Satirical Political Cartoons

A variety of 18th to 19th-century political cartoons, illustrating government officials and societal critiques through humor and caricature. The scenes feature crowds, politicians, and popular figures

'Weighing', c1789. Artist: Thomas Rowlandson.

Integrity retiring from office , Government officials, Politicians, Nobility, Authors, Military officers, Kings, Riots, Crowds, Jekyll, Joseph, 1754-1837, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, Dundas, Henry, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Tierney, George, 1761-1830, Whitbread, Samuel, 1764-1815, George III, King of Great Britain, 1738-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Jones, Thomas Tyrwhitt, Sir, 1765-1811. James Gillray (1756-1815). Prints and Drawings

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Alecto and Her Train, at the Gate of Pandaemonium:-or-The Recruiting Sarjeant Enlisting John Bull, Into the Revolution Service July 4, 1791 James Gillray British. Alecto and Her Train, at the Gate of Pandaemonium:-or-The Recruiting Sarjeant Enlisting John Bull, Into the Revolution Service 391757

James Gillray, 1757-1815, British, A Warm Birth for the Old Administration -----, 1783. Etching, hand-colored.

Le Sugot Corse en Pleine D�roupe

The Black Child, Posse from Hopp Theatrical Image Gallery for the Theaterzeitung, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

'Weighing', c1789. Artist: Thomas Rowlandson.

More Miseries: The Bottom of Mr Figg's Old Whiskey Broke Through 1807 Thomas Rowlandson. More Miseries: The Bottom of Mr Figg's Old Whiskey Broke Through. More Miseries of Human Life. Thomas Rowlandson (British, London 1757-1827 London). 1807. Hand-colored etching. Prints

The Margate Hoy January 12, 1795 Charles Catton, Jr.. The Margate Hoy. Charles Catton, Jr. (British, London 1756-1819 New Paltz, New York). January 12, 1795. Hand-colored etching; second issue. S. W. Fores (London). Prints

A Sale of English-Beauties in the East Indies May 10, 1811, reprint Thomas Rowlandson A reduced copy after Gillray by Rowlandson, originally published in 1786. A group of English courtesans has just arrived in Calcutta and is being sold by an auctioneer at left.. A Sale of English-Beauties in the East Indies. Thomas Rowlandson (British, London 1757-1827 London). May 10, 1811, reprint. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Exit Liberte al Francois! Or Buonaparte closing the Farce of Egalite, at St Cloud near Paris, Nov 10th 1799. Napoleon's Coup d'Etat of Eighteenth Brumaire. British cartoon by James Gillray, 21 Nov 1799. First Consul Satire France

French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, James Gillray, 1757-1815, British, 1799, Etching, hand-colored, Sheet: 9 1/2 x 13 15/16in. (24.1 x 35.4cm)

The prospect before us. Prints. 1791. Jerome Robbins Dance Division. Didelot, Charles Louis, 1767-1837, Mlle, Théodore, 1760-1796, Dance , Caricatures and cartoons

The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1756-1810, British, 1792, Etching, hand-colored, Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)

A Leaf Out of Nicholas Nickleby with Slight Variations - Nicholas quits the Company - Theatrical Emotion of Mr. Vincent Crummles March 26, 1839 John Doyle. A Leaf Out of Nicholas Nickleby with Slight Variations - Nicholas quits the Company - Theatrical Emotion of Mr. Vincent Crummles. HB Sketches, No. 582. John Doyle (Irish, Dublin 1797-1868 London). March 26, 1839. Lithograph. Thomas McLean (British, 1788-1875). Prints

London, Fores, Samuel W., England, Cruikshank, George, A RYL visit to a foreign capital or, the ambassador not at home-!!, Cartoon on Princess Caroline, 1817, verso - stamped, Cartoon on Princess Caroline of Brunswick, 1817. The princess (with bulging bosom) arrives in a carriage together with Bartolommeo Bergami (the princess's chamberlain and presumed lover, in hussar uniform) at the British embassy in Vienna., print, cartoon, prints, English cartoons, height 272 mm, width 405 mm, English, 1792-08-27 - 1878-02-01, print maker, printmaker, 1817-09-15 - 1817-09-15, paper, papier, etching, etchings, hand colouring, Publication (Event), Publication, 1761 - 1838, publisher

Print made by Thomas Rowlandson, 1756-1827, British, A Mad Dog in a Coffee House, 1809. Etching and watercolor on medium, brown, moderately textured wove paper.

James Gillray, 1757-1815, British, The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, 1788. Etching, hand-colored.

The black woman , parodying posse by Meisl theatrical picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Face in the Molenmeert in Nieuw-Loosdrecht (municipality of Loosdrecht) from the southwest; With the flour mill De Haas on the right in the background. N.B. The municipality of Loosdrecht was included in the newly formed municipality of Wijdemeren (N.-H.) on 1 January 2003. The Korenmolen de Haas was demolished in 1928.

Consequences of a successful French invasion. Me teach de English republicans to work , Politicians, Farming, John Bull Symbolic character, Fox, Charles James, 1749-1806. James Gillray (1756-1815). Prints and Drawings

King Philip II of Spain overseeing the work on the Royal Site of San Lorenzo de El Escorial built in 1584. Surrounded by courtiers, soldiers, magistrates and masons. Scoglio di Filippo II. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1829.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 200 × 258 mm (image); 211 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Louis XVI signs the Constitution ... Louis XVI signs the Constitution ... ". Anonymous.

'Cruikshank's Exhibition of Bloomers in Hyde Park, 1852', c1870. Artist: George Cruikshank.

Leak in the diligence of the English of the country of Hanover (TF)

Isaac Cruikshank, 1756-1810, British, Lord Howe they run, or the British Tars giving the Carmignols a Dressing on Memorable 1st of June 1794, 1794. Etching, hand-colored.

La Correspondencia del Diablo. Dibujo satírico. Abdicación del rey Amadeo I de España (1845-1890) y proclamación de la Primera República. Febrero de 1873.

Boney at Bayonne blowing a Spanish bubble. British Cartoon Prints Collection . Napoleon,I,Emperor of the French,1769-1821. , Charles,IV,King of Spain,1748-1819 , María Luisa,Queen, consort of Charles IV, King of Spain,1751-1819 , Ferdinand,VII,King of Spain,1784-1833 , Peninsular War, 1807-1814. , Bayonne (France),History.

Keisnijder or De Witch van Mallegem, Pieter van der Heyden, after Pieter Bruegel (I), 1595 - 1633 print The Keisnijder or the Witch of Mallegem. In the midst of a group of fools, a quack performs an operation in the light of a lantern where a boulder is cut from the patient's head. On the right a screaming woman sat on the shoulders of an old woman. Right for cutting boulders in a large egg. In the background a watermill and fantastic creatures. Under the performance three two -line verses in Dutch. Antwerp paper engraving stone-operation, e.g.: by the witch of Malleghem. prison, jail. purse, money-bag. viola, violoncello; double bass

The funeral procession of the rump. A satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker's cart, the front of which is formed by a guillotine. The procession is headed by Mister John Ketch, Esq.., the hangman. By George Cruikshank.

Cartoon on Princess Caroline, 1817, 1817 print Cartoon on Princess Caroline van Brunswijk, 1817. The Princess (with bulging bosom) arrives in a carriage together with Bartolommeo Bergami (chamberlain of the Princess and suspected lover, in Huzarenuniform) at the British Embassy in Vienna. paper etching lovers; courting, flirting. four-wheeled vehicle drawn by more than three animals. political caricatures and satires Vienna

Souvenirs of London: Crossing on the Packet Boat, 1826. Eugène Louis Lami (French, 1800-1890). Lithograph, hand colored;

In our turn, now! You have to finish! (IT)

The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1756-1810, British, 1791, Etching, hand-colored, Sheet: 9 3/8 x 15 1/2in. (23.8 x 39.4cm)

A Scene in the New Farce - as Performed at the Royalty Theatre!, Print made by George Cruikshank, 1792-1878, British, Published by George Humphrey, ca. 1773-ca. 1831, British, 1821, Etching, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 1/2 x 13 5/8 inches (24.2 x 34.6 cm) and Image: 8 9/16 x 13 1/8 inches (21.7 x 33.3 cm), animals, axes, bishops, bowing, brutes, bulls, caricature, chancellor, citizen participation, court, elephant (animal), historical subject, hoes, horns, jester, king's, ministers, obese, papers, petitions, satire, soldiers, throne, City of London, England, Europe, Greater London, United Kingdom

Adventure on a trip with the express car , fresco painting after the French Gallerie Droller Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Forget & Forgive, or Honest Jack Shaking Hands with and Old Acquaintance September 3, 1799 Thomas Rowlandson. Forget & Forgive, or Honest Jack Shaking Hands with and Old Acquaintance. Thomas Rowlandson (British, London 1757-1827 London). September 3, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Dean of General Farmers Doors Four Clerks at Barriers Anonymous. "The Dean of General Farmers worn by four clerks at the barriers ...". Print.

The alpine king and the mother, Magic game by Meisl Gallerie Droller Scenen to the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The majesties are led by the cheering people, Ferdinand I, and Maria Anna on March , Joseph Albrecht, lithographic, Hüffel, printer

Democratic gratitude ; Democratic religion , Emperors, Military officers, War destruction & pillage, Smoking, Priests, Napoleon I, Emperor of the French, 1769-1821. James Gillray (1756-1815). Prints and Drawings

Cartoon on the attempts of the Belgians to find a king, 1831, Anonymous, 1831 print Cartoon on the attempts of the Belgians to find a king, January 1831. At the top of the empty Belgian throne without prince, Belgians without a head on either side. On the throne sky a waffle flanked by two beer mugs Lambiek and Faro. In the foreground, others look for a king on the street. Netherlands paper etching throne

The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1757-1815, British, 1799, Etching, hand-colored, Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)

A Box Lobby Hero, The Branded Bully, or The Ass Stripp'd of the Lion's Skin. May 1786 Thomas Rowlandson. A Box Lobby Hero, The Branded Bully, or The Ass Stripp'd of the Lion's Skin.. Thomas Rowlandson (British, London 1757-1827 London). May 1786. Hand-colored etching. Prints

Don't sneak off until you've given the Marquess her New Year's present, 1840 satirical German engraving set in a cafÄ

An anonymous artist illustrated the Hungarian Landsturm in 1848 using watercolor.

Loyal Souls; - or - A Peep into the Mess-Room, at St. James's, James Gillray, 1757-1815, British, 1797, Etching and aquatint, hand-colored, Sheet: 9 9/16 x 13 15/16in. (24.3 x 35.4cm)

Parson cursing foxhunters and hounds trampling his garden after a fox. Despite a warning sign reading Steel traps spring guns set in this garden. The Enraged Vicar. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

The convoy of royalty (IT)

Public during an exhibition at the Royal Palace on Dam Square. With inscription: Out of love for art one is squeezed flat here. The 3rd day of the exhibition at the Palace, Visitors at the Art Exhibition in Amsterdam in 1808., draughtsman: Christiaan Andriessen, Amsterdam, 1808, paper, brush, h 126 mm × w 179 mm

Isaac Cruikshank, 1756-1810, British, The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, 1791. Etching, hand-colored.

Vive la France, Balancier, Both in "Tow" ca. 1840 Alfred E. Baker American This image of a man and two ladies playing bandminton with tiny Cupids may caricature Edward Dechaux, a prominent art dealer who also manufactured canvases for artists, stamping his name on the back (an example is at the New York Historical Society (for related prints see 54.90.1083 and 54.90.1355-56, 1358).. Vive la France, Balancier, Both in "Tow" 388713

Passengers slipping and falling into the river mud when debarking from a rowboat. Miseries Miscellaneous. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

Bock, Christoph Wilhelm, Nederland, De Vlugt van Napoléon, Vlucht van Napoleon, 1815, Netherlands, verso - stamped, Cartoon on the flight of Napoleon after the French defeat in the Battle of Waterloo on 18 June 1815. Central the Dutch Virgin with Napoleon's lance of liberty. On the left Napoleon rides the Devil and Death to the moon. On the left front an astrologer watches this spectacle through binoculars, next to him a farmer and an accountant who calculates the costs of Napoleon's hundred days. On the right front the belongings of Napoleon left behind at the castle of Laken, here a Jewish buyer or appraiser. On the right back chaos in the French parliament, on the left back the armies and leaders of the allies. With several inscriptions in the representation, in the caption the legend 1-13., print, cartoon, prints, Frederik Muller Historieplaten, height 343 mm, width 462 mm, 1755-03-03 - 1836-08-17, print maker, printmaker, 1815 - 1820, paper, papier, etching, hand colouring, Work c

The Landing of Sir John Bull & His Family, at Boulogne sur mer. James Gillray (English, 1756-1815); after Henry William Bunbury (English, 1750-1811); published by Hannah Humphrey (English, c. 1745-1818). Date: 1792. Dimensions: 225 × 655 mm (image); 255 × 680 mm (plate); 285 × 705 mm (sheet). Hand-colored etching and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thomas Rowlandson, Preparing to Start, probably 1811 Preparing to Start

Selling a Wife to highest bidder. Illegal, but done in Sheffield 1803 Brighton 1808 and is an incident in Thomas Hardy's novel 'The Mayor of Casterbridge'. Hand-coloured engraving from 'Popular Passtimes' London 1816.

The broken bridge. Illustration at a poem on the verso page. Framed with gold paint and brush in brown.

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Henry Thomas Alken, 1785-1851, British, Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's, 1823. Hand colored soft-ground etching.

Thomas Rowlandson, The Subscription Club Room, 1791, pen with black and brown inks over graphite and watercolor with additions in pen and brush and black ink on cream wove paper.

The bridge, c. 1655 Illustration with a poem on the Verso page. Framed with gold paint and brush in brown. Zwolle Paper. Watercolor (Paint). Framework lines:. Lines: Ink brush Illustration with a poem on the Verso page. Framed with gold paint and brush in brown. Zwolle Paper. Watercolor (Paint). Framework lines:. Lines: Ink brush

One man is holding scales which appear unbalanced as a crowd of people on the left are discussing the situation. Etching.

Thomas Rowlandson, The Dinner, 1787 The Dinner

Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.

The back from the prison caricature on the punitive measures against prostitutes, Johann Hieronymus Rohenkohl -, publishing house

The Satirist, Samuel De Wilde, 1748-1832, British, 1807, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper, Sheet: 7 × 13 3/4 inches (17.8 × 34.9 cm)

Series Vieeen scenes, Die firacker, FIKAKER, Joseph d, Lanzedlli -, JERMIW, PUBLISHER

Selling a Wife to highest bidder. Illegal, but done in Sheffield 1803 Brighton 1808 and is an incident in Thomas Hardy's novel The Mayor of Casterbridge. Hand-coloured engraving from Popular Passtimes London 1816.

Napoleons levenstrap, 1814, anonymous, 1814 print Napoleon's life staircase. Starting at the bottom left as a Corsican boy, he works for general, consul and finally at the top at its peak. Then the staircase goes with defeats in Spain, Moscow and Germany (Leipzig) in 1813. At the bottom you can see Napoleon's bow, sitting with father time exiled on the island of Elba, 1814. Germany paper etching the ages of man represented by a staircase Elba

Plate 16, Outlines of Figures, Landscapes and Cattle...for the Use of Learners June 1, 1790 Thomas Rowlandson. Plate 16, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). June 1, 1790. Hand-colored etching. S. W. Fores (London). Prints

Sports of a Country Fair, Part the Third October 5, 1810 Thomas Rowlandson A tiger bursts through the canvas wall of a theatrical tent, and the audience flees in terror.. Sports of a Country Fair, Part the Third. Thomas Rowlandson (British, London 1757-1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Print made by George Cruikshank, 1792-1878, British, Odds & Ends, in, out, and about, The Great Exhibition of 1851, 1851. Etching on medium, slightly textured, cream wove paper.

Giarr, Luigi (1772-1844) Private Collection Book Art Genre Skating rink. Illustration from ""Il costume antico e moderno o storia del governoÄ"" by Giulio Ferrario

The Last Papal Assembly (La dernière assemblée papale). Artist: Anonymous, French, 18th century. Dimensions: sheet: 10 3/8 x 14 5/8 in. (26.3 x 37.2 cm). Publisher: Published by François Jules Gabriel Depeuille (French, active Paris, 1783-98) , Paris. Date: June 1796. Museum: Metropolitan Museum of Art, New York, USA.

La dame. - Oh! mon ami, quel beau turco!.... Honoré Daumier (1808-1879). Lithographs

Ladies' fish Anonymous / Noel. "The ladies' fish". Water-strong color.

France, 19th century. People on a bus seat (Un banc d'Omnibus. Trois, six et trois... huit encore une place! Serrez-vous Messieurs et Dames). Engraving by Fournier, 1829. Caricature.

Bathes in the Mediterranean, is swallowed by a fish, from which he is extricated by dancing a hornpipe 1809, reissued 1811 Thomas Rowlandson The Baron climbs out of a large fish and dances nude at right.. Bathes in the Mediterranean, is swallowed by a fish, from which he is extricated by dancing a hornpipe. "Surprising Adventures of the Renowned Baron Munchausen". Thomas Rowlandson (British, London 1757-1827 London). 1809, reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776-1846). Prints

Revolution / missed or pierced baskets (IT)

Napoleon gets Elba, 1814, Anonymous, 1814 print Cartoon on Napoleon's exile to Elba, May 1814. A complaining Napoleon has to drop the globe and instead gets the island of Elba, which is offered him on a plate by a cossack. The king of Rome, the son of Napoleon, with emperor crown, scepter, sword and cloak. In the background a collapsing temple, possibly the dome of the Hôtel des Invalides in Paris. With two -way caption. Netherlands paper etching insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). collapsing building Elba. Hotel invalid

ALFONSO XII. REY DE ESPAÑA. MADRID 1857 -1 885. VISITA DE LOS REYES A LA BASILICA DE ATOCHA. DIBUJO DE DANIEL PEREA. ILUSTRACION ESPAÑOLA Y AMERICANA.

Thomas Rowlandson, 1756-1827, British, Comforts of Bath: Coaches Arriving, 1798. Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper.

The Four-in- Hunt Club-Hyde Park., John Harris, 1811-1865, British, after James Pollard, 1792-1867, British, 1820, Aquatint, hand-colored, Sheet: 14 x 21 3/4in. (35.6 x 55.2cm)

Humbugging, or Raising the Devil. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 11 3/4 x 13 3/4 in. (29.8 x 34.9 cm)plate: 11 13/16 x 13 5/8 in. (30 x 34.6 cm). Publisher: Published by Rudolph Ackermann, London (active 1794-1829). Date: March 12, 1800. Museum: Metropolitan Museum of Art, New York, USA.

Isaac Cruikshank, 1756-1810, British, A Specimen of Light Horsemanship, 1795. Etching, hand-colored.

A Grinning Match February 1, 1803 Thomas Rowlandson. A Grinning Match. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). February 1, 1803. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Great Holiday in Mr Punch's Park 1840-1849 England. Watercolor, and pen and brown ink, over graphite, on cream wove paper . John Leech

Ball Games in Rome in a Public Square for the Amusement of the Wealthy Citizens, c. 1797, Italy, Historical, digitally restored reproduction from a 19th century original, Europe

Print made by Rowney & Forster, active 1820-1822, Guy Fawkes, after 1821. Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper.

Going to the Levee, J. L. Marks, (), active 1787-1799, c. 1821, Etching & aquatint, hand-colored, Sheet: 3 15/16 x 7 1/8in. (10 x 18.1cm)

Trée Triomhale sour de l'ARGEMANDE INVINOSBEE. (You)

James Gillray, 1757-1815, British, The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", 1806. Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper.

Progress of Enlightenment (IT)

Plate 4, Outlines of Figures, Landscapes and Cattle...for the Use of Learners March 8, 1790 Thomas Rowlandson. Plate 4, Outlines of Figures, Landscapes and Cattle...for the Use of Learners. Outlines. Thomas Rowlandson (British, London 1757-1827 London). March 8, 1790. Hand-colored etching. S. W. Fores (London). Prints

George nightmare Nightmare in George ". Anonymous print.

Netherlands, 's-Hertogenbosch, Lutkie & Cranenburg, Blinde mannetje, s Hertogenbosch, verso - stamped, Sheet with 2 representations of the children's game blind man's boo. Below each image a four-line verse in two columns. Numbered at the top right: no. 97., print, prent, volksprent, prints, prenten, volksprenten, height 315 mm, width 396 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1848 - 1881, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers, Thomas Jones, active 1828, 1828, Etching

Napoleon bakes a new portion of Koningen, 1806, James Gillray, 1806 Cartoon with Emperor Napoleon as a baker who takes a new portion of freshly baked German kings from the oven, 1806. On the ground are the earlier misfits, including Holland and Spain. Talleyrand kneads in the background dressed as pope the dough. paper etching baker. political caricatures and satires

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