Scenes from the Life of Christ

Classic paintings depicting significant moments from the New Testament, showcasing religious narratives through historical art styles and emotional expressions.

The Doubting Thomas Alessandro Mantovani (1814-1892 Italian)

Le possédé au pied du Thabor (The Possessed Boy at the Foot of Mount Tabor) James Tissot (French, 1836-1902). Le possédé au pied du Thabor (The Possessed Boy at the Foot of Mount Tabor), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 9 5/16 x 6 1/2 in. (23.7 x 16.5 cm). European Art 1886-1896

Christ before Pilate (Cristo davanti a Pilato), by Jacopo Robusti known as Tintoretto, 1566 - 1567, 16th Century, oil on canvas, 515 x 380 cm

New Testament. Christ in the Synagogue. Matthew 13: 54, 55. Engraving by Gustave Dore. 19th century. Later colouration.

The Doubting Thomas Alessandro Mantovani (1814-1892 Italian)

Giotto di Bondone (1267-1337). Scenes from the Life of Christ: 9. Raising of Lazarus. ITALY. Padua. Scrovegni Chapel. The Resurrection of Lazarus. Renaissance art. Trecento. Fresco.

Rome, Italy; Detail of one of a Biblical painting inside the Pantheon

Transfiguration 1465-70 Giovanni Bellini (1430-1516 Italian)

Jesus in the temple of Jerusalem, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Jesus Christ raising Jairus's daughter from her deathbed

Scene from the biblical story, The story of blind Bartimaeus means that he was a begging, ostracized man whom Jesus heals, authentic reproduction of a school mural, historical, around 1900

A widow asks Arthur, with Gareth at his side, to return the field taken from her husband, who is now dead.

New Testament. Jesus healing the lunatic. Drawing by Gustave Dore (1832-1883) and engraving by Leon Louis Chapon (1836-1918). 19th century. (Matthew, 17:15). Later colouration.

fine arts, religious art, persons, Jesus Christ, way of crucifixion, ""Mater Dolorosa"", painting by James Tissot (1836 - 1902),

The Pharisees challenge Jesus over allowing his disciples to pick grain on the SabbathT (Mark, 2:27). Drawing by Gustave Dore and engraving by Adolphe Francois Pannemaker (1822-1900). Colored.

Homecoming of Eberhard of Wí¼rttemberg after the battle of Dí¶ffingen, 1388, (1936). Creator: Unknown.

Christ with Mary and Martha. Lithograph by C. Hahn, 184-, after J. Hübner.

Paul Célestin Louis (dit Nanteuil - 1813-1873). "Sketch for the Saint-Gervais church: Saint Laurent healing the blind in his prison". Oil on canvas. 1869-1869. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, sketch, holy history, Christian iconography, religious iconography, saint

The National Gallery. The tribute Penny. Jesus. 18 th century. Ljubljana. Slovenia.

Scene from the biblical story story of the rich young man, rich young man, authentic reproduction of a school mural, historical, around 1900, Jesus speaking to a thoughtful man in front of a stone building in a daily atmosphere

Carrying Christ to the tomb, 1883, by Antonio Ciseri (1821-1891), oil on canvas, 190x273 cm.

Peter's Denial Carl Heinrich Bloch (1834-1890 Danish) National History Museum, Frederiksborg Castle, Denmark

Christ before Pilate Mihály Munkácsy (1844-1900 Hungarian)

Scene from the biblical story, The Arrest and Trial of Jesus, authentic reproduction of a school mural, historical, around 1900

The Sermon On the Mount: Christ's Exhortation to the Twelve Apostles James Tissot (1836-1902 French)

Umbria Perugia Gubbio Palazzo dei Consoli0. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

New Testament. Jesus raising up the daugter of Jairus. (Luke 8:54). Draving by Gustave Dore and engraving by Trichon. 19th century. Later colouration.

Scene from the biblical story, On the Day of Jesus' Resurrection, two disciples, one of them named Cleopas, wander from Jerusalem to the village of Emmaus about eleven kilometers away, authentic reproduction of a school mural, historical, around 1900

New Testament. Jesus heals a demon-possessed dumb. Gospel of Matthew, Chapter IX, Verses 32-38. Drawing by Gustave Dore. Engraving by Piaud. 19th century.

Scene from the biblical story, In the Bible, the story of the man with four friends refers to the healing of a paralyzed man, authentic reproduction of a school mural, historical, around 1900

Christ with Mary and Martha , Fine Art

Alphonse Perin (1798-1874). The Last Supper: Study for Notre-Dame de Lorette. Museum of Fine Arts of the City of Paris, Petit Palais. 75289-1 Catholic, Cene, Chretian Christian, last meal, Study, Notre-Dame de Lorette, New Testament

Wszyscy Święci w MNK Pannemaker, Adolphe François (1822 1900), Doré, Paul Gustave (1832 1883)

Scene from the biblical story, Joseph reveals himself to his brothers, authentic reproduction of a school mural, historical, around 1900

Francesco Fontebasso / 'The Bridegroom and the foolish Virgins'. 1730 - 1769. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Christ raising the daughter of Jairus (Luke 9.41-56). Lithograph by P.H. Eichens after E. Steinle.

New Testament. Jesus heals a demon-possessed dumb. Gospel of Matthew, Chapter IX, Verses 32-38. Drawing by Gustave Dore. Engraving by Piaud. 19th century. Colored.

Scene from the biblical story, The encounter between Jesus and Nicodemus is one of the central stories of the New Testament, authentic reproduction of a school mural, historical, around 1900

Biblische Szene, Bibel, Josef deutet im Gefängnis die Träume des obersten Mundschenks und des obersten Bäckers des Pharaos. Er sagt dem Mundschenk voraus, dass er in drei Tagen wieder in seine Position eingesetzt wird, während er dem Bäcker prophezeit, dass er in drei Tagen hingerichtet wird, Illustration, Reproduktion von einer Vorlage aus dem 19. Jahrhundert. Authentisch, Datei restauriert für optimale Verwendnung, genaues Datum der Vorlage unbekannt, Historisch Joseph interprets the dreams of his fellow prisoners

Scene from the biblical story, The Coming of the Holy Spirit, Arrival, authentic reproduction of a school mural, historical, around 1900

5th Stations of the Cross, Simon of Cyrene carries the cross, Carthusian monastery in Pleterje, Slovenia 5th Stations of the Cross, Simon of Cyrene carries the cross, Carthusian monastery in Pleterje, Slovenia Copyright: xZoonar.com/ZvonimirxAtletix 20738463

Scene from the biblical story, Wonderful healer, often used as a description for Jesus Christ or God. It refers to the ability and will of God to heal both physical and emotional ailments., authentic reproduction of a school mural, historical, around 1900, Jesus heals a man surrounded by a crowd. An expression of compassion in an ancient setting

The Kiss of Judas (Le baiser de Judas) James Tissot (French, 1836-1902). The Kiss of Judas (Le baiser de Judas), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 1/16 x 10 11/16 in. (20.5 x 27.1 cm). Having betrayed Jesus, Judas leads a party of armed guards who intend to arrest him. Judas has alerted the authorities that he will identify Jesus for them by kissing him. Here, standing on tiptoes, Judas reaches up to kiss him, an intimate gesture that further underscores the bitterness of the betrayal. European Art 1886-1894

Illustrated Bible. New Testament. Jesus healing the man possessed with a devil. Drawing by Gustave Dore. Engraving by Piaud. Gospel of Matthew. 19th century. Later colouration.

Scene from the biblical story, The biblical story in which a woman dries Jesus' feet with her hair, is a well-known event described in the Gospels and means deep humility, repentance and love, authentic reproduction of a school mural, historically, around 1900, Jesus experiences humble foot washing with his disciples, a story of forgiveness and dedication

Christ before Pilate', 1881. Artist: Mihaly Munkacsy. Mihaly Munkacsy(1844-1900) was a Hungarian painter. He earned international reputation with his genre pictures and large-scale biblical paintings.

Jesus at Bethany 1886-1894 James Tissot (1836-1902/French) Gouache Brooklyn Museum, New York, USA

The Pool of Bethesda James Tissot (1836-1902 French)

ABSIDE - DESCENDIMIENTO DE CRISTO - 1852-1855 - FRESCO - DETALLE. Author: THEODORE CHASSERIAU. Location: IGLESIA SAINT PHILIPPE DE ROULE. France.

Simeon Holding the Christ Child in the Temple, After Rembrandt, 1628.

Transporting Christ to the tomb, ca 1855, by Alessandro Guardassoni (1819-1888), Holy Trinity Church, Bologna, Emilia-Romagna. Italy, 19th century.

Book of Exodus. The Plagues of Egypt. Tenth plague: death of firstborn. Last plague sent by God in order to the Egyptian pharaoh releases Israelites from slavery. Engraving by Gustave Dore. Colored.

Album n � 1, stained glass project: the crucifixion Gsell-Laurent workshop. Stained glass project: the crucifixion.

Scene from the biblical story, The Cleansing of the Temple is a biblical story in which Jesus drives the merchants and moneychangers out of the temple in Jerusalem, authentic reproduction of a school mural, historical, around 1900

BIBLE STORY PROPHET SAMUEL ANOINTING DAVID OLD TESTAMENT COLOR HALFTONE

Christ and His Disciples 19th C. Thomson

Christ Appearing to the Apostles after the Resurrection Czechowicz, Szymon (1689 1775)

The return of the prodigal son. (Luke 15:18, 19). Engraving. Bible Illustration by Gustave Dore. 19th century. Later colouration.

Presentation of Mary at the temple, by Paolo Uccello (1397-1475). Cathedral of Prato.

Jesus appears again to his apostles. Thomas recognizes him and adores him. Illustration for The life of Our Lord Jesus Christ written by the four evangelists, 1853

Dumb Man Possessed of a Devil James Tissot (1836-1902 French)

SERMON DE LA MONTAÑA-CAP PASION-BIENAVENTURANZAS. Author: JOSE MORENO CARBONERO (1860-1942). Location: IGLESIA DE SAN FRANCISCO EL GRANDE. MADRID. SPAIN. JESUS.

SANTIAGO PRESENTA A LOS DISCIPULOS A LA VIRGEN - SIGLO XVII - BARROCO ESPAÑOL. Author: PEDRO ATANASIO BOCANEGRA (1638/1689). Location: ABADIA DEL SACROMONTE. GRANADA. SPAIN. VIRGIN MARY. Apóstol Santiago el Mayor.

Scene from the biblical story, Jesus as a guest in the house of a Pharisee, authentic reproduction of a school mural, historical, around 1900

Christ Healing the Withered Hand James J. Tissot (1836-1902 /French)

St Vincent Ferreri preaching to the multitude, by Tiepolo Giandomenico, 18th Century, oil on canvas. Italy, Veneto, Venice, San Polo Church, Crucifix Oratory. Detail. St Vincent Ferrer preaching to the multitudes crowd speaker figure in the foreground Crucifix.

Mater Dolorosa James Tissot (1836-1902 /French)

The Lord's Prayer James Tissot (1836-1902 French)

Christ giving sight to the blind, John Young, 1755-1825, British, after Henry Richter, 1772-1857, British, 1816, Mezzotint, Sheet: 22 3/4 x 28in. (57.8 x 71.1cm)

Jesus and Saint Peter. Santa Maria in Traspontina church. Rome. Italy.

The Doubtful Thomas Carl Heinrich Bloch (1834-1890 Danish)

The Resurrection of Lazarus (La résurrection de Lazare) James Tissot (French, 1836-1902). The Resurrection of Lazarus (La résurrection de Lazare), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 10 1/16 x 7 1/4 in. (25.6 x 18.4 cm). Following the death of his friend Lazarus, Jesus goes to Bethany to comfort Martha and Mary Magdalene for a loss that he also felt keenly. Both women lament that Jesus was absent when Lazarus took ill, knowing that he would have prevented the death with his healing powers. Affected by the loss, Jesus weeps. Led to the darkened tomb of Lazarus, Jesus commands the removal of the stone covering the opening and, after a prayer to God, resurrects the dead man before witnesses who gasp in astonishment. European Art 1886-1894

New Testament. Gospel of John. Marriage at Cana. Jesus turns water into wine. Miracle. Engraving. Color.

Scene from the biblical story, Christ Blessing the Children, Child Blessing Jesus, authentic reproduction of a school mural, historical, around 1900

Rijn, Rembrandt van, London, Worlidge, Thomas, Predikende Christus (De Honderdguldenprent), verso - stamped, print, prints, height 276 mm, width 388 mm, English, 1700 - 1766-09-23, print maker, printmaker, 1758 - 1758, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Suffer the little children to come unto me, chromolithograph from a home bible, 1870

The Tribute Money An Event in the Life of Jesus Christ Artist Unknown Engraving

Scene from the biblical story, the location of the famous wedding at which Jesus performed his first miracle, referred to as Cana in Galilee. The current location, which is traditionally identified with this biblical event, is Kfar Kanna, authentic reproduction of a school mural, historic, around 1900, Jesus performs a miracle with water jugs surrounded by a group of people in front of an old building

Biblical Story, The Descent from the Cross, chrome lithograph from a house Bible, ca 1870

Jesus Speaks Near the Treasury (Jésus parle près du trésor) James Tissot (French, 1836-1902). Jesus Speaks Near the Treasury (Jésus parle près du trésor), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 5/8 x 9 5/16 in. (16.8 x 23.7 cm). European Art 1886-1896

The Resurrection by Juan de Flandes (ca. 1465-1519) / Museo del Prado, Madrid / 1514-1519 / The Netherlands / Oil on wood / Bible / 110x84 / Early Netherlandish Art

The Doubting or incredulity of Saint Thomas

JESUS HEALING THE MAN SICK OF THE PALSY, BY GUSTAVE DOR. Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, holy book, religion, religious, christianity, christian, romanticism, colour, color engraving.

Scene from the biblical story, Jesus healing a crippled person, authentic reproduction of a school mural, historical, around 1900

The Virgins of Shiloh Surprised James Tissot (1836-1902 French) Jewish Museum, New York

fine arts, Cock, Jan Wellensz de, (circa 1490 - 1527), painting, ""birth of Christ"", oil on panel"", 62,4 cm x 46,5 cm, Museum, Zagreb,

Socrates (c. 469-399 BC). Classical Greek Athenian philosopher. Socrates in prison before being sentenced to death. Colored engraving.

Scene from the biblical story, the sacrifice of the widow, a well-known biblical story about a poor widow who gives the best despite her poverty, authentic reproduction of a school mural, historical, around 1900, a woman is at the center of an ancient meeting, intensive and thoughtful scenario

He rides into Jerusalem on a donkey, as prophesied : his followers carry palm leaves, hence the day will be commemorated as Palm Sunday

Christ and the Children by Peitro Benevenuti, (1769-1844)

Biblical History, Burying the Dead, Historical Steel Engraving from 1860

Christ and the Sinner / Polenov / 1888

Painting depicting the Angel setting Peter free

The Last Supper, by Ge Nikolaj Nikolaevic, 19th Century, 1866, oil on canvas, cm 66 x 90

Judas Iscariot. One of the Twelve Apostles of Jesus Christ. Betrayal of Jesus to the hands of the chief Sanhedrin priests in exchange for a payment of thirty silver coins. Engraving by Bong. "La Ilustracion Artistica". 1888. Colored.

Return Of The Prodigal Son 1667-1668 Rembrandt Harmensz van Rijn(1606-1669 Dutch) State Hermitage Museum, St. Petersburg, Russia

Christ and the Woman Taken in Adultery; 1842; Oil on canvas Emile Signol; French; 1804-92

Fresco detail, apse, Church of St Anthony of Padua on Via Merulana, Rome. Italy, 19th century.

New Testament. Salome the daughter of Herod receiving the Head of John the Baptist.1855. Engraving by Gustave Dore.

Jesus Reveals Himself to Mary Robert Leinweber (1845-1915 German)

The earthquake, broke the chains of Paul and Silas and opened the doors of the prison, converted even the prison guard. Acts. Engraving, 19th century.

of 3