Saints and Religious Prints

Historical engravings depicting saints performing miracles, mediating disputes, and interacting with worshippers in religious settings typical of European art.

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Saint Norbert mediates in a quarrel, Two noblemen stand on either side of a portable reliquary. They have had a feud for years. Saint Norbert convinces them to shake hands and live in peace. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 152 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Holy Godhardus van Hildesheim brings the dead back to life, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print The H. Godhardus, bishop of Hildesheim, together with his followers for an Mary altar in an church. The bishop lets the dead come back to life to take their confessional and to forgive their sins. The print has a Latin caption and is the 28th print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching male saints (with NAME). raising from the dead. altar with altar-piece (+ Mary) Beer. Hildesheim

Kager, Johann Mathias, Munich, Sadeler, Raphael (II), Bavaria sancta III, Saints of Bavaria III, B. Hartmannvs, Blessed Hartmann of Bressanone, verso lower left - stamped, Z. Hartmann, Bishop of Bressanone, sits next to Emperor Frederick Barbarossa. The imperial insignia lie between them. Around them are the other members of the Reichstag. The print has a Latin caption., print, prent, prints, prenten, height 256 mm, width 180 mm, South Netherlands, 1584-12-20 - 1632, print maker, printmaker, 1627 - 1627, paper, papier, engraving, engraving (printing process), German, 1575 - 1634, intermediary draughtsman

Petrus heals a lame; History of Petrus and Johannes. Petrus and John want to go into the temple and ceased to the gate by a paralyzed beggar. Petrus takes the hand of the beggar and helps him up. The beggar can immediately walk again.

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Saint Norbert mediates in a quarrel, Two noblemen stand on either side of a portable reliquary. They have had a feud for years. Saint Norbert convinces them to shake hands and live in peace. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 152 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Christ and wife of Canaan. Christ is approached on a square in a city by a Canaanite woman. She kneels and begs her daughter to heal him. Although the apostles around Christ recommend sending the woman away, Christ talks to the woman and praises her steadfast faith. He then evokes that her daughter is healed. (Matthus 15: 21-28). The print shows the twelve apostles, Christ, Maria and Maria Magdalena and the adulterous woman. In the background a gate with relief. The print has a caption with reference to Bijbelplaats.

Cross Decline, Jan Collaert (II), After Maerten de Vos, 1598 - 1618 print Christ is taken by Joseph of Arimatea, Nikodemus and Johannes. Maria, Maria Magdalena and two other women help (Lucs 23:53). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Exit of the Holy Spirit, Anonymous, After Maerten de Vos, 1591 - 1600 print Cornelius has gathered at home with his relatives and close friends. Peter tells them about Christ and during his sermon the Holy Spirit descends on the heads of the guests. At the bottom of the margin a two -way caption in Latin. print maker: Low Countriesafter design by: Antwerppublisher: Antwerp paper engraving the Holy Ghost descends upon the gentiles after Peter's prayer

Christ before Caiaphas, print maker: Adriaen Collaert, Maerten de Vos, 1598 - 1618

Christ before Caiaphas, Jan Luyken, Aart Dircksz Oossaan, 1684

The worship of the Kings, Anonymous, After Lucas van Leyden, 1800 - 1899 print Modern copy. Joseph and Mary with the Christkind, three kings with gifts and large consequences. paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Holy Lucius preaches for the crowd, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print Saint Lucius, the former king of Britain, preaches for a crowd in a Bavarian city. On the ground next to him the crown and scepter he has made. In the sky, God appears the Father who holds a crucifix and the Holy Spirit as a pigeon. The print has a Latin caption and is the third print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching male saints (with NAME). God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe. God the Father holding the crucifix, 'Gnadenstuhl', Mercy-Seat, Throne of Grace. Holy Ghost represented as a dove (in flames). preaching (in general) Bavaria

Christ made for kajafas; Trahitvr Ad Caipham IESVS. Negatter iTervm Petrvs. Soldiers lead Christ for Kajafas. The scribes and the elders have also met at the high priest. In the background you can see how Petrus has followed him up to the courtyard of the high priest's palace. At different elements from the show are letters that correspond to the legend in the margin.

Woodcut by Hans Schäufelin from 1507 depicting 'Behold the Man', including Christ, figures, Pontius Pilate, gestures, and crowd.

Stefanus for the high priest. Stefanus is guided for the high priest. The apostle accuses him and the other scribes to have murdered Christ. Stefanus is shutdown and stoned in the background by the Jews. In the foreground a dog. The print is part of an album.

The presentation of the Virgin in the Temple. Engraving.

Christ touches his bride, Anonymous, After Johann Sadeler (I), After Maerten de Vos, 1643 print The bride of Christ (the church) sits on a throne in a temple. Christ is standing outside with his cross in a garden and through a window his hand touches her shoulder. In the background, spectators look at a high priest who preaches over the tables of the law and a lamb is sacrificed on an altar. The print has a Latin caption about the Solomon Song of Solomo. after print by: Antwerppublisher: Amsterdam paper engraving Song of Solomon, Song of Songs (with BOOK CHAPTER:VERSE) (+ Christ bearded). Tabernacle, Temple, Synagogue, and other sanctuaries ~ Jewish religion. 'Ecclesia' as bride of Christ (the Lamb), 'Ecclesia sponsa Dei', 'sponsus-sponsa'

Suavius, Lambertus, Southern Netherlands, Peter and John healing a paralytic at the temple gate, verso - stamped, At the temple gate a beggar asks Peter and John for alms. Peter has no money, but heals him in the name of Christ and extends his hand to the man to help him up. A group of men looks on. On the right two men point to the scene. In the temple and in the background on a bridge men and women. In the middle below the Bible story from Acts. 3 in Latin., print, prent, prints, prenten, height 308 mm, width 423 mm, 1514 - 1564, print maker, prentmaker, 1553 - 1553, paper, papier, engraving, engraving (printing process), Work conception

Christ for Herod, 1629 print Christ is brought before King Herod. He interrogates Christ, but he doesn't answer him. On the left in the background, a crowd tries to catch an image of the events. On the right Christ is sent back to Pilatus in a beautiful white rug. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

Reprimand and conviction of the thankless servant, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1554 - 1612 print The king is sitting on a throne. The servant is on his knees in front of him. Witnesses report on the servant's crime. The king reproduces the thankless servant after hearing of his crime and thanklessness. The print has a Latin caption and is part of a four -part series about the parable of the thankless servant. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper etching / engraving the king reproaches his servant for his mercilessness and delivers him to the tormentors ~ parable of the unmerciful servant

. The bride of Christ (the church) is sitting on a throne in a temple. Christ stands with his cross outside in a garden and through a window his hand touches her shoulder. In the background, spectators look at a high priest who preaches about the tables of the law and a lamb is sacrificed on an altar. The print has a Latin caption over the Solomon's high song.

Christ for Annas; Passion of Christ. Christ is being prevailed for the High Priest Annas. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II.

Saint Basil Celebrating the Mass. Dated: 1608/1611. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Painting of the Aunnunciation, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. The Painting of the Aunnunciation, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

The scourging 1644-52 Wenceslaus Hollar Bohemian Christ is tied to a pillar and scourged by two monks while two cardinals look on from the right. Instruments used for the torment lie in the foreground.. The scourging 360708

The worship of the Kings, Anonymous, After Lucas van Leyden, 1513 - 1583 print Copy in mirror image. Joseph and Mary with the Christkind, three kings with gifts and large consequences. paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Mystical marriage of Saint Catharina, Agostino Carracci, After Paolo Veronese, 1585 print Maria is sitting on her lap with the Christ child. Christ is about to slide a ring on the finger of Saint Catharina of Alexandria. On the left three music -making angels. On the right an angel with a palm branch. Italy paper engraving the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

Christus aan het volk getoond; Passie van Christus; Passio Domini Nostri Iesv Christi.Pontius Pilate shows the grown Christ after his flogging up to the Jewish people. People call his crucifixion. In the margin a three-legged bible quote from Joh. 19 in Latin.

Conrad Meyer, Feeding the Hungry Feeding the Hungry

Christ stands before King Herod while the scribes and high priests list accusations against him (Luke 23:8-12). Christ before Herod Biblical scenes , print maker: Pieter van der Borcht (I), (mentioned on object), Antwerp, (possibly), 1582 - 1592 and/or 1639 - 1717, paper, etching, h 104 mm, w 119 mm

Unbeliever Tomas; Dominica Prima Post Passover. Christ again appears in the middle of the apostles. Tomas handles his hand to the wounds of Christ. At different elements from the show are letters that correspond to the legend in the margin.

Hans Schäufelin's 1507 woodcut shows Christ before the high priest Caiaphas, depicting figures, gestures, and interior setting.

Hans Burgkmair I, The Archbishop Blessing the Child after the Baptism The Archbishop Blessing the Child after the Baptism

. Sichem is circumcised. On the right, the just circumcised Chamor, the father of Sichem, is supported by a boy. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34.

The washing of hands 1644-52 Wenceslaus Hollar Bohemian Plate 11. The washing of hands; Christ is led towards the right by hooded men carrying staffs terminating in knife-clenching fists. One of them is preparing to beat him with a burning candle; Pilate sits on his throne on a platform in the background and has his hands washed by two attendants; after a follower of Hans Holbein. The washing of hands 360828

Christ for Pilate The Passion (series title), Christ is brought before Pilate, who sits on a throne., anonymous, Netherlands, 1596 and/or 1596 - 1667, paper, engraving, h 197 mm × w 133 mm

The martyrdom of Matthew; The martyrdom of Christ and the Apostles. Matthew is killed with a sword while he reads wrong; On the left beside the scene of his torture death, he shows again, with a shopping hook in hand. Under the show twice two lines of Latin. This print is part of a series of 13 prints of Christ (unnumbered) and the apostles (numbered), more specifically from the torture they have undergone.

Jacques Callot (1592-1635). "The life of the Blessed Virgin, Mary presents Jesus in the temple: eighth number of a series of 14 pieces" (Lieure 1364, Meaume 83). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-9 Etching, engraving

VoetWassing, Jacob Matham, After Taddeo Zuccaro, 1616 - 1700 print Christ washes the feet of the apostles. Haarlem paper engraving Christ washes the feet of the apostles (John 13:1-20)

Miracle of the burdened and inflamed lamp; Halt that Nasen Zu. The Savensis monk Franciscus reflects the lamp that hangs in front of him from a pulpit. This lamp was miraculously extinguished and ignited again.

Adoration of the Kings, Ludwig Krug, 1516 print Nuremberg paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Christ puts his hand on a woman, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1712

Gabriel appears to Zechariah; History of John the Baptist. While Zacharias in the temple burns incense, the angel Gabriel appears to him to proclaim him the birth of his son John the Baptist. Zacharias and Gabriel stand for a sacrificial, believers who are present in the temple before the angel.

Circumcision of Christ, Justus Sadeler (Possible), After Jacopo Tintoretto, 1600 - 1620 print The high priest travels the Christ child in the temple. Maria and Joseph watch together with others. Venice (possibly) paper engraving circumcision of the Christ-child by Mary

Absalom invites David and his brothers for a feast; History of Amnon and Tamar. King David sitting on his throne, his son Absalom stands for him that his father and brothers are invited for a party. Above a cartouche with text in Latin. Hijep print from a series of seven with the story of Amnon and Tamar.

Ignatius in Spain; Vita beati patris ignatii loyolae; Scenes from the life of Ignatius from Loyola. Three scenes from the life of Ignatius from Loyola. During his journey through Spain, Ignatius visits his native village Azpeitia. On the left in the print, Ignatius is in its own village. In the background he preaches for a large crowd. He heals the arm of a laundry. The print has Latin captains with references to the scenes in the print. The print is part of a fifteenth series about the life of Ignatius from Loyola.

Christ lays his hand on the crooked wife, Jan Luyken, 1712 print Amsterdam paper etching healing of a woman 'bent over' (Luke 13:10-17)

Mocking of Christ Passion of Christ (series title), Christ is mocked by the people. The soldiers put a crown of thorns on him. Print from a series of 13 prints and a title print made by Z. Dolendo and J. de Gheyn II., Mockings of Christ, who may be blindfolded, Zacharias Dolendo (mentioned on object), Leiden, 1596 - 1598, paper, engraving, h 140 mm × w 105 mm

King Josia is celebrating Passover; History of King Josia. King Josia is celebrating Passover according to the rules described in the Code in honor of God. Offers from his own herd are slaughtered and roasted by the priests. At the front right, Josia is at the table with a group of men.

Visitation; Youth of Christ. Maria and Elisabet greet each other on the stairs. Zecharies is in the doorway of a house. At the bottom of the stairs Joseph is in his hand with a staff.

Haarlem, Junius, Hadrianus, Heemskerck, Maarten van, Galle, Philips, History of John the Baptist, Gabriel Appears to Zacharias, verso - stamped, While Zacharias is burning incense in the temple, the angel Gabriel appears to him to announce the birth of his son John the Baptist. Zacharias and Gabriel stand before a sacrificial altar, believers present in the temple kneel before the angel., print, prints, height 200 mm, width 268 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1564 - 1564, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

Christ shown to the people (ecce gay), 1602 print Christ is fascinated on a landing of an antique building, with thorns on the head, surrounded by three soldiers. Pilate, on the right, shows Christ to the people who, seen in the foreground on the back, shouts that he must be crucified. One of the men holds a cross. Rome paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

Miracle of the Holy Dominicus at the Abigenzen; Life and madrangles of the Holy Dominicus; Vita et miracula s.p. Dominicians. The Holy Dominician and the Petty Leader of the Abigenzen both throw their Bible in the fire. The Bible of the Holy Dominicus does not burn, but jumps out of the fire. The print has a Latin inscription and caption and is part of a postal series for a book about the life of the Holy Dominicus.

Christ before Pilate, Hieronymus Wierix, Maerten de Vos, Hans van Luyck, 1563 - before 1586

Man takes an oath in court, Jan Luyken, 1685 print Print at the top right numbered: 701. Amsterdam paper etching swearing an oath (with two fingers raised). magistracy, judges

. The Count of Westphalia, Godfried van Cappenberg, meets the Saint Norbertus. He donates all his possessions to the order of the Norbertines. The print has two Latin inscriptions: an upstairs and one below the show.

Christ shown to the people (Ecce Homo) The Passion (series title), Christ is shown to the people on a podium by Pilate. Pilate has asked the people whether he will release Christ or Barabbas. The people are calling for Barabbas to be released, what happens in the middle, and for Christ to be crucified. Pilate washes his hands in innocence, Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19: 4-6), Pilate washing his hands (in innocence), anonymous, Netherlands, 1597 and/or 1597 - 1667, paper, engraving, h 200 mm × w 134 mm

Antwerp, Jode, Gerard de, Broeck, Crispijn van den, Wierix, Johannes, Mnimata Dominicae Passionis Historiam Necisque Nostrae Mortem Complexa, Passion of Christ, Christ before Pilate, Christ is brought before Pilate by armed soldiers. Pilate sits on his throne and asks him if he is the king of the Jews. Below the image is a six-line text in Latin. This print is part of an album., print, album sheet, prints, height 169 mm, width 128 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1572 - 1572, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Jesus again before Caiaphas. Artist: After Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Sheet: 3 7/16 × 2 3/8 in. (8.8 × 6 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: The satirical passion. Date: 1625-77.Caiaphus wears papal garb and sits on a throne surmounted by a dragon in a niche at the right. Christ, with hands bound, is brought to him from the left. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer, Christ Washing the Feet of the Disciples, probably c 1509 1510 Christ Washing the Feet of the Disciples

Christ in the house of the capital of Zahites, Boetius Adamsz. Bolswert, 1622 print paper engraving meal at the house of Zacchaeus, the tax-collector (Luke 19:1-10)

Woodcut by Albrecht Dürer depicting twelve-year-old Jesus in the temple from Marienleben series, showing figures, gestures, and religious elements around 1503.

Pilatus washes his hands in innocence, Crispijn van de Passe (i), 1600 print Christ is sentenced to death and removed. Pilatus washes his hands in innocence. The show is caught in an oval frame with an edge writing in Latin. Print from a series with the passion of Christ. Cologne paper engraving Pilate washing his hands (in innocence)

Healing of a paralyzed: Power, Johann Sadeler (I), After Maerten de Vos, 1585 - 1588 print Christ heals the paralyzed man who is lowered down by a roof. The fourth print of an eight -part series with scenes from the life of Christ who depict his most important virtues. München paper engraving power, 'Potestas' ~ one of the seven gifts of the soul. a paralytic is let down through the roof of the house where Christ is preaching

Passion Set: Ecce Homo, 1596-98. Zacharias Dolendo (Dutch, 1561-1604). Engraving;

Chief of Kafarnaüm begs Christ for help. In Kafarnaüm, a Roman centurio kneel, surrounded by his soldiers, before Christ. He asks him to heal his servant. Above the man is healed in his house. With various elements from the show are letters. The print is part of an album.

Deathbed of Maria, Albrecht Dürer, 1510 print Maria is in a four -poster bed surrounded by the apostles. One of them presses her a candle in their hands. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming). bed with tester

Salome brings Herodias's head of John the Baptist. The head of John the Baptist is on a bowl and is brought by Salome to her mother Herodias and his husband Herod. Rule text in Latin bottom left.

Moses and the Crown of Pharaoh, Pieter Jalhea Furnius, 1550 - 1625 print One day the Pharaoh jokes his crown on Moses' head. Immediately Moses throws the crown on the floor and kicks it. On the right, the throne Pharaoh, flanked by servants, looks at the scene thoughtfully. Behind Moses is the daughter of the Pharaoh who also watches Moses. Under the show is a rule of text in Latin. paper engraving Moses and Pharaoh's crown: Pharaoh playfully places his crown on the head of the infant Moses, who throws it to the ground and tramples on it; or Moses breaks the crown while playing

Christ shown to the people (ecce gay), 1597 print Christ is presented by Pilate on a stage to a shouting crowd. This print is part of a series of twelve passion performances. paper engraving Pilate Showing Christ to the People, 'Display Christ', 'Here man' (John 19: 4-6)

The Adoration of the Magi. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1513. Dimensions: 302 x 435 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

The depiction of Mary on her deathbed, surrounded by apostles, is a widespread motif in Christian art, which is iconographically referred to as the death of Mary or the Dormition of Mary, Dormition Virginis, people of biblical history, historical, authentic, digitally restored reproduction from a model from the 19th century, record date not stated

Christ being led before the high priest Caiaphas. Caiaphas stands on a platform between two torches and tears his robe. Through the gate, the fire in the courtyard is visible where Peter sits., Christ before Caiaphas The Passion (series title), print maker: anonymous, Hendrick Goltzius, (mentioned on object), Netherlands, (possibly), 1597 - 1667, paper, engraving, h 199 mm × w 130 mm

Nuremberg, Dürer, Albrecht, Life of Mary, Presentation of Mary in the Temple, verso lower left - stamped, Joachim and Anna bring Mary to the temple; the little girl runs up the stairs to the high priest. Latin text printed on the verso. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary., print, prints, height 298 mm, width 208 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1501 - 1505, first quarter 16th century, paper, woodcut, letterpress printing, letterpress

Elia speaks to the second male with King Achab; History of Elijah. The prophet Elia was brought to the king by Obadiah, steward of King Achab; This appeals to Elijah with the words: "Are you, Elijah You, who have deposited Israel in the accident " Elia explains that the king itself has deposited its people in the accident by worshiping the wrong gods. In the background right you can see how Obadiah, as soon as he recognized Elijah, bowed before him. Under the show a line of text in Latin. This print is part of a series of four prints that represent the story of the prophet Elijah.

Thanksgiving in a church after the relievance of Leiden; Orlers' Difference of the Stadt Leyden. A large number of kneeling people in a church interior in Leiden in 1574 saying thanks for the abduction of their city. In the middle a pastor on a solvent, above him a cloud with the tetragram. A carved frame with Hermen on either side. Last print from the six series.

King Josia lets the people read to the people, Philips Galle, After Maarten van Heemskerck, c. 1569 print King Josia stands on the staircases of the temple and lets the recovered code of God read to the people of Israel. Josia makes an inviting hand gesture and swears to follow God's laws. Haarlem paper engraving Saphan reads the book of Law aloud to the king who tears his clothes in dismay

Destruction of the Temple of Baal, Harmen Jansz Muller, after Maarten van Heemskerck, 1585 print In the Temple of Baal people overthrow the idols. For the altar, the Baalpriester is killed with a hellaard. The high priest Jojada watches Joas by the hand with the seven -year -old king. At the bottom of the margin a verse in Latin over the show. print maker: Amsterdampublisher: Antwerp paper engraving the people destroy the temple, altars and images of Baal, and slay Baal's priests

Adoration by the Kings, Crispijn van de Passe (I), After Jacques Bellange, 1574 - 1637 print The Christ child, with Mary's lap, is worshiped by the three sages from the East who have been drawn up for the child with their gifts. One of them kneels for the child. In the background members of their entourage. A star shines above Maria and the child. In the margin a caption in Latin. Cologne paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Scholars with books and an angel, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing Wisdom; 'Sapienza', 'Humana Sapienza', 'True Sapienza' (Ripa)

Chief of Kafarnaum asks Christ to cure his servant; Chief of Kafarnaum asks Christ to cure his slave; The reguli filio; Vitae Passionis et Mortis Jesu Christ ..

Christ before Pilate, plate 5 from The Passion of Christ, 1596, Haarlem, by Hendrik Goltzius.

The martyrdom of Matthew, 1577 - 1582 print Matthew is beaten to death with a sword while he reads wrong; On the left next to the scene of his torture death, he is shown again, with a square in his hand. Twice two lines of Latin under the performance. This print is part of a series of 13 prints of Christ (unnumbered) and the apostles (numbered), more specifically of the tortures they have undergone. paper engraving Matthew is slain before an altar by soldiers of Hirtacus and is beheaded. the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword - martyrdom, suffering, misfortune, death of male saint

Debate with Pharisees and Herodians, Wierix (Rejected Attribution), After Bernardino Passeri, 1593 print Christ is tested by students of the Pharisees and a number of Herodians, but he has passed their angry design. They show Christ a denarie with the images and the inscription of the emperor. Christ replies: "" Then give what the emperor belongs to the emperor, and give to God what God belongs. " Various elements from the performance are letters that correspond with the legend in the margin. paper engraving Christ (in the temple) in debate with Pharisees about the tribute to Caesar (Matthew 22:15-22; Mark 12:13-17; Luke 20:20-26)

Maria's death bed; Life of Mary. Maria is in a four-poster bed surrounded by the apostles. One of them presses her a candle in the hands. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Martin Schongauer's late 15th-century copper engraving 'Christ Before Annas' depicts Christ being questioned by Annas, emphasizing figures, posture, and narrative composition.

Doornenkring van Christus, Nicolaes de Bruyn, 1618 print Christ sits among soldiers on the square of the Pilatus courthouse. He wears a cloak and gets a stick as a scepter in his hand, soldiers press the crown on his head and bystanders react mockingly by kneeling in front of him. Netherlands paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

The sacrifice of Zacharias, Cornelis Galle (I), after Jan van der Straet, after 1595 - c. 1612 print View of an altar in a round temple. Zacharias kneels for the altar and waves with an incense barrel. On the left is an angel who makes him the prediction of the birth of John the Baptist. Many bystanders look at the scene. Under the show a verse in Latin and quotes from Bible books. print maker: Southern Netherlandspublisher: Antwerp paper engraving annunciation of the birth of John the Baptist to Zacharias: while he is offering incense in the temple an angel (Gabriel) appears to him

Coronation of cosimo de 'medici in 1569; Family history of the genus the 'Medici (Part 3); Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. In the Sistine Chapel, COSIMO is the 'Medici in 1569 by Pius V crowned to Grand Duke of Tuscany. In the background the last judgment of Michelangelo. In the bottom margin two lines text in Latin. Numbered with pen 3. The print is part of an album.

Christ back at Pilate; Passion and resurrection of Christ; Passio et resdrrectio D.n. IESV Christi. Christ is brought back to Pilatus. In the background he asks the crowd who should be released: Barabbas or Christ. The print has a Latin caption

Sadeler, Johann (I), Vos, Maerten de, München, Virtutes Iesu Christi Filii Dei Vivi, Virtues of Christ, Potestas, Healing of a Paralytic: power, verso lower left - stamped, Christ healing the paralytic man who is let down through a roof. The fourth print in an eight-part series of scenes from the life of Christ, illustrating his principal virtues., print, prints, height 181 mm, width 133 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1588, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Saint Cunegonde of Luxembourg Proves Her Innocence, 1615, Witch Trial, Historical, digitally restored reproduction from a 19th century original

De Doornenkroning, Albrecht Dürer, 1512 print Christ, sitting on an elevation, gets a crown of thorns pushed on the head. This print is part of a series of 16 prints with scenes from the suffering story. Nuremberg paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Italy, Maratti, Carlo, Life of Saint Turibius de Mogrovejo, Turibius de Mogrovejo blessing a young woman, recto lower left - handwritten in brown ink, Saint Turibius de Mogrovejo, Archbishop of Lima, blessing a kneeling young woman with a wreath of roses on his head. At the bottom an empty cartouche., print, engraving, prints, engravings, verso - stamped, Car: Maratus inv: et fec:, height 324 mm, width 236 mm, print maker, printmaker, 1625 - 1625, paper, papier, etching, etchings, Work conception, Italian, 1625-05-15 - 1713-12-15

The mouth of truth; Large series of women's listen. Woman with left hand stabbed in mouth of stone lion, with right hand maddening gesture. To her husband on throne. Behind them many bystanders.

Scourging Christ; The passion. Christ is tied to a pillar and is beaten by two men with a branch forest and a scourge. In the foreground a man binds a bunch of branches.

Glorification of Mary; Life of Mary. Maria is in a departure with the Christ child on her lap surrounded by angels and saints (Joseph, Catharina, John the Baptist, Hieronymus, Antonius, Paul and - although not completely sure - Augustine). This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Miracles performed by Christ, Boëtius Adamsz. Bolswert, 1622 print Christ heals a woman who is sick in bed. In the landscape in the background we see a devil exit and the wonderful fishing. paper engraving miracles of Christ ~ healing the sick. the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

Hans Schäufelin's 1507 woodcut depicts ECCE Homo, showing Christ presented to the crowd, emphasizing figure, gestures, and expression.

Pharisees Want Christus Stenigen, Antonie Wierix (II), After Bernardino Passeri, 1593 print The Pharisees, with devils above the head, pick up stones to throw at Christ. Christ finally manages to escape from the temple. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving attempts to stone Christ (John 8:59, 10:31-33)

Saint Norbertus defends himself opposite the Catholic Church, Cornelis Galle (I) (Attributed to), 1622 print Saint Norbertus must answer for Conon, the papal legacy, for his preaching. The print has two Latin inscriptions: one up and one below the show. Antwerp paper engraving non-miraculous activities and events ~ St. Norbert. plea, defence

of 5