Satirical and Historical Caricatures

Colorful illustrations and engravings reflecting societal themes, humor, and politics from late 18th to early 19th century, often in a theatrical context.

Integrity retiring from office , Government officials, Politicians, Nobility, Authors, Military officers, Kings, Riots, Crowds, Jekyll, Joseph, 1754-1837, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Jones, Thomas Tyrwhitt, Sir, 1765-1811. James Gillray (1756-1815). Prints and Drawings

Integrity retiring from office , Government officials, Politicians, Nobility, Authors, Military officers, Kings, Riots, Crowds, Jekyll, Joseph, 1754-1837, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Jones, Thomas Tyrwhitt, Sir, 1765-1811. James Gillray (1756-1815). Prints and Drawings

Fraternization in Grand Cairo, or The Made General & his Bonny Party Likely to Become Tame Musselmen October 9, 1798 Thomas Rowlandson. Fraternization in Grand Cairo, or The Made General & his Bonny Party Likely to Become Tame Musselmen. Thomas Rowlandson (British, London 1757-1827 London). October 9, 1798. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Scene picture from Ludovic, opera in four acts by G, Kupelwieser theatrical picture gallery for the theater newspaper, No, Andreas Geiger -, Copper Engraver, after, Joseph Schmutzer -, artist

Nothing in hands nothing in the pockets I'm not mistaken but ...... (IT)

Georgian gentleman and wife promenading in Hyde Park, 1820. The fashionable of London riding and walking in the park. Doctor Syntax in Hyde Park. Handcoloured copperplate engraving after an illustration by Isaac Robert Cruikshank from The Tour of Doctor Syntax through London, in the Pleasures and Miseries of the Metropolis, J. Johnson, London, 1820.

The ghost on the Bastey by Meisl Gallerie Droller Scenen, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Monkeys on the ice, Leonard Schenk (Possible), 1720 - 1767 print Monkeys of all ages play on the ice. On the right is a few in a sled. Left front has fallen a skating monkey on the floor and a female monkey watches in a shock. Part of a series consisting of a title print and records in which monkeys figure as people in all kinds of scenes from daily life. The print has a two -way verse in Dutch. Amsterdam paper etching animals acting as human beings. monkeys, apes. skates (winter sports). sledge, sleigh (winter sports). playing with snow and ice

Doctor Syntax leaves his horse from the village, Thomas Rowlandson, 1820 print paper etching riding a horse, ass, or mule; rider, horseman. waving farewell ~ departure on a journey. church (exterior)

The Esplanade. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1797. Dimensions: 250 × 306 mm (image); 260 × 355 mm (plate); 292 × 355 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Fencing, George Cruikshank, 1792-1878, British, Feb. 1, 1821

Don Luigi Meets Donna Anna in the Museum, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802" June 1, 1815 Thomas Rowlandson. Don Luigi Meets Donna Anna in the Museum, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". Thomas Rowlandson (British, London 1757-1827 London). June 1, 1815. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Fray at the Jeanie Mac Alpine's, Print made by George Cruikshank, 1792-1878, British, 1836, Etching on medium, slightly textured, cream wove paper

Henry Thomas Alken, 1785-1851, British, Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's, 1823. Hand colored soft-ground etching.

Leçon de Voltiges (Trick Riding). Dated: 1822. Dimensions: image: 20.6 x 29.8 cm (8 1/8 x 11 3/4 in.) sheet: 23.6 x 34.4 cm (9 5/16 x 13 9/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

Adventure on a trip with the express car , fresco painting after the French Gallerie Droller Scenen for the theater newspaper, th year, No, After, Johann Christian Schoeller -, artist

Cast Off Machiners Selling By Auction February 16, 1835 John Doyle. Cast Off Machiners Selling By Auction. HB Sketches, No. 372. John Doyle (Irish, Dublin 1797-1868 London). February 16, 1835. Lithograph. Thomas McLean (British, 1788-1875). Prints

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Food of onlookers (registered title (letter)). Colored lithography, woven paper. Balzac house.

Drawing, Ave Maria at Tivoli; Bartolomeo Pinelli (Roman, 1781 - 1835); Italy; pen and gray ink with watercolor and black chalk on off-white wove paper

Exit Liberte al Francois! Or Buonaparte closing the Farce of Egalite, at St Cloud near Paris, Nov 10th 1799. Napoleon's Coup d'Etat of Eighteenth Brumaire. British cartoon by James Gillray, 21 Nov 1799. First Consul Satire France

(Allegories) The mortals are Egaux, 1791 Anonymous. (Allegories) The mortals are equal, 1791. Water-loud colored.

Groups of 18th century figures in rustic pastimes. Men and women dancing, hunting, fishing, flirting and walking. Handcoloured copperplate engraving from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Men learning to ride at an equestrian school: one horse is misbehaving. Etching by T. Rowlandson after H.W. Bunbury.

The Horse Armoury in the Tower. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 13/16 x 16 1/4 in. (27.5 x 41.3 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: January 1, 1800. Museum: Metropolitan Museum of Art, New York, USA.

Fashionable Bores, or Coolers in High Life, Daniel Thomas Egerton, c.1800-1842, British, Peter Quiz, active 1824, 1824, Aquatint, colored by hand, Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)

Stychka prusskikh dragun s russkimi kozakami.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Marlet, Jean Henri (n.1771-11-18-D.1847), La Parisienne in London. / N ° 17. (Registered title (letter)). Carnavalet museum, history of Paris.

The City Hunt. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Plate: 9 13/16 × 13 15/16 in. (25 × 35.4 cm)Sheet: 10 11/16 × 14 5/8 in. (27.1 × 37.1 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: ca. 1810."Cits" (residents of the City of London) ride horses from left to right, accompanied by dogs, three of whom have stopped to fight over a piece of meat. At upper left, a sign points to "The Bald Stag," while another at right indicates the nearby presence of "The Old Green Man" (both public houses or inns). Museum: Metropolitan Museum of Art, New York, USA.

Wages of debauchery caricature on the punitive measures against prostitutes, After, Johann Hieronymus Delete Kohl -, publishing house

Artist: Nathaniel Currier, American, 1813-1888, The Life and Age of Man / Stages of Mans life from the cradle to the grave, Lithograph, Made in United States, American, 19th century, Works on Paper - Prints

A Royal Salute, Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 10 5/8 x 19 5/8in. (27 x 49.8cm)

Celebrate Napoleon's birthday on Sint Helena, 1815, Johann Michael Voltz, 1815 print Cartoon in which the banished Napoleon celebrates its birthday on Sint Helena, together with the rats. Napoleon standing for a people of rats who honors him as a prince. Napoleon hands out medals to a few rats. In the air a hot air balloon, a blockage ship in the distance. Following Napoleon's exile to Sint-Helena in October 1815. print maker: Germanypublisher: Neurenberg paper etching rodents: rat. animals acting as human beings. medals and other marks of military honour Sint-Helena

The Westminster Deserter Drum'd Out of The Regiment. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 1/2 × 15 3/4 in. (29.2 × 40 cm)Plate: 9 3/4 × 13 13/16 in. (24.8 × 35.1 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806); Sir Cecil Wray (British, Yorkshire 1734-1805 Lincolnshire); Samuel House (British, active ca. 1780). Date: May 18, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Grandpré (TI)

The package boat Gallerie Droller Scenen for the theater newspaper, th year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

. Cartoon on the attempts of Belgians to find a king, January 1831. At the top of the empty Belgian throne without frost, on either side Belgians without head. On the Throne Sky a waffle flanked by two Beer Mugs Lambic and Faro. In the foreground others look for a king on the street.

City Foulers-Mark!. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet: 9 5/8 × 13 7/16 in. (24.5 × 34.2 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Rowlandson, A Cart Race, 1788 A Cart Race

Arrival of the Upper Austria city and state deputation in Vienna, on March , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Käser, Publishing House, Leopold Theodor Neumann -, publisher

Anonymous 19th-century drawing depicting a race, executed in black pen and watercolor, showing figures in motion on a track or open space.

Hunting, Shooting, etc. set of six: 3. 'Throw the board ditch behind you', Samuel Howitt, 1756-1822, British, 1794, Aquatint, hand-coloreds with aquatinted border, Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)

Entrance to Paris by S. A. Marie Caroline of Naples. DACHSE. Berry. / June 16, 1816. (IT)

Last effort of an unhappy party.

Groningen masquerade of 1859: Portuguese group; Portuguese group; Image of Masquerade, which by H.H. Students, the 13 October 1859, in Groningen has been held. The Portuguese group. Part of the series of three plates plus statement from the historic procession in Masquerade with the subject of Europeans' establishment in East Indies, stepped up by the students of the Hogeschool van Groningen on October 13, 1859.

Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani. Saverio Xavier della Gatta (1777-1829). Pencil and watercolour on paper. Dated 1815. 23 x 28cm

'Card with Letter "A"'. 1814. Dimensions: 8,3x11 cm. Museum: State Hermitage, St. Petersburg. Author: Ivan Terebenyov.

The enraged son of Mars and timid tonsor , Barbers, Barbershops, Shaving, Monkeys. Thomas Rowlandson (1756-1827). Prints and Drawings

The Schlimme Liesel , Lustspiel by Bäuerle Theatrical Image Gallery for the Theaterzeitung, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

L'Amour Filial / De Ouderliefde, 1833 - 1856 print Leaf with a large performance of a family, consisting of children, parents and grandparents, in a garden with fountain. Under the show the title. Numbered below: No. 32. publisher: Turnhoutprint maker: Netherlands paper letterpress printing parental love. family, descendance. parents with their children. grandparent(s) with grandchild(ren) (family group)

The ROSBACK column. (TI)

The seven swab and the hare. Political allegory based on the fairy tale of the Grimm brothers over the seven swabs (Schwaben) that attacked a hare with a lance. The Swabies have been proposed as different European characters including a Frenchman, a Catholic priest and a Dutchman. The faded hare stands next to a stone with the arms of the English royal family.

Convoy of the daily. (IT)

Daniel Thomas Egerton, c.1800-1842, British, Fashionable Bores, or Coolers in High Life, 1824. Aquatint, colored by hand.

Rural sports. Smock racing , Sports spectators, Running races, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Racing: The Return from Coursing, Anthony Cardon, 1772-1813, Flemish, after William Hamilton, 1751-1801, British, 1803, Hand colored stipple engraving, Sheet: 18 7/8 x 23 15/16in. (47.9 x 60.8cm)

Napoleon, the Celles and Duterage on the Schandpaal, 1813. Cartoon on Napoleon, possibly due to the abolition of excise duties (direction tobacco and bread) With the departure of the French people from the Netherlands in 1813. Podium on which Prefect Antoine de Celles, Emperor Napoleon and Duterage to be bound to pillions. They are mocked by the public that cares mostly headwear with orange tones. Two men in the middle hold tobacco leaves and a bread up, some boys turning stones from the street.

A new way to pay the National Debt designed by Helagabalis; executed by Sejanus: Paying the Royal debts. George III and Queen Charlotte leave the Treasury with all the money they can carry. James Gilray cartoon, 1876.

The Stage. George Primrose as "Horatio," from "The Vicar of Wakefield" May 1, 1817 Thomas Rowlandson The Vicar of Wakefield was written by Oliver Goldsmith between 1761-62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.. The Stage. George Primrose as "Horatio," from "The Vicar of Wakefield". "The Vicar of Wakefield". Thomas Rowlandson (British, London 1757-1827 London). May 1, 1817. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Entry of Maurits in The Hague, 1594, 1853 - 1861 print Festive entry of Prince Maurits in The Hague after the conquest of Groningen in 1594. The prince drives on horseback through the streets of the city. Netherlands paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Groningen. The Hague

Prince Józef Poniatowski parting with his family. unknown, graphic artist, Cereghetti (Paryż ; wydawca ; 17..-18..), publisher

1848 / The judgment of God (TI)

Monsieur de la Fayette coming out of the city hotel with the orders to leave for Versailles Jean-Fran�ois Janinet (1752-1814). "3rd event of October 5, 1789: Mr. De La Fayette coming out of the City Hall with the orders to leave for Versailles ... Engraving.

Tail of the first French theater. (registered title) | Paintings of Paris. (IFF 15, IFF P.270) (set of all)

Cartoon at C. Seyn, 1838-1839. Cartoon on the Leiden Klerk C. Seyn that is led by two agents to prison. In the background a vendu house for furniture where a group of women sing and dance of joy about the arrest. For his fobster (paintings) Stable Seyn from the Stadskas. Right a few paintings leaned against a cupboard, a jar of syrup and a peacock feather. The theft was discovered on October 10, 1838, the judgment pronounced on 27 September 1839.

Veran, heroic deed and noble mut or the landmark, by Fetz Gallerie Drollerie Scenen to the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Rural happiness at Caverac, 1810 - 1819., 1810 - 1819 (Questionable)., London Circle dances. Aquatint, colored. 11.5 x 19.8 cm

The game of the four corners or each in its place (IT)

No. 1: She Will Be A Soldier May 1, 1798 Heinrich Joseph Schütz Outside of an inn, two soldiers and a girl drink punch together. She stands, wearing the cocked hat and sword-belt of an officer who holds her hand, while a child plays with the sword at left.. No. 1: She Will Be A Soldier. Heinrich Joseph Schütz (German, Frankfurt 1760-1822 Frankfurt). May 1, 1798. Etching. Rudolph Ackermann, London (active 1794-1829). Prints

The press, English freedom Anonymous / at Basset. "The press, English freedom". Water-Strong colored, 1803.

The Kollewijnsche Danger!, Johan Braakensiek, 1910 Amsterdam paper political caricatures and satires. portrait of a writer. historical persons

The Naumacia to Commemorate a Peace July 23, 1814 Thomas Rowlandson A naumachia taking place in Lake Serpentine at right. Four small ships are in the water, and one man propels on a rocket off ot the "Colossus" at left. A man points at the scene at left alongside a woman who looks surprisedly at the scene. John Bull sits at a table at left with a ticket and paper that read: "ADMIT Mr. and Mrs. BULL to the Fete, 1 Guinea" and "O woe is me I have seen what I have seen seeing what I see.". The Naumacia to Commemorate a Peace. Thomas Rowlandson (British, London 1757-1827 London). July 23, 1814. Hand-colored etching. Prints

The caricature (newspaper) /n°64./good adventure. (Title registered (letter))

Shortwics of the French rooster, 1793; De Haan Kortwiques. An Englishman holds the French rooster while it will be kortwaked by the Prussian soldier. The Dutchman looks approving. In the caption a four-line verse. Probably following the French defeat at Willemstad in 1793.

'Qualified Horses and Unqualified Riders:' `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting', Henry Thomas Alken, 1785-1851, British, undared, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 × 10 5/8 inches (20.3 × 27 cm) and Image: 7 1/2 × 10 9/16 inches (19.1 × 26.8 cm), buildings, fences, fields, horse (animal), horseback riders, horseback riding, hunt, hunters, hunting, injury, men, sporting art, trees

Allegory of Europe in 1791 by Anonymous / State Tretyakov Gallery, Moscow/ 1791/ Russia/ Gouache on paper/ Caricature/ 37,2x46,3/ History

The Parliament of Rouen on the move to go to the Chtelet of Paris. (IT)

Cuffee Dancing for Eels - Catharine Market (Life in New York). Artist: Thomas B. Worth (American, New York 1834-1917 Staten Island, New York). Dimensions: Sheet: 12 7/8 × 16 7/16 in. (32.7 × 41.8 cm). Publisher: Currier & Ives (American, active New York, 1857-1907). Date: 1857. Museum: Metropolitan Museum of Art, New York, USA.

Daniel Thomas Egerton, c.1800-1842, British, Fashionable Bores, or Coolers in High Life, 1824. Aquatint, colored by hand.

The banquet of sovereigns. (IT)

Print made by John Augustus Atkinson, (etching), 1775-1831, British, Costume of the Reign of King Henry III, 1250, 1814. Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper.

Regency nobles and liveried servants helping fainting women in the crush at a party in the Circuluar dining room in the Prince Regent's Carlton Palace. The Circular Room or a Squeeze at Carlton Palace. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

Richard Earlom, 1743-1822, British, Colonel Mordaunt's Cock Match at Lucknow, 1792. Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper.

The College Gate May 1, 1803 Thomas Rowlandson. The College Gate. Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). May 1, 1803. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Different work, by 't brain of man, / and usefulness to exercise of human power, / show, o youth! Here we looked at your mind, / and point it in little reeten. Leaf with 4 performances of different activities, including screens and working on the country. Under every performance a four-line verse. Numbered at the top right: N. 52.

The English dance of death, first volume, Plate 24: The masquerade , Masquerades, Death, Skeletons, Crowds. Thomas Rowlandson (1756-1827). Prints and Drawings

The Graav of Hoorn / the Graav van Egmond. Leaf with 2 performances. Links a representation of the count of Hoorn, with the left of his head a coat of arms. On the right a representation of the Count of Egmond, right next to his head a coat of arms. Numbered at the top right: N. 58.

Talleyrands influence during the Julymonarchy

Captain Barclay's Rally Match - The Finish. Genre subject. Watercolor with pen and red-brown and gray ink over graphite laid on card with gold paper, pen and ink line border on thick, moderately textured, wove paper. Height: 144 mm (5.66 in); Width: 233 mm (9.17 in). Author: Thomas Rowlandson.

Junt, Gustave-Adolphe, work, Les incroyables en promenade, (1000 - 2000), technique text: etching, graphics

Don Luigi's Ball, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802" June 1, 1815 Thomas Rowlandson. Don Luigi's Ball, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". Thomas Rowlandson (British, London 1757-1827 London). June 1, 1815. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Floris V with his consequence of nobles, 1296, 1878 - 1880 print Floris V, Graaf van Holland and Zeeland, meets a peasant family on the land, with his result of nobles, 1296. print maker: Netherlandspublisher: The Hague paper historical persons. nobility and patriciate; chivalry, knighthood. farmers. strolling Netherlands

Evening of the World Eugène Louis Lami (1800-1890). Press cartoon. "Evening of the big world". Board published in "caricature" of December 9, 1830. Lithograph. Paris, House of Balzac.

Fashionable Bores, or Coolers in High Life, Daniel Thomas Egerton, c.1800-1842, British, Peter Quiz, active 1824, 1824, Aquatint, colored by hand, Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)

Horace Vernet, Artist Carrying Easel with a Lithographic Stone, 1818 Artist Carrying Easel with a Lithographic Stone

Unknown, Le jeu de longue paume, 1802, hand-colored etching on paper.

Greens grosser Luftballon im Lande der Antipoden Austrian print by Johann Wenzel Zinke 1797-1858. satirizes the intended trans-Atlantic balloon voyage of Charles Green by showing his arrival among the Maori in the Antipodes Islands in the Pacific Ocean.

Supreme good tone, 1800-1815, No. 27: Café du Jardin des Tuileries, Anonymous, 1800 - 1815 This is probably a reduced copy to Prent No. 27 from the series of 30 fashion prints, Le Suprême Bon Ton, Paris, 1800-1815. France paper etching fashion plates

'Louis Philippe of France leaves the Tuileries Palace in 1848'. Museum: COLECCION PRIVADA.

Cartoon on the deception of the C. de Bruyn & Zonen, 1834; Steam balance. Cartoon on the deception with a false scale of the company C. de Bruyn & Zonen, 1834. The company owned the first steam sugar refinery to the Lijnbaansgracht in Amsterdam. On January 8, 1834 they were caught using a balance sheet of which an arm was extended. Centrally the fake balance hanging on the steam clouds that come from the factory 'the five brothers' and on which crates with sugar are weighed. Left C. De Bruyn with his two sons. A Bible quote in the clouds. Trailed the outsidered death of Cornelis de Bruijn Mz, 28 June 1834.

Different monomanias of political alienates Honoré Daumier (1808-1879). Press cartoon. "Different monomanias of political alienates". Board published in "caricature" of May 31, 1832. Lithography. Paris, House of Balzac.

Allegory with Jacques Necker, ca. 1781-1788. Necker treated unfairly by the masked Envy. In heaven, Time drives away Envy. With French caption and emblem referring to Necker's 'Compte rendu du roi' of 1781., print, engraving, prints, engravings, foreign history, verso - stamped, height 266 mm, width 190 mm, print maker, printmaker, 1781 - 1788, paper, papier, etching

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