculate, Historic, digitally restored reproduction from a 19th century original, exact date unknown

Saint Agnes with Lamb, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the virgin martyr Agnes of Rome; possible attributes: lamb, ring

Agnes of Montepulciano, saints.

. Saint Brigitta prays the rosary for a crucifix. At the bottom right she sees a vision of Christ with his cross.

Odilia of Hohenburg, Holy.

Maria like Mater Dolorosa. Maria is folded with her hands, put a sword through her breast, in a landscape. In the margin a two-legged caption in Latin.

Maria, met scepter in de hand, Wierix (possibly), 1610 - 1672 print The Virgin Mary, dressed in a cloak, with rosary in her hair. She holds one hand against her chest, in her other hand she has a scepter. In the margin a three -line bible quotation from Hoogl. 7 in Latin. Antwerp paper engraving upright figures of Mary without the Christ-child. flowers: rose

Holy Ursula with two arrows, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the virgin martyr Ursula of Cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship

Katharina of Alexandrien, saints.

Lazio Roma Rome S. Ignazio di Loyola19. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Holy Leocadia, Anonymous, After Pieter de Jode (I), After Jan van Mechelen, in or after 1626 print Title and name day in STUDMARGE. Antwerp paper engraving female saints

Head of the Madonna 1780 Heinrich Sintzenich. Head of the Madonna. Heinrich Sintzenich (German, Mannheim 1752-1812 Munich). 1780. Etching printed in brown ink. Prints

Saint Clara, Michel Natalis, After Abraham Van Diepenbeeck, 1620 - 1668 print The holy Clara, dressed in habit with white roof and black veil, in one hand a monstrance and a staff in her other hand. Print from a series of saints. Antwerp paper engraving the virgin and foundress of the Order of Minoresses (or Poor Clares), Clare of Assisi; possible attributes: book, cross, flaming horn, lily, monstrance, palm-branch, pastoral staff, rosary

"Mater Dolorosa" by Paul Delaroche. Unknown, photographer about 1865-1885 A painting of the Virgin Mary at the foot of the cross, holding on and looking up. She is wearing robes with wide sleeves and a hood.

Maria as Mater Dolorosa, Antonie Wierix (III), After Maerten de Vos, 1606 - Before 1624 print Maria is sitting with her hands folded, a sword stabbed through her chest, in a landscape. In the margin a two -way caption in Latin. Antwerp paper engraving Mary pierced by a sword

Saint Margaret of Cortona. Line engraving.

H. Christina, anonymous, 1600 - 1700 print paper engraving the virgin martyr Christina of Bolsena; possible attributes: arrow(s), book, flames, millstone, tongs, snake, wheel

Mary; Maria Mater dei Regina Coeli; Vélins.

The faith of the Canaanite woman. Old 19th century engraved illustration from Mugeres de la Biblia by Joaquin Roca y Cornet 1862

H. Catharina van Siena, Hieronymus Wierix, 1563 - before 1619 print Saint Catharina van Siena in prayer for a cruxifix. She wears the tunica with veil and a cloak of the third Dominicaner order. On her head the thorn crown. In the margin a Bible quote from Hoogl. 2 in Latin. Antwerp paper engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata

Saint Mary Magdalena as a hermit, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1619 print paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge. anchorite, hermit

Saint Mary Magdalen. Engraving by Stieen after N. van Hoy after G. Reni.

Johanna Francisca de Chantal kneeled on clouds, Claude Mellan (attributed to), 1641 - 1688 print paper engraving historical persons - BB - woman. purgatory, usually the souls praying or asking for intercession

H. Barbara; S. Barbara. The Holy Barbara, in her one hand, she holds a palm branch as a symbol for her martyrdom, in her other a blessed bible. In the background the tower in which she was locked up by her father. In the margin a caption in Latin.

17th-century drawing in chalk, ink, and red chalk showing the Annunciation with Mary and a dove symbolizing the Holy Spirit in an oval composition.

The Virgin Mary holds her right hand on her heart, looking up to heaven. She wears a veil and has a girdle around her waist., Virgin Mary, print maker: Elisabeth Alida Haanen, 1819 - 1845, paper, etching, h 86 mm × w 75 mm

Virgin Mary. The Virgin Mary keeps her right hand on the heart, while she looks to heaven. She is wearing a veil and has a belt around her waist.

Katharina von Siena, saints.

H. Geertruida van Oosten, Anonymous, 1600 - 1699 print paper engraving female saints

Etching by Joseph Hauber depicting the Blessed Virgin, shown in a devotional pose with detailed garments and halo, typical of 18th-19th century religious art.

Vatican City, Papal court, Rome, Paolo, Giovanni Antonio de, Tempesta, Antonio, Imagini di moltes vergini Rom nel martirio, Roman martyrs, St. Asella, verso - stamped, St. Asella with palm branch in a landscape., print, prints, height 73 mm, width 114 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

Maria as Mater Dolorosa, Antonie Wierix (II), After Maerten de Vos, 1584 print Maria sits with a sword in her chest at the foot of the empty cross. Rays shine on her from heaven. In the background a face on Jerusalem. A four -line caption in Latin in the context under the performance. Antwerp paper engraving Mary pierced by a sword

Mary in an oval frame. Above the portrait her monogram. Below a cartouche with putti holding lilies and roses on the sides. Upper left the sun, upper right the moon, Mary in an oval S. Dei Genitrix , print maker: Franz Huybrechts, (mentioned on object), Antwerp, 1656 - 1661, paper, engraving, h 131 mm × w 92 mm

Mater Dolorosa with veil, Abraham Blotling, After Anthony Van Dyck, 1652 - 1690 print paper engraving 'Mater Dolorosa' - FF - 'Mater Dolorosa', head or bust

Ste. Thérèse (St. Teresa of Avila), October 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. Ste. Thérèse (St. Teresa of Avila), October 5th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Pink of Lima, saints.

A graphite drawing by Antonio Daniele Bertoli showing Maria delivering a sermon, depicted in partial view.

Heilige Anastasia, Michel Wolgemut (Workshop of), 1493 print A flower challenge with a martyr. She has a nimbus around her head and a palm branch in her hand. The text identifies her as Anastasia. The print is part of an album. paper letterpress printing martyr(s) (often with palm-branches). saints

Holy Agnes. The Holy Agnes with a Plam branch in her hand, put a sword in her chest and a lamb for yourself. Text in undermarge

Saint Lucy. Etching.

Egyptian woman carrying a pot of water, Egypt, Africa. Old 19th century engraved illustration, Le Tour du Monde 1863

The penitent Maria Magdalena. Maria Magdalena prays in a remote place at a cave. She hits her eyes to heaven and holds a hand before the chest. In addition to her the anointing pot with which she has anointed the feet of Christ.

Maria, Jan van Troyen, After Michael Sweerts, 1620 - 1675 print Portrait of Mary, with veil on her head, as the mother of Christ. Southern Netherlands paper engraving 'portraits' of Mary. veil

Te Deum Laudamus 1765-69 Robert Strange British, Scottish. Te Deum Laudamus 400633

Wszyscy Święci w MNK Pachmayr, J. (FL. 182.)

FAITH, 1872 engraving

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