My Boards
View Pictures
  • My Boards
← Artworks

Scenes from Literature and Life

A series of expressive paintings capturing emotive scenes from literature and daily life, illustrating a range of social interactions and cultural themes.

The Third of May  Francisco Goya
The Third of May Francisco Goya
111 assets in this story
4409-17283445
RETRATO DE AUGUSTE MAURICE BARRES DELANTE DE TOLEDO - 1913 - O/L - 200x238. Author: Ignacio Zuloaga. Location: MUSEO LORRAIN. Nancy. France.
6145-59101301
Purchase (provenance)
1899-53513898
Photos Series National Musical Instruments, Violin from Hungary  /  Bilderserie Nationale Musikinstrumente, Geige aus Ungarn, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd  /  digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei.
4042-24265101
Revolution, Fighting on the Barricades, Apocalyptic Landscape, Ludwig Meidner, 1912-1913, Berlin Neue Nationalgalerie, Berlin, Germany, Europe
4409-17216287
Once de setiembre. Siglo XVIII. Author: ANTONIO ESTRUCH.
4266-14936
Duel by Ilya Yefimovich Repin, Watercolor, gouache, ink and pen on paper, 1899, 1844-1930, Russia, St Petersburg, Institut of Russian Literature IRLI (Pushkin-House), 29, 3x39, 3
866-15372
Two Hunters Immobilised by an Excessive Use of Bark Camouflage. Steven Campbell (1953-2007). Oil on canvas. 280 x 280cm
4266-23370
To the Virgin Lands by Mukhin, Dmitri Semyenovich (*1932)/ Regional M. Vrubel Art Museum, Omsk/ 1957/ Russia/ Oil on canvas/ Soviet Art/ 80x130/ Genre
4266-12236
Samoresov, Viktor Konstantinovich (*1919) State Central Navy Museum, St. Petersburg 1957 180x360 Oil on canvas Soviet Art Russia History
4266-12890
Fedorovsky, Fyodor Fyodorovich (1883-1955) State Central M. Glinka Museum of Music, Moscow 1939 75x99 Oil on canvas
6145-51832455
Bedouin Camp John Singer Sargent (American, born Italy, 1856-1925). Bedouin Camp, 1905-1906. Opaque and translucent watercolor, 10 x 14 1/16 in. (25.4 x 35.7 cm).  Sargent often used undiluted colors straight from the tube. In some instances he bulked colors further with the addition of zinc white paint. Unlike oil paints, watercolors can only be applied to a certain thickness before the paint shrinks and begins to crack as the water evaporates. In this work Sargent pushed the physical limits of his medium, as can be seen in the buildup and cracking of paint in the face and turban of the squatting Bedouin at the lower right. American Art 1905-1906
PREVIOUS
of 2
NEXT
2401 S. Ervay, Suite 206
Dallas, Texas 75215
United States
Get Started
Free ResearchMy BoardsMy Cart
For Creators
How To License Your ContentContributor PortalFrame of Mind
Resources
API accessPricing
Contact
+1 866 236 0087help@viewpictures.co.uk Contact form
©2026 View Pictures. All Rights Reserved. -A
This site is protected by reCAPTCHA and Google Privacy Policy and Terms of Service apply.