Scenes of Daily Life

Prints depicting everyday scenes involving figures, animals, and narratives, characterized by humor, emotion, and social commentary.

Children at a cradle, Adolphe Lalauze, 1879 print Numbered at the top right: 494. print maker: Francepublisher: Paris paper etching / engraving / drypoint cradle, crib. child (at home) - AA - girl

L'abreuvoir, final state; Jasi Ski, Feliks Stanis AW (1862-1901), Lynch, Albert (1851-1912), Clément, Albert (Paris 1887 (1887-00-00-1887-00-00);Wells, Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967)-collection, Amazons, French (culture), French graphics, Polish graphics, reproductive graphics, horses, state prints, Polish (culture), dogs, genre scenes, purchase (provenance)

Reproduction from a print to a drawing of a young pair caught by parents, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Rossignol' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper hidden love discovered

Reproduction from a print to a drawing of an interior with a man and a woman, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Cocu Battu et Content' by Jean de la Fontaine. A man attracts a piece of clothing, probably a dress. Reproduction of a proof with sketches in the margins. paper man dressed as woman, travesty

Supper. Charles Émile Jacque; French, 1813-1894. Date: 1860-1870. Dimensions: 133 × 109 mm (image); 155 × 125 mm (plate); 462 × 337 mm (sheet). Etching, engraving and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: tavern scene/ ruin and man (insert after p. 96), 1937. Auguste Brouet (French, 1872-1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.).

Fair and Circus, scene 3. Artist: Louis-Robert Antral (French, Châlon-sur-Marne 1895-1939 Paris). Dimensions: Plate: 8 11/16 × 6 5/8 in. (22 × 16.8 cm)Sheet: 14 15/16 × 11 1/4 in. (38 × 28.5 cm). Date: early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction from a print to a drawing of a spiritual with a woman in bed, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Comment l'Esprit Vient Aux Filles' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper organization, functionaries and dignitaries in Roman Catholic church; clergy in general

Painter sees his work in his studio, Piet Verhaert, 1876 print paper etching workshop, studio ~ painter. easel. window

Reproduction from a print to a drawing of a kissing pair, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'L'Oraison de Saint Julien' by Jean de la Fontaine. Interior with kissing pair and maid who fires the fire. Reproduction of a proof with sketches in the margins. paper (lovers) kissing each other

Children at a cradle, Adolphe Lalauze, 1879 print Numbered at the top right: 494. print maker: Francepublisher: Paris paper etching / engraving / drypoint cradle, crib. child (at home) - AA - girl

Plate 15 from "The Disasters of War' (Los Desastres de la Guerra): 'And there is nothing to be done.' (Y no hai remedio.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 5 1/2 × 6 9/16 in. (14 × 16.6 cm)Sheet: 9 15/16 × 13 9/16 in. (25.2 × 34.5 cm). Series/Portfolio: The Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Cleopatra's Banquet, William Unger, After Jan Havicksz. Steen, 1847 - 1889 print Germany paper etching banquet of Mark Antony and Cleopatra: she dissolves a pearl in a cup of wine, which she then drinks. celebration meal, feast, banquet

Young woman covers a table in a richly decorated departure, Théodore Joseph Cleynhens (attributed to), 1851 - 1909 print paper etching / drypoint adolescent, young woman, maiden. laying the table. interior ~ representation of a building

Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.) 1810-11 Goya (Francisco de Goya y Lucientes) Spanish. Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.) 334161

Reproduction from a print to a drawing by a man trying to hug a woman, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Les Rémois' by Jean de la Fontaine. In an interior with fallen things, a man takes a woman at her waist. Two men watch in the doorway. Reproduction of a proof with sketches in the margins. paper one-sided courting

Etcher: Charles-Jean-Louis Courtry, French, 1846-1897, After: Jean-Honoré Fragonard, French, 1732-1806, Le Calendrier desVieillards, Etching, platemark: 13.2 × 8.1 cm (5 3/16 × 3 3/16in.), French, 19thcentury, Works on Paper -Prints

The Vision of St. Helena. Artist: Circle of Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()).In Mariette Album, folio 56. Museum: Metropolitan Museum of Art, New York, USA.

Abraham and Isaac, Anonymous, After Rembrandt van Rijn, 1819 print paper etching story of Abraham

A blind hurdy-gurdy player and family receiving alms, anonymous, after Rembrandt van Rijn, after 1648 print paper etching / drypoint hurdy-gurdy player - CC - out of doors. giving alms; collection

Alternian warrior from the Ottoman army, Nikolay Semyonovich Mosolov, After Jean -Léon Gérôme, 1857 - 1913 print paper. etching / drypoint private soldier. firearms

Print, Virgin and Child with Parrot; Print Maker: Hans Sebald Beham (German, 1500-1550); engraving on off-white laid paper

Rokeby, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, 1813, Etching and line engraving on chine collé laid down on wove paper., Image: 4 3/4 x 3 1/2in. (12.1 x 8.9cm) and Sheet: 17 x 11 1/2in. (43.2 x 29.2cm)

Farmer's wife scrubs a Tobbe, Charles Emile Jacque, 1845 print Courtyard with a farmer's wife. While she scrubs a tub, she looks at two children in the background. Numbered below: 15. Paris paper. etching / engraving farmers. courtyard

Beggar with walking stick, Jan van de Kerkhove, 1832 - 1881 print paper etching beggar. walking-stick, staff

Naked woman on the edge of a bed surrounded by playing demons, Albert Bertrand (attributed to), after Félicien Rops, 1864 - 1912 print paper etching nude with covered genitals - AA - female human figure. devil(s) and demons. interior ~ representation of a building

La Mort dans le poirier , Death, Skeletons, Pear trees, Pears, Alphonse Legros (1837-1911)

Two Perszen, Lourens Alma Tadema, 1882 print A man with a beard on a sofa looks at a woman with a long braid. paper etching couch, sofa, settee. hairdress

Nude and Press. John Sloan (American, 1871-1951); printed by Peter J. Platt (American, 1959-1934). Date: 1931. Dimensions: 125 x 100 mm (image/plate); 285 x 241 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Outkin, Nicolai Ivanovitch (n.1780-05-19-D.1868-03-17), anthropometry after Chebouef Vassili Chebouev) (main title), 1837. Burin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Hebe Falls and Spills the Nectar Brought to Jupiter, Felice Giani, Italian, 1758-1823, Pen and brown ink on light blue laid paper, Hebe shown falling and spilling nectar she brought for Jupiter, who sits in company of gods., Italy, ca. 1810, figures, Drawing, Drawing

Rest on the flight into Egypt: a night piece, anonymous, after Rembrandt van Rijn, after 1644 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Two musicians, Xavier Mellery, 1855 - 1913 print Woman plays on a guitar and a man plays flute. paper etching more than one musician with instrument. cithern, mandolin, guitar, balalaika. transverse flute

Knitting woman at the window, Louise Danse, 1883 print paper etching (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Tenniel, Sir John. Another drawing of the illustration on p. 81 for C. L. Dodgson's "Alice's adventures in Wonderland" Drawing of the Duchess in the kitchen. Tenniel, John, Sir, 1820-1914. 1866. Drawings, Illustrations. Henry W. and Albert A. Berg Collection of English and American Literature

Prince Arthur and Hubert (Shakespeare, King John, Act 4, Scene 1) 1823-24 Thomas Goff Lupton. Prince Arthur and Hubert (Shakespeare, King John, Act 4, Scene 1). Gems of Art. After James Northcote (British, Plymouth 1746-1831 London). 1823-24. Mezzotint. Thomas Goff Lupton (British, London 1791-1873 London). Prints

Flight to Egypt, Lodewijk Schelfhout, 1931 print Maria driving on a donkey in a mountain landscape with a lake. She wears the Christ child in her arms. Joseph is walking next to them. paper drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Two loved ones in a barge, Albert Dillens, 1854 - 1909 print paper etching / drypoint couple of lovers. boat propelled by man or animal. landscapes

The Sergeant Reporter. Jean Louis Ernest Meissonier; French, 1815-1891. Date: 1862. Dimensions: 61 × 53 mm (image); 62 × 54 mm (plate); 115 × 93 mm (sheet). Etching and drypoint on ivory laid chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Saint Sebastian with Saint Irene and a servant, Léopold Flameng, After Eugène Delacroix, 1859 print Paris paper. etching the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Two women at a market stall with ceramics, Théodore Joseph Cleynhens, 1851 - 1909 print paper etching market. stall, booth (~ market). container of ceramics: jar, jug, pot, vase

Title print with portrait of Andrea Mantegna and Putti, 1776 print A landscape with temples. Four putti wear a portrait of artist Andrea Mantegna. On the left a text on a marble block. Assignment in the end margin. paper etching tools, implements of painter. portrait, self-portrait of artist. cupids: 'amores', 'amoretti', 'putti'

Portrait of félicien rops in his studio. The artist inspects a print, behind him on a table of printer materials, in the foreground a part of the wheel of a printing press.

Reproduction of drawing: Henryk Siemiradzki (1843-1902), sketches of figures for the painting `Phryne` Old man, woman with lyra and child with box ; from: `Tygodnik Ilustrowany` 1890, no. 43 (October 25th), p. 272. unknown, photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Playing Shepherd and Spinster, Anonymous, After Nicolaes Pietersz Berchem, 1652 - 1733 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. spindle. flute, aulos, tibia. one person playing an instrument

Landscape with figures on a road, Auguste Herman Marie de Noter, 1829 print paper etching dog. landscapes (+ landscape with figures, staffage). road, path. riding a horse, ass, or mule; rider, horseman. carrying something on the head or on the shoulders

Woman in a barn, Herman Johannes van der Weele, 1852 - 1930 print Netherlands paper. drypoint barn. old woman. widow

Ivory and Greenware 1872 Jules-Ferdinand Jacquemart. Ivory and Greenware. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1872. Etching. Gazette des Beaux-Arts. Prints

Sans Débrider, Stan I; Jasi Ski, Feliks Stanis AW (1862-1901), Meissonier, Jean Louis Ernest (1815-1891); around 1887 (1886-00-00-1888-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, reproductive graphics, riders, horses, musketeers, state prints, purchase (provenance)

Cellini Knelt down for his bronze statue of Perseus, Henri Fantin-Latour, 1888 print Paris paper sculptor in non-work situation. historical persons. opera

Knight; Sierakowski, Józef (1765-1831), Or Śowski, Aleksander (1777-1832); before 1826 (1801-00-00-1825-00-00);Swede, Ludwik Władysław (1876-1913) - collections, Society for the Care of the Monuments of the Past (Warsaw - 1906-1944), Society for the Care of the Monuments of the past (Warsaw - 1906-1944) - collection, gift (provenance), muzzle (attribute), Knights

Charlatan's show, plate 75 from The Disasters of War Made 1815-1820 Spain. The 82 etchings made privately by Goya in response to Napoleonís onslaught on Spanish soil focused on the warís effects on all the people of Spain, not just the soldiers. In this eerie image, a priest who appears to be wearing a bird mask performs a ritual before a weary crowd. Through the clergymanís costume and dramatic pose, as well as the workís title, Goya likened religion to mountebanks and stage productions.. Etching, aquatint or lavis, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Northern Netherlands paper engraving the meeting between Esau and Jacob

Plate 2 from 'The Disasters of War' (Los Desastres de la Guerra): 'Rightly or wrongly.' (Con razon ó sin ella.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 2 from 'The Disasters of War' (Los Desastres de la Guerra): 'Rightly or wrongly.' (Con razon ó sin ella.) 371595

Vision. Henri Fantin-Latour; French, 1836-1904. Date: 1895. Dimensions: 188 × 143 mm (image); 349 × 278 mm (sheet). Lithograph in black on off-white chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, Abimelech Sees Isaac Embracing Rebecca, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 14.8 × 18.2 cm (5 13/16 × 73/16in.), Made in Italy, Italian, 16th-17thcentury, Works on Paper -Prints

Still life with the tract and a portrait of Andreas Vesalius, Auguste Numans, After Pierre Verreydt, 1843 print paper. etching still life of related objects. 'Vanitas' still life. some aspects of anatomy in particular. historical persons

Reproduction from a print to a drawing of an elegant company, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Mari Confesseur' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper visiting; receiving guests; elegant company

Isaac bless Jakob, Johannes Arnoldus Boland, After Govert Flinck, c. 1860 - c. 1900 print Isaac bless Jakob. The old Isaac is in bed and gives his blessing to Jakob, right next to the bed is Rebekka. Amsterdam paper etching / engraving Jacob's visit to Isaac ~ death of Isaac

The birth of Maria; Sandrart, Jakob von (1630-1708), Maratti, Carlo (1625-1713); before 1708 (1601-00-00-1700-00-00);

Pilgrim of the Sublunary World, plate 5 of 6 Made 1891 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Portrait of Meryon Sitting up in Bed. Artist: Léopold Flameng (French (born Belgium), Brussels 1831-1911 Paris). Dimensions: Plate: 8 3/4 x 10 13/16 in. (22.2 x 27.4 cm)Sheet: 12 1/2 x 16 11/16 in. (31.7 x 42.4 cm). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.

Sans débrider, state III. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Meissonier, Jean-Louis-Ernest (1815-1891), painter

'Carnival Folly' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published 1864) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.. 'Carnival Folly' from the 'Disparates' (Follies / Irrationalities) 397728

Man binds bean stakes in vegetable garden, Bernardus Johannes Blommers, 1855 - 1892 print A man in work clothes and on clogs is at a bean stake in a vegetable garden and binds the bean plant. Netherlands paper etching / drypoint gardening. cultivation ~ agriculture. plants and herbs: bean

The monk in the cornfield, anonymous, after Rembrandt van Rijn, after 1646 print paper etching man and woman cohabiting. monk(s), friar(s)

Plate from l'Assommoir (man leaning on bar) 1878 France. Drypoint on ivory laid paper . Gaston La Touche

Etching by Francisco José de Goya depicting a prisoner turned left with a neck iron attached to a wall chain, showing posture, restraint, and detail, executed before 1859.

Etcher: Unknown, After: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, The GolfPlayer, Etching, sheet: 9.7 × 14.4 cm (3 13/16 × 5 11/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Le livre de comptes , Alphonse Legros (1837-1911)

Two figures in an interior, Jozef Israëls, 1873 print A woman sits on a chair to the right in an interior. There is an old man or woman in the box bed. The Hague paper. etching interior of the house. built-in bedstead (Dutch: 'bedstee'). adult woman

Children's fight at Raam, Camille Joseph Etienne Roqueplan, 1831 print Paris paper. children's games and plays

The Smith, Passage du Dragon Made 1894 United States. Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper . James McNeill Whistler

Painter in his studio, Paulus Anthonius Liernur, After Adriaen van Ostade, 1841 - 1857 print A painter at work in his studio. He is sitting behind a donkey by the window, behind it two assistants or students prepare paint. paper etching painter at work, in his studio. painter preparing colours

Sans Débrider, Stan II; Jasi Ski, Feliks Stanis AW (1862-1901), Meissonier, Jean Louis Ernest (1815-1891); around 1887 (1886-00-00-1888-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, reproductive graphics, riders, horses, musketeers, state prints, purchase (provenance)

Figure studies, Anonymous, After Abraham Bloemaert, 1600 - 1700 print Three figure studies of two women and a man and a left arm. Under 58 numbered. paper engraving the (nude) human figure; 'Corpo humano' (Ripa)

Man in oriental clothing on horseback; Cavalier Oriental. Man in oriental clothing on horse holds a carabic rifle. He wears a turban on his head. The horse with long curly mane and tail runs to the left in a rocky landscape with a low horizon. The leaf Thin Chinese paper that the artist used for this technique (Chine Collé) has ended up in this print with an irisselage crooked on the supporting sturdy leaf.

Copper engraving by Jan Witdoeck depicting the grave of Christ, produced between 1635 and 1650, showing Christ's body in a tomb with surrounding figures.

Night face with figures with a money bag, Reinier Vinkeles (I), 1794 print In a forest by night, two men exchange a money bag and something else with each other, under the watchful eye of a few. In the background, two men are looking at the scene, hidden behind the trees. Amsterdam paper etching / engraving night. forest, wood. purse, money-bag. bringing gifts; exchanging gifts

Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra): 'These too.' (Tambien estos.) 1810 ( published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra): 'These too.' (Tambien estos.) 381368 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra):'These too. (Tambien estos.), 1810 ( published 1863), Etching, drypoint and burin , Plate: 6 1/2 9 1/4 in. (16.5 23.5 cm) Sheet: 9 15/16 13 9/16 in. (25.2 34.4 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(25))

Group Figures under Trees, Willem de Zwart, 1924 print paper etching / drypoint pleasure fair and circus

Souvenir or The Guitar. Anders Zorn; Swedish, 1860-1920. Date: 1895. Dimensions: 238 x 159 mm (image/plate); 394 x 296 mm (sheet). Etching on white laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Wagon with farmers, Reinier Craeyvanger, 1834

The Halt, from Old English Masters. Timothy Cole (American, born England, 1852-1931); after George Morland (English, 1763-1804). Date: 1900. Dimensions: 435 x 345 mm (sheet). Wood engraving on chine paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Presentation of a story from the Aesopus Fabelen, Hendrik Numan, 1746 - 1788 print Two men in a large kitchen point to hooks with meat hanging on a beam. Haarlem paper fables

Denon Instructing a Young Woman Drawing on a Lithographic Stone 1815-1825 France. Lithograph in black on white wove paper . Dominique-Vivant Denon

The Murder of Polonius 1835-1843 France. Lithograph in black on off-white China paper laid down on white wove paper . Eugène Delacroix

AFestival. Artist: Marius A. J. Bauer, Dutch, 1867-1932

The eavesdropping conversation, Carel Frederik Curtenius Bentinck, after Reinier Craeyvanger, 1845 print A woman stands at the door and listens to the conversation between a man and a woman. The man is outside and looks through the window inside. The woman in the room is on a spinning wheel and strokes a dog. In the middle of the room there is a mountain of food on the floor. To a painting by Reinier Craeyvanger. print maker: Netherlandsafter painting by: Netherlandsprinter: The Hague paper. eavesdropper - AA - female human figure. dog. interior of the house. conversation, dialogue; conversation piece

Hamlet discovers Polonius behind the curtain, Eugène Delacroix, in or after 1834 - in or before 1863 print Print is part of a cover with fourteen prints. Paris paper Hamlet, Prince of Denmark

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

'Clear Folly' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published 1864) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.. 'Clear Folly' from the 'Disparates' (Follies / Irrationalities) 397762

The Blacksmith 1833 France. Etching and aquatint in black on off-white wove paper . Eugène Delacroix

A Woman with her Hands on a Vase, Soldier, and Slave, from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1740-1750. Dimensions: 138 x 176 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Mowers in the field, Jules Bastien -Lepage, 1858 - 1884 print Nummered at the top right. France paper etching / drypoint reaping, picking, mowing ~ harvest. agricultural implements: scythe. sharpening, grinding (industrial processes)

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Reproduction of a painting: Henryk Siemiradzki (1843-1902), The Sword Dance bonus for the members of the Society of the Friends of Fine Arts in Kraków for the year 1895. Photographische Gesellschaft (Berlin, Londyn, Paryż ; wydawnictwo fotograficzne ; 1862-1927), printing house, Towarzystwo Przyjaciół Sztuk Pięknych w Krakowie (Kraków ; organizacja ; 1854- ), merchant employer, unknown, photographer

Farmer's wife in a barn runs up a staircase, Willem Linnig (II), 1852 - 1890 print paper etching / letterpress printing barn. farmers - AA - female farmer, farmer's wife

Dark interior with group of eating chefs, Théodule Augustin Ribot, c. 1860 - c. 1870 print Nummered at the bottom left: 5. Paris paper etching / drypoint cook. breakfast

Arab Seated, His Hands Crossed on His Knees Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Adolph Kittendorff (1820-1902); Peter Julius Larsen (1818-1852), a Hedebopige, 1880's

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