Satirical Political Cartoons

Colorful caricatures and prints reflecting 19th-century British society, depicting political satire, humor, and cultural commentary through vibrant illustrations.

Johnny Bull and his forged notes!! Or - rags & ruin in the paper currency!!! - Yedis, invt. ; G C, fect.. British Cartoon Prints Collection . John Bull (Symbolic character),1810-1820. , Counterfeiting,England,1810-1820. , Money,England,1810-1820.

The Damnation of Obadiah (Tristram Shandy) 1803 () () Thomas Rowlandson. The Damnation of Obadiah (Tristram Shandy). After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1803 (). Hand-colored etching. () Rudolph Ackermann, London (active 1794-1829). Prints

Recruiting on a Broab sic Bottom'd Principle. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 7/16 × 16 3/8 in. (29 × 41.6 cm). Publisher: T. Blacklock (British, active London, ca. 1806). Subject: Charles James Fox (British, 1749-1806); George III, King of Great Britain and Ireland (British, London 1738-1820 Windsor); Richard Brinsley Sheridan (Irish, Dublin 1751-1816 London); Edward Smith Stanley, 12th Earl of Derby. Date: May 1806. Museum: Metropolitan Museum of Art, New York, USA.

Johnny Bull and his forged notes!! Or - rags & ruin in the paper currency!!! - Yedis, invt. ; G C, fect.. British Cartoon Prints Collection . John Bull (Symbolic character),1810-1820. , Counterfeiting,England,1810-1820. , Money,England,1810-1820.

Man and two women failing to close a packed trunk in a hotel room while a servant looks on. Miseries of Travelling. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

The learned Scotchman or magistrates mistake , Judges, Intoxication, Surprise, Spouses. Thomas Rowlandson (1756-1827). Prints and Drawings

Tax Gatherer. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 5/16 × 8 7/16 in. (26.2 × 21.4 cm)Plate: 9 3/4 × 7 7/8 in. (24.8 × 20 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Country Characters. Date: August 30, 1799. Museum: Metropolitan Museum of Art, New York, USA.

The Minogoat, William Austin, 1721-1820, British, c. 1780, Etching, hand-colored, Sheet: 9 x 13 3/8in. (22.9 x 34cm)

The meeting on the bridge.

The Battle of the Cataplasm, Print made by Henry William Bunbury, 1750-1811, British, between 1773 and 1817, Hand-colored etching on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm), Plate: 9 3/4 x 13 11/16 inches (24.8 x 34.8 cm), and Image: 8 1/16 x 12 5/8 inches (20.5 x 32 cm), angry, baby, broken, candle, children, clock, cradle, crib, fire, gesturing, illustration, literary theme, men, mirror, nose, novel, physician, pinching, plaster, screen, servant, shouting, smoke, stool, The Battle of the Cataplasm (from Tristram Shandy), The Life and Opinions of Tristram Shandy, Gentleman, by Laurence Sterne (1713-1768), throwing, tricorn, wig, woman

Le double piègle, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Street scene. A fortune teller advises a young girl. Vendors and other people look on. Title at top. Below, publisher's name and 'Fillette, garde bien tou argent, tou honneur, Car l'un vise à la bourse, et l'autre vise au coeur'., France, 1810-1815, Print, Print

Country characters no. 12: London outrider : Or Brother Saddlebag , Sales personnel, Merchants, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Thomas Rowlandson (British, 1756 - 1827 ), The Successful Fortune Hunter, 1812, hand-colored etching, Gift of Addie Burr Clark

An old English gentleman pester'd by servants wanting places , Kings, Politicians, Nobility, Authors, Military officers, Erskine, Thomas Erskine, Baron, 1750-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ponsonby, George, 1755-1817, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Canning, George, 1770-1827, Cobbett, William, 1763-1835, Grattan, Henry, 1746-1820, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grey, Charles Grey, Earl, 1764-1845, Castlereagh, Robert Stewart, Viscount, 1769-1822, Norfolk, Charles Howard, Duke of, 1746-1815, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, George III, King of Great Britain, 1738

The skeleton of Death comes for Miss Mustard, one of the old Maiden Ladies playing cards in a parlour. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

James Gillray, 1757-1815, British, Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2), 1794. Etching, hand-colored.

The Female Politicians, Or - The D____ss Defending the Honour of Old Corny, unknown artist, 1801, Etching and aquatint, hand-colored, Sheet: 7 15/16 x 11in. (20.2 x 27.9cm)

The Death of Madame Republique December 14, 1804 Thomas Rowlandson. The Death of Madame Republique. Thomas Rowlandson (British, London 1757-1827 London). December 14, 1804. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Cow Pock; or The Wonderful Effects of the New Inoculation!. Gillray, James (1756-1815). Tilden, Samuel J. (Samuel Jones) (1814-1886). Prints, Cartoons (Commentary). 1802-06-12. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Vaccinations, Jenner, Edward, 1749-1823

State Butchers January 28, 1789 Thomas Rowlandson. State Butchers. Thomas Rowlandson (British, London 1757-1827 London). January 28, 1789. Hand-colored etching. Prints

The Magnanimous Minister, Chastising Prussian Perfidy.-vide-Morning Chronicle April 28th May 2, 1806 James Gillray British. The Magnanimous Minister, Chastising Prussian Perfidy.-vide-Morning Chronicle April 28th 391823

Henry Thomas Alken, 1785-1851, British, Exhibition Somerset House Tom and Bob, 1821. Hand colored engraving.

Thomas Rowlandson, A Cully Pillaged, probably 1784 1785 A Cully Pillaged

Policies under discussion. (IT)

Charles Williams, active 1796-1830, British, John Bull Visited With the Blessings of Peace, 1801. Etching, hand-colored.

Plate 16: Robert Macaire matrimonial agent, from 'Caricaturana,' published in Les Robert Macaires 1838 Honoré Daumier Mr. Gobard, may I have the honor of presenting you Madame De St. Bertrand, widow of the Great Army, who possesses a very considerable fortune and Mademoiselle Eloa de Wormspire, daughter of the celebrated Baron de Wormspire, to whom the great man has bequeathed an income of 50 thousand pounds in his testament... As these ladies are burning with desire to make your acquaintance, I invited them to dine at your home this evening. You'll take us to the opera and we'll have a nice evening... Mr. Gobard, I must warn you that these ladies harbor certain intentions towards you.... Plate 16: Robert Macaire matrimonial agent, from 'Caricaturana,' published in Les Robert Macaires. 'Caricaturana'. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1838. Lithograph on wove paper; second state of two (Delteil). Aubert et Cie. Prints

Isaac Cruikshank, 1756-1810, British, Self Murder or the Wolf Tried and Convicted on his own Evidence, 1791. Etching, hand-colored.

John Cawse, 1779-1862, British, The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, 1800. Etching, hand-colored.

Thomas Rowlandson, Ducking a Scold, 1809 Ducking a Scold

The Rivals 1812 England. Hand-colored etching and stipple engraving on ivory wove paper . Thomas Rowlandson

Illustrations from Mr. Lambkin, plate 13, Print made by George Cruikshank, 1792-1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Justice August 30, 1799 Thomas Rowlandson. Justice. Country Characters. Thomas Rowlandson (British, London 1757-1827 London). August 30, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

John Bull's First Visit to his Old Friend the New Secretary. Charles WIlliams (English, active 1797-1830); published by S. W. Fores (English, active 1785-1825). Date: 1806. Dimensions: 242× 344 mm (image); 249 × 354 mm (plate); 272 × 382 mm (sheet). Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Honorable Almond of the Prince of Brunswick, and burning his manifesto. (IT)

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 202 × 240 mm (image); 213 × 250 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The attacked ministry of cholera morbus Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "The attacked ministry of Cholera Morbus". Board published in "caricature" of August 4, 1831. Lithography. Paris, House of Balzac.

The anatomist , Physicians, Surprise. Thomas Rowlandson (1756-1827). Prints and Drawings

The Rival Richards, or Sheakspear in Danger. Artist: William Heath ('Paul Pry') (British, London 1795-1840 Hampstead). Dimensions: Plate: 9 9/16 × 13 11/16 in. (24.3 × 34.8 cm)Sheet: 10 5/16 × 15 7/8 in. (26.2 × 40.3 cm). Publisher: Samuel Knight (British, 1805-1841). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon); Edmund Kean (British, 1787-1833); Charles Mayne Young (British, 1777-1856). Date: May 18, 1814.Two tragic actors Edmund Kean and Charles Mayne Young are here satirized struggling to control Shakespeare. Both are dressed as Richard III to indicate their rivalry on the London stage in that part. Behind Kean at left is the Drury Lane Theatre with Covent Garden at right behind Young. The latter's more declamatory style gave him the edge as the city's leading tragedian until Kean's more natural approach took the public's fancy after his 1807 debut. Museum: Metropolitan Museum of Art, New York, USA.

Isaac Cruikshank, 1756-1810, British, Lord Mum Overwhelmed with Parisian Embraces, 1796. Etching, hand-colored.

Thomas Rowlandson, 1756-1827, British, A Touch of the Times, 1788. Etching, hand-colored.

The exciseman and the countryman , Eating & drinking, Customs inspections, Customs employees. Thomas Rowlandson (1756-1827). Prints and Drawings

Soiuzniki vozstanavlivaiut Frantsiiu Allies restore France, satirical illustration. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Royal Kitchen Stuff!. Isaac Robert Cruikshank (English, 1789-1856); published by J. Sidebotham (English, active 1802-1820). Date: 1819. Dimensions: 220 × 330 mm (image); 240 × 341 mm (sheet cut within plate mark). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1756-1810, British, 1797, Etching, hand-colored, Sheet: 9 5/8 x 13 7/8in. (24.4 x 35.2cm)

Slugs in a Sawpit. Dated: 1791. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Advantages of Wearing Muslin Dresses!. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1802. Dimensions: 241 × 347 mm (image); 255 × 355 mm (plate); 285 × 395 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Interruption or Inconvenience of a Lodging House April 1, 1789 Thomas Rowlandson A man enters the dressing room of a dowager and her maid. The dowager covers herself and the maid throws her hands up in surprise.. Interruption or Inconvenience of a Lodging House. Thomas Rowlandson (British, London 1757-1827 London). April 1, 1789. Hand-colored etching. J. Griggs. Prints

Industry, The best way to Secure Liberty and preserve Order, () William Dent, active 1784-1793, 1792, Etching with watercolor on laid paper, Sheet: 8 x 11 1/8in. (20.3 x 28.3cm)

Mr. de Robert Macaire Restaurateur, 1836, Caricaturana (plate 12), hand-colored lithograph on wove paper, sheet: 35.6 × 27.1 cm (14 × 10 11/16 in.), Delteil, no. 365, State iii/iii, Honoré Daumier (artist) French, 1808 - 1879, Edouard Bouvenne (artist) French, 19th century, Aubert (publisher) French, Charles Philipon (author) French, 1802 - 1862

The Last Gasp, or Toadstools Mistaken for Mushrooms September 1, 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Last Gasp, or Toadstools Mistaken for Mushrooms. Thomas Rowlandson (British, London 1757-1827 London). September 1, 1813. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Charles Williams, active 1796-1830, British, Close Shaveing, or The Will Our Own Way, 1802. Etching, hand-colored.

James Gillray, 1757-1815, British, Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, 1796. Etching, hand-colored.

George Moutard Woodward, ca. 1760-1809, British, The Sleeper, ca. 1808.

King Henry IV ca. 1827 William Heath ('Paul Pry') Heaths satire mocks George IV and his mistress Elizabeth, Marchioness Conygham, with the title intended to echo a well known work by Henry Fuseli that shows the fat knight Falstaff at the Boar's Head Tavern, canoodling with Doll Tearsheet, in a scene from Shakespeares "King Henry IV, part II." The painting was hung in Boydells Shakespeare Gallery, on Pall Mall in London between 1789 and 1805, and was engraved by William Satchwell Leney (see 42.119.534).. King Henry IV 710350

A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1756-1810, British, 1792, Etching, hand-colored, Sheet: 8 5/8 x 14 1/2in. (21.9 x 36.8cm)

Thomas Rowlandson, 1756-1827, British, Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin, c. 1786. Etching, hand-colored.

A Magisterial Visit, Isaac Cruikshank, 1756-1810, British, 1795, Etching, hand-colored, Sheet: 11 7/8 x 8 3/4in. (30.2 x 22.2cm)

N ° 13 / Napoleon: To say that it is thanks to my nephew polisson that .... / Frédéric: Do not desolate you. Voltaire philosophically said that you will be restored to you. (IT)

L'Entrée au Musée 1808 Anonymous, French, 19th century French. L'Entrée au Musée 392117

Caricature of Napoleon Bonaparte by Ivan Ivanovich Terebenev, Copper engraving, watercolor, 1814, 1780-1815, Russia, Moscow, State History Museum,

Libel hunters on the look out : Or daily examiners of the liberty of the press , Organizations, Libel & slander. Thomas Rowlandson (1756-1827). Prints and Drawings

Outré Compliments August 18, 1786 Thomas Rowlandson. Outré Compliments. Thomas Rowlandson (British, London 1757-1827 London). August 18, 1786. Hand-colored etching. Prints

The Impeachment, - or - 'The Father of the Gang, Turn'd Kings-Evidence', James Gillray, 1757-1815, British, 1791, Etching, hand-colored, Sheet: 12 x 15in. (30.5 x 38.1cm)

Domestic Shaving August 21, 1786 Thomas Rowlandson. Domestic Shaving. Thomas Rowlandson (British, London 1757-1827 London). August 21, 1786. Hand-colored stippled etching. Prints

Chetyre karikatury na sobytiia 1800, 1807 i 1808 godov Caricatures relating to events in 1800, 1807, 1808. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

The Devonshire, or Most Approved Method of Securing Votes. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 9/16 × 17 5/16 in. (29.3 × 44 cm)Plate: 9 9/16 × 13 13/16 in. (24.3 × 35.1 cm). Published in: London. Publisher: Hannah Humphrey (London). Subject: Charles James Fox (British, 1749-1806); Georgiana Cavendish, Duchess of Devonshire (British, Wimbledon, Surrey 1757-1806 Devonshire). Date: April 12, 1784. Museum: Metropolitan Museum of Art, New York, USA.

Frankly, what are you saying about it, my redhead (TI)

Unknown, Etrennes essentielles du jour de l'an, 1700-1899, hand-colored etching on paper.

Raising the Wind. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 13 15/16 × 10 1/16 in. (35.4 × 25.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: 1805-12. Museum: Metropolitan Museum of Art, New York, USA.

The awkward footman , Servants, Dogs, Shouting. Thomas Rowlandson (1756-1827). Prints and Drawings

Ynfunde Luzbel to Josef bottles that preach in achieving while his listeners Rovan Ynfunde Luzbel to Josef bottles that preach in achiever while his listeners Rovan. Paris, Mus�e Carnavalet.

The Toper's Mistake. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 7/8 × 8 1/4 in. (27.6 × 21 cm). Date: July 20, 1801. Museum: Metropolitan Museum of Art, New York, USA.

One Days Sport of Three Real Good Ones. The Corinthians making it up...by showing the Johnny Raws how to Grog it. Artist: Henry Thomas Alken (British, London 1785-1851 London). Dimensions: Sheet: 11 5/8 × 15 15/16 in. (29.5 × 40.5 cm). Publisher: Thomas McLean (British, active London 1788-1885) Repository of Wit and Humor. Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

John Cawse, 1779-1862, British, The States of the Bowels; or a Fashionable Disorder!, 1794. Etching, hand-colored.

Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1757-1815, British, 1793, Etching, hand-colored, Sheet: 11 3/4 x 13 7/8in. (29.8 x 35.2cm)

Chelsea Parade or a Croaking Member Surveying The Inside Outside and Backside of Mrs Clarke's Premises March 4, 1809 Thomas Rowlandson. Chelsea Parade or a Croaking Member Surveying The Inside Outside and Backside of Mrs Clarke's Premises. Thomas Rowlandson (British, London 1757-1827 London). March 4, 1809. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Royal fishmongers : Or a welcome to Billingsgate , Seduction, Fishmongers, Baskets, Fish, Nobility, Princes, William Frederick, Duke of Gloucester, 1776-1834, Léopold I, King of the Belgians, 1790-1865, Augustus Frederick, Prince, Duke of Sussex, 1773-1843. Thomas Rowlandson (1756-1827). Prints and Drawings

Peace and plenty , Amputees, Celebrations, Soldiers. Thomas Rowlandson (1756-1827). Prints and Drawings

Advocacy by Mr. De Malesherbe. (IT)

Doctor. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 7/16 × 8 3/8 in. (26.5 × 21.3 cm)Plate: 9 11/16 × 7 13/16 in. (24.6 × 19.8 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Country Characters. Date: September 10, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Hodges explanation of a hundred magistrates , Judges. Thomas Rowlandson (1756-1827). Prints and Drawings

A tous les coeurs bien nés que la patrie est chère!!! , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

An Irish Request in a Storm, George Moutard Woodward, ca. 1760-1809, British, 1802, Etching, hand-colored, Sheet: 8 5/8 x 13in. (21.9 x 33cm)

James Sayer, 1748-1823, British, A Noble Lord, on an Approching Peace, Too Busy to attend to the Expenditure of a Million of the Public Money, 1787. Etching & aquatint, hand-colored.

The skeleton of Death leads an old man into a mausoleum, leaving his young widow free to remarry. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Napoleon: -Dire that it is thanks to my nephew polison that ............. / n ° 13

The campaign plan of 1806. / or the deliberations of English ... (IT)

The old and new ways for servants to greet each other. Date: circa 1830

A c.1815 black gray pen and watercolor illustration by Friedrich August Junge depicting a boy caressing a dog and holding a man's shirt in a room, showing figures, interior, and interaction.

Camp Help of Varennes News Conde (IT)

The Treaty of Peace, or Satisfaction for all Parties, () Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 9 3/8 x 15 1/2in. (23.8 x 39.4cm)

Frederic's despair, seeing his hopes / fell into the water. (IT)

Gentlemen at a shoeblacks shop in Paris, 1820. An English parson shares snuff with a French officer seated on a bench while shoeshine boys polish their shoes. One customer reads a newspaper, one shows his boots to an old shoeblack. Doctor Syntax at the decroteurs. A la manier brillant. In the brilliant manner. Handcoloured copperplate drawn and engraved by Charles Williams from Doctor Syntax in Paris; or a Tour in Search of the Grotesque, W. Wright, London, 1820.

Isaac Cruikshank, 1756-1810, British, The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, 1791. Etching, hand-colored.

The Last Jig or Adieu to Old England January 10, 1818 Thomas Rowlandson Proof before letters with pencil additions and title and imprint in pen and brown ink. A young woman dances a jig with a man wearing an apron in a tavern cellar. At left, a sailor plays the violin. Three amorous couples embrace in the background.. The Last Jig or Adieu to Old England. Thomas Rowlandson (British, London 1757-1827 London). January 10, 1818. Hand-colored etching; proof before letters. Thomas Tegg (British, 1776-1846). Prints

Political Cartoon shows cleric Dr. Richard Price, kneeling on a crown with a demon on his back, peering through a peep-hole into the royal bedroom at Versailles, watching ruffians destroy the Queen's bed and bedroom in search of her; Queen Marie Antoinette is seen fleeing down a staircase. 1790

A Greenwich Pensioner showing the Thornhill decorations in the Painted Hall to a family of visitors. Coloured etching by T. Rowlandson after J. N. Esq, 1807.

Cartoon on the return of the prince, 1799, 1799 print English cartoon on the upcoming reception of Prince Willem V upon returning to Holland. The set prince is surrounded by a cheering mass and embraced and kissed by a few fishermen's women. Frogs crawl at his feet. On the right in the background the landing of the English troops in boats on the beach of Noord-Holland. Satire on the British-Russian invasion in 1799. London paper etching tailless amphibians: frog. embracing each other, kissing

The Crowe & The Pigeon. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 5/8 × 10 3/4 in. (24.5 × 27.3 cm). Publisher: Robert Hixon (British, active London, 1794-1817). Date: October 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Coloured illustration of men around a table playing card games entitled "The game of 31" (1831).

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq). Artist: Once thought to be after Jean-Baptiste-François Bosio (French, Monaco 1764-1827 Paris); Pierre Nolasque Bergeret (French, Bordeaux 1782-1863 Paris). Dimensions: sheet: 12 5/16 x 17 5/8 in. (31.3 x 44.8 cm). Date: 1805. Museum: Metropolitan Museum of Art, New York, USA.

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