Satirical Social Commentary

Lithographs depicting humorous and critical interactions between men and women in private settings, highlighting societal norms and relationships.

Ça me coûte de quitter Paméla! - Pas si cher que de la garder ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Weary and Dissatisfied With Everything - Drawn by Winslow Homer (The Galaxy, Vol. VIII). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 7 x 4 3/8 in. (17.8 x 11.1 cm)sheet: 9 7/16 x 5 11/16 in. (24 x 14.5 cm). Date: November 1869.An illustration for "Susan Fielding," a story by Annie Edwards (died 1896) serialized in "The Galazy Magazine.". Museum: Metropolitan Museum of Art, New York, USA.

Follower (part, book 8) Albert Morand. Counterpoupe (part, book 8). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

James Gillray, 1757-1815, British, Miss, I have a Monstrous Crow to pluck with you!!, 1794. Engraving.

The First Dance Lession, from Les Papas 1848 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Salon scene according to U.S. A clip from a German magazine Heuer, Gustav (N.N.), Kirmse, K. (N.N.), U.S.

Baron Denon before his Easel. Dominique-Vivant Denon; French, 1747-1825. Date: 1823. Dimensions: 223 × 210 mm (image); 367 × 267 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Lithograph by Moritz von Schwind from 1824 titled 'Response No.13: Pack Your Flowers Are Very Welcome,' depicting figures with flowers in a narrative scene.

Study for The Widower” (watercolor). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

CASTELAR, EMILIO POLITICO ESPAÑOL. CADIZ 1832-1899 CARICATURA EN LA REVISTA SATIRICA "LA CAMPANA DE GRACIA", BARCELONA 1898.

Cartoon about a vacant passage in the book Klaasje Zevenster, 1866; Under reading the 3rd part of Klaasje Zevenster. Cartoon about a offensive passage about a HAGS brothel in the book Klaasje Zevenster by Jacob van Lennep. A mother deprives her daughter's book in which she was reading. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 10, March 10, 1866.

Soirée ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Le masque a beau mentir: Diogenefemelle…. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier (1808-1879). "Exploitation of suicide". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56112-19 Colorie, exploitation, woman, gommee, man, lithography, retain, suicide

...Le mercredi l'on peint sa flamme...(Scribe) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Elizabeth Bennet refuses Mr Darcy Date: First published: 1813

Image reproduction: Władysław Czachórski (1850-1911), in the studio; Z: "Tygodnik Ilustrowany" 1887 (I) 321; Unknown, Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1887 (1887-00-00-1887-00-00);

FIN DU REGNE DE LOUIS XVI.Parisiens.. Artist: Paul Gavarni, French, 1804-1866

Petit scélérat! Je crois qu'il aura mon nez!. Honoré Daumier (1808-1879). Lithographs

A tie; Grévin, Alfred (1827-1892); around 1870 (1865-00-00-1875-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, moral caricatures, women, men, French drawings, genre scenes, sketches for engravings

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), go to kiss that where you come from (registered title (letter)), 1827. lithograph colored on vellum paper. Balzac house.

Musique De Jour De LAn.. Artist: Paul Gavarni, French, 1804-1866

Monsieur Filochard, ex-marchand.... Honoré Daumier (1808-1879). Lithographs

Art replaces nature. / No. 2 (title registered (letter)) | Compensation (set of all)

"What are you looking for here, Philosopher". Paul Gavarni; French, 1804-1866. Date: 1847. Dimensions: 204 × 177 mm (image); 356 × 275 mm (sheet). Lithograph in black on cream wove paper, with watercolor additions, colored by hand. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bashful Lovers. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 5/8 × 7 7/8 in. (27 × 20 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Henry Wigstead (British, 1745-1800 Margate). Date: March 15, 1798. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Smits, HL, Schmidt Crans, Johan Michaël, Voor 't venster van de villa Suikerlordia in The Hague Willemspark, Plein van 1813, Cartoon with two Indian ladies in The Hague, 1869, Cartoon with two Indian ladies in The Hague who see the street orator Meijer from the window and confuse him with the resigned governor-general Mijer. Plate published in the weekly De Nederlandsche Spectator, no. 50, 1869., print, cartoon, prints, Frederik Muller Historieplaten, height 215 mm, width 275 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1869 - 1869, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Reproduction of an etching of a portrait of Lucas and Cornelis de Wael by Wencslaus Hollar, Joseph Maes, After Wenceslaus Hollar, after Anthony Van Dyck, c. 1872 - In or Before 1877 photomechanical print This print is part of a cover with 150 prints and a section with a list of images. Antwerp paper. cardboard collotype historical persons

THE MAIDEN, BY GUSTAVE DORE

Bérénice must choose between Titus and Antiochus, Honoré Daumier, 1839 Paris paper letterpress printing caricatures (human types). the (difficult) choice ~ courting - CC - women making choice

The Hague, Fuhri, Koenraad, Amsterdam, Arum, Rombertus Julianus van, Character types, The young Netherlands, In front of the casino, verso middle - stamped, Two women make themselves up in front of a large mirror. In the bottom margin three lines of Dutch text., print, prent, prints, prenten, height 278 mm, width 185 mm, Dutch, 1812-02-03 - 1883-10-06, print maker, printmaker, 1847 - 1847, paper, papier, houtgravure, letterpress printing, boekdruk, 1814 - 1858, printer, drukker

Revanche. Artist: Paul Gavarni, French, 1804-1866

Two Forces, John Tenniel, cartoon, from 'Punch', 29 October 1881

Album La Silhouette : Hernani. Achille Deveraia (1800-1857) and V. Ratier (born in 1807). Album The silhouette: Hernani. Lithography, 1830.

"Ugliness and Beauty" from The Complete Works of Béranger 1836 J. J. Grandville. "Ugliness and Beauty" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Théodore Maurisset (French, active 1834-59). Prints

Je suis jeune, il est vrai.... Honoré Daumier (1808-1879). Lithographs

Groves of Blarney 1893 France. Pen and brown ink over graphite on ivory wove card . George Du Maurier

The Sisters. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 5 7/8 × 9 5/16 in. (15 × 23.6 cm)Sheet: 9 1/8 × 13 1/2 in. (23.1 × 34.3 cm). Date: 1894-95. Museum: Metropolitan Museum of Art, New York, USA.

'Prince Albert, Consort of Queen Victoria, introduced improved hives in royal apiaries, allowing the bee colony (workers) just enough honey to survive the winter. Cartoon from ''Punch'', 1844, equating bees with exploited British workers'

Picture reproduction "in Atelier", published in the series "Gallerie Modener Meister."; Hanfstaengl, Franz Seraph (1804-1877), Czachórski, Władysław (1850-1911); 1883 (1883-00-00-1911-00-00);Czachórski, Munich (Germany), Stanisław (1853-1904)-iconography, Władysław (1850-1911), artists, women, screens, artists' studios, genre scenes, easels, interior of the studio, interiors from the eighties of the 1880s, purchase (purchase ( provenance)

At the Restaurant. Dated: 1890. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Théophile Alexandre Steinlen, The Encounter (Recontre), 1902 The Encounter (Recontre)

Pardonnez-moi, o mon Dieu!.... Honoré Daumier (1808-1879). Lithographs

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

Reproduction of a painting: Władysław Czachórski (1850-1911), At the Workshop ; from: "Tygodnik Ilustrowany" 1887(I)321. unknown, graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Valentine - More softly the songsters pour forth their lays

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), a commitment (title given by the author), 1906. Black Pierre on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

La goutte, Plate 17 from 'Les Toquades', 1858, Paul Gavarni (Sulpice-Guillaume Chevalier), French, 1804-1866, 8 1/2 x 6 1/2 in. (21.59 x 16.51 cm) (sheet, irregular)17 11/16 x 12 7/16 in. (44.93 x 31.59 cm) (mount), Lithograph, France, 19th century

Illustration of a flower seller offering roses, on the streets of London. Circa 1800

News. / 59. / King Othon feeling badly, wanting to eat brioche not the Emperor of Russia. (Registered Title) | News (1854) (Title of all)

Honoré Daumier (French, 1808-1879), Oui, monsieur Gimblet, l'ordre ne sera rétabli, 1851, lithograph

Quest-ce que tas, Mimie?…encore les satanees coliques?. Artist: Paul Gavarni, French, 1804-1866

Mosieur, jsuis Cocardeau! - Eh bien?…. Artist: Paul Gavarni, French, 1804-1866

A Quiet Day in the Woods. Winslow Homer (American, 1836-1910); published by Appletons' Journal (American, 1869-1881). Date: 1870. Dimensions: 156 x 165 mm (image); 276 x 193 mm (sheet). Wood engraving on paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Best of Friends Must Part (Punch, September 28, 1878). Artist: After Sir John Tenniel (British, London 1820-1914 London). Dimensions: Sheet: 10 1/2 x 7 3/4 in. (26.7 x 19.7 cm). Subject: Sir Frederick Temple Hamilton-Temple-Blackwood, 1st Earl of Dufferin (British (born Italy), Florence 1826-1902 Belfast). Date: 1878.This wood engraving appeared in the London periodical "Punch" and represents Canada's third Governor General, the 1st Earl of Dufferin, biding farewell to a woman who symbolizes the nation. The earl served in the position 1872-78 and oversaw numerous changes and advancements. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Sully, Lafayette (Two Views), c 1825 Lafayette (Two Views)

Husbands Always Make Me Laugh Really my son-in-law Made 1853 France. Lithograph in black on cream wove paper . Paul Gavarni

Excusez que jallume ma pipe!. Artist: Paul Gavarni, French, 1804-1866

LES CONTREBANDIERS.. Artist: Paul Gavarni, French, 1804-1866

Puisque maintenant il est de la famille... , Draftspersons, Authors, Actors, Monnier, Henry, 1799-1877. Honoré Daumier (1808-1879). Lithographs

Mary Cassatt in the Louvre at the gallery with Etruscan art; Au Louvre: Musée des Antiques. Mary Cassatt is elegantly leaning on an umbrella to look at an Etruscan grave image in a display case in the Louvre. Next to her is a woman with a book.

Carotte de l'écrin. Dated: 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Le petit lever ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Belgium, Rencontre d'Heusson-Pacha et du prince Frédéric des Pays-Bas, Turkish pasha congratulates prince Frederik on his atrocities, 1830, verso - stamped, The Turkish pasha congratulates prince Frederik on the atrocities committed by the Dutch soldiers in Brussels in September 1830, which were even worse than his own. In the background a sketchy representation of the atrocities., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 355 mm, width 268 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (technique)

"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois. Honoré Victorin Daumier; French, 1808-1879. Date: 1849. Dimensions: 258 × 217 mm (image); 358 × 274 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

"Colored lithograph by Honoré Daumier from 1841 depicting a scene from the Horaces with figures, gestures, and dramatic expressions."

Un dimanche à la campagne. Honoré Daumier (1808-1879). Lithographs

Scene from Vanity Fair: "Jos and Becky". Artist: () Jerry Barret (British, 1824-1906). Author: Related author William Makepeace Thackeray (British, Calcutta 1811-1863 London). Dimensions: sheet: 7 x 5 in. (17.8 x 12.7 cm). Date: 1848-80. Museum: Metropolitan Museum of Art, New York, USA.

The false Pepita , Böhm, Marie Geistinger as The False Pepita title page of Der Floh , Karl Klic -, Caricaturist, Johann Tomassich, realization

Qu'il mourut! (Les Horaces). Honoré Daumier (1808-1879). Lithographs

Le concierge , Hotel employees, Couples. Théophile Alexandre Steinlen (1859-1923). Lithographs

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Mosieu Pipanthoud, vous m'affichez! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

PAS DE CHEVEUX.. Artist: Paul Gavarni, French, 1804-1866

Théophile Alexandre Steinlen, L'Aventure du Vieux Doyen (The Adventure of the Old Dean), 1891 L'Aventure du Vieux Doyen (The Adventure of the Old Dean)

La terrasse de la Villa Brancas.. 1876. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Women , France, Bracquemond, Marie, 1841-1916

2 / Vesuviian. // Big round major. (IT)

Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités 1845 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Janet-Langge (1815-1872) and Ferdinand Jean Joubert (1810-1884). "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Foedora and Raphaël dining in the countess". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

To Thee, I Send a Line of Love (valentine). Unknown Artist; English, 19th century. Date: 1837-1847. Dimensions: 233 × 182 mm (folded sheet). Lithograph with hand-coloring on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

L'Estampe Moderne: Le Baiser: Le Baiser, 1898. Victor Emile Prouvé (French, 1858-1943). Color lithograph; sheet: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.); image: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.); secondary support: 40.1 x 30.3 cm (15 13/16 x 11 15/16 in.).

An engraving depicting a walled garden with a flower border. Dated 19th century

caricature of love;1906, Illustration from 'L'Assiette au Beurre', an illustrated French weekly satirical magazine with anarchist political leanings that was chiefly produced between 1901 and 1912.

Croyant l'apercevoir, from Croquis Parisiens, published in Le Charivari, March 23, 1857 March 23, 1857 Honoré Daumier French. Croyant l'apercevoir, from Croquis Parisiens, published in Le Charivari, March 23, 1857. Croquis Parisiens. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 23, 1857. Lithograph; second state of two (Daumier). Aaron Martinet (French, 1762-1841). Prints

A Little Hop in Harley Street, 1863. George Louis Palmella Busson Du Maurier (British, 1834-1896). Wood engraving;

Who lives the Italian Harlequin / and me that of the Cordeliers. (IT)

Weary and Dissatisfied with Everything Winslow Homer (American, 1836-1910). , 1869. Wood engraving, Image: 7 1/8 x 4 3/4 in. (18.1 x 12.1 cm). Regarded as one of the great American Realists of the nineteenth century, Winslow Homer is known primarily for his large body of works in oil and watercolor. However, he also had an early career as a freelance illustrator, making drawings for wood engravings that were reproduced in mass-circulation periodicals such as Harper's Weekly. In 1998, the Brooklyn Museum received a generous gift of more than 250 wood-engraved illustrations by Homer from Harvey Isbitts. Homer was commissioned to create five illustrations for the serialized novel, Susan Fielding. Rooted in contrasts between city and country, wealth and poverty, virtue and duplicity, the novel is full of romantic intrigue. Orphaned and impoverished, Susan comes under the care of her elderly Uncle Adam in Brittany. Meanwhile, Susans greedy, willful friend Portia is staying at a fashionabl

Voyage Pittoresque Autour dUne Femme a la Mode. Artist: Paul Gavarni, French, 1804-1866

News / Some members of the National Assembly in Versailles / N ° 72

Spain. The kings Alfonso XII and MarÕa Cristina de Habsburgo. Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Yes, Dearest, Charles Dana Gibson

Program for the Performance of' 'L'Obole'. Artist: and editor Henri Boutet (French, Sainte-Hermine (Vendée) 1851-1919 Paris). Dimensions: Sheet: 11 13/16 × 8 11/16 in. (30 × 22 cm)Plate: 10 7/8 × 8 in. (27.7 × 20.3 cm). Date: March 5, 1882. Museum: Metropolitan Museum of Art, New York, USA.

According to Greek mythology and legend, Telemachus was the son of Penelope and Odysseus, a Trojan War hero whose return trip home took 10 years. In the epic, Odyssey, by the Greek poet Homer, Telemachus asked the gods to him find his father. In this 1907 illustration, Odysseus makes himself known to his son after he finally returned home - but he keeps his presence a secret until he rids his palace of the suitors trying to win his wife's hand in marriage.

In ""Society"", Charles Dana Gibson

Paris, France - La Tour Eiffel, "Punch Project". Date: 1889

Annie Laurie - Sheet Music Cover. Winslow Homer (American, 1836-1910). Lithograph;

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