Scenes From The Passion of Christ

Detailed prints illustrating Christ's suffering, including the Crowning with Thorns and Presentation of Mary in the Temple. Artistic, somber mood with elaborate historical contexts.

Presentation of Mary in the Temple, print maker: Hieronymus Wierix, 1563 - before 1619

De Doornenkroning, Israhel van Meckenem, 1455 - 1503 print Christ is sitting on an elevation with a crown on the head. He is surrounded by men; A few of them hit him with sticks, one presses Christ a staff in his hands. This print is part of a series of twelve prints with scenes from the suffering story. Bocholt (Germany) paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Presentation of Mary in the Temple, print maker: Hieronymus Wierix, 1563 - before 1619

Christ Crowned with Thorns, from The Passion 1512 Albrecht Dürer German. Christ Crowned with Thorns, from The Passion 391376

ABT Erminoldus refuses Emperor Hendrik IV access to the abbey of Prüfening, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print The H. ABT Erminoldus stands for the gateway to the Prüfening abbey. Around the abbey the soldiers of Emperor Hendrik IV. He gestures Emperor Henry IV and the bishop of Bamberg that they are not welcome in the abbey. The print has a Latin caption and is the 48th print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching male saints (with NAME). abbey, monastery, convent ~ Roman Catholic church. monk(s), friar(s) Bavaria

Circumcision of Christ; Life of Mary.

Doornenkroning Van Christ; The Coronatione of thorns; Life's passion and death of Jesus Christ ..

Pilate Washing his Hands, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Pilate Washing his Hands, from Speculum passionis domini nostri Ihesu Christi 666021

Christ led for Kajafas, Lucas Cranach (I), 1509 print Christ is led by soldiers in front of the high priest Kaja pas. The high priest has pulled out his gloves and tears his clothes. The soldier next to Christ is about to hit him. Against the rear wall of the interior above the doorway there are two Electant and Ducal Weapons of Saxony in Schilden. Germany paper Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Joseph tells his dreams to Jacob. Copy in mirror image. Joseph arriving by Doorway Room and Joseph surrounded by seven of his eleven brothers, talking against Jacob and Rachel.

Mocking of Christ, 16th century, Albrecht Dürer, German, 1471-1528, 4 15/16 x 3 13/16 in. (12.54 x 9.68 cm) (sheet), Woodcut, Germany, 16th century, A simple line from the Old Testament--'there is no beauty in him, nor comeliness' (Isaiah 53:2)--was seized upon to justify cruel acts of disfigurement in Passion writings. In this Mocking scene, Christ's oppressors all have some crude means of menacing him, including a screaming trumpet. The assaults were said to leave Christ unrecognizable, an idea suggested by the cloth over his face.

Moving of Christ; The little passion. Christ is harassed and mocked by five men. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Christ Among the Doctors, from The Life of theVirgin. Artist: Albrecht Dürer, German, 1471-1528

Passion of Paul in Jerusalem, in or after 1629 - in or before 1646 print When the apostle Paul wants to enter the temple in Jerusalem, he is dragged and beaten by the Jews. Roman soldiers remove the rioters and arrest Paul. In the background, Paul attributes the Jewish crowd, just after his arrest. The print is part of an album. paper letterpress printing Paul is dragged out of the temple by the Jews; he is rescued by soldiers, who arrest him and carry him away. Paul speaks to the people from the stairs

Christ Stripped, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Christ Stripped, from Speculum passionis domini nostri Ihesu Christi 666024

Christ before Pilate, from the Passion (copy) n.d. Albrecht Dürer German. Christ before Pilate, from the Passion (copy) 391401

Doornenkroning, Marcantonio Raimondi, After Albrecht Dürer, 1511 - 1534 print Numbered in the bottom right: 16. print maker: Italyafter design by: Germany paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Christ for Herod, Jan Christoffel Jegher, after Antoine Sallaert, 1649 print King Herod interrogates Christ, but he does not answer him. Herod mocked and his soldiers Christ. Antwerp paper letterpress printing Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

. Saint Norbertus explains the vow of poverty and removes all his valuable possessions. In the background he is ordained a priest by the Archbishop of Cologne. The print has two Latin inscriptions: an upstairs and one below the show.

Christ in conversation with the Pharisees and Scriptures, Antonie Wierix (II), After Bernardino Passeri, 1593 print Pharisees and scribes came from Jerusalem to ask Christ questions about his doctrine. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving Pharisees and Sadducees opposing Christ

Copper engraving depicting the Madonna surrounded by saints, showing Mary with multiple saintly figures, created by Marcantonio Raimondi in the first half of the 16th century.

Christ Before Caiaphus. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Mocking of Christ and Christ before Caiaphas, Boëtius Adamsz. Bolswert, 1622 print paper engraving mockings of Christ, who may be blindfolded. Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Passion Set: Christ before Herod, 1596-98. Zacharias Dolendo (Dutch, 1561-1604). Engraving;

The Passion: Ecce Homo, before 1619. Hieronymus Wierix (Flemish, 1553-1619). Engraving; 8.7 x 5.3 cm (3 7/16 x 2 1/16 in.).

. A man pours water from a jug into a man's drinking card. On the left a woman with a child on her back. In the background a colonnade, where people get to drink. At the bottom of the margin a line of text in Latin. Print from a series about the works of mercy.

Christ Stripped, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. Christ Stripped, from Speculum passionis domini nostri Ihesu Christi 666112

Christ before Caiaphas. Beham, Sebald (1500-1550), graphic artist

A 1517 woodcut by Hans Burgkmair depicting an honorable queen on a throne delivering a message to her councils, with Ehrenhold and an angel as messengers in Theuerdank.

Executie van een veroordeelde op een schavot.On the right is the convicted on his knees on a scaffold. The executioner behind him stands with raised sword ready to behead him. In addition to the convicted person there is a spiritual. Some children, soldiers and senior individuals look. A castle in the background.

Absalom seizes power, Johannes Wierix, After Maerten de Vos, 1643 print Absalom embraces an Israelite at the city gates of Jerusalem. For example, he approached everyone from Israel who came to ask a statement with the king, and in this way he palped the people of Israel. Under the show a reference in Latin to the Bible text in 2 SAM. 15: 2. print maker: Antwerppublisher: Amsterdam paper engraving Absalom speaks with the people near the gate of the city

Christ for Pilate, Albrecht Dürer, 1512 print Christ is brought before a man with a turban on (Pilate) by armed men. This print is part of a series of 16 prints with scenes from the suffering story. Nuremberg paper engraving Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Unknown, The Small Passion: Christ before Annas, c. 1630-50, engraving on paper mounted on laid paper.

Christ being mocked by a group of soldiers. He is blindfolded and bound. Mockery of Christ, print maker: Christoffel van Sichem (II), (mentioned on object), publisher: Pieter Jacobsz. Paets, Amsterdam, 1648 and/or 1657, paper, letterpress printing, h 72 mm - w 55 mm

Christ before Pilate, from "The Passion" 1512 Albrecht Dürer German. Christ before Pilate, from "The Passion" 391355

Denial of Peter, Antonie Wierix (II), After Maerten de Vos, 1583 - 1587 print A servant of Kajafas recognizes Peter as a follower of Christ. Peter denies this in the midst of the soldiers. After he has denied three times, De Haan crows. Antwerp paper engraving Peter denies Christ, usually before a girl-servant and some soldiers

The thorn corant; The engraved passion. Christ sitting on an elevation, gets a thorns crown pushed on the head. This print is part of a series of 16 prints with scenes from the suffering story.

Christ presented to Pilate by henchmen ca. 1500-1534 Marcantonio Raimondi Italian. Christ presented to Pilate by henchmen 342722

Paul for Sanhedrin, in or after 1629 - in or before 1646 print The apostle Paul must defend himself in front of the Sanhedrin tribunal. The print is part of an album. paper letterpress printing Paul before the high priest Ananias and the Sanhedrin

Cross out. Christ's body is achieved by Nikodemus, Joseph and two unknown men from the cross. Maria Magdalena supports the fainting Mary. In the foreground the nails and the thorns crown. In the margin a two-legged bible quote from hand. 13 in Latin.

The Martyrdom of St. Peter, from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 7 1607-11 Jacques Callot French. The Martyrdom of St. Peter, from Les Tableaux de Rome, Les Eglises Jubilaires (The Paintings of Rome, The Churches Jubilee), plate 7. Les Tableaux de Rome, Les Eglises Jubilaires. Jacques Callot (French, Nancy 1592-1635 Nancy). 1607-11. Engraving; second state of three (Lieure). Prints

Saint Kongunda proves her innocence. Saint Kongunda proves her innocence to overpoint by walking for her husband H. Hendrik from Germany over red hot plow scissors. Design for a print.

Copper engraving by Monogrammist BG from the second half of the 15th century depicting Christ before Annas.

Wenceslaus Hollar, The Scourging The Scourging

Construction activities, 1645 - 1646 print A man looks at the progress of the construction activities. In his hands a pen the design of the building. Two stone minced meat is in the foreground. The show can be an image of the construction activities of Solomo. Here, however, she is intended as an image in the work for the sanctuary under Moses and the craftsmen involved. The print is part of an album. paper letterpress printing temple of Solomon (1 Kings 5-9; 2 Chronicles 2-7). the palace of Solomon (1 Kings 7:1-12). preparation and setting up of the Tabernacle and its accessories ~ Exodus (Exodus 35-40). building activities

The Mocking of Christ, from The Small Passion ca. 1508 Albrecht Dürer German. The Mocking of Christ, from The Small Passion 388050

Paul drives the evil spirits in Efese, in or after 1629 - in or before 1646 print Centrally, the apostle Paul drives an angry spirit from the body of a insane. Magicians and high priests flee around him who had tried the same but failed. In the background these magicians burn their books and convert to Christianity. The print is part of an album. paper letterpress printing Paul's handkerchiefs and aprons cure the sick and possessed. seven exorcists, sons of Sceva, are beaten by a man with an evil spirit, and flee. the Ephesians burn the exorcists' books in public

Cleaning the temple; Feria III. Post Domin. I. Qvadragesimæ. Christ drives out sellers and money exchangers from the temple. Blind and paralyzed come to him to be cured by him. The high priests and the scribes see which miracles Christ performed. At different elements from the show are letters that correspond to the legend in the margin.

Prisoners are fascinated by the judge, Jan Luyken, 1687 print Print at the top right marked: fol: 57. Amsterdam paper etching prisoner; in fetters. magistracy, judges

Absalom grabs to power; History of David and Absalom; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Absalom an Israelite embraces at the city gates of Jerusalem. For example, he performed everyone from Israel who came to a statement asking the king, and in this way he palmed the people of Israel. Under the show a reference in Latin to the Bible text in 2 SAM. 15.

Worship by De Wise, Jan -Baptist Barbé, After Maerten de Vos, 1598 - 1618 print The three kings followed the star to the stable and greetings Maria and Joseph. Caspar kneels for the chistus child. All three have gifts at (Matthew 2: 2-12). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Scenes from the life of Saint Boniface, plates VII and VIII, ca. 672-754; Scenes from the life of Saint Boniface. Scenes from the life of Saint Boniface, plates VII and VIII. The saint between bishops and going. Fifth prints in a series of prints about the life of Saint Boniface, consisting of a large image of the saint followed by 8 plates, each with two smaller numbered performances among each other.

The People of Israel threatens to Stenigen Moses, Aaron, Joshua and Kaleb, Crispijn van de Passe (I), After Maerten de Vos, 1591 print Moses and Aaron throw themselves to the ground while Joshua and Kaleb tear their clothes. They told the people that they should have faith in God where the people threaten to stonen them. In the background the meeting tent of the Israelites. In the margin a two -way caption in Latin. Antwerp paper engraving Moses and Aaron bow to the ground before the assembly, while Joshua and Caleb rend their clothes

The Entry into Jerusalem, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Entry into Jerusalem, from Speculum passionis domini nostri Ihesu Christi 665228

Beheading of John the Baptist, Albrecht Dürer, German, 1471-1528, Woodcut and black ink on paper, the executioner stands at right holding the head of St. John, which Salome, left, waits to receive on a plate. The body of St. John, kneeling, faces left. Monogram of Durer, lower left. Date, 1510, upper right., Germany, 1510, figures, print, print

Woodcut and type print by Lucas Cranach the Elder titled 'The Crowning,' created in 1509, depicting Jesus being crowned with thorns during the Passion.

Christ in the middle of the teachers, Jacques de Bie, after Maerten de Vos, 1598 - 1618 print Twelve -year -old Christ in debate with the Jewish scribes. Maria and Joseph enter the temple and go to their son (Luke 2: 41-51). The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving Christ's dispute with the doctors in the temple; he counts his arguments on his fingers. Christ found by his parents

The worship of the kings. Copy in mirror image. Joseph and Maria with the Christ child, three kings with gifts and a great effect.

The Betrayal of Christ, from The Small Passion ca. 1509 Albrecht Dürer German. The Betrayal of Christ, from The Small Passion 387411

Woodcut by Albrecht Dürer around 1509 depicting the presentation of Christ, showing detailed figures and composition in a Passion series.

The Pope and Death, Wenceslaus Hollar, After Hans Holbein (II), c. 1680 print The pope sits on the left on his throne and crowns the emperor who kneels in front of him and kisses his foot. Behind the throne is death. Death also stands between the clergy who are witnesses of the coronation. paper etching dance of Death; Death together with one or more human beings. pope. kissing the pope's feet

. Susanna is led by soldiers to the place of execution. Daniel sees this event and protests. In the margin a two-legged caption in Latin. Third print from a series of six about the history of Susanna.

Marriage of Tobias and Sara; Thobias Sara Ragvelis VME SIN Docher; Story of Tobias. Raguel gives Tobias the hand of his daughter Sara to take her to woman (Tobit 7:12). Sara's mother is crying and outside of Tobias arrives a RAM gender.

Christ for Kajafas; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Christ is tried by Hogepriest Kajafas (Matt. 26: 57-68). In the background the apostle Peter, which Christ denied. The print has a Latin caption and is part of a series about the passion, death and resurrection of Christ

Conversion of the prisoner of Filippi, Johann Sadeler (I), After Maerten de Vos, 1580 print In the foreground, the prisoner of Filippi attempts to commit suicide when he notices that the prison doors are open. He fears that the trapped will have escaped. The apostle Paulus and his companion Silas, however, stayed in the cell. Paul then repents the prisoner. In the background the condemnation of Paul and Silas. With a Latin caption with a Bible passage from the actions of the apostles (Acts 23). The first print of a four -part series. Cologne paper engraving the prison-doors are opened by an earthquake ~ Paul and Silas in prison. Paul and Silas prevent the warder from committing suicide (story of the conversion of the warder. Paul and Silas thrown into prison

St. Thomas and St. Bonaventure are expelled from the university in Paris by students. Print from a series of 30 prints depicting the life story of Thomas Aquinas. The prints, designed and published by Otto van Veen, were made by C. Boel, E. van Paenderen, C. Galle and G. Swanenburgh, Thomas and Saint Bonaventure are driven out of the university The life of Saint Thomas Aquinas (series title), print maker: Cornelis Boel, (mentioned on object), intermediary draughtsman: Otto van Veen, publisher: Otto van Veen, print maker: Southern Netherlands, publisher: Antwerp, 1610, paper, engraving, h 207 mm × w 148 mm

The worship through the kings. The three kings or points from the east offer the Christ child, sat on the shot of his mother in a distant home, their gifts.

The Pope, from the Dance of Death 1651 late 18th century printing Wenceslaus Hollar Bohemian The Pope seated on a canopied throne on the left, with Death behind, about to crown a kneeling man whose sword and orb lie beside him; ecclesiastics and a skeleton on right. After Holbein. The Pope, from the Dance of Death 361650

The meeting at De Gouden Poort, Albrecht Dürer, 1504 print Joachim and Anna hug each other at a gate, in the midst of a few bystanders. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper meeting of Anna and Joachim at the Golden Gate; they usually embrace or kiss each other (immaculate conception of Mary)

Collection of Christ, Bartholomeus Willemsz. Dolendo (Possibly), 1601 - 1652 print Judas kissed Christ on the cheek to indicate that this is the man who has to imprison the soldiers. In the foreground, Peter lifts his sword to hit Malchus his ear. Amsterdam paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Parable of the lost son: The third son receives his part of the inheritance, Dominicus Custos, c. 1579 - c. 1615 print The lost son asks his father for his inheritance. The father hands his son a bag of money. On the right in front of the building, men with horses are waiting to leave with the lost son. Right at the right, Christ tells the parable of his disciples. Augsburg paper engraving the prodigal son asks for his inheritance; his father gives him (a bag of) money

Christ for Pilate; Passion of Christ. Christ is being pre-conducted to Pontius Pilatus. He launches Christ and washes his hands in innocence. Print from a series of 13 prints and a title print manufactured by Z. Dolendo and J. de Gheyn II.

Christ and the adulterous woman; Stupid passion.

The meeting at De Gouden gate; Life of Mary. Joachim and Anna embrace each other at a gate, amid some bystanders. Latin text printed on versow. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

This woodcut by Albrecht Dürer, Small Passion series (1508/09), depicts Christ before Pilate, showing figures, gestures, and drapery in a biblical trial scene with the sheet cut to the edge.

Mozes and Aaron at Pharaoh, Johannes Wierix, after Marten van Cleve (I), 1579 print Moses and Aaron speak with the Pharaoh. Aaron has thrown his staff on the floor and the staff has turned into a snake. The court of the Pharaoh looks surprised. The print has a Latin caption. Antwerp paper engraving Moses and Aaron before Pharaoh; Aaron performs the miracle of the rod changing into a snake

Doornenkroning, Anonymous, After Maerten de Vos, 1560 - 1600 print Soldiers place the crown on the head of Christ with the help of a few sticks. Christ is wearing a cloak and in his hand he keeps a reed stalk as a scepter. Under a one -line explanation in Latin. print maker: Low Countriesafter design by: Antwerp paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

The Lost Son comes home, Abraham de Bruyn, after Chrispijn van den Broeck, 1583 print Book illustration in the story of the parable of the lost son (Luke 15: 11-32). The son kneels in rags for his father. The father greets him and organizes a feast for him. The best calf is slaughtered. The print contains a caption with a reference to the accompanying Bible passage. Antwerp paper engraving the prodigal son kneels before his father who takes him in his arms. festive reception of the prodigal son. preparations, e.g. the prodigal son is given new robes; slaughtering of the fatted calf; the elder son objects

Shooting of Christ. Christ, tied to a pillar, is valid by soldiers under the watchful eye of Pilate. In the background many spectators. With various elements from the show are letters. The print is part of an album.

Collection and betrayal of Christ, Anonymous, After Albrecht Dürer, 1656 - 1699 print paper engraving the episode of the Last Supper. Christ's arrest, trial, and torture

Saint Catherine. Engraving by A. Wierix III.

Israhel van Meckenem, Ecce Homo, c 1480 Ecce Homo

Fight between the thankless servant and a debtor; Parable of the thankless servant. The thankless servant stands out one of his debtors, strangers him and demands his money back. The print has a Latin caption and is part of a four-part series about the similarity of the thankless servant.

Eliza undergoes the test in the chastity source of Mauritania, Jan Luyken, 1681 print Print at the top right marked: f: 166 Amsterdam paper etching spring (fluids extracted from the earth)

Léonard Gaultier, Christ and the Centurion, probably c 1576 1580 Christ and the Centurion

. Gaius Marcius Coriolanus stands with a huge force for the walls of Rome. His mother veturia and his wife Virgilia (Volumnia) and his children do not seize him on their knees Rome. Coriolanus is convinced by their supplication. The print has a Latin caption and is part of a six-part series about famous Roman women.

Apostle Paulus Wekt euthus Tot Leven, Anonymous, after Johann Jakob von Sandrart, 1697 print paper etching Eutychus is raised from the dead by Paul

King Cyrus and Daniel discover the footsteps in the axis; History of Daniel, bell and the dragon. King Cyrus and Daniel come to the temple in the morning and see footsteps in the shaft that Daniel has scattered over the floor. They discover the secret entrance to the temple and Cyrus lets the priests and their families captured and kill.

Adoration of theMagi. Artist: Lucas van Leyden, Netherlandish, 1494-1533

Worship of Christ through three kings; Life of Mary.

Christ for Annas; Interrogatvr AB Anna. Negat EVM Petrs. The high priest Annas intersects Christ about his students and about his doctrine. One of his servants is about to hit Christ in the face. In the background the denial of Peter. At different elements from the show are letters that correspond to the legend in the margin.

The Life of the Virgin: The Meeting of Joachim and Anna at the Golden Gate, 1504. Albrecht Dürer (German, 1471-1528). Woodcut;

Jacob gets to see the bloody garment of Joseph, Pieter Jalhea Furnius, 1572

The crossbearing; The road to Golgota; Suffering from Christ. From the gate of Jerusalem a procession pulls people, a number of on horseback, out. Christ comes first with the cross. He looks back to a man (Simon of Cyrene) who is forced to help him wear the cross. This print is part of a series of performances of the accelerator.

Construction activities; Construction of the tabernacle; Solomon builds the temple and the Royal Palace. A man looks at the progress of the construction activities. In his hands a pen the design of the building. Two stones are minced in the foreground. The performance can be an image of the construction activities of Solomon. However, this is intended as an image in the work for the sanctuary among Moses and the craftsmen involved. The print is part of an album.

Title page with Pope Innocent X, Allegorical representation with Pope Innocent X in the center under a canopy. A crying, female personification with a heart-shaped coat of arms in her hands kneels in front of him. Behind her a dog with a torch, playing with a rich apple. There are sitting and watching cardinals around them. In the left foreground a putto with broken weapons. Above the canopy various putti with flags and medallions with biblical scenes, including the Mystic Lamb, Noah's Ark, Madonna and King David, cardinal, pope, canopy, baldachin, Innocent X, Pieter de Jode (II) (mentioned on object), Antwerp, 1645, paper, etching, h 343 mm × w 218 mm

The Executioner, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) 1611-19 Jacques Callot French. The Executioner, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence). Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze. Jacques Callot (French, Nancy 1592-1635 Nancy). 1611-19. Engraving; second state of two (Lieure). Prints

The beheading of John the Baptist. A ready man puts the head of John the Baptist on a scale that holds a woman (Salome). The beheading body of Johannes is on a block for her.

Aquinas joined the Dominican Order, Egbert van Panderen, Otto van Veen, 1610.

Christ voor Pilate, Virgil, 1552 print Nuremberg paper Christ before Pontius Pilate (Matthew 27:11-26; Mark 15:2-15; Luke 23:2-7, 23:13-25; John 18:28 - 19:16)

Christ for Herod; QVAE Gesta svnt APVD Herodem. King Herod intersects Christ, but it doesn't answer him. Herod and his soldiers mocked in Christ. At different elements from the show are letters that correspond to the legend in the margin.

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