Satirical Lithographs

Humorous lithographs depicting scenes of legal and social commentary, featuring characters in period attire engaged in witty exchanges and discussions.

Discussion de la consitution. Honoré Daumier (1808-1879). Lithographs

Le portrait au daguéréotype. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

'Earl de Warenne producing his title to the Commissioners', c1860, (c1860). Artist: John Leech.

Tenez, père Plésenthé, si j'ai un reproche à me faire, c'est d'être né sous - votre gueux d'empire! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Caricature of Émile Zola, Jean-Louis Forain, 1898 print. magazine Weekblad, consisting of four political cartoons on a folding magazine. Paris paper historical persons. political caricatures and satires

Paris, Aubert & Cie., Aubert & Junca, Philipon, Charles, Daumier, Honoré, Caricaturana, Karikaturen, Un Oculiste breveté, Ophthalmologist Robert Macaire tries to keep blind man as a client, verso - stamped, cartoon, prints, height 286 mm, width 243 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1837 - 1837, paper, lithography (technique), Work conception, 1806-04-19 - 1862-01-25, after a design by, printer, Publication (Event), Publication, publisher

A Lecture on Elocution, the Professor Enforcing his Precepts by Example, Print made by John Doyle ('H.B.'), 1797-1868, Irish, Printed by Thomas McLean, 1788-1875, British, Published by Thomas McLean, 1788-1875, British, 1847, Lithograph in tan and black ink on moderately thick, smooth, beige wove paper, Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm) and Image: 10 1/8 x 12 15/16 inches (25.7 x 32.8 cm), coats, elocution, genre subject, gesturing, laughing, lecture, men, parody, pointing, political, politicians, professor, satire, shouting, sitting, talking, top hat

When One's Portrait Is Exhibited at the Salon (Quand on a son portrait au salon) Honoré Daumier (French, 1808-1879). When One's Portrait Is Exhibited at the Salon (Quand on a son portrait au salon), April 26, 1845. Lithograph on newsprint, Sheet: 13 7/16 x 19 7/8 in. (34.1 x 50.5 cm). European Art April 26, 1845

News / 199 / The famous Proudhon removed from Vive Force by an American Montrieur de Curiosities. (IT)

Le tondeur de chiens. Honoré Daumier (1808-1879). Lithographs

Without title money changer from the series Reminder = Pictures , Aus , Vienna October days , by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, Printer, Witzendorf, publisher

At the Tomb of Laura, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution" 1817-21 Thomas Rowlandson. At the Tomb of Laura, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". Thomas Rowlandson (British, London 1757-1827 London). 1817-21. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

A Candidate. "Who do you want... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend," plate 48 from Caricaturana. Honoré Victorin Daumier (French, 1808-1879); model by Édouard Bouvenne (French, active 19th century). Date: 1837. Dimensions: 360 × 270 mm. Hand-colored lithograph in black, heightened with gum arabic on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Les Philantropes du Jour. Apportez Messieurs, Apportez, Honoré Daumier (Marseille, France, 1808 - 1879) 1845

N ° 2 / alas ... my dear mayor to see what it is, Charles X was hunted for betraying his oaths, and I am to have too much observed ... (IT)

Theater Plays in Beijing. The love for the theater in Beijing is reaching almost absurd dimensions, and strangely enough in all the plays it is about whether Mr. Alfred will marry Miss Josephine. There is no better proof for the stupidity of the Chinese people caused by opium, because they don't even realise that they see the same play every night and they stand in line in front of different theaters every day, worried that Miss Josephine marries Mr. Oscar without them attending the touching wedding ceremony, plate 27 from Voyage En Chine. Honoré Victorin Daumier; French, 1808-1879. Date: 1845. Dimensions: 181 × 227 mm (image); 267 × 330 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Le chemisier. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Régamey, Frédéric (n.1849-07-04-D.1925-12), at the circle of fencing, rue Taitbout. (Vavasseur, Drevon, d'Aldama) (dummy title). Charcoal, pastel. Carnavalet museum, history of Paris.

Quand le journal est trop intéressant. Honoré Daumier (1808-1879). Lithographs

The Smoking Room: Cartoon by George du Maurier (1834-1896) from ''Punch'', 1886.

Moderne Galilée , Lawyers, Politicians, Mathematicians, Astronomers, Physicists, Persil, J.-C. Jean-Charles, 1785-1870, Galilei, Galileo, 1564-1642. Honoré Daumier (1808-1879). Lithographs

How I told you to go to the room for Dupain, and you bring me a brioche. (IT)

Print made by George Cruikshank, 1792-1878, British, Plate VIII, The Bottle Has Done Its Work, 1847. Glyphograph on medium, slightly textured, cream wove paper.

Voyez-vous la! au second quadrille…. Artist: Paul Gavarni, French, 1804-1866

Bierhaus guest, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

Honoré Daumier, Si tu ne viens pas plus que ça au collège , 19th century Si tu ne viens pas plus que ça au collège ...

News. / To the Champs Elysees. / Ratapoil ... / 166

La maman - Est-il gentil à manger son sucre d'orge!.... Honoré Daumier (1808-1879). Lithographs

- Defendant! Do you have any means of living - Thank you Mr President... I have quite a good stomach,” plate 4 La Comédie Humaine 1843 France. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

Un rêve qui tourne a la réalité. Dated: 1855. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Réapparition de la Jeunesse Dorée en 1851 , Philosophers, Historians, Lawyers, Guizot, François, 1787-1874, Berryer, Pierre-Antoine, 1790-1868. Honoré Daumier (1808-1879). Lithographs

J'vous dis que vous avez dérangé la limite.... Honoré Daumier (1808-1879). Lithographs

Come in, Ladies and Gentlemen, Inside you'll see the Famous Lithographantoccini Family...Frontispiece for "Album of 1824". Joseph Louis Hippolyte Bellangé (French, 1800-1866); François le VIllain (French, c. 1800-1850). Date: 1824. Dimensions: 187 × 198 mm (image); 341 × 248 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Louis Hippolyte Bellangé.

Honoré Daumier (French, 1808 - 1879). Le coin des Poètes ravagés, 1864. From A` la Brasserie. Lithograph on newsprint paper. Image: 196 mm x 250 mm (7.72 in. x 9.84 in.). Second of two states.

Seressanter at the glove maker No, of the series Little Episodes , From the Great Drama, Vienna in the state of siege , lith, And published by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, printer

Small flamers. / 2. (Registered Title) | Album Lithographed / 1829. (IFF 30) (Title of all)

'Cardwell's Collapse', 1871. Artist: Joseph Swain

Allons! On n'a pas encore rendu compte de mon roman.... Honoré Daumier (1808-1879). Lithographs

Père de famille inspirant...a ses enfants... , Draftspersons, Authors, Actors, Monnier, Henry, 1799-1877. Honoré Daumier (1808-1879). Lithographs

Maman a ecrit a mosieu Prosper et papa a vu lalettre…. Artist: Paul Gavarni, French, 1804-1866

Il est devenu pro-pri-é-taire!. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, Le jeudi, 19th century Le jeudi

Honoré Daumier (French, 1808 - 1879). The Agreements of the Evening (Les agremens du soir...) and The Disagreement of the Evening, 1853. From Croquis Parisiens. Lithograph on heavy wove paper. Sheet: 255 mm x 340 mm (10.04 in. x 13.39 in.). Second of two states.

The gentleman hagbolt with us int lecture (diary, August 18). Draughtsman: Christiaan Andriessen. Dating: 1805 - 1808. Measurements: h 130 mm × w 179 mm. Museum: Rijksmuseum, Amsterdam.

Accents plaintifs d'une orpheline ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Crimean War, England: caricature possibly a play on class and language or corruption within the Crimean Fund Office connected with Florence Nightingale. Wood engraving by N.

Comment, madame ... J'ai l'imprudence ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Si tu veux reussir ici, sois gracieux pour le giletblanc…. Artist: Paul Gavarni, French, 1804-1866

Parisien transportant dans un autre quartier... Dated: 1847. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Paris, Bauger, Parijs, Aubert & Cie., Daumier, Honoré, Scènes grotesques, Bizarre scenes, The barber thinks of his razors, Caricature of a barber sharpening his razor, verso - stamped, cartoon, prints, height 337 mm, width 263 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1839 - 1839, paper, papier, lithografie (technique), printer, drukker, Publication (Event), Publicatie, publisher

Anonymous. "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël de Valentin finding Pauline Gaudin de Witschnau in his former attic". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Ratapoil et Casmajou. Honoré Daumier (1808-1879). Lithographs

Cartoon depicting a criminal being punished by flogging. Illustrated by John Tenniel (1820-1914) an English illustrator, graphic humourist, and political cartoonist. Dated 19th Century

Cartoon titled 'Ill news for the criminal fraternity'. Dated 19th Century

Groep mensen op straat. Daar heb je waarachtig diezelfde leelijke kerel weer (title on object). Draughtsman: Pieter van Loon. Dating: 1811 - 1873. Measurements: h 89 mm × w 87 mm. Museum: Rijksmuseum, Amsterdam.

Honoré Daumier (1808-1879). "Another time I still made a good turn ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56114-16 Gommee, man, lithography colored, take the, caricature

Quand le crime ne donne pas. Dated: 1848. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Political cartoon about free trade, 1881, 1881 print Political cartoon about free trade, with the Minister of Colonies and Bismarck. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 48, 1881. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper

Les Eleves de linstitution Pascareau essayent un nouvel uniforme..:. After: Honoré Daumier, French, 1808-1879

Un marchand de vin contrarié dans son commerce. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

L'Eau du puits de Grenelle. Dated: 1841. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Adventure of Silver Blaze'. Sherlock Holmes revealing the murderer of the trainer, John Straker. Silver Blaze had kicked him to death when the man was trying to lame him. From 'The Adventures of Sherlock Holmes' by Conan Doyle from 'The Strand Magazine' (London, 1892). Illustration by Sidney E Paget, the first artist to draw Sherlock Holmes. Engraving.

Artistes, French Revolution

Shwell... this is what I call a shplendid job.... and for shust five chous per pound!..., from 'Sketches from the Salon,' published in Le Charivari, June 7, 1865 June 7, 1865 Honoré Daumier. Shwell... this is what I call a shplendid job.... and for shust five chous per pound!..., from 'Sketches from the Salon,' published in Le Charivari, June 7, 1865. 'Sketches from the Salon' (Croquis pris au Salon). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). June 7, 1865. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Cartoon depicting a photographer's studio by George du Maurier. George du Maurier (1834-1896) a Franco-British cartoonist and author. Dated 19th Century

Cable Car, Charles Dana Gibson

Les garçons en habit noir. Honoré Daumier (1808-1879). Lithographs

Heating. / 5

Le restaurant de l'exposition. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Honore Victorin Daumier.

Un invité à un dîner d'hippophages: Vous offrirai-je encore un peu C'est excellent, n'est-ce pas. Dated: March 24, 1865. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Workers and Japanese caricature on the Viennese world exhibition, image supplement to Hans Jörgel, Vinzenz Katzler -, Lithographer, Reiffenstein , Rösch, Printing Press

FIRST PERSON SINGULAR, DRAWN BY ARTHUR HOPKINS

Voyons! partons-nous,restons-nous?…. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Ce qu'on est convenue d'appeler un rafraichissement, 19th century Ce qu'on est convenue d'appeler un rafraichissement

To imagine that there are people who even travel in winter for fun and enjoyment!, from 'Winter sketches,' published in Le Petit Journal pour Rire, December 3, 1864 December 3, 1864 Honoré Daumier - But where are you going The hare is not in that direction! - The one I'll be eating as a stew is.. To imagine that there are people who even travel in winter for fun and enjoyment!, from 'Winter sketches,' published in Le Petit Journal pour Rire, December 3, 1864. 'Winter sketches' (Croquis d'hiver). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 3, 1864. Lithograph on newsprint; third state of three (Delteil). Aaron Martinet (French, 1762-1841). Prints

"Eh bien! vous voilà Capitaine de la Garde-Nationale!..." Honoré Daumier (French, 1808-1879). June 9, 1841. Lithograph on newsprint, Sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm). European Art June 9, 1841

Family looks at the moon above Notre-Dame, Honoré Daumier, 1842 Paris paper letterpress printing caricatures (human types). waning moon, i.e. facing this way ( Paris

Auction at Hôtel Bouillon Les amateurs de tableaux à l'hôtel Bouillon (title on object), A man shows a painting to the visitors to the auction, behind him the auctioneer on an elevation, art sale, auction, picture, painting, art collecting, Charles Maurand (mentioned on object), 1862, paper, h 218 mm × w 270 mm

Un mécanicien trop parfait. Honoré Daumier (1808-1879). Lithographs

L'Ami d'un Grand Homme Honoré Daumier (French, 1808-1879). , March 20, 1842. Lithograph on newsprint, Sheet: 14 3/8 x 9 13/16 in. (36.5 x 25 cm). European Art March 20, 1842

Continuant...le divertissement des tables tournantes. Honoré Daumier (1808-1879). Lithographs

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Cartoon with Victor De Stuys, Josephus Alberdingk Thijm and Pierre Cuypers for the Rijksmuseum; Considing the episcopal palace, called "the Rijksmuseum in Amsterdam". The three men are kneeling for the museum building, believers behind them walking in a procession. The image refers to the neo-gothic appearance of the new Rijksmuseum that many opponents knew because of the Catholic character.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

A gouty man drinking wine and playing the cello; the pain is represented by a devil burning his knee. Etching, 1785, after H.W. Bunbury.

A Theater Audience. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 13 9/16 x 11 11/16 in. (34.4 x 29.7cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Une péroraison à la Démosthène , Statesmen, Demosthenes. Honoré Daumier (1808-1879). Lithographs

Celui-la, on peut le mettre en liberté! (This one we can set free! He is no longer dangerous!). Dated: 1834. Dimensions: image: 22.4 x 25.5 cm (8 13/16 x 10 1/16 in.) sheet: 27.6 x 35.9 cm (10 7/8 x 14 1/8 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Janet-Lange (1815-1872) and Ferdinand-Sébastien Goulu (born in 1796). "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Health overflowed in this busty nature, old age and childhood were beautiful ''. Engraving on steel. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Parisian sketch n � 5. Looking for a dwelling on July 8 ...... (title registered)

Un PortraitCharmant. Artist: Paul Gavarni, French, 1804-1866

Oh, you are.... (guilty) and what do you want me to do about it, from 'At the court of justice,' published in Le Petit Journal pour Rire, March 3, 1866. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 5 11/16 × 9 1/8 in. (14.5 × 23.2 cm)Sheet: 8 1/2 × 12 1/16 in. (21.6 × 30.6 cm). Series/Portfolio: 'At the court of justice' (Au palais). Date: March 3, 1866. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier, J'ai parlé trois heures et demie!, 19th century J'ai parlé ... trois heures et demie!

'At the Tomb of Laura', 1821. Artist: Thomas Rowlandson.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Meeting of Edward VII after his death, Johan Braakensiek, 1910 Amsterdam paper political caricatures and satires. historical persons

Pauvres hommes!. Honoré Daumier (1808-1879). Lithographs

Lithograph titled 'Sovereign Hippolyte' by Victor Mangin, published by a.m. Camille, showing figures, composition, and illustrative elements, around 1850.

Cartoon on the electricity issue in Amsterdam, 1910, 1910 print Cartoon on the electricity issue in Amsterdam, 1910. On the left the 'Bank of the accused', on the right the speaking L. van Gigh, in the background of Leeuwen and Heemskerk as statues. Published as an addition of the new Amsterdammer of September 16, 1910, no. 1. print maker: Netherlandsprinter: Amsterdam paper . Amsterdam

Muusari, Onni, work, Shakinpelaajat, 1910, painting, 31.5 cm x 49 cm

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