Saints and Religious Figures

Engravings featuring saints in prayerful postures, showcasing religious devotion and intricate attire in classical styles.

Mary has her hands folded in prayer. In the margin a two-line caption in Latin. Virgin Mary, print maker: Johannes Wierix, (mentioned on object), Antwerp, 1559 - before 1620, paper, engraving, h 155 mm × w 112 mm

Atond, Jacket of.

Maria with her gaze -facing and her hands folded, François de Poilly (I), After Guido Reni, 1632 - 1693 print France paper engraving upright figures of Mary without the Christ-child. one person praying

Sainte Jeanne Frémiot de Chantal after 1641 Claude Mellan French. Sainte Jeanne Frémiot de Chantal 393421

Pen and ink drawing by Antonio Tempesta depicting Saint Therese in ecstasy, showing expressive pose and drapery, laved.

Mary has her hands folded in prayer. In the margin a two-line caption in Latin. Virgin Mary, print maker: Johannes Wierix, (mentioned on object), Antwerp, 1559 - before 1620, paper, engraving, h 155 mm × w 112 mm

Virgin Maria, Johannes Wierix, 1559 - Before 1620 print Maria has folded her hands in prayer. In the margin a two -way caption in Latin. Antwerp paper engraving 'Painful Mater'

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis, Print made by Johann Lorenz Haid, 1702-1750, German, after Giovanni Battista Piazzetta, 1682-1754, Italian, Published by Johann Christian Leopold, 1699-1755, German, undated, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 19 1/8 x 13 3/4 inches (48.5 x 35 cm), Plate: 16 3/16 x 12 5/16 inches (41.1 x 31.3 cm), and Image: 15 1/4 x 12 5/16 inches (38.7 x 31.3 cm), Christian, Christianity, cloak, halo, historical subject, mother, praying, religious, religious and mythological subject, scarf, veil, woman

H. Clara; S. Clara. The Saint Clara, in the Habij of her order, with a knotted monk belt and a veil. She holds a Monstrans in hand, a reference to her expulsion from the Saracens. In the margin a caption in Latin.

The Virgin Maria, Nicolas Pitau (I), 1644 - 1671 print Boste portrait of the Blessed Virgin Mary, surrounded by light rays. In the margin a motto in Latin (throne of God's glory). Paris paper engraving 'portraits' of Mary

Virgin Mary. Virgin Mary, her hands crossed for her breast. In the margin a caption in Latin.

unknown, Passe, Crispijn van de (I), Annunciation (Virgin Mary), verso top right - handwritten in brown ink, Mary sits at a lectern with her finger in a book. She looks up at the Holy Spirit in the form of a dove hovering above her. The representation is set in an oval frame with a border inscription in Latin and cherubs in the corners. In the margin a four-line caption, in two columns, in Latin. Pendant of a print of the angel Gabriel., print, prints, GHT, height 240 mm, width 172 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process)

unknown, Passe, Crispijn van de (I), Annunciation (Virgin Mary), verso top right - handwritten in brown ink, Mary sits at a lectern with her finger in a book. She looks up at the Holy Spirit in the form of a dove hovering above her. The representation is set in an oval frame with a border inscription in Latin and cherubs in the corners. In the margin a four-line caption, in two columns, in Latin. Pendant of a print of the angel Gabriel., print, prints, GHT, height 240 mm, width 172 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process)

Radegundis, saint.

Agatha of Catania, saints.

The sacred Gertrudis of Nivelles, with a staff at which mice crawl in her hand. A crown on her feet. In the air cherubs. Print from a series of eight prints with saints.

Katharina von Siena, saints.

Saint Clara, dressed in habt with white hood and black veil, in her one hand a monstrans and in her other hand a staff. Print from a series of saints.

. Maria is sitting in front of a desk with her finger in a book. She looks at the Holy Spirit in the form of a pigeon floating above her. The performance is caught in an oval frame with a peripheral panel and in the corners of cherubs. In the margin a four-line caption, in two columns, in Latin. Pendant of a print of the angel Gabriel.

The Virgin in prayer looking down, in an oval frame, after Reni 1640-93 Engraved by Francois de Poilly French After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.. The Virgin in prayer looking down, in an oval frame, after Reni 667997

Cimmeric Sibille; Sibylla Cimmeria; Sibilles. The Cimmeric Sibille is at a table on which a sloping book is located. She looks at heaven where the Christ child appears. Under the show a caption in Latin. This print is part of an album.

Red chalk half-figure portrait of the Virgin Mary by Nicolas Bazin, focusing on facial expression and upper body.

Saint Mary Magdalen dei Pazzi. Etching by G. Fabbri, 1757.

The Virgin in prayer looking down, after Reni ca. 1640-93 Engraved by Francois de Poilly French After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.. The Virgin in prayer looking down, after Reni 668098

Maria, Giovanni Marco Pitteri, After Giovanni Battista Piazzetta, 1712 - 1786 print Venice paper engraving the Virgin Mary

Saint Catharina van Siena with Crucifix; S. Catharina Senensis.

Grieving Mary; Mater Dolorosa. Maria, crying and with folded hands, is standing against the bottom of the Cross of Christ. At her feet, passions of passions: a pinch, nails and the thorns. A city wall in the background.

Saint Teresa S. Teresia a Iesv (title on object), print maker: Schelte Adamsz. Bolswert, Peter Paul Rubens, publisher: Cornelis Galle (II), (mentioned on object), 1596 - 1659, paper, engraving, h 134 mm × w 91 mm

Maria I speeded to do Anaya, Johan suade suade, Sabana, 1833 print paper Mary weeping. angel(s) represented as child(ren)

H. Clara in Gebed, Claude between, 1667 print France paper engraving the virgin and foundress of the Order of Minoresses (or Poor Clares), Clare of Assisi; possible attributes: book, cross, flaming horn, lily, monstrance, palm-branch, pastoral staff, rosary

Maria at the foot of the cross with the thorn crown next to her, Auguste Danse, After Alexandre Thomas, 1863 print paper etching / engraving Mary with the instruments of the Passion Golgotha

An 1820 lithograph after Jan van Eyck depicting the Virgin Mary wearing a crown and holding a book.

SAINT BARBARA carrying a tower to symbolise the one in which her cruel father imprisoned her because she insisted on being a Christian against his wishes Date: Circa 2nd century

Stanley Mazur, Virgin Mary, 1935 1942 Virgin Mary

Odilia of Hohenburg, Holy.

Klara of Assisi, saints.

Katharina von Siena, saints.

Vestal Virgin Tuccia wears water in a sieve, Jakob Frey (I), After Carlo Maratta, 1720 print With caption from Book 28 of Pliny. Rome paper engraving the Vestal virgin Tuccia, accused of fornication, carries water in a sieve to prove her chastity

Venetian woman with jewelry and long veil for a curtain, Giacomo Franco, c. 1591 - c. 1610 print paper etching / engraving bracelet, wristlet. veil. pearl; pearl necklace Venice

Santa Teresa de Jesús (1515-1582), reformadora de la orden de las Carmelitas. Retrato pintado por fray Juan de la miseria depositado en el Ayuntamiento de Avila. Grabado de 1893.

Isabella, Princess of Aragon.

Scholastika, Heilige.

Nun of the order of Feuillantines, Congregation of Our Lady of the Feuillants, Cistercian, Religieuse Feuillantine. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tirons Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

H. Brigitta van Kildare, Theodor Matham, After Abraham van Diepenbeeck, 1615 - 1676 print The holy Brigitta of Kildare, with a cow behind her. On the right a kneeling angel with a pastry child. A flame in the air above her head. Print from a series of eight prints with saints. paper engraving the abbess of Kildare, Brigid (Bridget) of Ireland; possible attributes: cow, flame, goose

Salome of Lower Altaich.

H. Catharina van Siena; In D. Catharinam Senensem. Syla Saint Catharina, the thorns crown on the head and the cross wounds visible. In her hands she holds a crucifix and a rosary. Her bust portrait is caught in an oval frame with a peripheral in Latin and at the top of the pigeon of the Holy Spirit. In the framework at the bottom of an eighty caption in Latin. Around the whole a decorative framework with various flowers.

Scholastika, Heilige.

Holy Image, Santa Juliana Veronika, Holy Juliane / Heiligenbild, Santa Veronika Juliana, Heilige Juliane, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Sibille van Cumae, Simon van de Passe, After Crispijn van de Passe (I), 1615 print The Sibille van Cumae is sitting at a table and reads a book. Next to her a skull and a cross. In the margin a caption in Latin. Print from a series with Sibillen. Utrecht paper engraving Cumaean sibyl

Veiled Moorish Woman out walking - Algeria. She wears a remarkably voluminous costume with a headdress which folds up from her waist, an enormous bunched skirt and wide sleeves. Date: 1907

. In the air the virgin Mary standing on the crescent nickel in a mandorla. She is wearing a crown with stars. Left and right in the upper corner the sun and the moon. On the earth a landscape with sixteen symbols of the Maria-Litanie.

Ignatius of Loyola, saint.

María Ana de Jesús Navarro (1565-1624), beata Mariana de Jesús, terciaria de la orden de la Merced. Grabado popular del siglo XIX.

Portrait of Saint Teresa of Jesus (Ávila 1515 - Alba de Tormes 1582). Nun, founder of the Order of Barefoot Carmelites. Order of Our Lady of Mount Car

SOR CLARA MARIA - FUNDADORA DEL CONVENTO DE LAS CLARISAS - SIGLO XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPAIN.

Campania Caserta Capua Museo Campano80. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Saint Lucia with dagger, selected Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving the virgin martyr Lucy (Lucia) of Syracuse; possible attributes: dagger or sword (in neck), eyes, flames at feet, lamp, ox

Saint Leocadia. 3rd-4th centuries. Christian virgin and martyr of Roman Hispania. Engraving by Cibera. Christian Year, 1853.

H. Maria, Sldte Adamsz. Bolswert (possibly), After Gerard Seghers, 1637 - 1666 print Saint Mary looks down and folded her hands in front of her chest. print maker: Southern Netherlandsafter painting by: Antwerppublisher: Neurenberg paper engraving 'portraits' of Mary

Portrait of Clara Maria van de Passie, Albertus Clouwet, 1675 - 1679 print Portrait in oval list of Clara Maria van de Passie, a nun of the Carmelite order. Bust to the right. The print has a cartouche at the bottom with a Latin caption with data about the portrayed person. Rome paper engraving

'Santa Rita de Casia, que se venera en la Iglesia de P P Agustinos Calzados de Barcelona, siglo XIX. Museu Català de les Arts i Tradicions Populars.

Tuscany Grosseto Grosseto Museo Diocesano di Arte Sacra22. Hutzel, Max 1960-1990 Post-medieval collection of paintings, sacred objects and manuscripts from the Duomo and other city churches. There are a significant number of late Medieval Madonnas & Child paintings as well as High Renaissance paintings from the Bolognese school. The objects include a processional cross, and two reliqueries. Additionally there are some photos of manuscript pages of hymnals with objects they are displayed with. Object Notes: Hutzel notes are undated. The objects in the Musea Diocesano are included in his notes for the Duomo. We have kept Hutzel's numbering for the objects. There are also two prints for almost all the negatives, and the details were so similar (even if one photo is cropped more closely) that we have treated them as though there were two prints for each negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The resu

Saint Clare of Assisi. Line engraving by J. Falck.

Anna van St. Bartholomeus, Michel van Lochom, 1611 - 1647 print The Carmelietes Anna of the Holy Bartholomeus with a crucifix in her hands. paper engraving monastic orders, monastic life ~ Roman Catholic church. altarcross, crucifix

Saint Emellia / Saint Émelie

Old woman in a church, praying with rosary and Bible, Frans Lauwers, 1864 - 1911 print paper etching one person praying. old woman

Portrait of a praying nun ca. 1771 Carl Guttenberg. Portrait of a praying nun. Carl Guttenberg (German, Wöhrd bei Nürnberg 1743-1790 Paris). ca. 1771. Engraving. Prints

Elisabeth of Siena.

Maria of the Immaculate Conception, James Mcardell, After Bartolomé Esteban Murillo, c. 1745 - 1765 print Maria standing on a cloud with a half moon, worn by putti. They hold a palm branch, roses and lilies. London paper (immaculate) conception of Mary represented symbolically

Lochom, Michel van, Anna van de H. Bartholomeus, verso - stamped, The Carmelite Anna van de heilige Bartholomeus with a crucifix in her hands., print, prent, prints, prenten, height 157 mm, width 96 mm, 1601 - 1647-01-23, print maker, printmaker, 1611 - 1647, paper, engraving, engraving (printing process), intermediary draughtsman

Bliżej Kultury unknown

Maria; The big apostles; Christ, Mary and the Apostles. Mary, full, hands together as in prayer. In the background right the flight to Egypt and the left Maria's Ascension. This print is part of a series of 16 prints, consisting of a title page and 15 portraits, representing Christ, Mary and the Apostles.

Nun of the Order of the Annunciation of the Blessed Virgin Mary. Religieuse Annonciade. Handcoloured woodblock engraving by L. Lisbet after an illustration by Jacques Charles Bar from Abbot Tirons Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Hospitaller nun of the Hotel-Dieu a Paris. Hospitalier de lHotel-Dieu a Paris. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tirons Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Katharina Virgi von Bologna, saints.

Hospitaller monk of the church of Saint-Jacques-du-Haut-Pas, Paris. Also known as Bridge-Building Brotherhood. Frere Hospitalier de Saint Jacques du Haut-Pas ou Frere Pontife. Handcoloured woodblock engraving after an illustration by Jacques Charles Bar from Abbot Tirons Histoire et Costumes des Ordres Religieux, Librairie Historique-Artistique, Brussels, 1845.

Copper engraving by Gerard Edelinck, 1660-1707, depicting Maria grieving, showing facial expression, gestures, and composition in a religious scene.

Saint Teresa of Jesus (Teresa of Avila) (1515-1582). Spanish nun, founder of the Order of Discalced Carmelites. Mystic and writer. Portrait. Engraving. Historia de las persecuciones políticas y religiosas en Europa (History of political and religious persecutions in Europe). Volume II. Published in Barcelona, 1864.

Carmeliets Anna of the Holy Bartholomeus with a crucifix in her hands.

The 16th century. Women of nobility in Christmas costumes. (Drawings taken from the Book of the Szydłowiecki family. Kübler, Henryk (Ca 1822 ..), Kossak, Juliusz (1824 1899)

Saint Joan of Valois. Coloured line engraving.

Holy Trinity in Maria, Jean Boulanger, After Le Brun, 1616 - 1680 print paper engraving Trinity inside the opening Virgin

Clara van Assisi, kneeling in prayer, Auguste Danse, After Constantin Emile Meunier, 1863 print paper etching / engraving the virgin and foundress of the Order of Minoresses (or Poor Clares), Clare of Assisi; possible attributes: book, cross, flaming horn, lily, monstrance, palm-branch, pastoral staff, rosary

Saint Peter Armengol (1238-1304). Spanish Mercedary monk. Engraving.

Nuestra Señora de la Merced de Guadalaxara, Collection of Mexican religious engravings, Our Lady of Mercy of Guadalajara.

Gratschmayr, Paul .

MATILDA, DAUGHTER OF HENRY I OF ENGLAND m. (i) Heinrich V, Holy Roman Emperor, (ii) Geoffrey of Anjou; invaded England, captured Stephen, but ejected Date: 1102 - 1167

Edad media. Canónigo de la iglesia. Grabado de 1860.

H. Juliana from Falconieri in ecstasy. H. Juliana from Falconieri in ecstasy for a crucifix and skull. Two hare and two ducks for her. This print is part of an album.

Portrair of a visiting Nun. The Order of the Visitation of Santa María, V.S.M. (Ordo Visitationis Beatissimae Mariae Virginis) is a Catholic religious order founded by Saint Francis de Sales and Saint Jeanne Frances Frémyot de Chantal. They especially promote devotion to the Sacred Heart of Jesus, from whom Saint Margarita María Alacoque, a Salesian nun, received the revelations. Old 19th century engraved illustration from Jesus Christ by Veuillot 1890

H. Christina, anonymous, 1600 - 1700 print paper engraving the virgin martyr Christina of Bolsena; possible attributes: arrow(s), book, flames, millstone, tongs, snake, wheel

Morarnette of S. Sacrament.

A wood engraving titled 'Muger de Belem, casada,' created by Eusebio Planas in 1876. The piece measures 14 x 9 cm and is published by A. Riudor in Barcelona, depicting women in traditional clothing and dress from Jerusalem, Spain

Wszyscy Święci w MNK Zajkowski, Andrzej (1851 1914), Grottger, Artur (1837 1867)

H. Barbara. The Holy Barbara with the tower, its captivity place, in her hands. Barbara's hair is braided to her head and she has an aureoo. Under the show a Latin fresh on the life of Barbara.

Our Lady of Ostrobramska Unknown, Litographic Plant: Lemercier

Portret v maragarita bichi, Hubert vincent, c. 1680 - c. 1730 print Rome paper engraving historical persons. monastic orders, monastic life: Franciscans. one person praying

H. Hildetrudis van Liessies, anonymous, 1600 - 1699 print paper engraving female saints

Klara of Assisi, saints.

Isabella of France, Queen Consort of Edward II of England.Artist: Henry Colburn

Virgin Maria, Anonymous, 1600 - 1699 print paper engraving 'portraits' of Mary

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