Satirical Political Art

Humorous illustrations reflecting political themes, featuring characters engaged in witty dialogue and commentary on events from the 18th century.

News. / 102. / Sad hunting ... (registered title) | News (1854) (title of all)

The sour prospect before us, or The ins throwing up State .. British Cartoon Prints Collection . Chatham, John Pitt,Earl of,1756-1835. , Stafford, Granville Leveson-Gower,Marquess of,1721-1803. , Camden, Charles Pratt,Earl,1714-1794. , Richmond and Lennox, Charles Lennox,Duke of,1735-1806. , Sydney, Thomas Townshend,Viscount,1733-1800 , Thurlow, Edward Thurlow,Baron,1731-1806. , Pitt, William,1759-1806. , Vomiting,1780-1790. , Government officials,England,1780-1790. , Politics & government,England,1780-1790.

Belgium, Aux armes Jantje Kaas!, Cartoon on the Voluntary Armament, 1830, verso - stamped, Cartoon on the call of King William I for voluntary arming, October 5, 1830. An old monkey is leaning against a tree near the road to Belgium and gives his pistol to a younger monkey, 'Jantje Kaas'., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 243 mm, width 313 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (technique)

Un monsieur en bonne fortune aux Champs-Elysées. Honoré Daumier (1808-1879). Lithographs

Noël Le Mire after Jean Michel Moreau, Un violent exercice étouffe les sentimens tendres, 1778 Un violent exercice étouffe les sentimens tendres

Monsieur, - malgré que je sois sans expérience je n'ai - pas l'abitude de servir de Boufou je trouve - que le Rendez Vous dhypolite N'est pas - délicats Dans les Circonstance où je me - trouve avec Vous pour éviter tous les Can - cans Ne conté su (ces deux lettres biffées) plus sur moi. je vous - salue. - Egénie ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Visitant l'intérieur des principaux monuments de Paris, from Actualités, published in Le Charivari, March 9, 1859 March 9, 1859 Honoré Daumier. Visitant l'intérieur des principaux monuments de Paris, from Actualités, published in Le Charivari, March 9, 1859. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 9, 1859. Lithograph on newsprint; second state of two (Hazard & Delteil). Aaron Martinet (French, 1762-1841). Prints

Pardon, Mr Le Maire! ... pourriez-vous ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Mirabeau Although death is always engraved in our hearts and serves as an eGide / against the enemies of the Constitution. (IT)

N ° 75 / A chair vividly disputed in the presence of France. (IT)

The sacrifice of the son of King Moab. Engraving by H.R. Cook after P.P. Rubens.

Nothing is so dangerous that a friend's ignorant; Better to be a wise enemy Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Nothing is so dangerous that one ignorant friend; better a wise enemy". Board published in "caricature" of August 16, 1832. Lithography. Paris, House of Balzac.

La factionnaire. Honoré Daumier (1808-1879). Lithographs

Bliżej Kultury Drążkiewicz, A. (N.N.), Kostrzewski, Franciszek (1826 1911), Unger, Józef (1817 1874)

"- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!... - One of those days when you would love to catch a bear. His fur would be more than welcome right now!," plate 3 from Croquis De Chasse. Honoré Victorin Daumier; French, 1808-1879. Date: 1858. Dimensions: 212 × 271 mm (image); 275 × 357 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers, John Thomas Smith, 1766-1833, British, 1817, Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm) and Image: 8 1/8 × 5 3/8 inches (20.6 × 13.7 cm), leisure, England, Lambeth, London, Southwark, United Kingdom, Vauxhall Gardens

A Kiss of Circumstances, plate 50 from Actualités 1867 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Money Lenders November 8, 1784 Thomas Rowlandson. Money Lenders. Thomas Rowlandson (British, London 1757-1827 London). November 8, 1784. Etching. William Humphrey (British, 1742-in or before 1814). Prints

Le Départ pour le bal. Dated: 1847. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Lucky and Unlucky Speculator by Anonymous / Private Collection/ Second Half of the 18th cen./ France/ Copper engraving/ Satire/ 26,5x32,5/ Genre,Mythology, Allegory and Literature

Visitant l'intérieur des...monuments de Paris , Emperors, Soulouque, Faustin, approximately 1788-1867. Honoré Daumier (1808-1879). Lithographs

Entre la guerre et la paix , Emperors, Alexander II, Emperor of Russia, 1818-1881. Honoré Daumier (1808-1879). Lithographs

Project for the statue of peace at the Universal Exposition, from 'News of the day,' published in Le Charivari, January 5, 1867 January 5, 1867 Honoré Daumier. Project for the statue of peace at the Universal Exposition, from 'News of the day,' published in Le Charivari, January 5, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 5, 1867. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Allons lancez vous Pere Goutot cest une vraie lessive! …from Les Baigneurs. Artist: Honoré Daumier, French, 1808-1879

Ozdobnik na stronie 27 poematu: THE REAL DEVIL'S WAKE w FACETIAE: BEING A GENERAL Collection of the Jeux dEsprit WCHICH HAVE BEEN ILLUSTRATED BY ROBERT CRUIKSHANK IN TWO VOLUMES. VOL. II CONTAING NEARLY SIXTY ENGRAVINGS.LONDON WILLIAM KIDD, 6, OLD BOND STRET. MDCCCXXXI. unknown, Cruikshank, Isaac Robert (1789 1856)

James Gwin, 1700-1769, Demi Volte sur les Coups Forcés au Dehors des Armes, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

An Emblem of a Modern Marriage, Print made by unknown artist, eighteenth century, Annotated by James Chelsum, 1738-1801, British, 1775, Etching

James Gwin, 1700-1769, De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Project for the statue of peace at the Universal Exposition, from 'News of the day,' published in Le Charivari, January 5, 1867. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 3/8 × 8 5/16 in. (23.8 × 21.1 cm)Sheet: 11 1/2 × 9 5/8 in. (29.2 × 24.4 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: January 5, 1867. Museum: Metropolitan Museum of Art, New York, USA.

What pushes (title registered) | News. (Title of the whole)

Honoré Daumier, Un des trois amis de la paix , 19th century Un des trois amis de la paix ...

Les funerailles de la candidature officielle. Honoré Daumier (1808-1879). Lithographs

A youth idling by a brook, representing restful withdrawal from the world. Engraving by J. Heath, 1810, after R. Westall.

Ah' let me Sire refuse it..., from Peter's Pension by Peter Pindar, Esq. 1787 Thomas Rowlandson. Ah' let me Sire refuse it..., from Peter's Pension by Peter Pindar, Esq.. Thomas Rowlandson (British, London 1757-1827 London). 1787. Etching. George Kearsley (London). Prints

John Bull Listening to the Quarrels of State Affairs May 1, 1803 Thomas Rowlandson Napoleon stands at right dictating terms to Addington, who is on the extreme right. He puts a forefinger on the palm of his hand to enforce his words, saying: "And so, - if you do so, I do so!" Addington, with a distressed stare, exclaims "Oh! - Oh!!" At left, John Bull, hands on knees, gapes at the pair, saying, "I declare my very wig, stands an end with Curiosity!! What can they be quareling about O that I could but be let into the secret if I ax our gentleman concerning it, tis ten to one if he tells me the right story.". John Bull Listening to the Quarrels of State Affairs. Thomas Rowlandson (British, London 1757-1827 London). May 1, 1803. Etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Present State of Great Britain 1779 James Phillips British Issued in London at the height of the American Revolution, this print summarizes the situation in 1779 from Britains point of view. As in traditional allegories, the figures represent specific nations, but their dramatic interaction anticipates the new kind of satire soon to come from Rowlandson and Gillray. John Bull stands at the center as an inattentive military volunteer dozing against a staff topped with Britannias attribute, the cap of Liberty. He is being attacked from all sides. An Indian, traditional emblem of America, takes Libertys cap in a reference to the Declaration of Independence by the Thirteen Colonies in 1776. A Dutch toper slyly steals John Bulls purse while France is represented by an emaciated dandy restrained by a rugged Highlander, a reminder that Scottish volunteers helped make up for the British armys poor state of preparation.. The Present State of Great Britain 388948

Ouverture des chambres Prussiennes -Mais entrez donc Messieurs!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Flore et Zéphire, 1839. Choreographic work, Ballet, 19th century. Lithograph, vignette, 34 x 27 cm. Manuscript note in French at left, dated 7 février 1840, and signed by Julian Duchaire

No. 9 / Oh! pork ! It's always the same as elections !!! .. (IT)

Varnish apprehends Fidelia, disguised as a man, inside his house; a footboy enters to tell him that his coach has arrived. Engraving by Rivers after W.M. Craig.

Francisco de Goya y Lucientes / 'This is what you were born for (Disasters of War, 12)'. 1810 - 1814. Wash, Etching, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

Generosity of Her Majesty the Emperor and King. (IT)

Eunuchs Reformed by the Bey of Tunis, from 'News of the Day,' published in Le Charivari, January 18, 1860. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 7/16 × 8 9/16 in. (24 × 21.8 cm)Sheet: 17 9/16 × 12 3/8 in. (44.6 × 31.4 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'News of the day' (Actualités). Date: January 18, 1860.- What's going to become of us... we have been fired.... - The only thing we can do is go to Constantinople and become coachmen. Museum: Metropolitan Museum of Art, New York, USA.

Eh! Bien, il est gentil... , Emperors, Franz Joseph I, Emperor of Austria, 1830-1916. Honoré Daumier (1808-1879). Lithographs

A man and a rooster at a house, Jan Wandelaar, after Frans van Mieris, 1730 - 1731 print A man opens the front door of a house. Behind him is a rooster. A woman is reading in the house. The performance has an ornamental frame with left (shoemakers) tools and the right symbols of wealth. Above the show a caduceus and an olive branch as peace symbols. At the bottom in a cartouche the title of the Verdicht. Amsterdam (possibly) paper etching / engraving city-view, and landscape with man-made constructions. adult man. fowl (cock, hen, chicken, etc.). reading

Soeteboom, Hendrik Jacobsz, Virtue makes Noble, Berg, H., Amsterdam, Beusekom, Francoys van, Northern Netherlands, Bull's Cruelty, committed to Master and Wife. And miraculously managed to save their Child, happened in Sardam, The cruelty of the bull, 1647, Illustration of the events known as the cruelty of the bull, 1647. The farmer and his pregnant wife who were attacked by a bull on 29 August 1647 in Zaandam. The print shows in the foreground how the man is attacked by the bull. On the right we see how the woman is taken on the horns, whereby the child is thrown from the belly and how the bull is finally killed. Below the image in four columns a description of the events, four different verses about the main characters and a statement by Mr. Yreton, one of the doctors involved., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 450 mm, width 348 mm, print maker, prentmaker, 1647 - 1647, second quarter 17th century, tweede kwart 17e eeuw, paper, papie

Parisiens a la campagne. Honoré Daumier (1808-1879). Lithographs

Honest George Pratt, a bellman, with an unknown fool. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Thomas Ryder, 1746-1810, Irish, King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff, 1803. Engraving.

On m'a conseillé les bains froids pour me faire maigrir!..., from Croquis d'Été, published in Le Charivari, August 2, 1858. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 10 7/8 × 14 1/8 in. (27.6 × 35.8 cm)Image: 8 1/8 × 10 3/16 in. (20.6 × 25.8 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Croquis d'Été. Date: August 2, 1858. Museum: Metropolitan Museum of Art, New York, USA.

The bronze man and the plaster man.

Recipe proposed by Charivari. (Registered Title) | News. (Title of the whole)

Honoré Daumier, Archimède démontrant aux ingènieurs anglais , 19th century Archimède démontrant aux ingènieurs anglais ...

Cartoon about the freedom of the press in the Netherlands, 1867, 1867 print Cartoon about the freedom of the press in the Netherlands. A Dutchman and a German speak with each other for the Ridderzaal. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 17, 27 April 1867. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper Racing room

"The Vivandière" from The Complete Works of Béranger 1836 J. J. Grandville. "The Vivandière" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Auguste Raffet (French, Paris 1804-1860 Genoa). Prints

Ce qu'on appelle le Royaume-Uni. Dated: 1866. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Commander on foot; Capricci di Varie Figure Di Jacopo Callot; Various figures and performances. On the right in the foreground a commander on foot, with his capturing staff pointing to the left, to a burning city in the background. This print is part of a series of 48 prints (50 incl. Title and dedication sheet) with various topics (O.A. men and women in different attitudes, landscapes, buildings and festivities in Florence). These prints may have been meant as drawing examples.

James Gwin, 1700-1769, Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B, 1763. Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Honoré Daumier, Venant de donner le dernier coup de pinceau , 19th century Venant de donner le dernier coup de pinceau ...

Mr. Prudhomme. - Mon fils, rapelle toi... , Draftspersons, Authors, Actors, Monnier, Henry, 1799-1877. Honoré Daumier (1808-1879). Lithographs

Soulouque trouvant...la location...trop chère , Emperors, Soulouque, Faustin, approximately 1788-1867. Honoré Daumier (1808-1879). Lithographs

Two men are using a plank over a large log as a see-saw; representing the mechanics of levers. Engraving.

News. / Admiral, do you not take sea baths this year ... (registered title) | News (1855) (Title of all)

Sitting on his barrel of powder, Europe sees approaching spring. (Registered title) | News. (Title of all)

"- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été. Honoré Victorin Daumier; French, 1808-1879. Date: 1858. Dimensions: 213 × 264 mm (image); 273 × 357 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Farce dramatique. Dated: 1841. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

De la Parade de Seconde sur le Coup de Seconde, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm) and Sheet: 9 1/2 × 16 5/16 inches (24.1 × 41.4 cm)

Well, are you finally finished... after all, it's tiring to relax for such a long time, from 'The countryside artists,' published in Le Charivari, February 2, 1865 February 2, 1865 Honoré Daumier. Well, are you finally finished... after all, it's tiring to relax for such a long time, from 'The countryside artists,' published in Le Charivari, February 2, 1865. 'The countryside artists' (Les artistes a la campagne). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). February 2, 1865. Lithograph on newsprint. Aaron Martinet (French, 1762-1841). Prints

The skeleton of Death on the theatre stage. Death in a crown, tunic and cape, a globe, playscript of Life a Play, drama masks on the stage, Tutto Finisce on the curtains, a woman weeping in a box. Illustration drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

A group of killers - sketch to the picture "murder of the book de Guise"; Delaroche, Paul (1797-1856); 1834 (1824-00-00-1834-00-00);Czartoryska née Krasiński, Ludwika Maria (1883-1958), Czartoryska née Krasiński, Ludwika Maria (1883-1958)-collection, Działyńska from Czartoryski, Izabela (1830-1899), Działyńska from Czartoryski, Izabela (1830-1899)-collections, collections, Gołuchów - collection, Henri and de Guise (prince - 1549-1588), album Dessins de Maîtres, Czartoryski deposit, historical scenes, figural studies, sketches for paintings, killers

The Sorrows of Werter-The Last Interview. Artist: After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.1 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: E. Jackson (London). Date: March 29, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Les Curieux Punis. Dated: 1851. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Irish Frankenstein. Illustrations, Clippings. 1882. Carl H. Pforzheimer Collection of Shelley and His Circle. Shelley, Mary Wollstonecraft, 1797-1851. Frankenstein, Parnell, Charles Stewart, 1846-1891 , Caricatures and cartoons, Phoenix Park Assassination, 1882

Cartoon at Louis Willem van Baden-Baden, 1705; Louis Dort / De Niewe Knight of the Goude Louisis; Royal Almanach from 1705 / 't Lusthof from MoMus. Cartoon at Louis Willem, Markgraaf van Baden-Baden, bribed to the French side by King Louis XIV. The Markgraaf sleeping at a table with gold pieces. In the caption verses in Dutch and French. Part of a series of 7 cartoons on the French and allies from the year 1705.

Oh there ! Oh ! / Jumps for / chart. (IT)

Pizzaro a New Play or the Drury-Lane Masquerade. Artist: Anonymous, British, 18th century. Dimensions: sheet: 10 3/16 x 16 1/4 in. (25.9 x 41.2 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: June 11, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Bertrand et Raton. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Eitle's terminal salary (TI)

The dance of death. Etching by R. Dagley, 182-.

Pl.7 perilous jump. (IT)

1830, declaration of a clerk of notary (title registered) | nine declarations (title of all)

Venetian man killing his wife, 16th century, from a fresco by Titian. The man wears a crimson and white striped tunic with green lining, the victim a white blouse and brown skirt.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

De la Risposte de Quarte apres la Parade de Quarte, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm) and Sheet: 9 × 15 1/4 inches (22.9 × 38.7 cm)

A lunatic in a barred cell imagines himself to be a leading actor in a melodrama. Etching by T.L. Busby, ca. 1826.

De la Passe en Quarte du Dehors des Armes, James Gwin, 1700-1769, 1763, Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, cream, laid paper, Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm) and Sheet: 9 9/16 × 14 3/8 inches (24.3 × 36.5 cm)

Exercises de l'hercule prussien. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Philibert-Louis Debucourt, Les Petits Messieurs, ou, Les Adolescens a la Mode, 1804, aquatint in black on paper.

Le Roi de Prusse et lEmpereur dAutriche se disposant a se livrer un grand combat, from Actualites. Artist: Honoré Daumier, French, 1808-1879

Un animal rempli de modestie.... Honoré Daumier (1808-1879). Lithographs

Genie / 19

Études bruxelloises. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; lithographs. Lithograph

La Caricature (Journal) N.218. La Première Blessure, Honoré Daumier (Marseille, France, 1808 - 1879) 1835

Le Marchand de Gteau. Jean-Baptiste Le Prince (France, Metz, 1734-1781). France, 1765. Prints; etchings. Etching

Alas! From you to me this is the difference !!! It's amazing ... (IT)

Monsieur le Baron..., j'ai l'honneur..., from Croquis Été, published in Le Charivari, July 2, 1858. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm)Image: 8 in. × 9 13/16 in. (20.3 × 25 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: Croquis d'Été. Date: July 2, 1858. Museum: Metropolitan Museum of Art, New York, USA.

LEONARDO DA VINCI (1452-1519). 'Teatrise on Painting'. Edition printed in Naples by Francesco Ricciardo and Vincenzo and Nicola Rispoli (1733). Study on the relative distances between the arms in the human body. Renaissance art. Etching. SPAIN. CATALONIA. Barcelona. Barcelona University Library.

Poor France! Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Poor France!". Board published in "caricature" of May 24, 1832. Lithography. Paris, House of Balzac.

Émotions Champêtres, from Actualités, published in Le Charivari, September 10, 1857 September 10, 1857 Honoré Daumier French. Émotions Champêtres, from Actualités, published in Le Charivari, September 10, 1857. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 10, 1857. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Tabbo Tabbo primus historiae scriptor Frisian rulers , print maker: Simon Frisius, publisher: Jan Lamrinck, print maker: Northern Netherlands, publisher: Franeker, 1622, paper, etching, letterpress printing, h 166 mm × w 101 mm

Girl dancing on the shoulders of a bagpiper, 13th century, man playing a pipe while dancing on stilts, 13th century (top), tumbler preparing to leap through a hoop held by two others, 14th century (middle) and posture master hanging from a pole, 14th century (bottom). Handcoloured lithograph by Joseph Strutt from his own Sports and Pastimes of the People of England, Chatto and Windus, London, 1876.

An engraving depicting King Edward II being forced to abdicate in 1326. Dated 19th century

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