Saints in Art

Paintings of saints depicted in various poses and attire, showcasing rich colors and intricate details, reflective of 17th and 18th-century religious themes.

National Museum of Ancient Art. Saint Jerome. 1521. Albrecht Durer. Oil on panel.

Socrates, painting made by Luca Giordano (Italian, 1634-1705), Historically, digitally restored reproduction of a 17th-century original, exact date unknown .

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian Baroque painter and etcher, Socrates, Socrates, Painting, Reproduction of the painting in its original state, Work of art, Historical, Elderly man with long beard, pointing to book, dark background, Baroque style

Pedro Pablo Rubens / 'Saint Mathias', 1610-1612, Flemish School, Oil on panel, 107,2 cm x 82,5 cm, P01653. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Corinaldo (Italia, Marche - provincia di Ancona), Pinacoteca Claudio Ridolfi. Corinaldo (Italia, Marche - provincia di Ancona), Pinacoteca Claudio Ridolfi. Claudio Ridolfi (attrib.), Madonna col Bambino e santi Biagio, Francesco e il donatore, olio su tela, proveniente dalla chiesa di San Pietro (il dipinto riprende la composizione della Madonna di San Simone di Federico Barocci)

Pedro Pablo Rubens / 'Saint Thomas', 1610-1612, Flemish School, Oil on panel, 108 cm x 83 cm, P01654. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

Ribera, Jusepe de, Amsterdam, Vaillant, Bernard, Philosophers portraits, Philosopher with a compass and a book, verso - stamped, print, prints, height 380 mm, width 292 mm, Northern Netherlands, 1632-11-06 - 1698-08-29, print maker, printmaker, 1672 - 1672, paper, papier, mezzotint, Spanish, 1591 - 1652

St. Anthony Abbot (Sant'Antonio Abate), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1538, 16th Century, oil on panel, 75 x 40 cm

'Repentance of St. Peter (copy from the lost original)'. Spain, 17th century. Dimensions: 107x78 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist. 17th century. Jusepe de Ribera (after).

Anton Raphael Mengs / 'Saint Peter preaching'. 1761 - 1777. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Apostle's Head by Briullov, Karl Pavlovich (1799-1852) State Russian Museum, St. Petersburg 1843-1847 Russia Oil on canvas Painting Bible

National Museum of Ancient Art. Saint Jerome. 1521. Albrecht Durer. Oil on panel.

ANAXIMENES of Miletus (588-534 BC). Ionic philosopher. Painting.

The Head of a Bearded Man looking down to the Right. Benedetto Luti (1666-1724). Dated Roma 1712, pastel, 410 x 330mm.

Saint Paul James Tissot (French, 1836-1902). Saint Paul, 1886-1894. Opaque watercolor over graphite on gray wove paper, image: 6 1/2 x 3 15/16 in. (16.5 x 10 cm). European Art 1886-1894

Old man's head; Ribera, Jusepe de (1591-1652);The Krasińskie Ordination Library (Warsaw - 1844-1944) - collect, the Library of the Krasiński Ordinance (Warsaw - 1844-1944) - collection, Krasińskie Ordinance

Umbria Perugia Campello sul Clitunno Chiesa della Bianca2. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (1529) with portal by Cione; interior decoration and frescos (16-19th centuries) by Valadier, Angelucci, and lo Spagna German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diego González de la Vega / 'Saint Peter'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Penitent Peter El Greco (1541-1614 Greek) Oil On Canvas San Diego Museum of Art, California, USA

Campania Napoli Naples S. Lorenzo Maggiore77. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Portrait of Archimedes by Giuseppe Nogari, Oil on canvas, 18th century, 1699-1763, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 55x44, 5

Saint Jerome by El Greco, circa 1600, Spain, Madrid, Real Academia de Bellas Artes

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Head of St John the Evangelist (on the left side of the throne) beard halo: aureole decoration leaves flowers white gold brown hues: shades.

Hieronymus by Albrecht Durer, Oil on wood, 1521, 1471-1528, Portugal, Lisbon, Museu Nacional de Arte Antiga, 60x48

Bust of an Old Man (Head of a Beggar) Bellotti, Pietro (1627 1700)

St. Jerome - oil on canvas - Spanish Manerism. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JERONIMO (347-420).

St Jerome, painted by an unknown 17th century artist, attributed to Hendrick van Somer (1615-1685), oil on canvas.

El Greco / 'Saint Peter in Penitence', 1585-1590, Oil on canvas, 88 × 106 cm. Museum: Hospital de Talavera, MANCHESTER, SPAIN.

Print made by Abraham Blooteling, 1640-1690, Dutch, St. Peter, between 1680 and 1690. Mezzotint on medium, slightly textured, cream laid paper.

Bearded Man with a Beret. Dated: c. 1630. Dimensions: overall: 53.5 x 46.3 cm (21 1/16 x 18 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Jan Lievens.

Portrait of Teodor Kobyla P Ski, Micha (1778-1812); beginning of the 19th century (1901-00-00-1910-00-00);Purchase (provenance)

Moses with the legislative tables, 1804 print Moses with the legislative tables. Print no. 3 on page 3 in the album 'Raccolta di Soggetti pictures', a Prentalbum with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) himself and from students to his design. paper etching Moses comes down with the new tablets and is awaited by Aaron and the assembled people, who notice that 'his face is shining' (Moses' face is depicted with rays of light or with horns)

Saint Paul the Hermit, c. 1662-1664. Mattia Preti (Italian, 1613-1699). Oil on canvas; framed: 121 x 94 x 8 cm (47 5/8 x 37 x 3 1/8 in.); unframed: 103 x 76.2 cm (40 9/16 x 30 in.).

'An Old Man Begging'. Germany, 18th century. Dimensions: 71x56 cm. Museum: State Hermitage, St. Petersburg. Author: German painter. 18th century.

Paris (1st arr.), France Saint Mathieu and the Angel of Rembrandt, Louvre museum , (French - Paris ( Ier arr. ) , France Saint Mathieu et l' ange de Rembrandt , musée du Louvre). Museum, Christianity, Painting, Religion , Art, France, Paris, Louvre museum: St Mathieu inspired by the Angel (Rembrandt)

SAN AGUSTIN - 1795-99 - OLEO/LIENZO - 190 x 115 cm. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: PRIVATE COLLECTION. MADRID. SPAIN. SAN AGUSTIN (354-430).

'The Adoration of the Shepherds' (detail), 1612, Oil on canvas, P2988. Author: EL GRECO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Campania Napoli Naples S. Lorenzo Maggiore055. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Heraclitus by Moreelse, Johan (Johannes Pauwelsz.) (c. 1603-1634) / Centraal Museum, Utrecht / 1630 / Holland / Oil on canvas / Portrait,Mythology, Allegory and Literature / 59,5x68,5

Museum, Villa Melzi D'Eril, Bellagio.

UN APOSTOL (ESTUDIO) - 1752-1768 - OLEO/LIENZO - 63 x 50 cm - NP 2202 - ESCUELA ALEMANA. Author: ANTON RAPHAEL MENGS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Painting, Reproduction of the painting, Work of art, Historical, Guido Reni, called il Guido or il divino Guido (born 4 November 1575 in Bologna, died 18 August 1642) Italian painter, fresco artist and etcher of the Bolognese school, main representative of a baroque classicism in painting, here the work: Saint Jerome (1590, 1620), Saint Jerome (1590, portrait of an old man with beard and cross, expression of sadness), Saint Jerome (1590, portrait of an old man with beard and cross, expression of sadness)

Francisco Sans Cabot / 'Saint Mark the Evangelist'. Ca. 1875. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Saint Paul Diego Velazquez (1599-1660/Spanish)

Campania Napoli Naples S. Lorenzo Maggiore192. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra05. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Pope Julius II, Titian, circa 1545, Palatine Gallery, Pitti Palace, Florence, Tuscany, Italy, Europe

Portrait of Cyprian Kamil Norwid; Szyndler, Pantaleon (1846-1905); 1882 (1882-00-00-1882-00-00);Drama, philosophers, capitals - architecture, painters, poets, purchase (provenance)

Akbar Shah II. geboren 22. April 1760, gestorben 28. September 1837, auch Akbar II., war 16. Kaiser des indischen Mogulreiches von 1806 bis 1837, digital verbesserte Reproduktion von einer Vorlage aus dem 19.Jahrhundert, Historisch, genaues Datum unbekannt 1f-4999689

School Jusepe Ribera de lo Spagnoletta: St. Matthias, Old Masters Collection, Croatian Academy of Sciences in Zagreb

Saint Matthew. Mezzotint by S. Meystetter.

Saint Andrew. Artist: Simone Martini (Italian, Siena, active by 1315-died 1344 Avignon). Dimensions: 22 1/2 x 14 7/8 in. (57.2 x 37.8 cm). Date: ca. 1326.This panel is from an important five-part portable altarpiece that was possibly commissioned by the governing body of the city of Siena. Together with Giotto, Simone was the most famous artist of his day. His refined technique and descriptive powers, evident in the expression of Saint Andrew and the manner in which he holds his book, were unequalled in Europe and earned the praise and friendship of the poet Petrarch (1304-1374). The rectangular frame is original. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of senior man by Karl Pavlovich Briullov, Oil on canvas, 1843-1847, 1799-1852, Russia, St. Petersburg, State Russian Museum

National Museum of Ancient Art. Saint Andrew. 15th century. Polychrome limestone.

Saint Peter. Dated: c. 1468. Dimensions: overall: 50.6 x 31.4 cm (19 15/16 x 12 3/8 in.) framed: 68 x 50.8 x 6.4 cm (26 3/4 x 20 x 2 1/2 in.). Medium: tempera on poplar panel. Museum: National Gallery of Art, Washington DC. Author: Marco Zoppo.

St. Leo I the Great (San Leone, detto Magno), pope from 440 to 461. 17th Century. Oil on canvas (165 x 104 cm). Madrid, Prado museum. Author: FRANCISCO HERRERA THE YOUNGER. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. PAPA SAN LEON I. SAN LEON I PAPA.

Lazio Viterbo Castel Sant'Elia S. Elia94. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

St Jerome, by Merisi Michelangelo known as Caravaggio, 1605, 17th Century, oil on canvas. Italy: Lazio: Rome: Borghese Gallery. Detail. Bust saint St Jerome beard red cloak/mantle light forehead

Eliezer of Damascus, 1860, William Dyce, British, (Scotland), 1806-1864, 24 1/8 x 20 in. (61.28 x 50.8 cm) (canvas), Oil on canvas, Scotland, 19th century, William Dyce was a religious and historical painter whose style and erudite subject matter allied him to the German Nazarenes and anticipated the interests of the English Pre-Raphaelites. Identified in Genesis as Abraham's Syrian steward, Eliezer of Damascus is one of the less prominent characters in the Bible.

'St. Jerome in his Study', c1530, (1920). Creator: Circle of Joos van Cleve.

Thales of Miletus, circa 624 BC - circa 546 BC. Pre Socratic Greek philosopher from Miletus, Ionia, Asia Minor. (Near Balat, Aydin Province, in modern Turkey.) After a 17th century work by Jacob de

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Vir dolorum; Hoffmann, Hans (1530-1591/2); before 1591 (1566-00-00-1591-00-00);

Print shows Aaron, half-length portrait, facing left, holding incense censer. ca 1874 H. Schile.

King of Spain. First general chronicle. Madrid, National Library. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

'St Jerome'. Italy, Late 15th century. Dimensions: 17,5x12,5 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI BATTISTA CIMA DA CONEGLIANO.

Campania Caserta Ventaroli S. Maria in Foro Claudio0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Beaucousin Collection at the National Gallery - "Ariosto" by Titian, 1860. Engraving of a painting later attributed to Palma Vecchio and titled Portrait of a Poet, c1516. 'The most recent accession to our National Gallery, at least of those which have been exposed to public scrutiny, is the collection of thirty-one pictures purchased last year from M. Edmond Beaucousin, at Paris, for some £5000 or £6000, we do not recollect the exact amount. The portrait of "Ariosto" by Titian represents the poet-friend of the great painter, in a front view, in a thoughtful mo

Old man's bust; Gierymski, Maksymilian (1846-1874); 3. W. 19th century (1850-00-00-1875-00-00);Purchase (provenance)

Lazio Latina Bassiano S. Erasmo2. Hutzel, Max 1960-1990 Exterior photos of facade and courtyard. Interior photos show views and details. The major artifact is a horizontal wooden crucifix in front of the altar. Additional photos of paintings and baptismal font. Object Notes: Hutzel photo campaign is undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Moses with the second tablets of the law (Mos con le seconde tavole della legge), by Giuseppe Diotti, 19th Century, oil on canvas, 162 x 116 cm

Portrait of Michel Angelo Buonarroti, Michel de Klerk, 1922 drawing The portrait of Michelangelo Buonarroti is signed to the bronze head of Daniele Da Volterra. The background shows the Saint Pieter in Rome which church Michelangelo has built. Amsterdam pencil. graphite (mineral). plywood drawing

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. Tondo with Isaiah prophet sheet inscription geometric decoration beard halo: aureole white black red green.

Remnants of the fresco on the counterfacade, church of San Michele al Pozzo Bianco (St Michael by the White Well), Bergamo, Lombardy. Italy, 15th century. Detail.

'The Amateur Painter', c1562. Artist: Pieter Bruegel the Elder

Saint Augustine. Philippe de Champaigne (Belgium, Brussels, 1602-1674, active France, Paris). Flanders, active France, circa 1645. Paintings. Oil on canvas

Holy Image, historic steel engraving from 1860

Portrait of James I the Conqueror, King of Aragon. By Gonzalo Pérez and Jaume Mateu, Catalonian artists of the 15th Century

Abruzzo, L'Aquila, Castelvecchio Subequo, S. Francesco, Italy, 20th century, photo, photography, Europe

Head of an Old Man. Date/Period: Ca.1590-92. Painting. Oil on canvas Oil. Height: 394 mm (15.51 in); Width: 279 mm (10.98 in). Author: Annibale Attributed to Carracci.

Charles-Michel-Ange Challé's 18th-century pencil drawing depicts the head of an old man with a beard, showing detailed facial features and hair texture.

SaintPaul. Artist: Lucas van Leyden, Netherlandish, 1494-1533

Portrait of an old woman with a bowl. Bellotti, Pietro (1627-1700), painter

An immortal of the Taoist religion, ink on paper, China. Chinese Civilisation, Yuan Dynasty or Ming Dynasty, 13th-17th century.

Bust of Christ, turned to the left. The head is slightly bent. In the margin are two lines of text in French, Christ J. Christ , print maker: Christian Forssell, (mentioned on object), intermediary draughtsman: A. Liernur, (mentioned on object), after: Valentin, (mentioned on object), 1787 - 1852, paper, engraving, h 300 mm × w 227 mm

Saint Jerome

Justus of Ghent, Joos van Wassenhove (1435-1480). Moses. 1470s. Flemish art. Oil on wood. ITALY. MARCHE. PESARO AND URBINO. Urbino. Ducal Palace.

King's figure and the youngsters in the oven. Close figure with crown and ermician cloak and the youngsters in the oven. Design for a painting.

Portrait of Dmitri Mendeleev by Nikolai Alexandrovich Yaroshenko, Watercolor, Gouache on Paper, 1885, 1846-1898, Russia, Moscow, State Tretyakov Gallery, 33,3x24,6

LEONARDO DA VINCI. PINTOR ITALIANO. 1452 - 1519. GRABADO RETRATO DE FRANCISCO HERNANDEZ.

Detalles del Retablo Mayor de la Prioral de Sant Pere, 1576-1634. Museu de Reus.

Judas Iscariot (Judas Iscariote) James Tissot (French, 1836-1902). Judas Iscariot (Judas Iscariote), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 1/16 x 6 in. (28.1 x 15.2 cm). European Art 1886-1894

Self-Portrait, Segantini, Giovanni (1858-1899)

Head of a man with a turban. .

'Saint Paul the Hermit', ca. 1637, Oil on canvas, 118 cm x 98 cm, P01115. Author: JUSEPE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN PABLO ERMITAÑO.

Ferdinand Magellan (c.1480-1521) From the 'Sala del Mappamondo' (Hall of the World Maps) 16th Century Antonio Giovanni de Varese (16th C.) Fresco

Portrait of Saint Peter by Marco Zoppo, Tempera on panel, 1468, 1433-1478, Usa, Washington, National Gallery of Art, 50,6x31,4

Beggar with a stick; Płoński, Michał (1778-1812); around 1800 (1796-00-00-1805-00-00);

ISAAC Y JACOB O LA BENDICION DE JACOB - DETALLE DE ISAAC - 1637 - O/L - BARROCO ESPAÑOL - NP 1118 - CONJUNTO 7430. Author: JUSEPE DE RIBERA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Victor Orsel (1795-1850). "Head of Saint André, hand of Saint Paul". Oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 24492-5 Apoter, beard, Catholic, Christian, Decoration, Epee, Main, Saint, Tete, Oil on canvas

of 2