Scenes of Christ's Crucifixion

Dramatic engravings depict pivotal moments of Christ's Passion, including his fall, nailing to the cross, and divine transfiguration with celestial themes.

Paris, Firens, Pierre, Southern Netherlands, Vos, Maerten de, Antwerp, Sadeler, Johann (I), Passio et Resurrectio DN Iesu Christi, Passion and resurrection of Christ, Christ in the garden of Gethsemane, verso center bottom - stamped, The praying Christ and the sleeping apostles in the garden of Gethsemane. In the upper right corner a vision with a luminous chalice. In the background Judas enters Gethsemane with the soldiers. The print has a Latin caption with a text from the Bible and is the second print in a fourteen-part series on the passion of Christ., print, prints, height 283 mm, width 202 mm, Work conception, South Netherlands, 1550 - 1600-08, after print by, 1590 - 1638, paper, engraving, engraving (printing process), print maker, printmaker, 1532 - 1603-12-04, after design by, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Cross instration. Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. The two criminals run for him. Veronica knew the sweat of his face with a cloth. Bystanders watch sadly.

Crucifixion of Christ; Passion of Christ. Christ is nailed to the cross and the cross is raised by soldiers. A ladder and hammer and the clothing of Christ on the ground.

Establishment of the Cross, Schelte Adamsz. Bolswert, After Anthony Van Dyck, 1596 - 1659 print Creation of the cross. Under the performance quote from Luke 23, verse 33. paper engraving raising of the cross to which Christ is nailed already

The passage of the Jordan. The people passed in front of Jericho and the priests who carried the ark of the covenant of God were on dry land in the middle of the Jordan while all Israel crossed over dry land, until all the people had just passed the Jordan. Sacred biblical history Old Testament. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras

Sadeler, Johann (I), Vos, Maerten de, Munich, Virtutes Iesu Christi Filii Dei Vivi, Virtues of Christ, Formontas, Transfiguration: Beauty, verso below - stamped, Christ shows his divine being to Peter, James the Greater and John. He is surrounded by heavenly rays. Moses (left) and Elijah (right) appear next to him. The fifth print of an eight-part series with scenes from the life of Christ depicting his most important virtues., print, prints, 57, recto top right - handwritten, height 181 mm, width 133 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1585 - 1588, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Crossing, Paulus Pontius, After Peter Paul Rubens, 1632 print Christ falls to Golgota while wearing his cross. A Roman soldier encourages him to get up. The two criminals are running for him. Veronica knew the sweat from his face with a cloth. Bystanders look sad. In the margin Bible quotes from Joh. 19 and Luc. 23. Antwerp paper engraving Christ collapsing ~ carrying of the cross. Christ meets Veronica, who has a cloth to wipe Christ's face

Baptism of Christ (judge part), Jean Pesne, After Nicolas Poussin, 1633 - 1700 print France paper etching baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends

Paris, Firens, Pierre, Southern Netherlands, Vos, Maerten de, Antwerp, Sadeler, Johann (I), Passio et Resurrectio DN Iesu Christi, Passion and resurrection of Christ, Christ in the garden of Gethsemane, verso center bottom - stamped, The praying Christ and the sleeping apostles in the garden of Gethsemane. In the upper right corner a vision with a luminous chalice. In the background Judas enters Gethsemane with the soldiers. The print has a Latin caption with a text from the Bible and is the second print in a fourteen-part series on the passion of Christ., print, prints, height 283 mm, width 202 mm, Work conception, South Netherlands, 1550 - 1600-08, after print by, 1590 - 1638, paper, engraving, engraving (printing process), print maker, printmaker, 1532 - 1603-12-04, after design by, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Antwerp, Hendricx, Gilles, Dyck, Anthony van, Galle, Cornelis (I), Carrying the Cross, verso - stamped, Surrounded by a crowd, Christ carries the cross to Golgotha. He leans on his hands and knees and threatens to collapse under his burden. Soldiers urge him on and pull him along. Next to the cross, Mary kneels with folded hands, Simon of Cyrene helps Christ carry his burden., print, prints, height 387 mm, width 290 mm, Southern Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1586 - 1650, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, publisher

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, History of Elijah, Elijah and the prophets of Baal, verso - stamped, The priests of Baal shout and dance around their altar, call upon the god Baal and pray to him for fire for the burnt offering. King Ahab stands at the altar. In the background on the right, Elijah prays to his God at his burnt offering that is kindled by fire from heaven. In the background on the left, the prophets of Baal are put to death after this incident. Below the representation a reference in Latin to the Bible text in 1 Kings 18., print, prints, height 204 mm, width 284 mm, Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Italy, Liss, Johann, Amsterdam, Falck, Jeremias, Ecstatic vision of Paul, verso - stamped, Paul sits in a room among open books and looks up in surprise at a heavenly vision. An angel lifts a curtain and shows clouds with singing and music-making angels and at the top right the Holy Trinity: God the Father, Christ and the Holy Spirit in the form of a dove., print, prints, height 418 mm, width 293 mm, 1609 - 1677-02-07, print maker, printmaker, 1655 - 1677, paper, engraving, engraving (printing process), 1590 - 1629

Saint Benedict of Nursia: he frees a priest who had been possessed by devils. Engraving by G. Fabbri, 1776, after D. Fratta after L. Carracci.

Paris, Firens, Pierre, Southern Netherlands, Vos, Maerten de, Sadeler, Johann (I), Passio et Resurrectio DN Iesu Christi, Passion and Resurrection of Christ, Descent from the Cross, verso bottom center - stamped, Christ is taken from the cross by Joseph of Arimathea and Nicodemus. Mary and John take his body in their arms. In the background on the right, Christ is laid in his tomb. The print has a Latin caption with a text from the Bible and is the eleventh print in a fourteen-part series on the passion of Christ., print, prints, height 277 mm, width 201 mm, Work conception, South Netherlands, 1550 - 1600-08, after print by, 1590 - 1638, paper, engraving, engraving (printing process), print maker, printmaker, 1532 - 1603-12-04, after design by, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

The martyrdom of the Saint Justina of Padua (lower half). The Saint Justina of Padua sits on an increase and is tied by soldiers. She has a sword in the chest. In the background, spectators and a city are. Text in undermarge.

Aegidius Sadeler II after Federico Barocci, The Entombment The Entombment

Barocci, Federico, Sadeler, Aegidius, Germany, Johannes (II), Entombment of Christ, verso lower left - stamped, Christ is laid in a tomb. In the foreground on the right is the kneeling Mary Magdalene. On the left are some of Christ's instruments of the passion (hammer, tongs, nails, crown of thorns). In the background is the mountain of the cross., print, prent, prints, prenten, height 359 mm, width 224 mm, - 1665, print maker, prentmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1570 - 1629, after print by, Italian, 1528 - 1612-09-30

Sadeler, Johann (I), Vos, Maerten de, Keulen, Scenes from the life of the apostle Paul, Christ appears to Paul in the army camp, verso lower left - stamped, Paul sits chained on the ground at night. Next to him sleeping guards. Christ appears before him and orders him to testify about him in Rome. A tent camp with soldiers in the background. With a Latin caption with a Bible passage from the Acts of the Apostles (Acts 23:11). The third print of a four-part series., print, prints, height 253 mm, width 204 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1581, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Biblical story of Job, In the Book of Job (chapters 1 and 2) Satan challenges God by claiming that Job's piety is merely the result of divine protection and blessing, after an etching by the Dutch artist Maarten van Heemskerck from 1569, illustration, reproduction from a 19th century original. Authentic, file restored for optimal use, exact date of the original unknown, Historical

Crossbreak; Two passions scenes to tintoretto. Christ on the way to Golgota. A soldier stems him to a rope that is tied around Christ neck. Simon van Cyrene helps Christ to wear the cross. In the foreground also the two criminals that are crucified with Christ in the procession. They also carry their cross. With a latin fresh through Simon Sovius.

Christ Tells His Disciples of the Last Judgment. Dated: published 1630. Dimensions: sheet: 10.5 x 14.5 cm (4 1/8 x 5 11/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

Tranking of Christ. The body of Christ is worn by three men, including Joseph of Arimatea and Nikodemus, to his open tomb. Behind them Maria mourns two women. At the front Does a woman kneel with folded hands, Mary Magdalene (). At the front left the torture tools are. In the distance the three crosses on a rock.

The holy women at the grave of Christ a moving baroque engraving from Gregoire Huret the holy women at the grave of Christ a moving baroque engraving by Gregoire Huret

Job Available by his friends. Job sitting in the foreground with folded hands and eyes. His wife is behind him, pointing with her left hand to heaven. Left four friends. In the background right, the dead sons and / or daughters of Job are carried away. Behind it a riding procession.

Anioł Wypędza Szatana Satan decides the Messiah Te Doodem, Z: albumu Plays the Nederduitsche translation of Klopstock's Messiah by M. Johan Meerman, Lord of Dalem and Vuren: Signed by Fugger and Gerraved by John

Promotional print by Claudius von Collalto (1645), lower part, Paulus Pontius, After Abraham van Diepenbeeck, 1645 print Landscape with justice and faith, accompanied by putti with tablets on which the views to be defended in Latin. In the middle is a young man with the design of the promotion print. A rich gentleman on a hill on the left hits the scene, putti offer him gifts. Behind him putti that hit coins, draw and fight with a sword. On the right on a ornament the announcement of the promotion at the University of Leuven, with Professor Jacob van Santvoort as a promoter. Left in the foreground two putti at the coat of arms of Claudius von Collalto. Antwerp paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. armorial bearing, heraldry

Story of the Prophet Moses, Moses defends the daughters of Jetro, c. 1700, Antoine Trouvain, Historic, digitally restored reproduction from 18th or 19th century original.

Opwekking Van Lazarus, Daniel Le Bossu, After Giacinto Brandi, 1642 - 1721 print print maker: Franceafter painting by: Romepublisher: ParisFrance paper etching / engraving the raising of Lazarus ('Lazarus, come out')

Resurrection of Christ. .

Christ appears to Paul in the army camp; Scenes from the life of the apostle Paul. Paul has been chained to the ground at night. Besides him sleeping guards. Christ appears for him and recommends him to witness him from him. A tent camp with soldiers in the background. With a Latin caption with a Bible passage from the acts of the apostles (hand. 23:11). The third print of a four-part series.

Resurrection of Christ, print maker: Jacob de Wit, after: Peter Paul Rubens, Amsterdam, 1705 - 1754, paper, etching, h 333 mm × w 396 mm

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Jan (II), Den Grooten Figuer-Bibel, Apostles' Creed, Of The Faith and its twelve Articles, Et in Jesum Christum filium eius unicum Dominum nostrum, Transfiguration, bottom right on album page - handwritten in brown ink, Illustration of the second article of faith (I believe in Jesus Christ, his only Son, our Lord) of the Apostles' Creed. The Transfiguration on the Mount: Christ's face shines like the sun. Moses and Elijah appear on either side of Christ and speak with him. John, Peter and James are seated on the mountain. This print is part of an album., print, album sheet, prints, 200, height 189 mm, width 138 mm, Southern Netherlands (before 1775), 1566 - 1628-05-26, print maker, printmaker, 1570 - 1618, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1

Story of the Prophet Moses, Moses Defending the Daughters of Jetro, c. 1700, Antoine Trouvain, Historical, digitally restored reproduction from an 18th or 19th century original

François Xavier Fabre, Christ Carried to the Tomb, 1810 Christ Carried to the Tomb

The Sermon on the Mount, Sir James Thornhill, 1675-1734, British, undated, Pen, brown and black ink and gray wash on thick, rough, beige laid paper, Sheet: 16 1/8 x 12 inches (41 x 30.5 cm) and Mount: 18 1/2 x 13 1/2 inches (47 x 34.3 cm), Christ explaining his doctrine, disciples, halos, historical subject, history paintings, sermons, sketches

Society of Christ, Anonymous, After Aegidius Sadeler (II), After Jacopo Palma, 1630 - 1654 print Christ, tied to a pillar, is flashed by soldiers. Night scene. Antwerp paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

Etching by Anton Joseph von Prenner depicting the promise to Joachim and his encounter with Anna at the Golden Pforte, showing figures in narrative composition with architectural elements, gestures, and biblical context.

Junius, Hadrianus, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Seven bleedings of Christ, Christ in the garden of Gethsemane, verso - stamped, Christ praying in agony in the garden of Gethsemane. An angel presents him with the cross and a chalice. Peter, James and John lie asleep in the foreground. Judas appears on the right with a group of soldiers. At the bottom in the margin a verse in Latin. Print is part of a series about the seven bleedings of Christ. During the prayer in Gethsemane his sweat fell to the ground like drops of blood., print, prints, height 201 mm, width 248 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

. In addition to Moses, the copper hose is attached to a stake. The Israelites who have been bitten by snakes are around it and look forward to staying in life. Right rear the tent camp of the Israelites. Under a reference to Num. 21: 6-9 And the title of the print in Hebrew, English, German, Latin, French and Dutch.

Venice, Franco, Battista, Gathering the manna, verso - stamped, The Israelites catch and pick up the manna that falls from the sky. In the background on the left a tent camp and three camels., print, prent, prints, height 380 mm, width 570 mm, Italian, 1510 - 1561, print maker, prentmaker, 1508 - 1561, paper, papier, etching, engraving, engraving (printing process)

The Adoration of the Magi 1714-24 Benoit Farjat. The Adoration of the Magi. Benoit Farjat (French, 1626-1724). 1714-24. Engraving. Prints

The Coronation of the Virgin 1630-1640 Flemish Brabant. Woodcut on cream laid paper . Christoffel Jegher

Netherlands, States of Holland and West Friesland, Amsterdam, Visscher, Nicolaes (I), Italy, Liss, Johann, Falck, Jeremias, Ecstatic vision of Paul, verso - stamped, Paul sits in a room among open books and looks up in surprise at a heavenly vision. An angel lifts a curtain and shows clouds with singing and music-making angels and, top right, the Holy Trinity: God the Father, Christ and the Holy Spirit in the form of a dove. Below the representation text in Latin., print, prints, height 413 mm, width 288 mm, 1609 - 1677-02-07, print maker, printmaker, 1655 - 1677, paper, engraving, engraving (printing process), 1590 - 1629, after, after painting by, Publication (Event), Publication, Northern Netherlands, 1618-01-25 - 1679, publisher, granter of privilege

The Transfiguration of Christ on Mount Tabor, authentic, digitally restored reproduction from a 19th century model, exact date of depiction unknown, historical, biblical depiction with Jesus ascending to heaven, observed by his disciples

The martyrdom of the Holy Justina van Padua (upper half), Agostino Carracci, After Paolo Veronese, 1567 - 1602 print God the Father, Mary and Saint John () Floating on clouds. They are surrounded by putti and musician angels. Italy paper engraving St. Justina of Padua is stabbed in the chest; Christ, Mary, and saints may appear to her. cupids: 'amores', 'amoretti', 'putti'. angels singing, making music

An angel saves a thirsting Elijah. Engraving by A. Zucchi, c. 1720, after S. Manaigo after G. Porta, il Salviati.

Resurrection of Christ; The passion. Christ floats at the entrance to his grave with a victory banner in hand. The three Maria's are located at the entrance to the grave and sitting an angel on the roadside stone. A few soldiers are scared and a couple are sleeping on the floor.

Jesus Christ curing the lepers - Jesus, with his disciples, raising his arm to ten lepers who kneel before him.

Italy, Gabbiani, Anton Domenico, Cipriani, Giovanni Battista, Erection of the Cross, The cross with Christ is erected with the help of manpower and a ladder. On the left is a second cross with a condemned man. In the foreground on the left, the fainted Mary is surrounded by the Marys. In the foreground on the right, soldiers are playing dice., print, prent, prints, enten, height 347 mm, width 517 mm, Italian, 1727 - 1785-12-14, print maker, printmaker, 1737 - 1785, paper, papier, etching, etchings, Work conception, 1652 - 1726

The Magician Hermogenes orders the devils, in the presence of the pilgrims to Compostela, bring him the Apostle St. James. 19th-century engraving from a miniature of "Sainte-Ecriture", 15th century. "Vie Militaire et Religieuse au Moyen Age et a l'Epoque de la Renaissance", Paris, 1877.

Wonderful Visvangst, Cornelis Galle (I), After Peter Paul Rubens, c. 1670 - c. 1735 print Christ is on Peter's boat and gives him the designation to cast the net. The fishermen take it up and it is so full of fishing that even more fishermen should come and help to pull the catch in the boat. Peter looks at Christ with surprise. Under the show a Bible from Luc 5. Antwerp paper engraving the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

The Adoration of the Shepherds with angels overhead ca. 1530-61 Battista Franco Italian. The Adoration of the Shepherds with angels overhead 371914

Copper engraving by Philippe Thomassin from 1589 depicting the tomb of Christ with surrounding figures in biblical context.

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate) 1546 Léon Davent French. The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate) 337394

A 1649 etching by Nicolas Chaperon depicting the Israelites dancing around the golden calf, showing figures in animated poses in a biblical narrative.

Biblical story of Job, This scene is from the book of Job and describes a heavenly meeting in front of God, in which Satan, Hebrew for the accuser or adversary, also appears, after an etching by Dutch artist Maarten van Heemskerck from 1569, illustration, reproduction from a 19th-century model. Authentic, file restored for optimal use, exact date of submission unknown, historical

Feather drawing by an anonymous artist depicting the discovery of Moses, with laved tones, deck white, and blue highlights, focusing on figures and composition.

Genesis. The Sacrifice of Isaac. Abraham offering his son Isaac as a sacrifice to God. Because of his obedience, God freed him from his vow and placed

The resurrected Christ appears before the apostles and other people. Etching.

Antwerpen, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Jobi, History of Job, Job hears the bad news from messengers, Antwerp, Job hears from three messengers about the disaster that has befallen him. In the doorway stands his wife, holding her handkerchief in front of her face. In the landscape we see how Job's cattle and camels are stolen, how his shepherds and cattle are killed by lightning and how the house in the city on the left, where Job's children were having a party, collapses in the storm. In the sky the tetragram, as a symbol of God the Father and the inhabitants of heaven who make their appearance. Below the representation a reference in Latin to the Bible text in Job 1. Print is part of an album., print, prent, albumblad, prints, engravings, height 215 mm, width 264 mm, Work conception, South Netherlands, 1544 -

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Adriaen, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Apostolic creed, Et vitam aeternam amen, John sees the New Jerusalem, Illustration of the twelfth article of faith (eternal life) of the Apostles' Creed. An angel has carried John the Evangelist to a mountaintop and shows him the New Jerusalem. John writes everything down in the book of Revelations. Jerusalem has twelve gates, which are guarded by twelve angels. The Good Shepherd walks with his lambs towards the gates. God, in the form of the tetragrammaton, and the Holy Spirit appear in the clouds, together with several angels. This print is part of an album., print, album leaf, prints, height 191 mm, width 141 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a

Story of Prophet Moses, Moses and Eleazar show the brazen serpent to the people plagued by a snake bite, Historical, digitally restored reproduction from an 18th or 19th century original.

The raising of Lazarus. Engraving after A. Bloemaert.

Étienne Parrocel drawing of Lot offering hospitality to two angels, executed with pen and brush, Bister wash, and chalk traces on brownish paper.

Jesus appearing to his disciples on the Sea of Galilee

Augsburg, Pfeffel, Johann Andreas (der Ältere), Holzer, Johann Evangelist, Steinberger, Johann Christoph, Jeugd van Christus, Die Heiligen 3 Könige, Epiphany, Adoration of the Magi, verso - stamped, The adoration of the three kings. On the right, Mary and Joseph stand with the Christ child before the three kneeling kings. In the middle, an angel holds the star that showed the wise men the way to the child. On the left, the entourage of the kings comes with gifts. Rocaille ornaments surround the representation. In the bottom margin twice a seven-line German and Latin text., print, ornament print, prints, ornament prints, height 191 mm, width 297 mm, German, 1680 - 1727, print maker, 1719 - 1727, paper, etching, Work conception, 1709-12-24 - 1740-07-21, after a design by, Publication (Event), Publication, 1674 - 1748, publisher

Satan sits on his throne in the middle of a witches sabbath, two witches cook dismembered infants in a cauldron, on the left the devils eat at them, Historical, digitally restored reproduction from an 18th or 19th century original

Martial arms with their wives at god image. A young woman is kneeling for an idol. Behind her stand a woman, soldiers, a winged figure, a putto and is a river god (possibly the tiber).

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Passion of Christ, Soldiers Surrounding Christ Fall to the Ground, Christ Makes Himself Known in the Garden of Gethsemane. Judas, His Betrayal, and the Soldiers Back Down and Fall to the Ground. In the Background, Simon Peter Draws His Sword to Cut Off Malchus' Right Ear. Below the scene, a four-line verse in Latin. At the bottom right, the letter: c. This print is part of an album., print, album page, prints, height 204 mm, width 125 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draftsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Christ Dided by the Soldiers, Johann Sadeler (I), After Christoph Schwarz, 1589 print Christ lies on the ground against his cross on Mount Golgota. He is beaten while the soldiers rid him of his clothing. The sixth print of an eight -part series about the passion of Christ. München paper engraving Christ disrobed

Paid of Christ. Maria and others grieve at the body of Christ that lies on a canvas. The two criminals still hang on their cross.

Khoi vereren de maan; Eerbewys der Hottentotten aan de Maan.Mountainous landscape with khoi worshiping the moon during a religious ritual. They clap them in their hands and singing and dancing for the full moon.

Pfeiffer, François Joseph (I), Rotterdam, Sallieth, Mathias de, La Clemence de Joseph II, Clemency of Emperor Joseph II to the Protestants, 1783, Allegory of the edict of Joseph II on religious freedom for Protestants, March 1783. The emperor stands on the steps of a temple and is crowned by the spirit of Wisdom. Next to the emperor are the personifications of Forbearance, Kindness and Prudence. Kneeling before the emperor are (Hungarian) Protestant subjects who offer him their hearts in gratitude. On the right, Tyranny and Ignorance are driven out by Freedom of Religion in armor with a flaming sword and shield with 'Aurea libertas'. In the background, a Protestant church under construction. At the bottom, the title, order and arms of the emperor and his sister Maria Christina of Austria. Marked at the bottom center: Proof. The print comes with a sheet with an explanation of the representation., print, prints, Frederik Muller Historical plates, height 460 mm, width 333 mm, Czech, North

Haarlem, Junius, Hadrianus, Heemskerck, Maarten van, Galle, Philips, History of John the Baptist, Baptism of Christ, verso - stamped, John the Baptist baptizes Christ in the Jordan. Christ kneels on a stone in the water, John holds his hand above him the head. Above it the Holy Ghost in the form of a dove., print, prints, height 200 mm, width 265 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1564 - 1564, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

Drawing by François Verdier depicting the Ascension of Christ, created with black chalk, brush, gray wash, and white highlights.

Peter liberated by the angel from prison, Jan Luyken, Pieter Mortier, 1703 - 1762

Oil painting on light brown tinted paper with gray brushwork and deck white highlights, depicting the sacrifice of Iphigenie on Tauris, including figures, altar, and drapery; traces of folding and edge damage.

The widow of Zarephath seeks assistance from the prophet Elijah; her son has fallen into a coma. Engraving, c. 17th century.

Witches riding a broom through the night, Historical, digitally restored reproduction of a 19th century original

The first six seals of the book. Vision of the sealed book and the mysterious riders. Revelation book, New Testament Sacred biblical history

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Den Grooten Figuer-Bibel, Geschiedenis van Job, Van den Heylighen Iob, Job hears the bad news from messengers, lower right - handwritten in brown ink, Job hears from three messengers about the disaster that has befallen him. His wife stands in the doorway, holding her handkerchief in front of her face. In the landscape we see how Job's cattle and camels are stolen, how his shepherds and cattle have been killed by lightning and how the house in the city on the left, where Job's children were having a party, collapses in the storm. In the sky the tetragram, as a symbol of God the Father and the inhabitants of heaven who make their appearance. Below the representation a reference in Latin to the Bible text in Job 1:14. This print is part of an album., print, album sheet, prints, 237, height 215 mm, width 266 mm, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process)

Resurrection of Christ; Vita, Passio et Resvrrectio IESV Christi; Life, passion and resurrection of Christ. Christ rises from his grave. The soldiers who are scared around the grave awake and flights (Matthew 27: 32-66). In the background the arrival of the three holy women at the grave. The print has a Latin caption. The print is part of a series about the life of Christ.

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Holofernes, History of Judith and Holofernes, Judith presented to Holofernes, Judith and her maid are presented to Holofernes. The Assyrian army looks on. Below the image is a reference in Latin to the Bible text in Judith 10:10. The print is part of an album., print, album leaf, prints, height 200 mm, width 261 mm, Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

After Sébastien Le Clerc I, Christ Dying on the Cross Christ Dying on the Cross

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Den Grooten Figuer-Bibel, Geschiedenis van Jeremia, Van den Propheet Ieremias, God appears to Jeremia, bottom right - handwritten in brown ink, God appears as a halo in the sky. The prophet Jeremiah stands with his hand raised and looks up with a yoke around his neck that God has commanded him to make as a symbol of the yoke of Babylonia. On the left, King Zedekiah of Judah on a dais. At the bottom of the stairs, the prophet Chananiah, with the help of others, breaks the yoke around Jeremiah's neck into pieces. Below the image is a reference in Latin to the Bible text in Jer. 27:1. This print is part of an album., print, prent, albumblad, prints, prenten, 241, height 192 mm, width 256 mm, Zuid-Nederlands, 1559 - 1604-03, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing

Biblical drawing of God instructing Abraham to remain with Sara, executed with pen, brush, ink, bister, and chalk on brownish paper.

New Testament. Passion of Christ. On the slope to Calvary. Engraving. "Los Héroes y las Grandezas de la Tierra". Volume I. 1854.

Collection of Jesus, Anonymous, After Anthony Van Dyck, 1661 - 1684 print Judas betrays Christ by kissing him. Behind him, soldiers with weapons and a torch rush to capture Christ. At the front right, Simon Petrus is about to attack Malchus with a sword. In the margin a four -line caption in Latin. print maker: Low Countriespublisher: Antwerp paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

A drawing by Johann Wolfgang Baumgartner depicting the Ascension of Christ, executed with brown feather and gray brush, laved, with oxidized white highlights and sparse aquamarine corrections on blue paper, emphasizing figure and composition.

Print showing the massacre of the innocents ordered by Herod, from a 17th century perspective.

Paid of Christ. Maria and others grieve at the body of Christ that lies on a canvas. The two criminals still hang on their cross. In the margin a two-person caption in French.

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Job, Job hears the bad news from messengers, Job hears from three messengers about the disaster that has befallen him. His wife stands in the doorway, holding her handkerchief in front of her face. The landscape shows how Job's cattle and camels are stolen, how his shepherds and cattle are killed by lightning and how the house in the city on the left, where Job's children were holding a party, collapses in the storm. In the sky the tetragram, as a symbol of God the Father and the inhabitants of heaven who make their appearance. Below the representation a reference in Latin to the Bible text in Job 1. This print is part of an album., print, prent, albumblad, prints, enten, height 214 mm, width 264 mm, Work conception, Zuid-Nederlands, 1544 - 1638-10-01, after a design by,

Cornelis Galle I, Moses and the Brazen Serpent, c. 1635-50, engraving on paper.

Cross-canceled; The conclusion of the cross. The body of Christ is collected by Joseph of Arimatea and Nikodemus from the Cross. John takes care of the corpse, helped by the three Maria's. Two other men also help. In the foreground the thorns crown and nails.

Census of the people and punishment of God. The LORD sent pestilence upon Israel seventy thousand men died, the angel extended his hand to Jerusalem

Story of the Prophet Moses, Moses defends the daughters of Jethro, c. 1700, Historical, digitally restored reproduction from 18th or 19th century original.

Moses on Mount Sinai, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print Moses speaks with God on Mount Sinai. The Jewish people in the foreground panic when hearing thunders and seeing flashes of light and smoke that comes out of the mountain (ex. 20:21). The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper etching / engraving Mount Sinai is covered by a thick cloud, thunder and lightning

Reconciliation of Jacob and Esau, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, h 109 mm × w 159 mm

Obadja feeds a hundred prophets in a cave, Jan Luyken, 1708 print Amsterdam paper etching the piety of Obadiah, governor of Ahab's house: when Queen Jezebel kills the Lord's priests, Obadiah hides a hundred of them in a cave and provides them with food

Kruisafneming, Charles Howard Hodges, after Lucas Vorsterman, after Peter Paul Rubens, 1805 print The body of Christ is removed from Arimatea and Nikodemus from the cross. John takes the corpse, helped by the three Maria's. Two other men also help. In the foreground the thorn crown and nails. Amsterdam paper etching descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached)

Petrus liberated by the angel from prison.

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