Sami Worship and Biblical Scenes

Images depict Sami worshipping the god Thoron, hermits, and biblical figures traveling to Emmaus, integrated with landscape elements and religious symbolism.

Saint Onyphrius the Great as a hermit in front of a cave in the wilderness. He wears a loin girdle of leaves and is kneeling to pray the rosary., Onyphrius the Great as Hermit Male Hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), print maker: Raphaël Sadeler (I), intermediary draughtsman: Maerten de Vos, Antwerp, 1583 - 1588, paper, engraving, h 181 mm × w 216 mm

Laplanders worship God Thoron, Jan Luyken, 1682

Saint Onyphrius the Great as a hermit in front of a cave in the wilderness. He wears a loin girdle of leaves and is kneeling to pray the rosary., Onyphrius the Great as Hermit Male Hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), print maker: Raphaël Sadeler (I), intermediary draughtsman: Maerten de Vos, Antwerp, 1583 - 1588, paper, engraving, h 181 mm × w 216 mm

Emmausgoers; Landscapes with biblical, mythological scenes and yacht scenes. Landscape with a road. On the road two apostles traveling to Emmaüs. They are accompanied by Christ dressed as a pilgrim. The print has an ornamental list of flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Sami worship the God Thoron, Jan Luyken, 1682 print Print at the top right marked: first book fol: 53. Amsterdam paper etching Europeans: Sami. worship and devotion ~ non-Christian religions Sápmi

Mozes slaat water uit de rots.Moses strikes water from a rock so that the Israelites, which are around him with bowls and jugs, can drink. Text in undermarge.

The Agony in the Garden, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Agony in the Garden, from Speculum passionis domini nostri Ihesu Christi 664492

Holy Dimpna van Geel; Dympna Hyberniae Regis Filia; Female hermits; Solitvdo Sive Vitae Foeminarvm Anachoritarvm. Saint Dimpna, daughter of the Irish king Damon, prays on her knees for a chapel in the wilderness. Her father and some soldiers are attacking her but she is protected by the priest reign. Dimpna is killed in the background by her father. Her corpse is brought to a church in a procession. The print has a Latin caption and is part of a series with the subject of female hermits.

Collecting the Manna, Jan van Ossenbeeck, after Nikolaas van Hoy, after Jacopo Tintoretto, in or after 1660 print The Israelites collect the manna in baskets and jugs. Young and old are on his feet to collect the Manna. Like the right, a man designates Manna on a tree. Brussels paper etching / engraving the gathering of manna (in baskets and pots)

Saint Hilarion the Great as a young hermit, praying in front of his hut in the wilderness with a Bible and a rosary., Hilarion the Great as a hermit Male hermits (series title) Solitudo Sive Vitae Patrum Eremicolarum (series title), print maker: Johann Sadeler (I), print maker: Raphaël Sadeler (I), intermediary draughtsman: Maerten de Vos, Antwerp, (possibly), 1583 - 1588, paper, engraving, h 170 mm × w 209 mm

Epiphanius as a recluse, Johann Sadeler (I), After Maerten de Vos, 1594 print Saint Epiphanius, the bishop of Salamis, as an early Christian hermit. He is in a mountainous landscape for a cave. He reads a Bible. Behind him a source originates from the wall of the cave. In the background on the right a monk with a vegetable basket. München paper engraving male saints (EPHIPHANIUS OF SALAMIS). anchorite, hermit. cave, grotto. spring, source of river or stream

. The H. Antonius the Great for a crucifix in a ruin. He reads in a Bible and is plagued by devils and a beautiful woman with a mirror.

Christ as the good shepherd; Parable of the good shepherd; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Christ as a good shepherd. He defends his herd of sheep against the wolves, while the other shepherds run away. A farm in the background. Under the show a reference in Latin to the Bible text in John. 10:11. This print is part of an album.

Punishment of the children who mock Elisa; Bethelem ASCENDENS ELISAEUS Illuditur A Pueris Clamantibus, Ascende Calve (...); Spacious bible. Elisa is called on the way to Betel by children because of his bald head and he curses them. Two bears then devour the children. To the Bible text in 2. 2: 23-24. Under the show a title in Latin.

Mountain landscape with Christ healing the blood flowing woman; Spacious bible. Mountain landscape with scattered groups. In the foreground the woman knew that constantly suffers from blood loss before Christ and touches the hem of his rug. She heals it. Christ, in the company of Apostles, turns around and asks who has touched him. In the middle of Bible reference to Mar. 5:25.

Holy Family with Donkey and Cherubs; Flight to Egypt. There is a landscape with tree arties and a water feature. In the foreground Mary is in her arms on a donkey in her arms. Joseph walks behind the donkey and holds a staff in his left hand. There are three cherubs on the left hill and a round temple is on the right hill.

Print, Philip Baptizing the Ethiopian; Print Maker: Michel Lasne (French, ca. 1590 - 1667); France; engraving on paper; 11.7 × 15.2 cm (4 5/8 in. × 6 in.); 1896-31-30

The temptation of Saint Antonius (judge part), Anton Meitingh, After Jacques Callot, 1605 - 1655 print A rocky landscape with many diabolical beings. In the middle above a strikingly large, smoking sample. In the background on the left the Holy Antonius between the rocks, harassed by demons. paper etching St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Christ's Entry into Jerusalem, Michel Lasne, French, ca. 1590 - 1667, Engraving on paper, France, ca. 1650, Print, Print

Saint Francis of Assisi. Etching by A. Grimaldi.

H. Hieronymus in the wilderness; Landscapes with penitent saints. In a rocky landscape with tree arties, the Holy Hieronymus is bent on the right in the foreground over a book. He holds writing utensils in his right hand. For him lies a skull and inkwell on a piece of stone. There is a cloak and a cardinal hat on the rock for him. On the right is a cross and in the background are two lions opposite each other.

Sacrificial sacrifice; Landscapes with mythological and biblical performances. Abraham is about to sacrifice his son Isaac. An angel stops him and Abraham sacrifices a RAM instead of Isaak that has caught up in a shrub.

June: the parable of the greedy farmer; The life of Christ in the twelve months; Emblemata Evangelica. A summer landscape. In the air the astrological sign of June: Lobster. In the right corner, Christ tells the parable from the greedy farmer to his students. Central workers work on the construction of a larger barn for the greedy farmer, who assists against a tree (Luc. 12). The print has a Latin caption and is part of a series about the life of Christ's depicted in the twelve months of the year.

Holy Bavo of Ghent as a hermit; Male hermits and renewal; Sylvae Sacrae Monumenta. Saint Bavo of Ghent, an early Christian hermit, has been kneeling to pray for a crucifix. A wooded landscape behind him.

Emblem with man on the road to eternal life that is exposed to temptations of the devil, Anonymous, After Boëtius Adamsz. Bolswert, after Hendrik Aertssens (II), 1649 print A man on the road to eternal life meets Christ with the sufferers (Arma Christi). On his way, the man is tempted by the devil who confronts him with his rejected earthly possessions. paper engraving the life of man

Punishment of the children who mock Elisa; Bethelem ASCENDENS ELISAEUS Illuditur A Pueris Clamantibus, Ascende Calve (...); Spacious bible. Elisa is called on the way to Betel by children because of his bald head and he curses them. Two bears then devour the children. To the Bible text in 2. 2: 23-24. Under the show a title in Latin.

Calling of Abraham, Johann Sadeler (i), After Jacopo Bassano, 1560 - 1600 print Abraham is sleeping against a bare tree. A light beam and the voice of God comes from heaven. In the foreground on the right Sara and Lot at a horse. unknown paper engraving the calling of Abraham. Abraham starts out for the land of Canaan with Sarah, Lot and his belongings

Landscape with baptism of Christ; Landscapes with Christian stories. Landscape with the baptism of Christ in the Jordaan in the foreground. In the background John preaches the Baptist in a glade in a forest. Upstairs in the air God the father who sends the Holy Spirit (a pigeon) to the earth. The print is part of a series of landscapes with Christian stories as a theme.

Emmaüsgangers, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with a road. On the road two apostles traveling to Emmaus. They are accompanied by Christ, dressed as a pilgrim. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims). public road. monkeys, apes (+ ornamental variants of animals). flowers ~ ornament. ornamental birds

Bilam and the donkey, 1643 print Bilam urges his donkey and hits her with a club, but she is stopped by an angel with a sword. There are three fighters in the landscape behind Bilam. Under the performance a reference in Latin to the Bible text in Num. 22:21. This print is part of an album. Amsterdam paper engraving an angel holding a sword bars the way and causes Balaam's ass to turn aside; the angel is invisible to Balaam. Balaam strikes his ass, whereupon the ass lies down and starts to speak

Antonius the Great with Paul's body's hermit. Together with two angels, Antonius supports the large Dead body of Paul's hermit. Antonius visited Paul in the desert and stayed with him to Paul. " A third angel is behind and points to two lions that delve the grave. Right right is a palm tree, of which Paul usually wore the leaves around his body. In the background, the soul of Paul is worn by two angels. In the underwear three columns text in Latin.

. The H. Spiridon of Cyprus for a cave in the desert. He lies against a rock and reads a Bible. Three monks from a Bible read in the cave.

Landscape with the likeness of the weeds between the grain; Landscapes with scenes from the life of Christ. A man has sown wheat on his field and is sleeping under a tree. The devil sows weed between wheat. Christ and a few figures are on the path in the middle of the landscape.

. The H. John of Egypt, an early Christian hermit, lies naked in a cave. He is discovered by a dog. Two dogs are sitting next to the cave. In the background a mountainous landscape with two hunters.

Copres van Egypt as hermit, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The H. Copres van Egypt as a recluse in a garden. He is reading a Bible while resting from work in the garden. There are all kinds of vegetables next to him on the floor. There are hermit's hut in the background. Antwerp paper engraving male saints (with NAME). anchorite, hermit. vegetables

The Israelite flights from Egypt, Cherubino Alberti, After Polidoro da Caravaggio, c. 1576 print A group of Israeli men, women and children flee. They all wear an urn. On the right is the old Moses to point with his right hand. A woman is kneeling in front of him. Italy paper engraving the Israelites leave Egypt; first movement from Rameses to Succoth (Exodus 12:31 - 13:16).

John the Baptist preaches for a group of people, Bartholomeus Willemsz. Dolendo, 1589 - 1626 print John the Baptist stands in the middle of a group of people for a kind of garden fence. The people stand and sit between trees and listen carefully. John the Baptist has closed his eyes and extended his hand. Leiden paper engraving John the Baptist preaching (perhaps Christ among the bystanders)

Landscape with the vision of the H. Francis of Assisi. On Monte Alverna has Franciscus a vision of a seraphy with six wings. Franciscus dressed in a simple monk trick kneel down and looks at the seraphy. In the background a landscape with the San Damianokerk in Assisi.

Sacrifice of Abel: the gift of religiousness; Spiritvs Pietatis; Seven gifts of the Holy Spirit. Cain and Abel sacrifices (Genisis 4: 3-4). The print shows the passage where Abel demonstrates his religion. In the foreground Abel Offeraltaar, on which sheep are sacrificed to God. The smoke of the sacrifice rises up. In the background, cain of sacrifature, on which corners are sacrificed. The smoke goes down. Upstairs God appears in the clouds. God approves Abels sacrifice. The print has a Latin caption. The print is part of a series with the different gifts of the Holy Spirit.

Hilarion the Great as a recluse, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The H. Hilarion the Great as a young recluse, praying for his hut in the wilderness with a Bible and a rosary. Antwerp paper engraving male saints (with NAME). anchorite, hermit

Requirement of Antonius, Frans van den Wijngaerde, After David Teniers (II), 1636 - 1679 print The recluse Antonius, dressed in his monk food, prayed in a cave. He is surrounded by beings in various forms. A devil in a monk's food is behind him. In the margin a caption in Latin. Antwerp paper etching / engraving St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Christ at De Schaapskooi, 1606 print Christ at the sheepfold as the good shepherd, ca. 1560. Christ standing in the door to the sheepstone with a lamb on the shoulders. Through the side walls and the roof try to penetrate thieves and steal sheep from the stable. In the background, a shepherd drives away a wolf from his herd. With caption of 2 times 2 lines in Dutch and a reference to Johannes 10. Cartoon on the Roman church, theme of approx. 1560. Amsterdam paper etching / engraving Christ as Good Shepherd. 'I am the door of the sheep' ~ parable of the good shepherd. 'thieves and robbers' climb on the roof of the sheepfold ~ parable of the good shepherd

Wonderful fishing; Landscapes with mythological and biblical performances. Christ is on the shore of Lake Tiberias and gives his disciples instructions on how to catch fish. After they have caught nothing all night, they come home with his help with full nets. Peter runs over the water to Christ.

Eno and his descendants; History of the family of set / about good and bad judgments; Bonorum et Malorum consensio. Enos sits with his descendants in a forest near a village. He kneels and stretches his hands to heaven to worship God. The print has a Latin caption.

Holy Euthymius and Saint Theoctistus, Raphaël Sadeler (I), After Maerten de Vos, 1598 print Saint Euthymius, an early Christian hermit from Egypt, sits on the floor in a cave and reads a Bible. The H. Theoctistus walks in its direction. In the background in a landscape other hermits who build huts. Venice paper engraving anchorite, hermit. male saints (with NAME). male saints (with NAME). withdrawal into the wilderness or desert ~ ascetic life. cave, grotto

Peter as a good shepherd; Parable of the good shepherd. The apostle Peter as a good shepherd. He leads his herd of sheep (the community of Christians) in a stable (the church) that is prepared by the other apostles. In the background a village. On the horizon Christ on the cross. First print of a three-part series.

Prophet Haggai for Zerubbabel and Joshua, Anonymous, Lucas Cranach (II), 1534 - 1600 print paper the book of Haggai. exhorted by the prophets Haggai and Zechariah, Zerubbabel and Jeshua resume the rebuilding of the temple

Flight to Egypt. The holy family on the flight to Egypt. Maria and Joseph walking along a child that lies on the roadside. An angel takes care of the child.

Drunkenness of Noah: Shem and Japheth cover the naked body of Noah, who lies in a tent, a male figure at far right points to Noah, from a series of engravings made for the first edition of the 'Liber Genesis' 1612 Crispijn de Passe the Elder Netherlandish. Drunkenness of Noah: Shem and Japheth cover the naked body of Noah, who lies in a tent, a male figure at far right points to Noah, from a series of engravings made for the first edition of the 'Liber Genesis' 414783

Guido of Pomposa, saint.

Parable of the splinter and the beam and similarity of the blind that leads the blind; Dominica I. Post Penteencos. In the foreground two men, one with a bar in the eye, the other with a splinter, imagination of mat. 7: 3: "Why do you look at the splinter in the eye of your brother or sister, while you do not notice the bar in your own eye" Behind them fall two shutters in a pit, imagination of LUC. 6:39: "Can one blind lead the other blind Then don't they be both in a pit" At different elements from the show are letters that correspond to the legend in the margin.

The Holy Hieronymus as a hermit. The Holy Hieronymus for a cave, kneeling for a crucifix. Under the Crucifix, cardinal hat, a book and a skull. At the top of the cave a lion.

Simson carries the gates of Gaza; History of Simson; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Simson carries the gates of the city of Gaza on his shoulders. In the background the city of Gaza. Under the show a reference in Latin to the Bible text in RI. 16: 3. This print is part of an album.

Blessed Yvetta van Hoi, Adriaen Collaert, After Maerten de Vos, 1570 - 1618 print The blissful Yvetta van Hoi in the wilderness. On the left she prays in a small hut. On the right she hand out food to the poor and helps lepers. The print has a Latin caption and is part of a series with the subject of female hermits. Antwerp paper engraving anchorite, hermit

Requirement of Saint Antonius, Jan Wellens de Cock, 1522 print Landscape with different scenes from the temptation of Saint Antonius. Low Countries paper St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Swanevelt, Herman van, Temptation of Christ, verso center bottom - stamped, In a wooded landscape, Christ is approached on the right in the foreground by Satan in the form of an old man with a wooden leg. With his right hand he offers Christ a stone., print, prints, height 90 mm, width 114 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1623 - 1655, paper, etching, etchings

Holy Patrucus of Néris as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1598 print The Holy Patrucus of Néris, a recluse from France, prays for a chapel dedicated to the H. Martinus van Tours. In the background a forest with a crane. Venice paper engraving anchorite, hermit. male saints (with NAME). Martin(us), bishop of Tours; possible attributes: beggar, goose. church (exterior) - QQ - small church, chapel. forest, wood. shore-birds and wading-birds

Petrus as good shepherd, Anonymous, After Johann Sadeler (I), After Hans Bol, 1570 - 1601 print Peter as a good shepherd leads the herd of sheep into the stable, the roof of which is repaired by two angels. In the background a hilly landscape with a church and some farmhouses. Under the performance in the margin a six -line text in Latin. paper engraving the good shepherd (Christ) defending his sheep against wolves; 'I am the good shepherd' (John 10:1-16). shepherd with sheep or lamb on his shoulders

Balaam and his donkey; Landscapes with mythological and biblical performances. Balaam, which is on its way to the King Balak to speak a curse about the Israelites, is stopped on the way by an angel. The balaeam invisible angel barrded the road for bileeams donkey and threatened with a sword.

God creates water and land; Figurae et imageins bibliorum. God, worn by angels, creates land and water and gives it its own place. At the bottom of a Bible text in Latin gene. 1.

Landscape with the vision of the Holy Francis of Assisi, 1575 print On the Monte Alverna, Franciscus has a vision of a Serafijn with six wings. Franciscus dressed in a simple monk food kneels down and looks at the Serafijn. In the background a landscape with the San Damianokerk in Assisi. paper engraving martyrdom, suffering, misfortune, death of St. Francis of Assisi

The Preaching of John the Baptist in the Wilderness. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

The Holy Hieronymus. Saint Hieronymus as a hermit in the wilderness. He is shown as a muscular old man. Next to him lies a lion and on the floor there are a cardinal hat, a skull and two books. On the right is a view with a mountain landscape with a river and a town.

Sacrifice of manoach; History of Simson; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Manoach and his wife rejected at the altar, where Manoach sacrificed a goat. The Archangel Gabriel, who announced Manoach and his wife the birth of a son, sails in the flames of the sacrifice. Under the show a reference in Latin to the Bible text in RI. 13.

During one of his wanderings as a hermit by the woods, the monk paternus of Sens encounters a group of figures that disclose a temple. Paternus appeals to the robbers enlarged and will be killed immediately. In the foreground, Paternus was knocked down in prayer for a sloping book. A caption in Latin in the margin.

Helenus van Troyes as a recluse, Johann Sadeler (I), After Maerten de Vos, 1583 - 1588 print The H. Helenus van Troyes for his cabin in the wilderness. He picks herbs from his garden. In the background another recluse in a hut. Antwerp paper engraving anchorite, hermit. male saints (with NAME). herb garden

Pernicious life of man before the flood, Johann Sadeler (I), After Maerten de Vos, 1586 print In the foreground an arbor where men and women drink, eat, make music and caress. In the background, God appears to Noah and orders him to make an ark. The print has a Latin caption. paper engraving the wickedness of mankind; the wicked are usually shown feasting and revelling. God the Father as bearded old man, usually with crown or tiara or sceptre and/or globe

Holy Josaphat as a recluse, Johann Sadeler (I), After Maerten de Vos, 1598 print The H. Josaphat, an Indian hermit from the tenth century AD, kneels in a forest and pray. A lion meets him. There are hermit's hut in the background. Venice paper engraving anchorite, hermit. male saints (with NAME). beasts of prey, predatory animals: lion. forest, wood

Mountain landscape with the temptation of Christ; Spacious bible. Mountain landscape with Christ and the devil in the form of an old man in monk trij. The devil offers Christ a stone and asks him to change in a bread. Under the show three two-year verses in Latin and a reference to the Bible text in mat. 4.

Antwerp, Cock, Hieronymus, Jode, Gerard de, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, The Ten Commandments, Thou shalt not covet thy neighbour's property, Jacob negotiates with Laban, On the right Jacob negotiates with his father-in-law Laban about his wages. Laban agrees to give Jacob all the black and spotted cattle. In the background a landscape with figures and Laban's cattle. Print is part of a series on the Ten Commandments and depicts a violation of the tenth commandment: Thou shalt not covet thy neighbour's property. At the bottom in the margin a reference to the Bible text in Latin. Print is part of an album., print, album leaf, prints, height 209 mm, width 247 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, engraving, engraving (printing process), Work conception, Northern N

The wide and the narrow road: allegory on the human life course, 1540 - 1590 print Left front a sitting angel, pointing to Hemels Jerusalem behind him. The narrow road leads to it. In front of a crippled man with Devil's head, pointing to the wide road on which a partying and loving company under a canopy. Behind hell. In the middle of the foreground, an old man with a bag on his shoulder fills with vices: carefully desire, stinginess, Hovendij. In the middle of a cloud of Christ that separates the good and evil sheep. paper etching / engraving / letterpress printing the way to destruction is broad and the gate is wide; the way to life is narrow and the gate is straight ~ doctrine of Christ on love, etc. (Matthew 7:13-14; Luke 13:24). 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues. Vice, and the Seven Deadly Sins

Antwerp, Sadeler, Bol, Hans, Collaert, Adriaen, Emblemata Evangelica, The life of Christ in the twelve months, July: the Good Shepherd, verso bottom center - stamped, A summer landscape. In the sky the astrological sign of July: Lion. Central Christ as the Good Shepherd who lovingly cares for his sheep (John 10). The print has a Latin caption and is part of a series on the life of Christ depicted in the twelve months of the year., print, prints, verso center bottom - stamped, height 149 mm, width 206 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

"A group of Pharisees swelling with false pride cursed the disciples" (Virgo). Dated: 1585. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Adriaen Collaert after Hans Bol.

God appears to Moses in the Burning Braambos, Orazio Borianni, After Rafaël, 1615 print God appears to Moses in the burning Braambos. Moses is kneeling with his hands in front of his face. Print Maker: ItalyaFter Painting by: Vatican City paper etching Moses, kneeling before the bush and hiding his face, listens to God

Picking of choirs on the Sabbath, Adriaen Collaert, After Hans Bol, 1582 - 1586 print Landscape with a cornfield. Central tells Christ to the Pharisees that his apostles did not perceive the Sabbath if they act with Korenaren from the field to satisfy their hunger. The apostles pick grain in the background. The print has an ornamental list of flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving disciples pluck ears of corn on Sabbath, and eat (Matthew 12:1-8; Mark 2:23-28; Luke 6:1-5). discussion with Pharisees about the plucking of corn. cultivated land. ornamental birds. flowers ~ ornament. other mammals: mole (+ ornamental variants of animals). rodents: squirrel (+ ornamental variants of animals)

Requirement of Christ, Herman van Swanevelt, 1623 - 1655 print In a wooded landscape, Christ is approached on the right in the foreground by Satan in the form of an old man with a wooden leg. With his right hand, he offers Christ a stone. paper etching Christ, sometimes accompanied by guardian angel(s), tempted by Satan, who usually appears in human form

God appears for an old man; Landscapes with mythological and biblical performances. An old man kneels down at a stream in a village. God appears in a cloud for him. The old man sticks out his hands.

Adriaen Collaert after Hans Bol, A group of Pharisees swelling with false pride cursed the disciples (Virgo), 1585 A group of Pharisees swelling with false pride cursed the disciples (Virgo)

Holy Family Fishing, Antonie Wierix (III), After Hieronymus Wierix, 1606 - Before 1619 print The Holy Family is fishing in a river. Joseph is in the water with a fishing net. Mary and the Christ child are sitting on the shore. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving Holy Family, and derived representations. fishing (sports)

Application of Antonius. The recluse Antonius, dressed in his monk trij, prays kneeling in a cave. He is surrounded by beings in various forms. A devil in monk trij is behind him. In the margin a caption in Latin.

H. Philippus Benizi from the servites punishes the bussmen. Three men in the foreground on the left watch how a radius catches fire in a tree. A group of people flight away from the tree. Two people are wounded on the ground under the tree. Under the show a text in Latin.

The rejection of Hagar; The story of Hagar. Sara and Abraham look down on the kneeling Hagar. In addition to her is Ismael. In the background a pond and a few ruins. Numbered at a lower column at the bottom right as 2.

Crucifixion, 1741. John Baptist Jackson (British, 1701-c. 1780). Chiaroscuro woodcut;

Hagar in the desert; Figurae et imageins bibliorum. Sara offers on the left in the house its servant Hagar to Abram, because Sara cannot get children. If Hagar becomes pregnant, Sara makes her life so bad that she flight. On the right, Hagar is in the desert at a source, where an angel of the Lord appeals to her and traces her to go back. In the rear house left, Hagar's son Ismaël's son. At the bottom of a reference in Latin to the Bible text in Gen. 16.

Holy Beatus as a recluse, Johann Sadeler (I), After Maerten de Vos, 1600 print In the foreground the H. Beatus, a Swiss hermit from the seventh century. He prays for a crucifix near his cave. In the background a mountain landscape with a dragon. Venice paper engraving male saints (with NAME). anchorite, hermit. cave, grotto. dragon

Abraham leads his son Isaac to the place of sacrifice. Isaac carries the wood for the sacrifice. Abraham and Isaac on their way to the sacrifice site Landscapes with mythological and biblical scenes , Hans Bol, print maker: Philips Galle, (rejected attribution), print maker: anonymous, Southern Netherlands, c. 1550 - c. 1650, paper, etching, h 125 mm × w 184 mm

Holy Zeno of Antioch as a recluse, Johann Sadeler (I), After Maerten de Vos, 1600 print A forest landscape. In the foreground the Holy Zeno of Antioch, an early Christian hermit. He is praying kneeling. Next to him a kneeling young man who offers him a bread and points to a hut. Venice paper engraving anchorite, hermit. forest, wood. the bishop of Verona, Zeno; possible attributes: fish dangling from rod or crozier, or lying on book at his feet, fishing-rod

The wonderful spitness (left part). Christ multiplies the loaves and the fish, in the midst of his disciples and spectators. In the background a landscape with a river and houses.

Rich man in hell and Lazarus in heaven at Abraham; Parable from Lazarus and the rich man.

Sadeler, Johann (I), Antwerp, Mostaert, Gillis (I), unknown, Enoch prays with his family, verso lower left - stamped, Enoch sits with his family at the table in front of his house. The family prays to God before eating. In the doorway of the house a woman and a child. In the background a rolling river landscape with the ascension of Enoch on the right. The print has a Latin caption., print, prints, height 219 mm, width 267 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, engraving, engraving (printing process), 1530 - 1598-12-28, after, after painting by, Publication (Event), Publication, publisher

. In the foreground Elisa, surrounded by children. They have shot him because of his baldness. He cursed them in the name of the Lord. Two bears come from the forest and tear the children.

Temptation of Christ in the Desert, print maker: Cornelis Galle I, Maerten de Vos, 1598 - 1618.

Martelaarsdood van de Heilige afra, Raphaël Saddleer (I), After Johann Mathias Cakes, 1615 print St. Afra dies a martyr's death at the stake while a crowd is watching. An angel descends from heaven to record her soul. The print has a Latin caption and is the sixth print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching the harlot and martyr Afra of Augsburg; possible attributes: dead tree, jar of ointment, stake, woodstack. violent death by burning at the stake; pyre. angels crowning and/or bringing palm-branches Bavaria

Macarius of Alexandria as a hermit, Johann Sadeler (I), Raphaël Sadeler (I), Maerten de Vos, 1583 - 1588

Gods verbond met Abraham, Symon Novelanus (attributed to), 1577 - 1627 print God promises Abraham a child and shows him, in the background, the stars to show him how many descendants he will get. Commissioned by God, Abraham cuts a cow, goat and ram through the middle and adds a lovebird and ordinary pigeon. On the right, Abram drives the vultures away, which come to the cadavers. Then Abraham fell asleep and got a vision. He saw an oven where smoke came out and a burning torch went between the animal halves as a sign of God's covenant with Abraham. At the bottom a reference in Latin to the Bible text in Gen. 15. Cologne paper etching Abraham counting the stars. Abraham chases away the birds that come down on the carcasses. Abraham falls asleep ~ sacrifice. the vision of the smoking furnace and the burning lamp in the night ~ Abraham's sacrifice

. The H. Apelles of Geneva, reading in a Bible, sitting under a tree. A wooden church in the middle, to which a smith is built.

The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him 1576 Cherubino Alberti (Zaccaria Mattia) Italian. The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him 652413

Christ worn to the grave, Claude Mellan, Claude Mellan, 1678 print paper engraving bearing of Christ's body to the grave

An angel stops Abraham who is just about to sacrifice his son Isaac. Print from a series of 12 prints depicting the life of Abraham. All prints have four lines of German explanatory text in the lower margin., Sacrifice of Isaac The Life of Abraham (series title), print maker: Cornelis Bos, Groningen, 1555, paper, engraving, h 70 mm × w 84 mm

Landscape with the penitent Maria Magdalena, Giovanni Francesco Grimaldi, 1616 - 1680 print A wide landscape with the penitent holy Mary Magdalena under a tree in the foreground on the right. Italy paper etching landscapes. the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Parable of De Zaaier, Jan Luyken, 1712 print Amsterdam paper etching the sower ~ parable of Christ (Matthew 13:3-9; Mark 4:3-9; Luke 8:5-8)

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